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Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 1 views

quod.lib.umich.edu/...n-workflows-start-with-the-web

OpenWeb XML XHTML-CSS HTML5-CSS3-JavaScript IDML

shared by Gary Edwards on 01 Nov 13 - No Cached
  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
  • ...44 more annotations...
  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • Using the Web as a Production Platform
  • Gary Edwards on 01 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. As an after thought, i was thinking that an alternative title to this article might have been, "Working with Web as the Center of Everything".
Paul Merrell

Last Call Working Draft -- W3C Authoring Tool Accessibility Guidelines (ATAG) 2.0 - 0 views

www.w3.org/ATAG20

accessibility authoring tools web standards W3C

shared by Paul Merrell on 09 Jul 10 - Cached
  • This is a Working Draft of the Authoring Tool Accessibility Guidelines (ATAG) version 2.0. This document includes recommendations for assisting authoring tool developers to make the authoring tools that they develop more accessible to people with disabilities, including blindness and low vision, deafness and hearing loss, learning disabilities, cognitive limitations, motor difficulties, speech difficulties, and others. Accessibility, from an authoring tool perspective, includes addressing the needs of two (potentially overlapping) user groups with disabilities: authors of web content, whose needs are met by ensuring that the authoring tool user interface itself is accessible (addressed by Part A of the guidelines), and end users of web content, whose needs are met by ensuring that all authors are enabled, supported, and guided towards producing accessible web content (addressed by Part B of the guidelines).
  • Examples of authoring tools: ATAG 2.0 applies to a wide variety of web content generating applications, including, but not limited to: web page authoring tools (e.g., WYSIWYG HTML editors) software for directly editing source code (see note below) software for converting to web content technologies (e.g., "Save as HTML" features in office suites) integrated development environments (e.g., for web application development) software that generates web content on the basis of templates, scripts, command-line input or "wizard"-type processes software for rapidly updating portions of web pages (e.g., blogging, wikis, online forums) software for generating/managing entire web sites (e.g., content management systems, courseware tools, content aggregators) email clients that send messages in web content technologies multimedia authoring tools debugging tools for web content software for creating mobile web applications
  • Web-based and non-web-based: ATAG 2.0 applies equally to authoring tools of web content that are web-based, non-web-based or a combination (e.g., a non-web-based markup editor with a web-based help system, a web-based content management system with a non-web-based file uploader client). Real-time publishing: ATAG 2.0 applies to authoring tools with workflows that involve real-time publishing of web content (e.g., some collaborative tools). For these authoring tools, conformance to Part B of ATAG 2.0 may involve some combination of real-time accessibility supports and additional accessibility supports available after the real-time authoring session (e.g., the ability to add captions for audio that was initially published in real-time). For more information, see the Implementing ATAG 2.0 - Appendix E: Real-time content production. Text Editors: ATAG 2.0 is not intended to apply to simple text editors that can be used to edit source content, but that include no support for the production of any particular web content technology. In contrast, ATAG 2.0 can apply to more sophisticated source content editors that support the production of specific web content technologies (e.g., with syntax checking, markup prediction, etc.).
  • Paul Merrell on 09 Jul 10
     
    Link is the latest version link so page should update when this specification graduates to a W3C recommendation.
Gary Edwards

Overview of apps for Office 2013 - 0 views

msdn.microsoft.com/...jj220082(v=office.15)

