Skip to main content

Home/ Literacy with ICT/ Group items tagged us history

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
John Evans

Where Edtech Can Help: 10 Most Powerful Uses of Technology for Learning - InformED : - 2 views

www.opencolleges.edu.au/...ses-of-technology-for-learning

edtech learning uses technology

shared by John Evans on 02 Mar 15 - No Cached
  • John Evans on 02 Mar 15
     
    "Regardless of whether you think every infant needs an iPad, I think we can all agree that technology has changed education for the better. Today's learners now enjoy easier, more efficient access to information; opportunities for extended and mobile learning; the ability to give and receive immediate feedback; and greater motivation to learn and engage. We now have programs and platforms that can transform learners into globally active citizens, opening up countless avenues for communication and impact. Thousands of educational apps have been designed to enhance interest and participation. Course management systems and learning analytics have streamlined the education process and allowed for quality online delivery. But if we had to pick the top ten, most influential ways technology has transformed education, what would the list look like? The following things have been identified by educational researchers and teachers alike as the most powerful uses of technology for learning. Take a look. 1. Critical Thinking In Meaningful Learning With Technology, David H. Jonassen and his co-authors argue that students do not learn from teachers or from technologies. Rather, students learn from thinking-thinking about what they are doing or what they did, thinking about what they believe, thinking about what others have done and believe, thinking about the thinking processes they use-just thinking and reasoning. Thinking mediates learning. Learning results from thinking. So what kinds of thinking are fostered when learning with technologies? Analogical If you distill cognitive psychology into a single principle, it would be to use analogies to convey and understand new ideas. That is, understanding a new idea is best accomplished by comparing and contrasting it to an idea that is already understood. In an analogy, the properties or attributes of one idea (the analogue) are mapped or transferred to another (the source or target). Single analogies are also known as sy
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

Historical Inquiry: 20+ Creative Ways History Teachers Can use Primary Sources @coolcat... - 1 views

www.coolcatteacher.com/-primary-sources-teach-history

inquiry ways history teachers use primary sources primary sources

shared by John Evans on 14 Jan 16 - No Cached
  • John Evans on 14 Jan 16
     
    "Historical inquiry helps make history class exciting. History teachers can use primary sources in creative, exciting ways to make history come alive. Many people in history might be dead, but your teaching doesn't have to be. Let's dive in. What is historical inquiry? How can it be used to teach history? How can you use technology, creativity, and exciting projects to teach history? Here's how."
John Evans

Free Technology for Teachers: A New Crash Course in U.S. History - 1 views

www.freetech4teachers.com/...rash-course-in-us-history.html

free technology teachers crash course u s history history

shared by John Evans on 01 Feb 13 - No Cached
  • John Evans on 01 Feb 13
     
    "At about this time last year John Green launched Crash Course World History. That video series now contains 42 short video lessons on World History. Today, John Green launched a new Crash Course series. This one is all about U.S. History. The first video in the Crash Course U.S. History series is now up on YouTube. I've embedded it below. The series starts before Europeans arrived in North America."
John Evans

Innovate My School - 'History Mysteries': How not knowing leads to great knowing! - 2 views

www.innovatemyschool.com/...knowing-leads-to-great-knowing

school history mysteries knowing

shared by John Evans on 06 Jan 17 - No Cached
  • John Evans on 06 Jan 17
     
    "One thing that always interested me about History was the growing realisation that even the supposedly simplest and most straightforward facts are quite often shrouded in a mystifying narrative; a trail of sources that leaves the true story open to a range of opposing interpretations and outcomes. Whilst we may think we have answered all the questions and arrived at the correct conclusions about the sequences of events, a differing theory or discovery of a contradictory source can suddenly debunk the accepted. That is what makes learning History so fascinating; the mysteries. The definite mysteries that we may never solve or we can see evolving into an answer as decades move forward, or the certain chronicle that suddenly finds itself turning into a cryptic puzzle as later evidence emerges. Within us all is a person who wants to know the answers when challenged by the unknown, and to embrace the exhilaration of cracking a Sherlockian case. Instead of a just a 'Whodunnit?', exploring history mysteries involves a wider spectrum of narratives and therefore can offer a far more rich tapestry of skills including analysis, questioning and the evaluation of places, events and persons. Follow me down the rabbit's hole into the wonderland of history mysteries."
John Evans

