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Ed Webb

Netanyahu campaign video: A victory for the Left means an ISIS invasion | +972 Magazine - 1 views

  • The video opens with bearded men traveling in a pickup truck, flying the black IS flag with its distinctive white calligraphy. The driver of the truck pulls up beside another car and honks for the other driver’s attention. The IS guy in the passenger seat leans out the window and asks him, in Hebrew with a comically exaggerated Arabic accent, “Hey bro, how do you get to Jerusalem?” The driver of the car shouts back (in Israeli Hebrew), “Take a left!” Then there’s the slogan, in red Hebrew letters emblazoned on a gray, bullet-marked background: “THE LEFT WILL SURRENDER TO TERROR.” One of the IS guys fires celebratory bullets skyward and the driver peels off, ostensibly in the direction of Jerusalem, as they all shout exultantly in Arabic, “Shukran, ya ward!” (“Thanks, bro!”). The camera pans briefly to the rear of the truck to focus on a popular Israeli bumper sticker that reads, “Anyone but Bibi.” The tagline: “It’s us, or them. Only the Likud. Only Netanyahu.” The snatch of Arabic rap lyrics is excerpted from a song by an Amman-based Palestinian group called Torabyeh: “I want to be buried in the same cemetery that my grandfather was buried in. And since my childhood I’ve been dreaming to be a soldier and as time passed I discovered who I want to belong to: Mahmoud Abbas, Fatah, Hamas or…Jabha …”
  • Netanyahu has for years been promoting his message about the threat to Israeli security posed by Islamic extremism, never missing an opportunity to list Hamas along with the Islamic State, Al Qaeda, Boko Haram and even Fatah, mixing them all up so that the average Israeli Jew reflexively associates Arabs and Islam with terror. Like all accomplished populists, he understands the power of repeating a mendacious slogan, and he is an expert at exploiting popular fears and racism.
  • The popular Israeli narrative is so reactionary and confused these days, that if one were to walk the streets asking average citizens if there was a difference between Fatah and Al Qaeda, most people would be hard-pressed to answer coherently. Go ahead and try to explain to an Israeli audience that Hamas is a small offshoot of Egypt’s Muslim Brotherhood, that it is basically a technocratic political party, that it is extremely unpopular in Gaza and that it has nothing to do with expansionist jihadism. Try telling people that if Israel would lift the siege on Gaza, disgruntled Palestinians in Gaza would probably kick Hamas out of power immediately. Just try. The best you can hope for is that you’d be told that you’re a traitor who should go live in Gaza.
Ed Webb

Three Decades After his Death, Kahane's Message of Hate is More Popular Than Ever - MERIP - 0 views