MSOffice-Web-Apps MSCloud-Developer

shared by Gary Edwards on 25 Aug 12 - No Cached
  • Gary Edwards on 25 Aug 12
     
    MSOffice is now "Web ready".  The Office apps are capable of running HTML5-JavaScript apps based on a simple Web page model.  Think of this as the Office apps being fitted with a browser, and developers writing extensions to run in that browser using HTML5 and JavaScript.  Microsoft provides an Office.js library and, a developer "Web App/Page Creator"  Visual Basic toolset called "Napa" Office 365 Development Tools.  Lots of project templates. Key MSOffice apps are Word, Excel, PowerPoint and Outlook.  Develop for Office or SharePoint.  Apps can be hosted on any Web Server. excerpt: Microsoft Office 2013 Developer Environment with HTML5, XML and JavaScript.  Office.js library. "his documentation is preliminary and is subject to change. Published: July 16, 2012 Learn how to use apps for Office to extend your Office 2013 Preview applications. This new Office solution type, apps for Office, built on web technologies like HTML, CSS, JavaScript, REST, OData, and OAuth. It provides new experiences within Office applications by surfacing web technologies and cloud services right within Office documents, email messages, meeting requests, and appointments. Applies to:  Excel Web App Preview | Exchange 2013 Preview | Outlook 2013 Preview | Outlook Web App Preview | Project Professional 2013 Preview | Word 2013 Preview | Excel 2013 Preview  In this article What is an app for Office? Anatomy of an app for Office Types of apps for Office What can an app for Office do? Understanding the runtime Development basics Create your first app for Office Publishing basics Scenarios Components of an app for Office solution Software requirements"
Gary Edwards

Readability / Clearly - Article Publishing Guidelines - Readability - 1 views

www.readability.com/...guidelines

Clealry Readability HTML5

shared by Gary Edwards on 27 Jun 13 - No Cached
  • Gary Edwards on 27 Jun 13
     
    Want to know how Evernote Clearly and Amazon Kindle Web Reader work?  This is it.  Both are made by Readability and in this guideline for Web publishers, they explain how they rip and parse a Web page.  The secret is solid HTML5!!!  "The following is a proposed standard for bringing more semanticity to articles on the Web. In our efforts to provide quality content without the superfluous leavings, we've seen that the Web is a pretty messy place. We hope that by providing some simple guidelines we can help publishers make their content a little more presentable with Readability while also making the Web a bit more semantic. By and large, you'll find that our guidelines just follow other specifications. We lean heavily on the work of the hNews microformat as well as the new elements provided within HTML5. If anything is unclear, please refer to the hNews microformat specification as well as this handy guide to semantic elements in html5, from Mark Pilgrim's Dive into HTML5. "
Gary Edwards

Office suites in the cloud: Microsoft Office Web Apps versus Google Docs and Zoho | App... - 0 views

www.infoworld.com/...ersus-google-docs-and-zoho-726

Office-suites Cloud-Computing MSOffice-Web-Apps google-docs ZOHO

shared by Gary Edwards on 09 Oct 09 - Cached
  • Gary Edwards on 09 Oct 09
     
    Neil McAllister provides an in-depth no-holds-barred comparison of Google, Zoho and Micorsoft Web Office Productivity Apps.  It's not pretty, but spot on honest.  Some of the short comings are that Neil overly focuses on document fidelity, but is comparatively light on the productivity environment/platform problems of embedded business logic.  These document aspects are represented by internal application and platform specific components such as OLE, scripting, macros, formulas, security settings, data bindings, media/graphics, applications specific settings, workflow logic, and other ecosystem entanglements so common to MSOffice compound "in-process" business documents.   Sadly, Neil also misses the larger issue that Microsoft is moving the legacy MSOffice Productivity Environment to a MS-Web center.   excerpt:  A spreadsheet in your browser? A word processor on the Web? These days, SaaS (software as a service) is all the rage, and the success of Web-based upstarts like Salesforce.com has sent vendors searching for ever more categories of software to bring online. If you believe Google, virtually all software will be Web-based soon -- and as if to prove it, Google now offers a complete suite of office productivity applications that run in your browser. Google isn't the only one. A number of competitors are readying Web-based office suites of their own -- most prominently Zoho, but even Microsoft is getting in on the act. In addition to the typical features of desktop productivity suites, each offering promises greater integration with the Web, including collaboration and publishing features not available with traditional apps.
Gary Edwards

