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The widespread protests following Belaid's assassination showed the depth of division between Islamists and secular movements fearful that freedoms of expression, cultural liberty and women's rights were under threat just two years after the popular uprising ended decades of Western-backed dictatorship.

The day before his death he was publicly lambasting a "climate of systematic violence". He had blamed tolerance shown by Ennahda and its two, smaller secularist allies in the coalition government toward hardline Salafists for allowing the spread of groups hostile to modern culture and liberal ideas.

Declining trade with the crisis-hit euro zone has left the 11 million Tunisians struggling to achieve the better living standards many had hoped for following Ben Ali's departure.Its compact size, relatively skilled workforce and close ties with former colonial power France and other European neighbors across the Mediterranean has raised hopes that Tunisia can set an example of economic progress for the region.Lacking the huge oil and gas resources of North African neighbors Libya and Algeria, Tunisia counts tourism as a major currency earner and further unrest could scare off visitors vital to an industry only just recovering from the revolution.

"There are political forces inside Tunisia that don't want this transition to succeed," Marzouki said in Strasbourg. "When one has a revolution, the counter revolution immediately sets in because those who lose power - it's not only Ben Ali and his family - are the hundreds of thousands of people with many interests who see themselves threatened by this revolution."

One activist contacted by Reuters said spontaneous protests such as those in France were now impossible in Egypt.

“Opposition political movements do not have a presence on the ground and current political parties are part of the regime,” said the activist, who asked to be identified only by his first name, Mustafa. “More importantly, the location of all activists is now known...They are either in prison or in their houses subject to police supervision.”

Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

Despite Mohammed bin Salman's ambitions, which include overhauling the kingdom's economy away from its reliance on oil, the prince has faced criticism for the Saudi-led war in Yemen, which he oversees as defence minister. The war, launched more than two years ago, has failed to dislodge Iranian-allied rebels known as Houthis from the capital, Sanaa, and has had devastating effects on the impoverished country. Rights groups say Saudi forces have killed scores of civilians and have called on the United States, as well as the UK and France, to halt the sale of weapons to Saudi Arabia that could be used in the Yemen war.

new ways of building came, like so much else, from the West, first through colonial administration and then through foreign “advisors,” often taking advantage of the insecure land-law of the region, introduced by the Ottoman land code of 1858. By the time France had been granted the mandate to govern Syria in 1923, modernist building types, the mania for roads and motorized “circulation,” the idea that cities should be disaggregated into “zones”—residential, commercial, industrial, and so on—and the obsession with hygiene had all made their destructive mark on the urban fabric

As in Russia and Germany, the arrival of the totalitarian state was prefaced by the arrival of totalitarian architecture

a modern city, another piece of anywhere

Architectural modernism fed into the Arab inferiority complex: concrete high rises, plazas, geometrical patterns, energy-intensive fenestration, sometimes with a mihrab or a dome stuck on in deference to a history that is no longer really believed in—all these have become part of the new vernacular of a hasty urbanization. The basic idea has been to abandon the great tradition of the Ottoman city, with its many communities in their tents of stone, and to “catch up” with the West

Rarely, in any of this, however, has provision been made for the migrants from the villages, who have been compelled to survive in unplanned and unregulated structures, heaped up around the cities with no thought for how they look or for the character of the public spaces beneath them

The old rabbit-warren city of the Middle East was a conflict-defusing device, a continuous affirmation of neighborhood and settlement. The new city of jerry-built concrete towers is a conflict-enhancing device, a continuous “stand-off” between competing communities on the edge of a place that does not belong to them and to which they in turn cannot belong.

architect Marwa al-Sabouni, whose book, The Battle for Home, tells the story of how the conflict in Syria has overwhelmed her own city of Homs. She shows that you cannot destroy the serene and unostentatious forms of the Levantine city without also jeopardizing the peace that they symbolized and which to a measure they also protected

We should remember that the idea of replacing the organic city of customary styles with cleared spaces and blocks of concrete, while it originated among European intellectuals, was first tried out in the Arab world. Le Corbusier, who had attempted in vain to persuade the city council of Paris to adopt his plan to tear down the entire city north of the Seine and replace it with an assemblage of glass towers, turned his attention to the North African city of Algiers instead, which was at the time under French colonial administration. As architectural advisor to the French Vichy government during the war he was able to overrule the elected mayor of Algiers and impose his will upon the city—though the Allied victory abruptly put an end to his plans.

