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"Restaurants and public places in Ireland are loud. They looked so different from the United States -- full of people laughing and talking to one another -- that it took me several days to figure out just what I was seeing. Actually, it was what I wasn't seeing. As we traveled through Ireland, families and friends met each other for dinner or coffee just like we do here in the States, but without one thing. Their cell phones weren't out. No one was texting. No one was taking selfies. They were with each other. . . . . . except in one place -- the McDonalds."

"Teenagers really get a bad time,' says Sarah-Jayne Blakemore. 'It is amazing how it seems to be totally acceptable - even institutionalised - to parody and demonise them. We laugh at things that mock teenagers, but if you applied those sorts of jokes to any other sector of society, it just wouldn't be acceptable.' Blakemore is a professor of cognitive neuroscience and deputy director of the University College London Institute of Cognitive Neuroscience. She is sitting in her office behind Russell Square, the heartland of London academia, mounting a strong defence for every teenager in Britain who has slammed a bedroom door, smoked a cigarette, driven a car too fast and even - though she certainly doesn't condone this - given in to the peer pressure that surrounds drugs such as Ecstasy. Society's response to the teenage conviction that 'nobody understands' is often lack of patience. Teenagers, we think, are moody, self-absorbed, reckless, defiant creatures who reject our wisdom in favour of a path of personal sabotage. But the rallying cry from Blakemore - an increasingly powerful voice in the world of international neuroscience, who has given policy advice to the British government - is that teenagers are right. Beyond the world of neuroscientific research, for the most part society does not understand them."

"A year ago, Nick Anglin was a jaded 6th grader who, as he put it, "hated school and rarely paid attention or did homework." He punctuated the hours of boredom by cracking jokes and making his classmates laugh. Then, something extraordinary happened. Anglin went to a summer Maker Corps camp at the Sutherland Middle School in Charlottesville, Virginia, where his teachers Robert Munsey and Eric Bredder encouraged him to follow his curiosity and passion. As Anglin recently recalled, "They challenged us from day one: 'Create a project related to something you love, incorporate some type of technology and possibly start a business around it.'""

"How do you captivate a classroom full of digital-since-birth students? According to one Tennessee college professor, you do it by creating immersive learning experiences."

"If there is one piece of advice that is drilled into you as a new parent, it is to limit screen time. Bringing home our first baby, I may have not known how to effectively swaddle or change a diaper, but I did know, "back is best" and "no screen time for children under two." Yet, screens are something we as parents are constantly interacting with. In those early days of parenting, our parents laughed as we announced that we would not expose our children to screens. Yet screens are such a piece of our world. How could I expect a child not to find interest in the screens and technology that we interact with routinely? Does this abstinence approach to teaching new parents and those who work with our youngest learners do more harm than good? Does coding and computational thinking have a place in early childhood education? Yes, it certainly does. "

"A decade ago professors complained of a growing "epidemic" in education: Wikipedia. Students were citing it in papers, while educators largely laughed it off as inaccurate and saw their students as lazy, or worse. As one writing instructor posted to an e-mail list in 2005: "Am I being a stick-in-the-mud for for being horrified by students' use of this source?" How things have changed. Today, a growing number of professors have embraced Wikipedia as a teaching tool. They're still not asking students to cite it as a source. Instead, they task students with writing Wikipedia entries for homework, exposing the classwork to a global audience (and giving students an outside edit by an army of Wikipedia volunteers). There's even a new peer-reviewed academic journal about using Wikipedia in higher education."

"Last week, Mona Lisa smiled. A big, wide smile, followed by what appeared to be a laugh and the silent mouthing of words that could only be an answer to the mystery that had beguiled her viewers for centuries. A great many people were unnerved. Ars Technica Join Ars Technica and Get Our Best Tech Stories DELIVERED STRAIGHT TO YOUR INBOX. SIGN ME UP Will be used in accordance with our Privacy Policy Mona's "living portrait," along with likenesses of Marilyn Monroe, Salvador Dali, and others, demonstrated the latest technology in deepfakes-seemingly realistic video or audio generated using machine learning. Developed by researchers at Samsung's AI lab in Moscow, the portraits display a new method to create credible videos from a single image. With just a few photographs of real faces, the results improve dramatically, producing what the authors describe as "photorealistic talking heads." The researchers (creepily) call the result "puppeteering," a reference to how invisible strings seem to manipulate the targeted face. And yes, it could, in theory, be used to animate your Facebook profile photo. But don't freak out about having strings maliciously pulling your visage anytime soon. "Nothing suggests to me that you'll just turnkey use this for generating deepfakes at home. Not in the short-term, medium-term, or even the long-term," says Tim Hwang, director of the Harvard-MIT Ethics and Governance of AI Initiative. The reasons have to do with the high costs and technical know-how of creating quality fakes-barriers that aren't going away anytime soon."

From the bustling streets of Thousand Oaks, California, emerged a star whose brilliance would light up the entertainment world for years to come. Amanda Bynes, a name that resonates with both young and old, has been a beacon of talent, versatility, and resilience. With a career spanning over two decades, she has donned many hats - from a bubbly child artist making her audience laugh to a mature actress delivering powerful performances, and then transitioning into the world of fashion with grace and panache.