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George Neff

Will Netflix Kill TV? | PopMatters - 0 views

  • Live and weekly DVR ratings have plummeted for most broadcast programs, as many viewers can now catch their favorite shows on demand via Hulu or illegal torrents.
  • Neither of these represent the biggest problem facing TV – that would be Netflix. More specifically, it’s the streaming giant’s foray into the original programming game that should cause all couch potatoes’ skin to crawl.
  • The service is a massive hit. Netflix currently takes up one-third of all the downstream bandwidth the web can provide. The average subscriber watches 87 minutes of programming per day. While short of the 18-24-year-old live television average of 3.5 hours per day, that latter number is split across hundreds of network and cable channels. Netflix has a captive audience.
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  • Netflix is like an indulgent parent – offering unlimited sweets without any responsibility on the child’s behalf. Subscribers are spoiled with the model, gratifying themselves on a whim by binging new releases without regard for any psychological implications that may take place. American culture now expects instant gratification: fast food, instant messaging, instant streaming. There is virtue in patience, a virtue Netflix disregards in the name of better serving the consumer. Unfortunately, faster service does not always equal better service.
  • When network shows are stripped of commercials and sent to Netflix, the viewing experience is somewhat hollowed. Audiences have grown more used to this with TV on DVD and the restructuring of story beats on premium cable channels, but many comedies still require room to laugh and dramas room to breathe. Binging on Netflix turns distinct three-act episodes into an elongated 13th-act behemoth.
  • Conversation becomes stunted or clandestine, which eliminates much of the buzz that builds pre-season – buzz that is necessary come June when Emmy voters fill out their ballots.
  • Television executives have a right to be both frustrated with and terrified by the advent of the Netflix model.
  • Original shows ushered in using the Netflix model, like House of Cards and Hemlock Grove, have cut out the advertisers. Netflix functions as the network, and if the company decides to evolve from simply licensing original programming to actually producing, they’ll be the studio, too. Netflix is making all the money, monopolizing our attention and making poor consumers out of its subscribers. If this model becomes the norm, the producer/advertiser relationship will be pushed to the breaking point.
  • The folks at Netflix have little to fear. House of Cards executive producer Beau Willimon, in a recent Q&A for Vulture, responded to a question regarding the Netflix model and said, “Our show simply gave people the experience they had already grown accustomed to on Netflix — viewer empowerment. People like being able to decide for themselves when, where, and in what quantities they will watch their content.”
  • We’ve seen how this user-driven, consumerist approach has transformed the music industry into a shell of its former self.
  • What is the informed television devotee to do? Netflix is not inherently evil, and at only $8 a month, the access to vast libraries of programming is an invaluable asset. The answer doesn’t lie in unsubscribing from Netflix, but rather in promoting the traditional broadcast model. By watching live, conversing with friends, coworkers and strangers on Twitter, and even purchasing overpriced merchandise from beloved shows, TV buffs everywhere can help keep the industry afloat. In the hands of the responsible, Netflix is a mighty tool for good. In the hands of the ignorant, it’s a weapon that could destroy all television.
  • But what happens once Netflix reaches the point where profiting only on its own original programming makes more sense than continuing to pay licensing fees, which will skyrocket as the studios jack up prices due to diminished on-air returns? Netflix is positioning itself as its own network, assembling a lineup of programming that will survive the inevitable scripted network TV apocalypse. And once the people lose instant access to former network favorites like How I Met Your Mother and The Office, they’ll rebel by cancelling their subscriptions, the fees will also increase as competition is defeated. But by that point the damage will be irreparable – both television and Netflix will be dismantled by the impatient viewer.
George Neff

Rerun Nation: How Repeats Invented American Television - Derek Kompare - Google Books - 0 views

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    A history of television through the lens of American's repeat tendency
George Neff

Ovid: External Link - 0 views

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    On the psychological effects of television
morganaletarg