Le Corbusier’s scheme is still studied and even treated with reverence in modern schools of architecture. It involved erasing the old city from the map, replacing it with great square blocks that negate the Mediterranean coastline and the contours of the landscape, and surmounting the whole with streets along which automobiles fly above the population. No church or mosque has a part in the plan; there are no alleyways or secret corners. All is blank, expressionless, and cold. It is an act of vengeance by the new world against the old: not a project for settling a place, but a project for destroying it, so that nothing of the place remains

the glitzy restaurant style of Dubai, in which vast gadgets, belonging to no known architectural language but looking like kitchen tools discarded by some gigantic celebrity chef, lie scattered among ribbons of motorway

Care for one’s place is the first move towards accepting the others who reside there. The thoughts “this is our home,” and “we belong here” are peacemaking thoughts. If the “we” is underpinned only by religious faith, and faith defined so as to exclude its historical rivals, then we have a problem. If, however, a resident of Homs can identify himself by the place that he shares with his fellow residents, rather than the faith that distinguishes him, then we are already on the path away from civil war.

decisions are made by officials, and officials belong to the great system of Mafia-like corruption that is the true cause of the Syrian conflict, and which has encouraged the Syrian political elite in recent times to look to Russia as its natural ally

Capitalism’s “creative destruction” is the anti-conservative claim that nothing that exists could not be improved easily in a short time by fast, profitable and “efficient” total replacement.

in the 1990s there were many popular Syrian TV drama series about how people lived and interacted with each other in the neighborhoods of the old cities in Syria during the late 19th and early 20th century. They depicted the days when the Levant society as it existed in its centuries-old Ottoman era make-up, just prior to the transition into colonial and post-colonial modernity and showed how rich and poor lived together in the same neighborhood, it showed the old houses, the shops & the markets.

Roger Scruton is romanticizing. He therefore completely misunderstands the expressive functional reality of ordinary homes and security by focusing on public architecture, which everywhere expresses elite ideals instead of common ones. Take Florence and the Italian Republics. Frequent wars and not infrequently with Muslim empires meant homes had to be defensible and closed off from streets. Only later, briefly, and elsewhere later like in Britain and the US were isolated farm villages open to welcome trade, or US farm homes isolated away from the necessity of group protections because genuine threats had become to rare to proactively defend against them. Similarly, the divide in the Muslim world is between open plans in port cities secured through trade by larger powers that could ensure protection, versus homes way from ports, deliberately closed off against strangers so as to be defensible against frequent invaders. Most of the Islamic world remains like unstable and insecure early Florence. And homes throughout MENA reflect their isolation and insecurity through closed plans, just as much as Spanish ones from Moorish times do, even in the New World.

President Barham Salih will begin consultations to choose a new candidate for a new prime minister within 15 days, the state news agency said. But Iraq could end up without a prime minister in the meantime if Abdul Mahdi, who stayed on in a caretaker capacity, also quits on Monday.

The protests, which initially demanded jobs and services, quickly turned into calls for the removal of Iraq’s entire ruling elite. Protesters had opposed Allawi because they view him as part of the system they want to bring down.Security forces and powerful militia groups have fatally shot hundreds of mostly unarmed demonstrators. Around 500 people have been killed in unrest since October, most of them protesters, according to a Reuters tally from medics and police.