  • on November 5, 1990, Rabbi Meir Kahane was assassinated in New York City, a seminal event in the annals of American and Israeli history. Years after his death, Kahane’s killing is considered the first terror attack of the group that would later coalesce into al-Qaeda.
  • Kahane had spent the previous 22 years calling for Israel’s parliament to be dissolved and replaced with rabbinic rule over a Jewish theocracy, based on the strictest interpretations of the Torah and Talmud. He openly incited the ethnic cleansing of Palestinians—and all other non-Jews who refused to accept unvarnished apartheid—from Israel and the territories it occupied. He outdid all other Israeli eliminationists with his insistence that killing those he identified as Israel’s enemies was not only a strategic necessity, but an act of worship.[1] His ideology continues to resonate: In the September 2019 elections to Israel’s parliament the explicitly Kahanist Jewish Power Party (Otzma Yehudit) got 83,609 votes, putting it in tenth place in a crowded field of over 30 parties.
  • The victims of JDL-linked terrorist attacks in the United States were usually innocent bystanders: the drummer in a rock band who lost a leg when a bomb blew up the Long Island home of an alleged Nazi war criminal; the Boston cop who was seriously injured during his attempt to dispose of another bomb intended for the American-Arab Anti-Discrimination Committee; the elderly lady who died of smoke inhalation in her Brooklyn flat above a Lebanese restaurant torched after its owners were accused of sympathies with the Palestine Liberation Organization (PLO); the young Jewish secretary who was asphyxiated when another fire burned through the Manhattan office of a talent agency that promoted performances of Soviet ballet troupes.
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  • Kahanists are the FBI’s prime suspects in the 1985 assassination of popular Palestinian-American activist Alex Odeh who died in a bombing outside Los Angeles because he called for a two-state solution (which became the official policy of the US government less than a decade later).[2] Odeh’s murder had far-reaching implications, scaring off a generation of Arab-American activists from advocating on behalf of Palestinians.
  • even many sectors of the Israeli right were embarrassed by Kahane’s shameless racism, and by the end of his first term in 1988 he was banned from running again.
  • Six years later, in 1994, the Israeli government, then led by the Labor Party, declared his Kach party a terrorist organization. But by that point, the Kahane movement had already been active for over a quarter of a century, leaving a wake of destruction. To date it has produced more than 20 killers and taken the lives of over 60 people, most of them Palestinians.[3] Credible allegations put the death toll at well over double that number, but even the lower confirmed figure yields a higher body count than any other Jewish faction in the modern era.
  • For decades, Kahanists—as followers of Kahane are called in Israel—have repeatedly attempted to leverage their violence to trigger a wider war and bog Israel down in perpetual armed conflict with its neighbors. And once Israel’s military might is truly unassailable, Kahanists say, Jewish armies must march across the Middle East and beyond, destroying churches and mosques and forcing their Christian and Muslim worshippers to abandon their beliefs or die at the sword.
  • Just months after the Oslo Accords were signed in Washington, DC on the White House lawn, a former candidate for Knesset in Kahane’s Kach party, Baruch Goldstein, committed the largest mass murder by a single person in Israeli history, shooting dead 29 Palestinians and wounding over 100 more at a mosque in Hebron. During the protests that followed, the Israeli Defense Forces killed perhaps two dozen more Palestinians. Exactly 40 days later, at the end of the traditional Muslim mourning period, Hamas began its retaliatory campaign of suicide bombings. Over the next three years this campaign would claim over 100 Israeli lives and harden many Jewish hearts against the prospect of peace with Palestinians. Today, Kahanists can convincingly claim credit for crippling the fragile peace process while it was still in its infancy.
