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"If it's true, in Sir Ken Robinson's words, that "Creativity is not an option, it's an absolute necessity," then it's that much more imperative to find ways to bring creativity to learning. But first, we have to understand what conditions foster true creativity. One definition that scientists have agreed upon for creativity is the ability to create something that's both novel as compared to what came before, and has value. "It's this intersection of novelty and value, a combination of those two features that's particularly important," Dr. Robert Bilder, a psychiatry and psychology professor at UCLA's Semel Institute for Neuroscience and Human Behavior. In any system, there are forces pushing towards organization and others introducing unpredictability. A truly creative idea straddles both of those states."

"Coding, computer programming and computer science are being discussed as possible curriculum topics, pedagogical tools and integration contexts within our elementary schools. I understand, however, that some teachers may feel a certain level of concern, worry or even anxiety when it comes to learning and teaching within this area. How are educators expected to teach coding with little to no experience? How can they develop and implement lessons without adequate formal instruction in the subject area? While these questions are valid, I challenge teachers to see the novelty of coding as a valuable professional and personal opportunity."

"It's hard to believe that just six years ago Minecraft was virtually unheard of. It was little more than a hobby project for creator and designer Markus Persson. Fast forward to 2016 and Minecraft has completely changed the way we perceive videogames. Starting as a novelty in a handful of innovative classrooms, Minecraft is now a foundation of curriculums around the world. From math to art to geography and even quantum mechanics, Minecraft and imaginative educators are turning bland subjects into incredible immersive learning experiences."

"Anyone reading this post right now -- whether on your computer, tablet or smartphone -- knows that the interfaces for reading have indeed changed. Whereas just a decade ago, touchscreens were still a novelty, today they permeate our lives. And, according the Pew Internet Project, teens have a device ownership rate of 68 percent for smartphones and, overall, 91 percent for cell phones. "

"I have a couple of more 3D printing projects that I haven't written about this year, but by the time this posts it will be the last day of school, and I feel like this would be the right time to reflect on what a year of 3D printing in the classroom was like. I started the year with a lot of ideas and excitement, but I wasn't really sure how the year would pan out. Looking back now I couldn't be happier. The level of learning that occurred this year was more than I expected. As excited as I was at the prospect of using a 3D printer in the classroom, I was nervous that I wouldn't be able to figure out how to tie it to the curriculum. I wondered if my students would be able to understand how it works and be able to use it effectively. I was concerned that I wouldn't have time for projects with all the other demands that happen in a classroom. My concerns were overshadowed by the novelty and the excitement of the printer. I think that is what many of my students felt too. They were curious, excited, and bewildered."

"If it's true, in Sir Ken Robinson's words, that "Creativity is not an option, it's an absolute necessity," then it's that much more imperative to find ways to bring creativity to learning. But first, we have to understand what conditions foster true creativity. One definition that scientists have agreed upon for creativity is the ability to create something that's both novel as compared to what came before, and has value. "It's this intersection of novelty and value, a combination of those two features that's particularly important," Dr. Robert Bilder, a psychiatry and psychology professor at UCLA's Semel Institute for Neuroscience and Human Behavior. In any system, there are forces pushing towards organization and others introducing unpredictability. A truly creative idea straddles both of those states. "The truly creative changes and the big shifts occur right at the edge of chaos," Bilder said."

"When adopting technology in the classroom, one of the key concerns for teachers and administrators is classroom management. I am often asked if there is a way to "lock down an iPad screen" or "ensure students cannot go to inappropriate websites" (e.g. Social Media). In other words, how do we keep students on task and ensure that they are not distracted by the novelty of gadgets or communicating with friends via texting or social media? Often, teachers will take up devices (such as mobile phones) to avoid the issue of students texting or checking Facebook on their phones (eliminating access to a powerful, pocket computer in the process)."

"As tablets move from novelty items to staples in the classroom, teachers are finding new ways to make them more than just another screen for students to look at. One way to make the devices more interactive and collaborative is to extend their reach by connecting them with external sensors or robots. According to Sam Patterson, a technology integration specialist at Gideon Hausner Jewish Day School, a K-8 school in Palo Alto, CA, "What we are seeing is technology becoming more and more transparent." Years ago, if you had a computer for every student in the class it would look like a computer lab. And then each student had a laptop, and it was a classroom full of screens, he noted. "Now students have the ability to connect to other things in the room, so that when we are collecting data we can do it directly and do observations," he said. "It is amazing that in a seventh-grade science class, you can import data and it is in a spreadsheet already. You can start to work with that data without having to teach the students how to build a spreadsheet.""