On Sunday, security forces killed one person and wounded 24 at an anti-government protest in Baghdad

a sort of social persecution of men and women who look religious — something that could further exacerbate Tunisia’s terrorism problem. Alienation pushes these people to the margins of society, making them psychologically fragile and more receptive to radical discourse targeted against the state. “How do you expect people to feel when they’ve been subjected to this sort of treatment?” said Ghaki. “They’ll feel hatred and a desire for vengeance.”

experiences frequent harassment by police and security personnel because she wears a face veil, the niqab. She said she once had to wait 45 minutes before she was allowed into a hospital. Though she offered to show her face and allow the security personnel to check her identity, she said they made sure to humiliate her before letting her go inside to visit her ailing relative.

While people have gotten used to seeing women wearing the hijab in Tunisia’s streets, niqabi women and bearded men are the country’s new scapegoats. Chaima said that she was once called a terrorist by a group of people in a passing car. “It’s not easy to be who we are in Tunisia,” she said. “Some people want to let us know that we have no place here.”

a group of lawmakers tried to exploit the rising fear of terrorism by proposing a law that would make it illegal for women to cover their faces in public. The draft law drew comparisons to a controversial 2010 law passed in France under president Nicolas Sarkozy. This is no coincidence. France is Tunisia’s former colonial power, and French law, culture, and values have had a profound impact on modern Tunisian society, particularly among the upper classes.

Decades of forced secularization under the Bourguiba and Ben Ali regimes made people less accustomed to the sight of traditional clothing and long beards. Displays of conservative religiosity are less common than in other countries in the region, and thus tend to draw scrutiny.

This kind of treatment inevitably contributes to the alienation and sense of exclusion felt by many of Tunisia’s most vulnerable people. It should be no surprise if some of them actually end up joining the terrorists who society has already classed them with. Sometimes it seems that the security forces aren’t even trying. Ahmed Sellimi, another of Mona and Tarek’s brothers, went to a police station one day to try to convince them to stop the harassment. “Why are you here?” asked the agent he addressed. “Why don’t you just go the mountains with the rest of the terrorists?”

Such accusations can be tried in France on the basis of universal jurisdiction which allows the courts to take on cases, even if the alleged crimes took place on foreign territory.

"We have to wage a permanent struggle against these verbal abuses," said Algerian sociologist Mohamed Saib Musette."Some Algerians forget that they themselves are Africans." Interracial marriages are rare in North Africa, he said, and "very few TV stars, civil servants or political leaders are dark-skinned".

And the Algerian parliament followed suit in April 2020, reflecting, according to Musette, the fact that the reality of racism "is there and must be fought".

Slavery was first formally abolished in the region by Tunisia in 1846. French-colonised Algeria partially followed suit two years later, while Morocco under French mandate only did so in 1922.

modern-day slave markets have been reported in war-torn Libya, where desperate migrants suffer horrific abuse at the hands of human traffickers

In the absence of official data, non-government groups estimate there are more than 200,000 African foreigners in Algeria, and tens of thousands in both Morocco and Tunisia.

Algeria and Tunisia bar foreign Africans from obtaining residency papers unless they are students.Only Morocco has exceptionally granted residency rights to some 50,000 people, mostly from West Africa, since 2014.

he most significant setback since Haftar launched an assault on Tripoli in April 2019, with the backing of France, the UAE, Egypt, Jordan and Russia

With Turkey deploying ever-increasing numbers of ethnically Turkish Syrian troops on the ground and drones in the skies, the GNA has dealt the LNA a series of setbacks since the start of April. 

Wattiyah had played a key role for Haftar, whose forces seized the air base in 2014, not only because it served as a key operations center for his assault on the Libyan capital but because it was one of the few former Libyan Air Force facilities spared from airstrikes in the 2011 NATO intervention, due the fact it had stored mostly decommissioned aircraft. Haftar had since restored many of the decommissioned jets to service.

the LNA’s closest air base is in Jufrah, some 490 km away from Tripoli in central Libya. The city of Tarhouna, 180 km southeast of Tripoli, is the LNA’s sole remaining stronghold for the assault on the capital.