Here Is An Interesting New Tool for History Teachers ~ Educational Technology and Mobil... - 1 views

www.educatorstechnology.com/...tool-for-history-teachers.html

tool history teachers educational technology mobile learning

shared by John Evans on 22 Dec 15 - No Cached
  • John Evans on 22 Dec 15
     
    "Chronas is an interesting new web tool we discovered through Larry Ferlazzo. This is a history application that link Wikipedia and Wikidata with a chronological and cartographical view. Chronas allows you to explore the world history through the use of a colourful map together with a time slider beneath it. You can use the time slider to select a given period in time and view the events that marked its history. You can also click on the different regions and locations on the map to access and read Wikipedia articles related to them."
John Evans

Free Technology for Teachers: Zoom In - US History Lessons Based on Primary Sources - 2 views

www.freetech4teachers.com/...-history-lessons-based-on.html

free technology teachers zoom us history history lessons primary sources primary sources

shared by John Evans on 09 Aug 15 - No Cached
  • John Evans on 09 Aug 15
     
    "Zoom In is a new resource that US History teachers will like. After reading Glenn Wiebe's and Larry Ferlazzo's glowing reviews of it, I had to try it out too. Zoom In provides units of lesson plans built around primary source documents. The collection of lesson units is organized into six eras of US History."
John Evans

Guardians of History: Britannica's new choice-driven historical adventures - @joycevale... - 4 views

blogs.slj.com/...e-driven-historical-adventures

joycevalenza history adventures

shared by John Evans on 08 Jul 19 - No Cached
  • John Evans on 08 Jul 19
     
    "Your voice launches the immersive audio adventure that is one part Oregon Trail, one part Back to the Future, one part Choose Your Own Adventure, and one part classic radio theater. Guardians of History players become Time Travel Agents to explore historical civilizations and learn about the characters and institutions that influenced them. The free, choice-driven adventure is designed for all ages-both students and enthusiasts. A version is designed for players under 13. Time travel begins when you enable tell your smart speaker-Amazon Echo or Google Home, either "Alexa, open Guardians of History," or "OK Google, open Guardians of History." And, if you are using a screen-enabled device like Echo Show, Echo Spot or Google Home Hub, you will be able to see supporting illustrations to enrich the story."
John Evans

5 Good iPad Apps for Teachers and Students of U.S. History | iPad Apps for School - 1 views

ipadapps4school.com/...rs-and-students-of-u-s-history

U.S. History apps ipad

shared by John Evans on 13 Apr 14 - No Cached
Ali Rizvi liked it
  • John Evans on 13 Apr 14
     
    "As someone who used to teach U.S. History I still get excited when I see iPad apps made specifically for the purpose of helping students understand significant events in U.S. History. The following apps are iPad apps that I've enjoyed using over the last year."
John Evans

Transforming History Lessons with Twitter | The Apptive Learning Lab - 1 views

theapptivelearninglab.com/...g-history-lessons-with-twitter

history lessons twitter connections

shared by John Evans on 02 Mar 15 - No Cached
  • John Evans on 02 Mar 15
     
    "We have recently started a class Twitter feed to extend our classroom beyond its walls and share our learning with the world. The students are so thrilled to upload their work samples for parents, teachers and other classes around the world to see. They excitedly wait to see whether we have any new followers or replies and my inbox is crowded with emails from my students sending me examples of their iPad work to post. They love to hear my laptop "ping", indicating a new email, and announce matter-of-factly to the class "That was me, just sending you my work for our Twitter". This latest technological venture for us has brought a new-found sense of enthusiasm to our learning environment. Last week as part of our History studies we connected with experts via Twitter to completely transform our History assessment. The existing assessment task required students to observe photos of old and new technology and pose and answer questions based on what they could see in the images. I immediately thought of Twitter and the possibility of engaging with experts to answer our questions, and provide us with new information that we could not gain ourselves by analyzing a photograph."
John Evans

Making (in) History: Learning by Reinvention | Edutopia - 1 views

www.edutopia.org/...ng-by-reinvention-heather-pang

making history learning edutopia makered

shared by John Evans on 06 Dec 15 - No Cached
  • John Evans on 06 Dec 15
     
    "The history classroom was a mess. There were wires, nails, brads, and wooden pieces on every desk, and students around me struggled with a difficult task. I knew that, in the middle of the mess, I had reached a good balance between student independence and teacher instruction, between hands-on experience and historical material, when one of my students looked up and said, "Mrs. Pang, this is fun! It's really hard, but it's fun." She looked back down at the length of wire in her hands and kept winding it onto a large nail. She was following instructions to create the electromagnet on a telegraph machine. This student and her partner got theirs to work on the second try. Through this small making project, they were exploring the history of innovation and communication. At the same time, they were learning about making electrical connections, how to use tools, and how to troubleshoot their work when it failed. And they said it was fun. In my mind, they were referring to Seymour Papert's kind of fun: hard fun."
John Evans