"Imagine spending every day in a physical space designed for people much bigger than you. To wash your hands or get a drink of water, you'd have to drag a chair over to the sink or ask a friend for a boost. Your feet would dangle in mid-air when you sat down and you'd have to crane your neck and stand on tiptoe to read the bulletin board. After the novelty wore off, it's likely that you'd end up feeling uncomfortable, insignificant, and out of place. Unfortunately, this is how many children feel every day in their classrooms. Whether it's because the chairs are too big or too small, the aisles too narrow, the tables too low, or the displays too high, the message is clear: "This room was not made for you." The sad fact is that most classroom spaces are far from ideal. Perhaps they were originally designed and built with little or no consultation with the teachers who would be working in them. Or maybe they were designed for another purpose, or with tight budgetary restrictions. And while teachers probably won't be able to transform an inadequate classroom space into an ideal one, they can make dramatic improvements. So, where to begin? The most obvious place is by thinking about the students. Before moving a single piece of furniture or clearing a wall for a display, learn as much as you can about the particular needs of the children you'll be teaching by talking with families and former teachers. Below are some general guidelines to help you create a physical environment that makes children feel comfortable and significant and that best serves their needs."

"ATTENTION deficit hyperactivity disorder is now the most prevalent psychiatric illness of young people in America, affecting 11 percent of them at some point between the ages of 4 and 17. The rates of both diagnosis and treatment have increased so much in the past decade that you may wonder whether something that affects so many people can really be a disease. And for a good reason. Recent neuroscience research shows that people with A.D.H.D. are actually hard-wired for novelty-seeking - a trait that had, until relatively recently, a distinct evolutionary advantage. Compared with the rest of us, they have sluggish and underfed brain reward circuits, so much of everyday life feels routine and understimulating. To compensate, they are drawn to new and exciting experiences and get famously impatient and restless with the regimented structure that characterizes our modern world. In short, people with A.D.H.D. may not have a disease, so much as a set of behavioral traits that don't match the expectations of our contemporary culture."

"Over the years, YouTube has slowly evolved from being a classroom novelty to becoming a classroom staple for many educators. Whether you are looking to YouTube for quick and easy explanations, engaging animations or just relevant class material, there is no better place to start than YouTube's official 'Education' channel."

"With the amazingly powerful tools students have at their fingertips, creating rich and interactive media is no longer a novelty, it's a must. Bringing together words, images, audio and video from every corner of the web, students are building real digital masterpieces. But making sure all those pieces are legal, referenced and attributed correctly can be a minefield of licenses, copyright notices and terms and conditions."

"It is quickly becoming a non-negotiable for all classrooms to leverage social media in order to communicate with families and other classrooms-thus engaging others in the daily lives of students. While simply posting "fun" photos is a start, this novelty wears off quickly, and as a result, we must think more critically about how we communicate via social media. We must think more critically about how we communicate via social media. As a second grade teacher who facilitates a student-centered classroom, I now believe our use of social media is an opportunity for students to partake in the type of learning in which they can thrive and shout their story to the world."

"There ought to be a law limiting people to one use of the term "life-changing" to describe a life event. Had a life-changing cup of coffee this morning? Well, hope it was good because that's the one use you get! If this legislation came to pass, then I would use my allotment on my decision to write about data science. This writing has led directly to 2 data science jobs, altered my career plans, moved me across the country, and ultimately made me more satisfied than when I was a miserable mechanical engineering university student. In 2018, I made a commitment to write on data science and published at least one article per week for a total of 98 posts. It was a year of change for me: a college graduation, 4 jobs, 5 different cities, but the one constant was data science writing. As a culture, we are obsessed by streaks and convinced those who complete them must have gained profound knowledge. Unlike other infatuations, this one may make sense: to do something consistently for an extended period of time, whether that is coding, writing, or staying married, requires impressive commitment. Doing a new thing is easy because our brains crave novelty, but doing the same task over and over once the newness has worn off requires a different level of devotion. Now, to continue the grand tradition of streak completers writing about the wisdom they gained, I'll describe the lessons learned in "The Year of Data Science Writing.""

"Achieving success typically means keeping a solid grip on your motivation. Otherwise, long-haul projects fizzle fast as you encounter the strain of regular challenges.  But scientists from Emory University now say that chronic inflammation is a huge troublemaker, and that it might interfere with your drive to persist and explore. According to their new theory, detailed in the paper Can't or Won't? Immunometabolic Constraints on Dopaminergic Drive, chronic inflammation puts a squeeze on your brain's dopamine supply. You probably know dopamine best for its role in helping you feel happy, but it's a chemical that keeps your brain seeking novelty, too."

"Architectural Design is not a subject normally taught in schools. Because it presents something of a novelty to children, it often produces some very creative and exciting results. Furzedown Primary School in South West London regularly hold a sequence of lessons in its summer term focusing on this with a Year 5 class. The process starts looking at structure and continues with spacial design, materials, drawing techniques followed by model making. The children are normally given a brief and asked to design a pavilion. To conclude the sequence of lessons, a selection of projects is chosen to build full scale."