A high-ranking GNA military source close to Osama al-Juwaili, who hails from the western city of Zintan and led the GNA forces attack on Wattiyah yesterday, told Mada Masr yesterday that the attack was carried out in coordination with Zintani forces aligned with Haftar inside the air base. 

After GNA forces took the air base, they posted images online of what they claimed were captured Russian-made Pantsir air defense systems mounted on trucks as well as manuals on how to use the equipment. 

“The Russians are not at all amused with some of the images that have been shared of the GNA troops capturing Russian weapons,” the Egyptian official says.

The GNA continued to make advances on Tuesday, seizing the towns of Jawsh, Badr and Tiji — all on the outskirts of the Nafusa Mountains — from LNA control. The GNA forces remain engaged in clashes to try to take the city of Asabiah, a crucial city along the LNA’s supply line and strategic location for Haftar’s forces located near Gharyan, the site of Haftar’s former main operations center. 

The Libyan political source who is close to Haftar says that the UAE, after consulting with Egypt, has called on the United Kingdom to intervene to support the political roadmap put forward by Aguila Saleh, the head of the Tobruk-based House of Representatives who was once a strong supporter of Haftar but is now vying for a larger stake in the political scene himself and moving against the general.

“What the spring of 2020 has revealed is that the UAE doesn’t possess the military or diplomatic wherewithal to continue protecting and strengthening Haftar’s ongoing offensive on Tripoli,” Harchaoui says. “Militarily and in terms of strategic savvy, the UAE is no match to NATO member Turkey, especially knowing that the latter enjoys Washington’s tacit acquiescence these days, over a year after the White House’s initial green light to Haftar. Meanwhile, the Russian state has just never provided the strategic support it could have, if it had genuine faith in Haftar’s adventure.”

none of this means that the UAE will necessarily tamp down its ambitions to take control of Tripoli. “The UAE will never relent or abandon this old obsession, even if it takes another decade — Libya is just too important from a Sunni-Arab perspective,”

if these states do discard Haftar, it will be a way for them to freshen up their stance and restore a tiny bit of their credibility by pretending it was Haftar’s fault all along. One must note that Russia will come out of this re-adjustment stronger and more influential in eastern Libya

Egypt is extremely worried that GNA-affiliated troops could head further east toward Egypt’s western border with Libya

Despite the president’s rhetoric, multiple Egyptian officials that have spoken to Mada Masr in recent weeks say that Egypt will not engage in a direct confrontation with Turkey in Libya, as long as Turkey keeps affiliated militias far away from the Egyptian borders

public support for Haftar is eroding, as there are increasing talks among a popular federalist current in the east of the country to withdraw support for Haftar’s war effort

In urban areas, like downtown Benghazi, some militias — which are not unlike those in Tripoli — will also feel emboldened, and may be tempted to break away from the LNA, a structure that has been hyper personalized by Haftar.

According to the UN special mission’s acting head, 58 civilians were killed and more than 100 wounded between April 1 and May 8, a significant increase in the number of civilian victims compared to the first three months of the year. Most of these casualties, according to Williams, could be attributed to Haftar’s forces, who have been carrying out indiscriminate bombing of the capital in recent weeks. 

Forces affiliated with the GNA have meted out harsh reprisals in the past. In 2012, Misrata forces besieged the city of Bani Walid, a stronghold for loyalists to former ruler Muammar Qadhafi, displacing thousands of families. Similar scenes surfaced when GNA forces took the cities of Sorman and Sabratha to the west of Tripoli in mid-April, stoking concerns of further reprisals.

