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John Evans

Beyond Gadgets: What Does It Mean to Be a Literacy Teacher Today? - 0 views

  • What is most valuable is that my literacy has expanded my communities. Instead of learning only from literacy leaders and the few authors I've been fortunate enough to hear at an annual conference or two, I can now learn from so many different people on a daily basis by accessing the internet. The thinking that is possible when I interact in new communities has been key to who I have become as a reader, writer and thinker. I love the way that I can become part of a community that I did not even know existed only a few years ago.
    • John Evans
       
      This is one of the most important aspect of 21st century skills - community!
  • I love books and children's literature, and these will always be the anchors of my own work. But I can't be comfortable being a literacy teacher today without expanding my notion of what it means to be literate in the 21st Century.
John Evans

The K-12 Web 2.0 Debate: Learning To Communicate : March 2009 : THE Journal - 0 views

  • reference has been made in current writing to such skills as collaboration, networking, and critical thinking as direct benefits for students; however, teaching practitioners are becoming more sophisticated in recognizing levels of learning within those skill development areas.
  • What is not so obvious but is becoming apparent is that within the general concept of communication, students can develop these skills differently and for different purposes with increased use of Web 2.0 tools. So, while we explore how Web 2.0 tools can assist in direct connection between individuals in the learning process, we must also explore how those connections build and expand students' ability to communicate effectively in various contexts and for various purposes.
John Evans

Future of Education - Charting the Course of Education and Learning in a Networked World - 0 views

  • This community is devoted to providing an opportunity for those who care about education to share their voices and ideas with others. It's a place for thoughtful discussion on an incredibly important topic. Right now we're in pre-launch phase in order to answer the "Carol Broos" questions! The official launch will be at the end of January.
  • This community is devoted to providing an opportunity for those who care about education to share their voices and ideas with others. It's a place for thoughtful discussion on an incredibly important topic.
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    This community is devoted to providing an opportunity for those who care about education to share their voices and ideas with others. It's a place for thoughtful discussion on an incredibly important topic. Right now we're in pre-launch phase in order to answer the "Carol Broos" questions! The official launch will be at the end of January
John Evans

How Schools Can Use Social Networking - 0 views

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    The participation and active contribution of users is what makes these networks powerful, "purposeful communities." My organization, the Denver-based Mid-continent Research for Education and Learning (McREL), believes these communities can have a powerful effect on student achievement in our 21st century schools.
John Evans

About - Hurricane Katrina: Tempest in Crescent City - 0 views

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    There are three main educational goals for the game: * Teach players about how everyday residents of New Orleans acted heroically to help each other. This is a celebration of New Orleans residents and their culture. * Emphasize what are perhaps the two most important priorities in any disaster: communication and use of local resources, needs, and knowledge. The relief effort in Hurricane Katrina was severely hampered by the poor communication between government agencies and through most media outlets. Top down disaster management also led responders to ignore local resources and knowledge that could have saved many lives. Even in the aftermath, local needs and wishes are largely being ignored during rebuilding. * Draw attention to the continuing struggle in New Orleans as residents fight for housing in 2008. The city was destroyed by negligence, and, unfortunately, it is now being rebuilt without homes for many of its most loyal residents.
John Evans

Facilitating Reflection: A Manual for Leaders and Educators - 0 views

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    "Reflection" is a vital component of service-learning. This manual was designed for educators and leaders of service groups who have an interest and a commitment to provide reflection opportunities for students and community partners alike. College professors, K-12 teachers, community organization leaders, and leaders of service organizations have all found, "Facilitating Reflection: A Manual for Leaders and Educators," a useful supplement to their work.
John Evans

TKI - Home - 0 views

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    TKI is a bilingual portal and web community which provides quality-assured educational material for teachers, school managers, and the wider education community. It is an initiative of the Ministry of Education NZ
John Evans

K12 Online Conference 2009 | Self-driven and Classroom-based: Professional Development ... - 2 views

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    "Based on Guy Claxton's statement that "schools should become communities of practice where … the 'elders' of the community are themselves exemplary learners" (Claxton, 2002), this presentation explores the importance of Classroom-Based Teacher Development and Reflective Practice as essential professional development practices for the 21st century. "
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
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  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

ICDL - International Children's Digital Library - 0 views

  • Our Mission The mission of the International Children’s Digital Library Foundation is to excite and inspire the world's children to become members of the global community – children who understand the value of tolerance and respect for diverse cultures, languages and ideas -- by making the best in children's literature available online.
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    The mission of the International Children's Digital Library Foundation is to excite and inspire the world's children to become members of the global community - children who understand the value of tolerance and respect for diverse cultures, languages and ideas -- by making the best in children's literature available online.
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    Our Mission The mission of the International Children's Digital Library Foundation is to excite and inspire the world's children to become members of the global community - children who understand the value of tolerance and respect for diverse cultures, languages and ideas -- by making the best in children's literature available online.
John Evans

PNP Communication Center | Portable North-Pole | Sympatico.ca Holidays - 0 views

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    For the second year in a row, we're bringing Santa closer to you! Help someone you care about receive a personalized video message from Santa Claus himself using the PNP console, a technological breakthrough that makes real-time communication with the North Pole possible!
John Evans

Connected Learning: Harnessing the Information Age to Make Learning More Powerful | All... - 5 views

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    "This report introduces connected learning, a promising educational approach that uses digital media to engage students' interests and instill deeper learning skills, such as communication, collaboration, and critical thinking. The report lists four elements constituting connected learning's emphasis on bridging school, popular culture, home, and the community to create an environment in which students engage in and take responsibility for their learning."
John Evans