Creating sign language books in Book Creator - Book Creator app | Blog - 2 views

www.redjumper.net/...gn-language-books-book-creator

creating sign language sign language books book creator app

shared by John Evans on 19 Dec 14 - No Cached
  • John Evans on 19 Dec 14
     
    "The inspiration - History ebook Back in April 2014 I worked with Hill Country Middle School in Austin on a collaborative ebook between 8th grade and 3rd grade students. 8th grade students composed books using Book Creator and Scrap Pad based on historical topics covered in the year. The books took on a familiar repetitive children's storybook theme to make the concepts easier to digest and comprehend for their 3rd grade audience. Once the framework of the book was set, 8th grade students used a Google Doc to provide 3rd grade students with a list of images they would need to complete the book. On the day of the field trip, the whole project really came together. >> Watch the video of the History Book collaboration  American Sign Language book The History ebook project became the inspiration for another collaboration."
John Evans

3 Ways to use Google Tools in Art & Art History Classes - Daily Genius - 0 views

dailygenius.com/google-art-art-history-classes

google tools art history art history classes daily genius

shared by John Evans on 08 Jan 15 - No Cached
  • John Evans on 08 Jan 15
     
    "Google has become one of the most popular tools in schools today. With its broad and flexible system of apps, there are many ways to adapt them into a classroom to help you explore new and dynamic ways of presenting materials or having students build projects! If you teach in the art department (with either Studio Art or Art History), here are three ways to use Google to facilitate your classroom workflow and to allow students to showcase their work."
John Evans

When Being a Teacher is Like Being the Beatles in 1962 - Devin's Portfolio - 2 views

blogs.winnipegsd.ca/...like-being-the-beatles-in-1962

being teacher beatles 1962 assessment data

shared by John Evans on 31 May 17 - No Cached
  • John Evans on 31 May 17
     
    "I was listening to Chris Molanphy's excellent Hit Parade podcast this week, which is based on his equally great Hit Parade column for Slate Magazine. In this episode, he details the circumstances that lead the Beatles to hold the still-unbeaten record of having the top 5 spots on the Billboard charts all at once. More remarkably, it's not that this feat was achieved through their own talent - it was almost entirely a snafu caused by the lack of interest in the Beatles by major labels. Indeed, much of the feedback they had received from labels and the American music industry was tepid at best and negative at worst. Dick Rowe at Decca Records cemented his place in history by declining to sign the Beatles, saying "Guitar groups are on the way out." He wasn't wrong - the data he had showed that there wasn't likely to be much of a return in signing the Beatles. Instead, Decca signed Brian Poole and the Tremeloes, who would cost them less money. And so, you're probably wondering how in the world this connects to education. When I look at this moment in history, I see a lot of talented people making choices which are informed by data. As teachers, we too need to look at data. It's how we understand our students better, and when used properly, can be influential in shaping our practice to make our teaching more effective. Certainly data is used as a summative tool, but it is most useful as a formative tool for students and teachers alike. How does the use of data in regards to the Beatles relate to teachers?"
John Evans

10 Useful History and Geography Apps ~ Educational Technology and Mobile Learning - 2 views

www.educatorstechnology.com/...istory-and-geography-apps.html

history geography apps educational technology

shared by John Evans on 31 Aug 13 - No Cached
  • John Evans on 31 Aug 13
     
    "Below are some good iPad apps for History and Geography teachers. I am sharing them with you on the occasion of the start of a new school year. I invite you to have a look and share with us if you have other titles to add to the list. If you want more resources for back to school I recommend that you check this resource section."
John Evans

10 Great Search Engines for History Teachers ~ Educational Technology and Mobile Learning - 8 views

www.educatorstechnology.com/...earch-engines-for-history.html

search engines search engines history teachers

shared by John Evans on 09 Jul 14 - No Cached
  • John Evans on 09 Jul 14
     
    "After the publication of "9 Google  alternatives for academics and student researchers" today I am sharing with you this excellent list of academic search engines specifically curated for history teachers. Using these search engines, you will be able to look for and find resources and materials to use in your class with your students. These resources include original historical documents, maps, images, records, memorials, primary source materials, interactive timelines and man"
John Evans