"Xenasubtexttalk": The Impact on the Lesbian Fan Community - 0 views

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    "This article examines how some lesbian fans of the television adventure fantasy series Xena: Warrior Princess (X:WP) (1995-2001) became visible through the development of online fandom and the production of explicit lesbian Internet fan fiction. The self-identity of lesbian fans who are part of the "xenasubtextalk" (XSTT) fan group is explored and celebrated through social networks of lesbian fandom through the "Xenaverse." Lesbian fans have written copious amounts of fan fiction online enabling a form of lesbian political discourse and activism as well as social and cultural discourses shared throughout the platform of the Internet. Many lesbian fans have been supported to create and write Xena lesbian fan fiction by engaging with various lesbian fan writers from the Xenaverse who offer their advice to develop lesbian fan fiction services for free to "newbie" writers. Their explicit lesbian fan fiction narratives are reproduced and distributed as lesbian stories about the two main characters Xena and Gabrielle from the original television series. I interviewed three women from "xenasubtextalk" who gain pleasure exploring their lesbian identities and fandom through the fan group."
George Neff

The Netflix effect: how binge watching is changing television | News | TechRadar - 0 views

  • The bold new era of content distribution and technological efficiency has served up entire, original award-winning series series like Netflix' House of Cards and Orange is the New Black for consumption in one sitting, if the viewer desires.
  • Quite frankly, we've never had it so good.
  • empowered the consumer.
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  • We spoke to television scholars and media psychologists on whether marathon viewing is really enhancing our experience, beyond the buffet. If we can have everything, does everything mean anything?
  • "Even a single episode has so many highs and lows that by the end of it you're so beaten up, you're less receptive to the emotional and intellectual ideas being put forth. Yet still we click and watch another one."
  • Netflix says it's more organic that way – it also means that if you don't do anything the episodes will just keep on coming.
  • With more traditional distribution models there is arguably more of an opportunity to let the experience sink in, find an appreciation and look forward to the next part of the journey.
  • "Breaking Bad has become the greatest example of the perfect show for binge viewing, he tells us. "Not only is it okay to binge view a series like that, but it is a better way to watch it.
  • you can understand the inner workings of these stories if you view them in more concentrated chunks
  • binge watching is the antithesis to how TV traditionally works.
  • Now, thanks to the advent of high-speed internet and the connected services they've enabled, technology has surpassed the content.
  • Ironically enough, the week-to-week format we enjoyed/endured during our last hours with Jesse and Walt proved to be an anomaly for millions who latched on to the growing buzz and raced through the previous five-and-half-seasons during the 12-month pre-climax hiatus – the binge before the episodic storm.
  • "I think Breaking Bad is probably as close as we're going to come to such a universal, cultural televisual event again," said film and television historian and associate professor at UCLA Jonathan Kuntz.
  • Breaking Bad, as it turned out, bridged the two eras perfectly, offering a stunning paradox of each distribution model's merits.
  • "The generation coming up now, all they're going to know is on demand. What pleasure they derive from anything will come from that,"
  • Another factor to consider in the great binge debate is that feeling of withdrawal when we run out of new episodes.
  • "The [binge viewing] experience is so good that you feel physically sad that it's over. That sense you had is more attached to it being a great artistic experience,"
  • The strength of our desire for gratification plays into a debate the psychologists call Connoisseur vs Addict. The former loves to be present in the moment, can savour the engagement and sees how everything ties into a beautiful package. The latter just needs a fix.
  • "An addict is working on a two-pronged schema, which is aspiration and completion. Aspiration is thedopamine-fuelled desire to recapture a feeling," he told TechRadar."When you get the completion, it's not about the rush, but ultimately about achieving the aspiration of the completion. When things are that accessible, what happens to the value of the product?"
George Neff

