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John Evans

First Aid App for iPads from the American Red Cross | Class Tech Tips - 0 views

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    "The American Red Cross has a handful of apps on weather safety for iPad users looking to plan and prepare for natural disasters.  They also have a great iPad app to help students of any age stay safe.  With First Aid children can learn about different ways to act in situations that require first aid.  There are photographs, informational text, and diagrams to help students understand the best steps to take in an emergency.  First Aid includes extra features including the ability to switch from English to Spanish and a quiz to check for understanding."
John Evans

Innovation Design In Education - ASIDE: How To Comment In Social Media - An Infographic... - 3 views

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    "Students are writing more than ever before. They are tapping out rapid-fire fingerstrokes across multiple platforms. From text messages to social media, children and adults of all ages are engaging like never before with the written word. This type of transliteracy emphasizes more than ever the need for thoughtful conversations and clear instructions that guide students in how best to express high quality feedback. Most remarks in the comment sections of Instagram and YouTube are useless. They are either crass or curt, sprinkled with emoji that do more to satisfy the ego of the commenter than to further the richness of the page. Instead, high quality comments on blogs and social media should create a dialogue that furthers the colloquy and deepens the learning. Replies on Twitter, for example, should offer suggestions or make interpersonal connections. Thoughtful comments in social media should add information, incorporate links, or most importantly, ask questions."
John Evans

9 Things Every Teacher Should Know About Using Listicles in Class | EdSurge News - 0 views

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    "Listicles are a humorous way for students to condense and share information through text and images. But how do they work in the classroom? Here's why teachers and students can learn a thing or two (or nine) from BuzzFeed."
John Evans

Why the modern world is bad for your brain | Science | The Guardian - 0 views

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    "In an era of email, text messages, Facebook and Twitter, we're all required to do several things at once. But this constant multitasking is taking its toll. Here neuroscientist Daniel J Levitin explains how our addiction to technology is making us less efficient"
reviewsserviceit

Buy Google Ads Account - 100% Safe Documents Verified - 0 views

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    Buy Google Ads Account Introduction Google Ads is a platform for online advertising that it created. Through it, businesses can pay to have information about their products and services, product listings, videos, and mobile application installs displayed to website visitors. What Is a Google Ads Account? With 96% of Google's projected $32.6 billion in advertising revenue for 2019, Google Ads has developed into the company's primary advertising product and major income generator. A person clicks on one of an advertiser's online adverts as part of the pay-per-click (PPC) system used by Google adverts. Buy Google Ads Account With Google Ads, advertisers may choose a campaign budget and several targeting choices, including keywords, demographics, and interests. Additionally, Google Ads provides a variety of ad forms, including interactive, text, picture, and video ads.
John Evans

Search the Web for Selected Words & Phrases from Almost Anywhere in iOS - 2 views

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    "On the Mac, you may know that a right-click on just about anything can bring up a "Search the web" feature. When chosen, the selected term or phrase, whether from an app or from another web browser, gets quickly searched for using your default browser. This is great if you're reading something and you want more information about a mentioned subject or topic, but the iPhone and iPad don't have this ability… or so many thought! "
Robert Vouter

Query to all in this group - 32 views

This is a question I posed to George Siemens on May 13th. Have you any references to scholarly work that would address the question of isolationism and self-referentialism in communities o...

ICT Information literacy Emerging technologies

started by Robert Vouter on 11 Jun 09 no follow-up yet
John Evans

Florida and Texas Districts Sign Onto Twitter : March 2009 : THE Journal - 0 views

  • School districts in Florida and Alaska have been the latest to initiate Twitter accounts to keep students, parents, and the public updated with news and information about their schools. Broward County Public Schools in Ft. Lauderdale and Anchorage School District have both joined the social networking and messaging site to post updates, called "tweets," on their Twitter home pages. Subscribers can be informed about new tweets through text messages, RSS feeds, and third-party applications.
John Evans

Google and Amazon to Put More Books on Cellphones - NYTimes.com - 0 views

  • In a move that could bolster the growing popularity of e-books, Google said Thursday that the 1.5 million public domain books it had scanned and made available free on PCs were now accessible on mobile devices like the iPhone and the T-Mobile G1.
    • John Evans
       