History in 140 Characters: Asking Educators to Use Twitter - Naomi Coquillon - Technolo... - 3 views

www.theatlantic.com/...237767

twitter history teaching educators social media

shared by John Evans on 29 Apr 11 - No Cached
  • John Evans on 29 Apr 11
     
    "History in 140 Characters: Asking Educators to Use Twitter"
John Evans

Please, No More Professional Development! - Finding Common Ground - Education Week - 4 views

blogs.edweek.org/..._professional_development.html

professional development professional development

shared by John Evans on 21 Apr 15 - No Cached
  • John Evans on 21 Apr 15
     
    "Please, No More Professional Development! By Peter DeWitt on April 17, 2015 8:10 AM Today's guest blog is written by Kristine Fox (Ed.D), Senior Field Specialist/Research Associate at Quaglia Institute for Student Aspirations (QISA). She is a former teacher and administrator who has passion for teacher learning and student voice. Kris works directly with teachers and leaders across the country to help all learners reach their fullest potential. Peter DeWitt recently outlined why "faculty meetings are a waste of time." Furthering on his idea, most professional development opportunities don't offer optimal learning experiences and the rare teacher is sitting in her classroom thinking "I can't wait until my district's next PD day." When I inform a fellow educator that I am a PD provider, I can read her thoughts - boring, painful, waste of time, useless, irrelevant - one would think my job is equal to going to the dentist (sorry to my dentist friends). According to the Quaglia Institute and Teacher Voice and Aspirations International Center's National Teacher Voice Report only 54% percent of teachers agree "Meaningful staff development exists in my school." I can't imagine any other profession being satisfied with that number when it comes to employee learning and growth. What sense does it make for the science teacher to spend a day learning about upcoming English assessments? Or, for the veteran teacher to learn for the hundredth time how to use conceptual conflict as a hook. Why does education insist everyone attend the same type of training regardless of specialization, experience, or need? As a nod to the upcoming political campaigns and the inevitable introduction of plans with lots of points, here is my 5 Point Plan for revamping professional development. 5 Point Plan Point I - Change the Term: Semantics Matter We cannot reclaim the term Professional Development for teachers. It has a long, baggage-laden history of conformity that does not
John Evans

50+ Essential Songs for the History Classroom - ActiveHistory - 5 views

www.activehistory.co.uk/...top_songs.php

music history classroom SS

shared by John Evans on 28 May 17 - No Cached
  • John Evans on 28 May 17
     
    "I am a big fan of music in the history classroom and I have created a number of Spotify Playlists for this purpose. Often this is merely to help create a calm and purposeful working atmosphere, when a bit of Chopin or Debussy sets the tone perfectly. Occasionally it's even possible to have calming instrumental music directly related to the topic in question: for example, Elgar's Cello Concerto in E Minor, which was inspired by the composer watching British troop ships heading off to France in 1914. However, some songs are better used to stoke up some energy during lessons, whilst the very best of all are historical sources in themselves, combining musical feeling with powerful lyrical content. What follows is a list of songs I regularly use in class, organised in broadly chronological order in terms of the topics they relate to, with a brief explanation of how you could make use of them with your own students. What follows is a list of 25 principal songs, but with links to others on similar themes or by similar artists, bringing the total up to over 50. If you have any other suggestions, please contact me (@russeltarr / @activehistory on Twitter) and I'd be delighted to add them to the list (as long as it isn't "We didn't start the fire" by Billy Joel. Which I admit is superb, but we all know this one, surely?)."
John Evans

Lesson Plan: A Place in Time with Google Tools - The Impact of Photography - 6 views

docs.google.com/View

google tools lessonplans photography googleearth history SS MY SY

shared by John Evans on 02 Jan 10 - Cached
  • John Evans on 02 Jan 10
     
    Use the study of photography to explore with your students the power of images and their impact on history. In this lesson students learn about the history of American photography by selecting and critiquing photographs in an interactive and collaborative activity. The lesson also incorporates geographic literacy into the fine arts experience by challenging students to focus on the significance of the place, captured in time, that influenced events.
1 - 20 of 123 Next › Last »
Showing 20▼ items per page