  • In Hebron in 1983, on the Jewish holiday of Purim, Kahanist Israel Fuchs sprayed a passing Palestinian car with bullets. In response, Israel’s defense minister ordered Fuchs’s Kahanist settlement razed to the ground. A decade later in 1994, when Goldstein carried out his massacre, also on Purim, Israel’s defense minister put Hebron’s Palestinian residents under curfew and ordered the local Palestinian commercial district locked and bolted. The market has been shuttered ever since. Last year, Israel’s defense minister announced that the market would be refurbished and repopulated—by Jewish residents. On the same day, the state renovated nearby Kahane Park, where Goldstein is entombed, and where Kahanists gather every year to celebrate Purim and the carnage Goldstein wrought.
  • Many of Kahane’s American acolytes followed him to Israel, including top JDL fundraiser and Yeshiva University provost Emanuel Rackman, who took over as rector, and then chancellor, of Israel’s Bar Ilan University. Under Rackman’s tutelage, Bar Ilan’s Law School became an incubator for the Israeli far-right. The most infamous of these students was Yigal Amir. Inspired by the Goldstein massacre, Amir assassinated Prime Minister Yitzhak Rabin in 1995, dealing a death blow to Israel’s liberal Zionist camp. Amir carried out the murder on the five-year anniversary of Kahane’s killing.
  • Both American-born followers of Kahane, Leitner and Ben Yosef went from armed attacks against Palestinians to court room advocates for their fellow religious extremists. Both enlisted at Bar Ilan Law School after serving short prison sentences. Together with his wife Nitzana Darshan, who he met there, Leitner established the highly profitable Israel-based lawfare group Shurat HaDin or Israel Law Center (ILC). After Ben Yosef earned his law degree at Bar Ilan, his American allies founded the Association Center for Civil Justice (ACCJ), a US-based lawfare group that has earned millions of dollars and has for years funneled significant sums to Fuchs, Ben Yosef and other Kahanists.
  • After Israeli Prime Minister Yitzhak Rabin was assassinated in 1995, his Labor-led government was replaced by the secular right-wing Likud party, led by Benjamin Netanyahu, who promptly appointed ex-Kahanists Tzahi HaNegbi and Avigdor Liberman to cabinet positions. But that did not satisfy the appetite of the Kahanists, who resolved to coax the Likud even further to the right. Founded by longtime Kahane supporter Shmuel Sackett, the Likud’s Jewish Leadership faction succeeded in catapulting its candidate Moshe Feiglin into the role of deputy speaker of the Knesset where he called on the government to “concentrate” the civilian population of Gaza into “tent camps” until they could be forcefully relocated.
  • Today, prior membership in the Kahanist camp no longer carries any stigma within the Likud.
  • the original Kach core group has rebranded itself to sidestep Israeli law, now calling itself Jewish Power, and are consistently courted by the rest of the Israeli right
  • Kahanists have had even greater success penetrating the halls of power at the local level where their representatives on Jerusalem city council have been included in the governing coalition since 2013. In 2014, Kahanist Councillor Aryeh King—now deputy mayor—used widely-understood religious references to incite an assembly of religious Jews to kill Palestinians. Later that very night, a group of religious Jews did exactly that, kidnapping and beating Palestinian teen Mohammad Abu Khdeir, forcing gasoline down his throat and torching him to death from the inside out.
  • After Kahane’s death, top Chabad rabbi Yitzchak Ginsburgh, also an American immigrant to Israel, inherited Kahane’s position as the most unapologetically racist rabbi in the country. In 2010 Ginsburgh helped publish an influential and vicious religious tract authored by one of his leading disciples called The King’s Torah, which sanctions organ harvesting from non-Jews and infanticide (if a Jew suspects that the child will one day constitute a threat).[9] Ginsburgh’s frequent tributes to Kahane’s memory, including repeated proclamations that “Kahane was right” have cemented the loyalty of third-generation Kahanists, including the latter’s namesake grandson, settler youth leader Meir Ettinger.
  • Thirty years ago, even if Israeli rabbis thought like Kahane and Ginsburgh they would not dare to speak these sentiments out loud, much less publish and promote them. Under Netanyahu’s rule, however, such sentiments are routinely supported financially and politically by the institutions of the Israeli state. In 2019, Israel’s education minister presented Ginsburgh with the Torah Creativity award at an annual event sponsored by his ministry.
  • The principles that Rabbi Meir Kahane popularized—that liberal democracy is an undesirable alien idea and that non-Jews must be driven down, and preferably out of Greater Israel altogether—have seeped deep into mainstream Israeli society.
Ed Webb

