"European etymology maps of various commons words"

"We explore what can confer advantage. Bridget Kendall talks to best-selling author Malcolm Gladwell about whether the power of the underdog has been under-estimated; psychologist Kathryn Asbury on why some kids start school with a biological advantage over their peers, and globalisation professor Ian Goldin on ensuring future generations' advantage now."

"Academic scientists readily acknowledge that they often get things wrong. But they also hold fast to the idea that these errors get corrected over time as other scientists try to take the work further. Evidence that many more dodgy results are published than are subsequently corrected or withdrawn calls that much-vaunted capacity for self-correction into question. There are errors in a lot more of the scientific papers being published, written about and acted on than anyone would normally suppose, or like to think."

"Arguably the biggest meta-story in science over the last few years-and one that caught me by surprise-is that much of the peer-reviewed scientific literature is rotten. A pioneer in exposing this vast problem is the Stanford statistician John Ioannidis, whose blockbuster 2005 paper in PLOS Medicine presented evidence that "most current published research findings are false." Discussing his findings in Scientific American two years ago, Ioannidis writes: "False positives and exaggerated results in peer-reviewed scientific studies have reached epidemic proportions in recent years. The problem is rampant in economics, the social sciences and even the natural sciences, but it is particularly egregious in biomedicine.""

"At the same time, it is facile to dismiss science itself. The most careful scientists, and the best science journalists, realize that all science is provisional. There will always be things that we haven't figured out yet, and even some that we get wrong. But science is not just about conclusions, which are occasionally incorrect. It's about a methodology for investigation, which includes, at its core, a relentless drive towards questioning that which came before."

"When a student sits down at a test, he knows how to cheat, in principle. But how does he decide whether or not he'll actually do it? Is it logic? An impulse? A subconscious reaction to the adrenaline in his blood and the dopamine in his brain? People cheat all the time. But why, exactly, do they decide to do it in the first place?"

""Why do you do what you do?" I asked. Banksy replied, "I originally set out to try and save the world, but now I'm not sure I like it enough.""

"Scoville later called the operation "a tragic mistake" and warned neurosurgeons never to repeat it, but neuroscience and cognitive psychology benefitted hugely. The operation could not have been better designed if the intent had been to create a new kind of experimental object that showed where in the brain memory lived: there was no other way that Molaison's brain injuries could have occurred, and no other way that the precision of his memory damage could have been brought about. Molaison gave scientists a way to map cognitive functions onto brain structures. It became possible to subdivide memory into different types and to locate their cerebral Zip Codes."

"The award-winning artist Grayson Perry asks whether it is really true that anything can be art. We live in an age when many contemporary artists follow the example of Marcel Duchamp, who famously declared that a urinal was a work of art. It sometimes seems that anything qualifies, from a pile of sweets on a gallery floor to an Oscar-winning actress asleep in a box. How does the ordinary art lover decide?"

"In the first of four lectures, recorded in front of an audience at Tate Modern in London, the artist Grayson Perry reflects on the idea of quality and examines who and what defines what we see and value as art. He argues that there is no empirical way to judge quality in art. Instead the validation of quality rests in the hands of a tightknit group of people at the heart of the art world including curators, dealers, collectors and critics who decide in the end what ends up in galleries and museums."

Ironic drawings about art by modern British ceramic artist Grayson Perry, who gives a series of 3 entertaining and insightful lectures for the 2013 BBC Reith Lectures.

"How aware are plants? A plant can see, smell and feel. It can mount a defense when under siege, and warn its neighbors of trouble on the way. A plant can even be said to have a memory. But does this mean that plants think? "

" A pair of scientists in Europe recently gathered all of the best research-twenty-three investigations of memory training by teams around the world-and employed a standard statistical technique (called meta-analysis) to settle this controversial issue. The conclusion: the games may yield improvements in the narrow task being trained, but this does not transfer to broader skills like the ability to read or do arithmetic, or to other measures of intelligence."

"In recent years, however, a new interpretation of events has emerged. Tsuyoshi Hasegawa has marshaled compelling evidence that it was the Soviet entry into the Pacific conflict, not Hiroshima and Nagasaki, that forced Japan's surrender. His interpretation could force a new accounting of the moral meaning of the atomic attack. It also raises provocative questions about nuclear deterrence, a foundation stone of military strategy in the postwar period. And it suggests that we could be headed towards an utterly different understanding of how, and why, the Second World War came to its conclusion."

"With placebos ("I will please" in Latin), the mere expectation that treatment will help brings a diminution of symptoms, even if the patient is given a sugar pill. With nocebos ("I will harm"), dark expectations breed dark realities."

"Modern psychology has a serious God problem. America is a deeply spiritual country. More than half of Americans say religion is "very important" to them, and more than 90 percent profess a belief in a higher power. Yet psychology, as a scientific endeavor, has done almost nothing to understand how spiritual beliefs shape psychological problems, or affect treatment. "

"From maps of disease and the weather to the earliest maps of the national population, this was a period when the very concept of a map was reinvented. By the early twentieth century, maps had become common tools of analysis, communication, and visual representation in an increasingly complex nation. Today we live in a world that is saturated with maps and graphic knowledge. The maps on this site reveal how this involved a fundamentally new way of thinking."

"Unlike traditional cartography, the map was designed to portray political terrain and, in Lincoln's mind, moral terrain. The President called it his "slave map." Today we would call it an infographic."

"Living for two years in Paris changed Vincent van Gogh. He might not have realised it at the time, but as he met other artists in the French capital, he gradually moved away from his dark, sombre Dutch works - towards much brighter palettes and expressive brush work."