How to set your Google Plus Profile and Edtech Communities to follow if you are a teach... - 1 views

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    "Want to use Google+ to connect with other education and technology enthusiasts, but not sure where to start? Set aside 20 minutes and you too can be a part of the vibrant EdTech community on Google+."
John Evans

Alternative to School Suspension Explored Through Restorative Justice | MindShift - 0 views

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    "One by one, in a room just off the gym floor at Edna Brewer Middle School in Oakland, Calif., seventh graders go on the interview hot seat. Kyle McClerkins grills them on aspects of adolescent life: "What is the biggest challenge for middle school girls?" he asks. "What has changed about you from sixth grade to now?" Some 80 students have applied to be "peer leaders" in this school's new, alternative discipline program. Called "restorative justice" this school and the Oakland Unified School District are at the forefront of a new approach to school misconduct and discipline. Instead of suspending or expelling students who get into fights or act out, restorative justice seeks to resolve conflicts and build school community through talking and group dialogue. Its proponents say it could be an answer to the cycle of disruption and suspension, especially in minority communities where expulsion rates are higher than in predominantly white schools."
John Evans

Ways to Use Video Conferencing in the Classroom - Teachers With Apps - 2 views

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    "Video conferencing is a wonderful technology that has helped change the way both business and personal communication is conducted. It not only provides a more personal, intimate way to communicate compared to a phone call, but thanks to additional services like document sharing and multi-point capabilities, the technology is by far the most effective and productive way to conduct important meetings outside of actually being face-to-face. But its effectiveness is so close to what a face-to-face meeting can give that it completely negates the need to travel to any sort of in-person meeting. Video conferencing isn't just a useful tool for businesses and personal use, it's also a wonderful tool teachers can use to enhance a student's learning experience in the classroom, whether that classroom is in an elementary school, middle school, high school, or university."
John Evans

APP ED REVIEW Roundup for January - Collaborative Learning Apps - 1 views

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    "Technology is changing not only the instructional methods we use to teach our students, but it is changing the classroom and learning experience. Digital learning communities - virtual spaces where students can collaborate, assist in each other's learning, and build relationships - are integral to 21st century learning. With it being January and a time for New Year's Resolution, we thought these apps might be something to try out in the new year! To support teachers, this month's Roundup is a compilation of App Ed Review's favorite learning communities apps that support students asking and answering questions, collaborating on work in real time, and creating their own lessons."
John Evans

How to start safely using social media in the classroom - Daily Genius - 1 views

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    "It's a controversial topic: do you introduce social media in the classroom or ignore it? Whether you use traditional social platforms or social-focused tools, many educators find that this technology helps increase engagement and excitement with students, many of who are already very familiar with it. "Students communicate, research, collaborate, create and publish online with or without the help of parents or educators. These same students then hop on social media to promote, discuss and share their thoughts with the world. The digital environment is offering us some of the greatest learning opportunities that young learners have ever had," says Gail Leicht, an 8th grade teacher. Bringing social networking into the classroom gives quiet students a chance to shine; sharing their voice online is often easier than speaking out in class. It also opens the doors for collaboration and communication between peers, both inside and outside of the classroom. Not to mention, it gives teachers another opportunity to connect with students. Despite the benefits, many educators still shy away from using social networking in the classroom because they are unsure about how to integrate it successfully. In fact, fewer than 20 percent of U.S. teachers use social media in the classroom, according to USNews.com. Luckily, the process isn't quite as daunting as it seems. Not to mention, you don't need to use traditional social networks to take advantage of social networking in the classroom. Follow these simple steps and watch as your students start sharing, commenting and publishing while learning important lesson material."
John Evans

10 Things That Will Surprise You If You Put Kids In Charge | EdSurge News - 6 views

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    "ner Driven Community," a disruptive approach led by self-directed learners, in a community tightly bound by personal covenants and contracts, using the full power of the internet to craft a transformative, personalized learning path."
John Evans

Going global: a literacy, a process, a call to action (and some resources) - @joycevale... - 1 views

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    "When you are lucky enough to travel and visit with librarians all over the world, you realize the power and the talents of our community. One thing is clear to me: as librarians, we haven't yet leveraged our true power as global connectors.  Lately I've been thinking about our yet-to-be-realized opportunities and how we might realize them. You see, I see convergence. Never before have we had truly effective tools for synchronous conferencing and media-rich asynchronous group discussion. Never before have we been able to leverage our emerging online communities of practice.   Never before has participation been so possible.  Never before has our world been so flat. Never before has it be more obvious that the prefix geo might amplify themes in any curriculum. One of the titles in Heidi Hayes Jacobs' recent Contemporary Perspectives on Literacy series is Global Literacy.  This video introduction describes how the author/editor sees the intersection of three critical literacies: digital literacy, media literacy and global literacy"
John Evans

A ThingLink challenge and new video tagging - @joycevalenza NeverEndingSearch - 3 views

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    "One of the most versatile and easiest-to-use platforms I've used over the past several years is ThingLink. I've used the interactive poster tagging tool to create and embed media-rich image maps, to annotate and evaluate the claims infographics make, as a portfolio and as a curation tool. This summer, educator, consultant and ThingLink Education Community Manager, Susan Oxnevad invites educators to share their creativity and push the envelope with a ThingLink Teacher Challenge on a Google+ Community. In her blog post, Susan explains the rationale for this free self-paced summer challenge: This challenge invites teachers to learn to use interactive images to redefine learning in the classroom. Learn how to connect audio, video, images, and text in one cohesive presentation during this self-paced professional development opportunity. "
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