Palestinian students battle militarization of Hebrew University - 0 views

  • A recent video clip about the Nakba and the militarization of the Hebrew University of Jerusalem, put together by a left-wing student group, has led to a furious backlash by right-wing groups and politicians who claim the clip incites to violence against soldiers. One Knesset member has called for a criminal investigation, while other actors demanded that the student chapter of the socialist Hadash party, which created and published the video, be shut down.
  • makes several claims about the militarization of Hebrew University, including that many soldiers attend the university; that Palestinian students are being removed from campus dorms; and that Israeli snipers are stationed on the roofs of university buildings in order to take shots at protesters in neighboring Issawiya
  • a controversial army intelligence training program at the university that was launched last year, which grooms undergraduates for an extended stint in the IDF’s intelligence unit, and which has seen a sharp rise in the number of uniformed, armed students attending classes on campus.
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  • According to Hamad, the university administration has not made a serious effort to consider why Arab students, as well as some Jewish students, are fearful when they see uniforms and weapons on campus. “I think they don’t understand, they see soldiers as protectors and not a threat,”
  • Yassin rejects the suggestion that showing soldiers’ faces encourages attacks against them. “There was no call to harm soldiers,” he says, adding that Hadash “fights for the good of both peoples, for the Palestinian people but also for human rights in Israel that have been trampled by a militaristic discourse.”
  • the allocation of space for soldiers’ quarters has added “hundreds of soldiers to campus” as well as additional police, and that this has created the sense that the university is involved in “the repression of the Palestinian people, especially in light of [the campus’] location next to Issawiya.”
  • A lecturer at Hebrew University who asked to remain anonymous said that the number of armed soldiers on campus has increased since the army intelligence training program began last year. They further noted that some student accommodation had been cleared for the benefit of the program. Palestinians make up a relatively high proportion of dorm residents, meaning that they have been disproportionately affected by the assigning of student housing to soldiers.
Ed Webb

The Death of the Palestinian Cause Has Been Greatly Exaggerated | Newlines Magazine - 0 views

  • For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.
  • reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict
  • The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.
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  • Nowhere is this shift in attitude more abjectly transparent than in the Gulf states’ media outlets, which hew closely to the state line and even go beyond it in an attempt to out-hawk official policy, which by comparison appears reasonable and measured.
  • an obvious and transparent outgrowth of the Gulf states’ normalization deals with Israel, though it is curious to me why they feel the need to amplify Israel’s narrative of the conflict if they did not think public opinion was already on the side of normalization
  • Jordan violently suppressed demonstrators protesting the attacks on Gaza, who apparently did not receive the memo that 27 years should have been enough time to accept Israel’s position on the conflict. In Egypt, despite its testy relationship with Hamas and its participation in the blockade of Gaza, it is still political and social suicide to publicly embrace normalization as a concept.
  • There was great presumption and folly in the grandiose naming of a convenient political deal between unelected monarchs and a premier accused of bribery and corruption, which was brokered by an American president who paid hush money to a porn star, after the patriarch of the prophets of Israel and Islam.
  • few Arab leaders have ever actually done anything for the Palestinians beyond rhetorical support for the cause, but they were happy to use the prospect of Palestine to keep their populations in check. The late former President Hafez al-Assad imposed a multi-decade state of emergency and mobilization to justify his tyrannical hold over Syria while awaiting the mother of all battles with the enemy, all without firing a single shot across the border since 1973. The leader of the beating heart of Arabism intervened in Lebanon’s civil war and had no qualms massacring pan-Arab nationalists and their Palestinian allies, or to recruit his Amal militia allies to starve Palestinian refugee camps in Lebanon. His son and successor, President Bashar al-Assad, negotiated with Israel via intermediaries, ready to sell out his allies in Iran and Hezbollah, even as he declared his fealty to the resistance.
  • The Gulf states have long had backchannels and secret dealings with the Israelis and developed a penchant for Israeli digital surveillance tools. Egypt needed Israel to destroy extremist militants in Sinai. And Morocco, Oman, and Qatar all had different levels of diplomatic ties.
  • We don’t know broadly whether a majority of Arabs care about Palestine or not, though every indicator points to the fact that they still do
  • Riyadh’s media outlets have taken on a prominent role in expressing public sympathy for Israel and its positions
  • In Saudi Arabia, a monumental shift is underway to neuter the power of the clerical establishment in favor of a more nationalistic vision of progress that gives primacy to Saudi identity. According to Mohammed bin Salman, the crown prince, in a recent interview, this identity derives from religious heritage but also from cultural and historic traditions. MBS has defanged the hated Committee for the Promotion of Virtue and Prevention of Vice, introduced social reforms that dismantle some of the restrictions on women, detained numerous clerics who criticized his policies, both foreign and domestic, and has been elevated by his surrogates into an almost messianic figure sent to renew the faith and empower Saudi identity through KPI-infused economic progress initiatives like Vision 2030. He has also, of course, arrested those who sought to pursue activism and reform and those who criticized the pace and manner of his revolution.
  • where nationalist pride is intermingled with the quality of life and performance metrics of a technocratic capitalist state, albeit one where the reins are held by only a handful of families
Ed Webb