The Web Fights Back Against Flipboard - 0 views

www.businessinsider.com/back-against-flipboard-2010-12

TreeSaver FlipBoard visually-immersive Filipe-Fortes Scobelizer HTML+

shared by Gary Edwards on 08 Jun 11 - No Cached
  • Gary Edwards on 08 Jun 11
     
    This is the Dec 2010 interview that totally changed my view of the future of Documents.  Separating content and layout, and then reconstituting is the essence of preparing a publication.  Are documents Web pages?  Are Web sights magazines?   Visually-immersive apps like TreeSaver and Flipboard change everything, as this video demonstrates.  TreeSaver is OpenWeb HTML+.  FlipBoard is iOS platform specific.  Filipe argues why Open Web will win.  Great interview.  Life changing stuff. excerpt: The problem with Flipboard is that it's an app, not the Web, and I keep hoping someone will show me a really well-designed Web app that shows me that the Web can still win. Yesterday Treesaver's Filipe Fortes took me up on my "can the Web be saved" challenge and visited my house to show me what he's been working on for publishers. An open-source JavaScript/HTML5/CSS library of design templates that will help developers at content companies compete with the design aesthetic that Flipboard showed us.
Gary Edwards

Needlebase - 2 views

www.needlebase.com

flipboard qwiki wikiWORD Needle sports-illustrated immersive-content

shared by Gary Edwards on 21 Apr 11 - Cached
  • Gary Edwards on 21 Apr 11
     
    Move over FlipBoard and QWiki and meet Needle.  The emerging market space for automating the process of collecting Web information to analyse, re-purpose and re-publish is getting crowded.   Needle is designed to: acquire data from multiple sources:  A simple tagging process quickly imports structured data from complex websites, XML feeds, and spreadsheets into a unified database of your design.merge, deduplicate and cleanse: Needle uses intelligent semantics to help you find and merge variant forms of the same record.  Your merges, edits and deletions persist even after the original data is refreshed from its source. merge, deduplicate and cleanse: Needle uses intelligent semantics to help you find and merge variant forms of the same record.  Your merges, edits and deletions persist even after the original data is refreshed from its source. build and publish custom data views: Use Needle's visual UI and powerful query language to configure exactly your desired view of the data, whether as a list, table, grid, or map.  Then, with one click, publish the data for others to see, or export a feed of the clean data to your own local database. Flipboard is famous for the slick republishing / packaging process focused on iOS devices.  Allows end users to choose sources. QWiki takes republishing to the extreme, blending voice over (from wikipedia text) with a slide show of multimedia information.  Edn user does not yet have control and selection of information sources with QWiki. The iOS Sports Illustrated app seems to be the starting point for "immersive webzines", with the NY Times close behind.  Very very slick packaging of basic Web information. Flipboard followed the iOS re-publishing wave with an end-user facing immersive webzine packaging design.  And now we have Needle. Still looking for a business document FlipBoard, where a "project" is packaged in a FlipBoard immersive container.  The iPack would be similar to an iPUB book with the added featur
  • Gary Edwards on 21 Apr 11
     
    Note: On April 12th, 2011 Needle was acquired by Google.
Gary Edwards

Ex-Apple Javascript Guru: HTML5 and Native Apps Can Live Together: Tech News « - 0 views