Your Brain While Watching Orange Is the New Black - Shape Magazine - 0 views

  • Like a perfectly addictive drug, almost every aspect of the television viewing experience grabs and holds your brain’s attention, which explains why it’s so tough to stop watching after just one (or three) episodes of Orange is the New Black.
  • Characters run or shout or shoot accompanied by sound effects and music. No two moments are quite alike. To your brain, this kind of continuously morphing sensory stimulation is pretty much impossible to ignore, explains Robert F. Potter, Ph.D., director of the Institute for Communication Research at Indiana University.
  • “Our brains are hardwired to automatically pay attention to anything that’s new in our environment, at least for a brief period of time,” he explains. And it’s not just humans; all animals evolved this way in order to spot potential threats, food sources, or reproductive opportunities, Potter says.
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  • “This also explains how you can sit in front of the TV and binge for hours and hours at a time and not feel a loss of entertainment,” he says. “You brain doesn’t have much time to grow bored.”
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Studies show that, by this point, most of your brain activity has shifted from the left hemisphere to the right, or from the areas involved with logical thought to those involved with emotion. There has also been a release of natural, relaxing opiates called endorphins, research indicates.
  • You’re noodle isn’t really analyzing or picking apart the data it’s receiving. It’s basically just absorbing. Potter calls this “automatic attention.” He says, “The television is just washing over you and your brain is marinating in the changes of sensory stimuli.”
  • At the same time, the content of your television show is lighting up your brain’s approach and avoid systems, Potter says. Put simply, your brain is pre-programmed for both attraction and disgust, and both grab and hold your attention in similar ways. Characters you hate keep you engaged just as much (and sometimes more) than characters you love.
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Like any addictive drug, cutting off your supply triggers a sudden drop in the release of those feel-good brain chemicals, which can leave you with a sense of sadness and a lack of energy, research shows. Experiments from the 1970s found that asking people to give up TV for a month actually triggered depression and the sense that the participants had “lost a friend.”
marikejp

The Rise and Inglorious Fall of Myspace - Businessweek - 0 views

  • "After we left, the guys that took over were never Myspace users," says DeWolfe, who now runs a startup called MindJolt. "They didn't have it in their DNA."
  • One of the site's first breakthroughs, for example, came by accident. Shortly after launching in August 2003, Myspace developers realized they had accidentally permitted users to insert Web markup code, allowing them to play around with the background colors and personalize their pages, leading to the site's kaleidoscopic, techno-junkyard aesthetic, which became its trademark.
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    "Jackson still hustles for attention on the lower rungs of fame-he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers."
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    "Jackson still hustles for attention on the lower rungs of fame-he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers."
marikejp

The Rise and Inglorious Fall of Myspace - Businessweek - 0 views

  • And it was becoming clear that Myspace's global effort—fueled by extravagant new offices around the world (the Smashing Pumpkins headlined the rollout in Madrid)—wasn't working. Facebook was attracting international users at a rapid rate without the expense of opening offices. Facebook was winning.
  • "O.K., so you're going to have three guys to run this company that have really never worked together and have really never been on the site and don't really understand it?" DeWolfe asks. "It was a bad decision."
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    "Jackson still hustles for attention on the lower rungs of fame-he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers."
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    "Jackson still hustles for attention on the lower rungs of fame-he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers."
Mirna Shaban

World Development book case study: the role of social networking in the Arab Spring -- ... - 0 views

