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Recursos en scoop.it sobre cooperación 2.0: "Aprendizaje cooperativo en entornos 2.0"

Google Forms is a great tool and I hope to use it more throughout this year. Take a look here for a more detailed introduction and guide to using and creating a Google Form - this was written prior to Google bringing forms into the NEW menu.

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recopilación de entradas sobre el tema de google plus

Animaps extends the My Maps feature of Google Maps by letting you create maps with markers that move, images and text that pop up on cue, and lines and shapes that change over time.When you send your Animap to friends it appears like a video - they can play, pause, slow and speed up the action!

"This small program can help you to calculate optimal cut of rectangular details. It can be used to design cutting out of wood, glass, steel and other material."

Sitios en la red en los que puedes obtener recursos con licencias abiertas para incorporar a tus contenidos educativos: sonidos, imágenes, animaciones, software, aplicaciones... Curated by Raúl Luna

"into the benefits of a resource-based economy and scientific arguments for its feasibility"

"Este curso como otros años quería hacer algún trabajo artístico para reclamar la atención del alumnado ante el problema de la violencia machista. Estaba cansada de hacer instalaciones centradas en lo luctuoso del día. Lo triste, lo que nos pone los pelos de punta. Quería añadir una nueva palabra a mi serie: CAIDAS, PERFILES, y OFRENDA . Pero deseaba encontrar alguna idea positiva, alejarme de la muerte y reflexionar sobre la esperanza, la salida al problema. Y no se como, se me ocurrió: GRITOS ¿Qué le gritarías a esas mujeres que sufren?. ¿Qué mensajes de apoyo les dirías?.¿Cómo animarlas de alguna manera a salir de esa espiral?. Y así llevé a propuesta a clase. Empecé proponiendo yo algunos de los gritos que se me ocurrían y pedí nuevos a mis alumnos en cada clase. La lista se hacía grande, grande, se repetían las frases, pero fue muy emocionante ver manos levantadas para proponer nuevos gritos y lo claro que mis alumnos lo tenían: ¡PUEDES CON TODO!, ¡NO ESTÁS SOLA!, ¡TU LO VALES!, ¡JUST DO IT!, ¡FEMELE POWER!, ¡QUIÉRETE!, ¡QUE NADA TE PARE!, ¡CREE EN TI!, ¡LUCHA POR LO QUE QUIERES!, ¡FUERA MIEDOS!,¡ ERES ÚNICA!, ¡CUÍDATE, ¡TE LO MERECES!, ¡ERES FUERTE!, ¡PUEDES SALIR!, ¡NO TE RINDAS!, ¡ERES INIGUALABLE!, ¡PAUSE THE GAME AND RESET! ¿Y la técnica?. ¿Como mezclar las imágenes del alumnado con su menajes? Mediante un Agamograph se me ocurrió mezclar retratos de cada uno de ellos con el grito que entre todos queríamos lanzar a esas mujeres que sufren, gritos de apoyo para mujeres con la autoestima por los suelos, faltas de valor por años de violencia y de impotencia."

"En las clases que imparto en la Universidad de Ottawa, pido a mis estudiantes que participen en un grupo de Facebook cerrado, que se registren en Twitter, que abran un blog, si no tienen ya uno, y que utilicen una plataforma de curación colaborativa de datos como Scoop.it, Diigo o Pocket.El uso de plataformas de curación de contenidos me sirve para enseñar a los estudiantes cómo elegir categorías o etiquetas (tags ) para clasificar las informaciones útiles para almacenarlos y rescatarlos a largo plazo, con el fin de encontrarlas fácilmente a partir del mismo momento que hacen la curación. Esta competencia les será muy útil en el resto de su carrera.Los blogs son utilizados como soportes del «trabajo final»El grupo de Facebook es utilizado para compartir el Syllabus o "plan de la unidad didáctica", la agenda de clase, las lecturas obligatorias, las discusiones internas de gruposEn Twitter, la conversación propia de cada clase es identificada por un hashtag.Reflexionando sobre mi práctica docente desde una decena de años, me doy cuenta que descansa en un modelo de aprendizaje colaborativo de tres fases: 1) una práctica común, 2) un diálogo sobre esta práctica, 3) una reflexión colectiva que emerge del diálogo y que enriquece la práctica a cambio."