So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views

  • Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
  • in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
  • His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
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  • Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.
  • In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.
  • Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.
  • I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.
  • I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.
  • Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain
  • The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply
  • The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.
  • I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.
  • It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”
  • Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.
  • Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”
  • Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating
  • Bowles prompted me to think beyond the binary of “Western” versus “Arab.”
  • The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.
  • Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.
  • in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic
  • Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”
  • as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism
  • I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.
  • “Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”
  • He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”
  • In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.
  • I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.
  • In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)
  • Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.
  • The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.
  • In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.
  • Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.
  • Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco
  • both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.
  • both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.
  • The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”
  • The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West
  • his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union
  • for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.
  • That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.
  • As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco
  • today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.
Ed Webb

Saudi sitcom breaks taboos on homosexuality and Israel | Financial Times - 0 views

  • Homosexual acts in public can be severely punished under Saudi law and to discuss the topic openly, even for a fictional character, was highly unusual. That the scene was aired in a primetime slot during the Muslim holy month of Ramadan, when families were gathered together after breaking their fast, was even more radical.
  • The comedy program called Exit 7, on air since April, depicts the life of a middle-class family as they navigate a realistic, modern-day Saudi Arabia experiencing rapid social change under Crown Prince Mohammed bin Salman’s ambitious reform agenda.
  • An earlier episode explored the taboo of relations with Israel after the lead character’s son befriended a boy from the Jewish state via an online video game.
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  • produced by Middle East Broadcasting Centre, or MBC, which was brought under government control after its founder was among hundreds of royals, businessmen and former officials detained in 2017 at the Ritz-Carlton hotel in Riyadh as part of an anti-corruption campaign
  • a Saudi-Israeli friendship blossoming on a TV show aired by a state-controlled broadcaster immediately raised speculation that the kingdom wanted to encourage Saudis to accept the normalisation of ties with Jerusalem
  • MBC has defended its decision to broach such subjects on the screen. “If the choice is between a stereotypical image of the Arab world and one where MBC shows tolerance, mutual living and meetings between religions and cultures, then so be it,” spokesman Mazen Hayek said earlier this week on the network’s Egyptian channel. “At least we would be helping to heal wounds and bring people together.”
  • The older generation remains mainly supportive of the Palestinian cause and official government statements emphasise that support. But some young Saudis, who have adopted an ultranationalist agenda, view the conflict as a distraction and argue that citizens must focus on their own country and ignore pan-Arab issues.
  • Given increased government control of the entertainment industry over the past four years, some observers said that tackling controversial topics, such as Israel and homosexuality, was now easier for broadcasters than criticising official institutions or raising the real issues that affect people’s daily lives — something that past Ramadan shows, featuring the same actors, have done to strong effect.
  • “Even though it managed to stir controversy and generate much discussion, the topics [the programme] deals with so far remain distant from the daily concerns of Saudi citizens making it seem like an alien imposition even if performed by familiar faces.”
Ed Webb

A murder in Tehran may signal elections in Jerusalem | Financial Times - 0 views

  • a message killing
  • With the fate of the economy in the hands of vaccine manufacturers and the future of his trial in the hands of independent prosecutors and, so far, unsympathetic judges, Mr Netanyahu has dialled up the volume on the one arena in which he has unquestioned sway — foreign policy.
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