  • The start of the unrest was in Tunisia and the spark was the self-immolation of a market stallholder, Mohammed Bouaziz, on 10 December 2010.
  • he first reported use of social networking websites by dissident groups taking part in a civil revolt was in Moldova, a small country between Romania and Ukraine, in April 2009.
  • The internet is useful for information dissemination and news gathering, social media for connecting and co-ordinating groups and individuals, mobile phones for taking photographs of what is happening and making it available to a wide global audience and satellite television for instant global reporting of events.
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  • For dissident groups, all of these digital tools allow them to bring together remote and often disparate groups and give them channels to bypass the conventional media, which is usually state controlled and unwilling to broadcast any news of civil unrest and opposition to the government.
  • Rapid internet interaction through Twitter and Facebook gave information to the protesters about how to counteract the security forces as they tried to disperse the protesters, maps showing locations for protest meetings and practical advice about such things as what to do when teargas is used against groups of protesters.
  • The governments in Tunisia and Egypt were very unhappy about the often brutal images of repression of the protests by government security forces and both governments tried to block the social-networking sites. In Tunisia, the effect was to increase the size of protest demonstrations and the Tunisian president, Zine el Abidine Ben Ali, was forced to change his strategy. He apologized for blocking the sites and reopened them. He offered to open talks with the dissident groups but by that time it was too late to save his government. He resigned on 16 January and an interim coalition government was set up.
  • The Egyptian government’s decision to cut all communication systems, including the internet and mobile phones, on the night of 27 January was widely perceived to be a watershed moment in the overthrow of the Mubarak government.
  • Egyptian protest sympathizers were unable to watch events on their computers and televisions and joined the demonstrators in Tahrir Square instead.
  • The Mubarak government stepped down on 12 February and was replaced by a military council purporting to support democratic change.
  • China has taken much firmer control of its internet as a result of events in Arab countries, fearing a contagion effect. After an internet call for popular revolt in February, over 100 activists are reported to have ‘disappeared’.
  • There is an argument to be made that the role of technology in these events has been overstated. The frequent cry is that it was not laptops that marched on Tahrir Square but people with a common cause that they had already identified. As far as they are concerned, revolution is nothing new and the impact of the new technology in the Arab Spring has mostly been reported by people who are using the technology themselves. Its importance, they say, has been exaggerated.
  • In the Western world, Twitter is a device that is most frequently used to comment on relatively minor media or personal events, such as the behaviour of a particular celebrity. In Egypt and Tunisia its use proved to be much more political and effective – not social networking, just networking.
  • The difficulties are immense: regional poverty, tensions over the use of resources such as oil and water, religious divisions within countries, rapid population growth and, more threatening than any of those, relationships between Israel and its Arab neighbours.
lilymg

Politics of Force - 0 views

    • lilymg
       
      Connection of media and my topic, this section of article describes how media plays a huge role in how each story of police brutality is presented, if it's even presented at all
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      Covering Brutality Before Rodney King Pg. 66 provides history and context of when brutality started being covered by news outlets
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      Pg. 71 talks about videotape of King, connecting technology use & brutality 
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      Also on pg. 71-72 mentions how the tape was viewed over television, how audience reacted
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      "made for great television" Pg.73
marikejp

The Rise and Inglorious Fall of Myspace - Businessweek - 0 views

  • Jackson still hustles for attention on the lower rungs of fame—he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers.
  • this year
    • marikejp
       
      (2011)
  • "Getting people to come back to something that in their minds has become less useful is an incredible challenge on the Web—just ask AOL,"
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  • LinkedIn (LNKD) valued at $6.4 billion
  • Many Myspace pages appear to be host bodies for the worst kinds of advertising parasites. On the upper right-hand corner of the page for Zaiko Langa Langa, an African band Googled at random, a photo of a blonde in a tight T-shirt appears, asking, "Want a Girlfriend? View Hundreds of Pics HERE!"
  • Mismanagement, a flawed merger, and countless strategic blunders have accelerated Myspace's fall from being one of the most popular websites on earth—one that promised to redefine music, politics, dating, and pop culture—to an afterthought.
George Neff

