is an online oral practice/instruction/assessment platform for foreign language teaching. It dramatically increases your students' oral practice opportunities by making it possible to give speaking homework. developed at Purdue
"
Using TPCK with
digital story
issues in educational technology
Abstract
Digital storytelling
is recognized as a motivating
students in critical thinking and reflective learni
ng
storytelling are readily available and much easier
to use today than they were in years pa
convergence of these facto
rs has facilitated the inclusion of digital storyte
lling in p
educational technology courses
. Some researchers have expressed concern over
approach
technology instruction
over careful consideration of the educational value
of the tool, speculating that such
are unlikely to result in
powerful uses of technology in schools. Mishra and
Koehler (2006)
proposed a conceptual framework
technology an
d pedagogy. With emphasis on the development of
Content Knowledge (TPCK)
, the model reframes
for pre-service teachers.
This case stud
framework to a digital storytelling project in an u
ndergraduate teacher education course.
Keywords:
digital storytelling, educational technology, Techn
ological Pedagogical Content
Knowledge, TPCK
Journal of Instructional Pedagogies
TPCK with
Digital Storytelling
digital story
tell
ing to investigate contemporary
issues in educational technology
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Why do the terms "nature," "landscape," and "wilderness" have such positive connotations in German? Why do humans yearn for nature and protect it? How does this differ from culture to culture?
Dossier article from the Bundeszentrale für politische Bildung
website maintained by Judy Shoaf, director of the Language Learning Center at the University of Florida since 1993. She now writes a column on legal issues for the IALLT journal Language Learning and Technology
Eyes are on "the UCLA case," where a university has been sued because it undertook to provide video streams on campus without asking permission from the video rights holders. The case is not likely to be definitive but it raises important questions: What constitutes classroom use of a film? Can an institution sign away its fair use rights? Who is responsible for providing the infrastructure for streaming media distribution at an educational institution?