      Do people over 30 really want to look at books on their cellphones?
    • John Evans
       
      Porbably not!
  • “We are excited to make Kindle books available on a range of mobile phones,” said Drew Herdener, a spokesman for Amazon. “We are working on that now.”
  • Unlike the version of Google Book Search for PCs, which displays scanned images of book pages, the mobile version simply displays text, allowing users to download printed material more quickly over wireless networks.
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  • But just as camera phones have not replaced digital cameras, smartphones are not likely to replace dedicated e-book readers like the Kindle or the Reader from Sony, analysts said.
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications --... - 7 views

  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
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  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
shiyambabu

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John Evans

61 Educational Apps For The 21st Century Student - 7 views

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    "It's not entirely clear what it means to be a "21st century student." And in 2013, it's also not entirely clear what the definition of an "educational app" might be. Just as students are no longer tethered to textbooks (in most formal education settings), apps that are strictly didactic-designed to promote academic proficiency and foundational fluency-are often the first that parents and teachers reach for when looking for something "constructive." But the reality is, the 21st century is as much about finding, evaluating, managing, sharing, and curating information as it is reading texts, answering questions, and applying memorized formulas to neatly scaffolded problems."
John Evans

What to do about teens and their dumb naked photos of themselves. - By Dahlia Lithwick ... - 0 views

  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
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  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
  • Sexting is the clever new name for the act of sending, receiving, or forwarding naked photos via your cell phone.
  • Greensburg, Pa., were charged with disseminating child pornography for sexting their boyfriends. The boys who received the images were charged with possession. A teenager in Indiana faces fe
John Evans

C4LPT Learning Network - 0 views

  • Social media has become very popular with individuals in their personal lives, but is now moving into the workplace and offers new opportunities for both working and learning.  This new phase of  learning is known as Social Learning. A Guide to Social Learning provides a practical guide to getting engaged with social media, and understanding their use for formal and informal learning. The contents list appears in the Page Navigation area (on the left). Expand and contract the sections as required.  
  • A Guide to Social Learning is a social resource.  If you are a learning professional, you are invited to contribute to this resource by sharing your own experiences and ideas, and/or to help create supporting materials.  To contribute to this resource, you need to be a member of the C4LPT Social Learning Network. Request an account by emailing admin@c4lpt.net. Note: You don't need an account just to read the resource!
John Evans

Google and Amazon to Put More Books on Cellphones - NYTimes.com - 0 views

  • In a move that could bolster the growing popularity of e-books, Google said Thursday that the 1.5 million public domain books it had scanned and made available free on PCs were now accessible on mobile devices like the iPhone and the T-Mobile G1.
    • John Evans
       
      Will anyone over 30 really read aabook on their cellphone?
  • “We are excited to make Kindle books available on a range of mobile phones,” said Drew Herdener, a spokesman for Amazon. “We are working on that now.”
  • Unlike the version of Google Book Search for PCs, which displays scanned images of book pages, the mobile version simply displays text, allowing users to download printed material more quickly over wireless networks.
Phil Taylor

Using Images as a Powerful Gateway To Learning - iPads in Education - 5 views

  • Most of us grew up in an age where knowledge and information were primarily conveyed in textual format. Think of the encyclopedias we used. Photos were used but largely as an enhancement to articles that were text-based. Worse, the high cost of full color printing meant that the images that were used were usually in black and white.
Dennis OConnor

Infographic: Does Facebook Make You a Better Student? | News & Opinion | PCMag.com - 0 views

  • First, sites like Facebook can be a powerful study tool. From simply staying current with class news to working collectively on projects, Facebook and Twitter can do a lot to keep students informed about topics they care about.
  • the deeper students venture into social networks, the greater the risks.
  • In the end, the question isn't so much whether Facebook makes you a better student—it's how can you best manage its presence in your life and studies.
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    Inconclusive survey, which is probably the most honest results you can get on a phenomenon like Facebook.  Infographics are a fascinating way to present results, even mixed results.  
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