Netflix vs. Cable: How Viewers Watch TV in the Summer - 0 views

  • About 99% of U.S. households (the total of which are in the 115 million range) have a TV, and 56% have cable. Compare that to Netflix, which has more than 48 million members worldwide. That means its entire global viewership is still not even half the U.S. However, that's not bad for a company founded in 1997, tackling a nearly 64-year-old industry.
  • In the summer months, it's easy to assume Netflix usage would go through the roof, thanks in part to younger students who now have three free months of time.
  • While Netflix doesn't share specific data on its viewers, spokeswoman Jenny McCabe said the site doesn't acquire more subscribers during the summer months. Rather, it picks up more viewers in Q1 (January, February and March) and Q4 (October, November and December).
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  • In Q4 2013, Netflix acquired 2.3 million new American households, the highest performance in three years.
  • From a strategic standpoint, Netflix is starting to up the ante for summer viewers by airing original shows like Orange is the New Black in June.
  • It just cares about what people are watching, McCabe says.
  • The average user prefers to watch a series from beginning to end, consume it wholly, then move on to the next thing, according to McCabe.
  • Thanks to summer vacations, kids are watching way more Netflix. Considering how tech-literate children have become, it will be interesting to watch how cable TV fares against Netflix as this younger generation gets older, raised with both options.
George Neff

Report: Netflix Plans to Order First Original Series for French Market | Variety - 0 views

  • Ahead of its launch in France, Netflix is reportedly set to order an exclusive original series in France, according to news channel BFMTV’s website.
  • Netflix approached select local producers to submit pitches for original series
  • France wouldn’t be the first overseas territory where the company has targeted specific original programming, having already done so in Latin America.
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  • an exec at EuropaCorp Television told Variety, “Netflix (had) not commissioned a French series to (them) as of today.”
  • Netflix has already worked with GIT on Eli Roth’s “Hemlock Grove,” which was reupped for a second season; and recently ordered “Narcos” with Wagner Moura set to play Pablo Escobar.
  • Per BFMTV, Netflix is on track to launch this fall and will likely be priced at €7.99 ($10.90) per month for the standard-definition service; $12.23 for high-definition and reception on two devices and $16.30 for high-def and reception on four devices.
George Neff

Roche Holding Ltd. (ADR) (OTCMKTS:RHHBY) News: FDA Gives Roche Priority Review For Cerv... - 0 views

  • While viewers enjoy watching episodes of their favorite TV shows back-to-back, advertisers suffer because video-on-demand (VOD) providers do not want to alienate their viewers by running advertisements.
  • Critics say that the company’s reliance on subscriptions alone poses a problem, because an increase in price will translate into lost subscribers.
  • This loyal customer base can also be used to leverage the findings of a study by Annalect, – Omnicom Media Group’s marketing technology platform – which suggests that binge viewers don’t actually mind ads.
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  • The study also found that 21% of binge viewers say they remember the ads, compared to 10% of non-binge viewers.
  • Research shows that 80% of Generation Y, 68% generation X and 49% of baby boomers are likely to be binge viewers. In a survey, 826 out of 1,307 respondents above the age of 18, who watch televised content for more than five hours a week, were also binge viewers.
  • Research also shows that there is an opportunity for companies like Netflix, which can transcend the subscription-based model and incorporate advertisements in their sources of revenue. They can also come up with new pricing models and offer subscriptions with ads at lower rates.
George Neff

American Time Use Survey Summary - 0 views

  • On an average day, nearly everyone age 15 and over (95 percent) engaged in some sort of leisure activity, such as watching TV, socializing, or exercising. Of those who engaged in leisure activities, men spent more time in these activities (5.9 hours) than did women (5.2 hours). (See table 1.)
  • Watching TV was the leisure activity that occupied the most time (2.8 hours per day), accounting for more than half of leisure time, on average, for those age 15 and over. Socializing, such as visiting with friends or attending or hosting social events, was the next most common leisure activity, accounting for 43 minutes per day. (See table 1.)
perezmv

Independent Survey Finds Advertisers and Media Companies Alike View Technology as Key D... - 0 views

  • The survey included 150 advertisers, media companies and agencies across the U.S. and Canada and was designed to explore the hypothesis that the evolving combination of data, technology and cross-device viewing would lead to holistic, platform-agnostic planning of linear television and digital video advertising
  • consumer engagement with content on a second screen will increase moderate or significantly
  • Another key finding is that while all parties agree that technology will be a differentiator, there are still multiple views on what this technology should enable and the capabilities that it should offer,”
braxtondn