"... Reclaiming pedagogy as a form of educated and militant hope begins with the crucial recognition that education is not solely about job training and the production of ethically challenged entrepreneurial subjects and that artistic production does not only have to serve market interests, but are also about matters of civic engagement and literacy, critical thinking, and the capacity for democratic agency, action, and change. It is also inextricably connected to the related issues of power, inclusion, and social responsibility.[2] If young people, artists, and other cultural workers are to develop a deep respect for others, a keen sense of the common good, as well as an informed notion of community engagement, pedagogy must be viewed as a cultural, political, and moral force that provides the knowledge, values, and social relations to make such democratic practices possible. In this instance, pedagogy needs to be rigorous, self-reflective, and committed not to the dead zone of instrumental rationality but to the practice of freedom and liberation for the most vulnerable and oppressed, to a critical sensibility capable of advancing the parameters of knowledge, addressing crucial social issues, and connecting private troubles into public issues. Any viable notion of critical pedagogy must overcome the image of education as purely instrumental, as dead zones of the imagination, and sites of oppressive discipline and imposed conformity. ..."

"Our new blog is designed to radically reduce the energy use associated with accessing our content. Low-tech Magazine was born in 2007 and has seen minimal changes ever since. Because a website redesign was long overdue - and because we try to practice what we preach - we decided to build a low-tech, self-hosted, and solar-powered version of Low-tech Magazine. The new blog is designed to radically reduce the energy use associated with accessing our content. Why a Low-tech Website? We were told that the Internet would "dematerialise" society and decrease energy use. Contrary to this projection, it has become a large and rapidly growing consumer of energy itself. In order to offset the negative consequences associated with high energy consumption, renewable energy has been proposed as a means to lower emissions from powering data centers. For example, Greenpeace's yearly ClickClean report ranks major Internet companies based on their use of renewable power sources."

"The Chinese government blocked 17.5 million would-be plane passengers from buying tickets last year as a punishment for offences including the failure to pay fines, it emerged. Some 5.5 million people were also barred from travelling by train under a controversial "social credit" system which the ruling Communist Party claims will improve public behaviour. The penalties are part of efforts by president Xi Jinping's government to use data-processing and other technology to tighten control on society."

"Since 1995, four years after India opened its doors to free markets, according to India's National Crime Records Bureau, NCRB, nearly 270,000 Indian cotton farmers have killed themselves. The 'Accidental Deaths & Suicides in India,' has placed the death toll for a cumulative 16-year at 256,913 deaths, the worst-ever recorded wave of suicides of this kind in human history. "

"Planet makes its imagery available to news organizations, NGOs, and first responders, and below we've collected imagery of the most impactful events of 2017, as seen from space (we've linked to news articles that feature these stories in the subheads)."

"It took 200,000 years for our human population to reach 1 billion-and only 200 years to reach 7 billion. But growth has begun slowing, as women have fewer babies on average. When will our global population peak? And how can we minimize our impact on Earth's resources, even as we approach 11 billion?"

"This book is a collection of homework problems for use in an introductory physics course. It is a work in progress, currently complete through mechanics and electromagnetism. There is a complete set of ancillary materials, including solutions and an online answer checker. If you're an instructor, you can use these problems as a plug-in replacement for the ones in a commercial textbook, thus insulating yourself from common hassles associated with using the problems from a commercial text. For example, you can change books without having to redo all your problem sets, or you can tell your students that they can use any edition of a particular text."

"This book YOUNG & CREATIVE - Digital Technologies Empowering Children in Everyday Life aims to catch different examples where children and youth have been active and creative by their own initiative, driven by intrinsic motivation, personal interests and peer relations. We want to show the opportunities of digital technologies for creative processes of children and young people. The access to digital technology and its growing convergence has allowed young people to experiment active roles as cultural producers. Participation becomes a keyword when "consumers take media into their own hands". Digital technologies offer the potential of different forms of participatory media culture, and finally creative practices. YOUNG and CREATIVE is a mix of research articles, interviews and case studies. The target audience of this book is students, professionals and researchers working in the field of education, communication, children and youth studies, new literacy studies and media and information literacy."

"Contents:Notebook of Leonardo da Vinci ('The Codex Arundel'). A collection of papers written in Italian by Leonardo da Vinci (b. 1452, d. 1519), in his characteristic left-handed mirror-writing (reading from right to left), including diagrams, drawings and brief texts, covering a broad range of topics in science and art, as well as personal notes. The core of the notebook is a collection of materials that Leonardo describes as 'a collection without order, drawn from many papers, which I have copied here, hoping to arrange them later each in its place according to the subjects of which they treat' (f. 1r), a collection he began in the house of Piero di Braccio Martelli in Florence, in 1508. To this notebook has subsequently been added a number of other loose papers containing writing and diagrams produced by Leonardo throughout his career. Decoration: Numerous diagrams. "