In the midst of this global energy crisis, African leaders have argued that their nations should also be allowed to ramp up fossil fuel use to improve domestic energy access—given they had contributed so little to historic carbon emissions. Indeed, 43 percent of Africa’s 1.4 billion people still lack access to electricity. As a result of soaring energy prices, the number of people without access to energy across Africa rose for the first time in decades, threatening to erode all gains made. According to the International Energy Agency, around 1 billion Africans will still rely on dirty fuels, such as firewood, for cooking in 2030. However, Western governments demanded that multilateral lenders, such as the World Bank, stop funding fossil fuel projects to reduce global carbon emissions.

Africa is seeking more than just climate reparations as it looks to transform the global system. African leaders want a permanent seat for the African Union at the G-20, two seats on the U.N. Security Council, and a reordering of global tax rules under the United Nations.

Inflation in Ghana rose to 15.7 percent in March as the Ghanaian currency lost 16 percent of its value against the dollar, prompting protests in June over the soaring cost of living.

Egypt, Africa’s second-largest economy, agreed on Oct. 27 to a $3 billion bailout from the International Monetary Fund (IMF). It was the country’s fourth since Abdel Fattah al-Sisi took power in a coup in 2013, making Egypt the IMF’s second-largest debtor after Argentina. Long a top choice for emerging market investors, Egypt had become heavily dependent on hot money, but investors panicking over the war in Ukraine pulled around $20 billion out of Egypt between February and March.

2022 was a year for the restitution of Africa’s historical artifacts stolen by colonial powers. The Smithsonian Institution agreed to return its collection of Benin Bronzes and placed legal ownership with Nigerian authorities. In July, Germany handed back two bronzes and put more than 1,000 other items into Nigeria’s ownership while a digital database—known as Digital Benin, which documents Western museums’ existing collection of Benin’s artifacts—was unveiled in November. Despite this progress, there are still unanswered calls for the British Museum, the largest holder of Benin Bronzes, to return its loot. In September, the world marked the 200th anniversary of the deciphering of the Rosetta Stone, a fragment of written decrees issued by Egyptian priests during the reign of Ptolemy V (204 to 180 B.C.). Egyptian scholars and archaeologists renewed their demand for the stone’s return, which has been housed at the British Museum in London since 1802. Their call has garnered more than 135,000 signatures on an online petition.

An online archive to showcase Mali’s cultural history was launched in March, digitizing more than 40,000 of Timbuktu’s ancient manuscripts, some dating to the 12th century and originally written in medieval Arabic but translated to several languages in an online platform. Malian librarians and their assistants secretly transported hundreds of thousands of documents into family homes in a bid to save them from destruction by jihadis. Through those efforts, some 350,000 manuscripts from 45 libraries across the city were kept safe.

The rise and possible fall of the Assad dynasty would provide a perfect illustration of the Khaldunian paradigm

These good Jews contributed to the Arabs with civilization and peace, scattered gold, and established prosperity in Palestine without harming anyone or taking anything by force, yet the Muslims declare holy war against them and never hesitated in slaughtering their women and children, despite the presence of England in Palestine and France in Syria

One of the signatories to this document was Sulayman al-Assad, a minor chief of the Kalbiya clan and father of Hafez al-Assad.

It would be wrong to suppose that the Alawis deliberately sought to subvert or take over the Baath or the armed forces. Their primary impulse was their own security

Nusayri sheikhs and notables encouraged young men to join the Baath because they believed its secular outlook would protect them from Sunni hegemony and persecution.

The eventual dominance achieved by the Alawis may be attributed to their highland military background and the default logic by which ‘asabiyya tends to assert itself in the absence of other, more durable structures.

Nusayri officers who had joined the Baath party became increasingly alarmed that Arab nationalism, for all its secular rhetoric, was really a veil concealing Arab Sunni supremacy

While its massacre in Hama was horrendous and it has an abysmal record on human rights, engaging in torture and severe political repression, it had a good, even excellent one when it came to protecting the pluralism of the religious culture that is one of Syria’s most enduring and attractive qualities

It would be tragic if the pursuit of democracy led to the shredding of this bright human canopy, where religious and cultural differences seem to have flourished under the iron grip of a minority sectarian regime.