How the Media Affects the Self Esteem and Body Image of Young Girls | Divine Caroline - 0 views

  • The medias harmful affect on the self body image and self esteem of young girls has brought about some of these three damaging effects: eating disorders, mental depression, and physical depression.
    • braxtondn
       
      It is interesting and sad knowing that new media has this affect on young teens. Something should be done in order to help prevent such negative affect. The media needs to recognize that everybody will come in different shapes and sizes, instead of just focusing on one specific image.
  • “Women may directly model unhealthy eating habits presented in the media, such as fasting or purging, because the media-portrayed thin ideal body type is related to eating pathology”(Stice, Schupak-Neuberg, Shaw & Stein, 1994)
  • In Allie Kovar’s article, Effects of the Media on Body Image, she mentions that “the national eating disorder Association (2006) reports that in the past 70 years national rates of incidences of all eating disorders have dramatically increased across the board . . . Bulimia in women between the ages of 10 to 39 has more than tripled.” (Kovar, 1).
    • braxtondn
       
      The media's "thin ideal' is causing young teens to feel so poorly about themselves that it is causing more women to become diagnosed with eating disorders. There is no reason that the media should be having that much of an affect on teens that it is tripling the amount of eating disorders. The media ( actresses, models, and celebrities) should be looked upon by their success not by their body image.
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  • “If children grow up seeing thin women in advertisements, on television, and in film they accept this as reality and try to imitate their appearance and their actions”(Nature vs. Nurture, Shea, 1).
    • braxtondn
       
      THis is very true. Parents can stop this by controlling what their children can and can't watch. THere are so many things that parents can do to help boost their child's self-esteem also, they just need to try harder so that the media doesn't win.
  • “The ideal female has become thinner while the average American woman has become heavier…”(Domil, 2).
    • braxtondn
       
      Whats acceptable to the world is not acceptable to the media. Whats more important though? All that should matter is what each person thinks about themselves. Media is just negatively effecting society's image
  • The media is only going to get worse and put more pressure on the self body image of how it should “ideally” look
    • braxtondn
       
      The media is like an annoying bug that will never go away. We have to be stronger than what the media wants us to be and be above the media's influence.
braxtondn

http://lilt.ilstu.edu/mjreese/psy453/Grabe%20et%20al%202008.pdf - 0 views

    • braxtondn
       
      A good pint made towards my topic.
    • braxtondn
       
      Is it because all they see on television and on the social media sites, are thin people?!
marikejp

The Rise and Inglorious Fall of Myspace - Businessweek - 0 views

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    "Jackson still hustles for attention on the lower rungs of fame-he currently stars in season five of Celebrity Rehab, in which he battles his addiction to growth hormones for cable television viewers."
perezmv

How Pandora Avoided the Junkyard, and Found Success - NYTimes.com - 0 views

  • Pandora’s 48 million users tune in an average 11.6 hours a month. That could increase as Pandora strikes deals with the makers of cars, televisions and stereos
  • At the end of 2009, Pandora reported its first profitable quarter and $50 million in annual revenue — mostly from ads and the rest from subscriptions and payments from iTunes and Amazon.com when people buy music.
  • Its library now has 700,000 songs, each categorized by an employee based on 400 musical attributes, like whether the voice is breathy, like Charlotte Gainsbourg, or gravelly like Tom Waits.
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  • Some music lovers dislike Pandora’s approach to choosing music based on its characteristics rather than cultural associations.
  • “It’s not just that this has an 80-beat-a-minute guitar riff,” he said. “It’s that this band toured with Eddie Vedder.”
  • For Pandora and its listeners, it was a revelation. Internet radio was not just for the computer. People could listen to their phone on the treadmill or plug it into their car or living room speakers.
  • In January, Pandora announced a deal with Ford to include Pandora in its voice-activated Sync system, so drivers will be able to say, “Launch my Lady Gaga station”
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