gigaom.com/...arles-jolley-srpoutcore-strobe

Strobe Charles-Jolley SproutCore WebKit Mobility HTML5-Native-Client

shared by Gary Edwards on 02 Oct 10 - Cached
  • Gary Edwards on 02 Oct 10
     
    Good interview with Charles Jolley - SproutCore - WebKit (met Charles at Web 2.0).  He has left Apple and started a SproutCore Web App development company called "Strobe".  Looking very good Charles! The Blended Brew Apps have become a preferred way of accessing information on mobile devices. But developers want to provide a unified experience, and that is why Jolley believes that we will soon have apps that use HTML5 inside a native app wrapper. "People are looking for an either/or solution, but it is not going to end up like that," he said. Think of Strobe's offerings as a way to create an experience that is a blend of HTML5 and native mobile apps. How this works is that an application is developed in HTML5 instead of proprietary formats. It is wrapped in a native app wrapper for, say, the iPhone, but when accessed through a web browser on a PC or any other device, like tablet, it offers the same user experience. This is a good way to solve a problem that is only going to get compounded many fold as multiple endpoints for content start to emerge. The co-existence of web and native apps also means content publishers need to think differently about content and how it is offered to consumers. The multiplicity of endpoints (iPhone, iPad, TV and PC) is going to force content producers to think differently about how they build the user experiences for different sets of screens. Jolley argues that the best way to do so is to stop taking a document-centric view that is part of the PC-era. In the touch-based mobile device era, folks need to think of ways to have a single technology stack married to the ability to create unique experiences for different devices. And if you do that, there is no doubt that HTML5 and native apps can live in harmony.
Gary Edwards

I Want To Build A Website. Do I Need a Content Management System (CMS)? - www.htmlgoodi... - 2 views

www.htmlgoodies.com/...3887866

HTML5 Drupal Mobility CMS Sursen

shared by Gary Edwards on 15 Jan 11 - No Cached
  • Gary Edwards on 15 Jan 11
     
    Although there are many open source CMSes available, we're going to focus on those that are based upon PHP. The following CMSes are thus PHP-based, and use a MySQL database. The advantages of using such a CMS include portability, support and a large developer base with frequent updates and improvements. We will discuss the following four CMSes: Drupal - a free open source content management system written in PHP and distributed under the GNU General Public License Joomla - an open source content management system platform for publishing content as a Model-view-controller (MVC) web application framework PHPNuke - a web-based automated news publishing and content management system based on PHP and MySQL Wordpress - an open source CMS, often used as a blog publishing application, and is the most popular blog software in use today
Gary Edwards

Forget Custom iPad Magazines: Onswipe Turns Any Site Into One - Technology Review - 0 views

www.technologyreview.com/...26723

onswipe visually-immersive flipboard

shared by Gary Edwards on 04 May 11 - No Cached
  • Gary Edwards on 04 May 11
     
    Move over Flipboard, Push Pop and TreeSaver.  Here comes OnSwipe.  Packaging a Web site for a highly interactive and mobile world just got easier. excerpt: OnSwipe does something web developers should have been racing to accomplish ever since the iPad was first unveiled: it makes a website -- any website -- into a tablet-friendly experience. (It's already available to everyone who publishes their blog on Wordpress.com.) It uses HTML5 to make a site feel like an app, even though it's running in the browser. Onswipe points to a future of tablet media delivery that is incredibly simple, even boring: Websites that are designed to look good on tablets. Given the history of creating alternate designs for sites in order to make them mobile-friendly, why anyone ever imagined it would be otherwise is baffling. Probably, it was wishful thinking. IPad magazine app sales are tanking. Media aggregation apps like Flipboard and Zite are re-atomizing publishers' content into pleasurable, full-screen, mostly ad-free experiences. The great do-over that tablets were to represent for publishers like Condé Nast -- a chance to put the free-content genie back in the bottle, and charge for admission -- appears to have gone bust. Onswipe and the startups that will inevitably follow in its wake are the final nail in the coffin of the dream of appification of magazines and other media content
Paul Merrell

Join Opera's journey to reinvent the Web - 1 views

www.opera.com/...23

Opera Opera Unite content sharing

shared by Paul Merrell on 24 Nov 09 - No Cached
  • Opera today released Opera 10.10 with Opera Unite, a powerful technology for personal content sharing directly between all your devices. Opera Unite is available as a standard feature in Opera 10.10, available free from www.opera.com.To mark this release, Opera is inviting the world to join our journey to reinvent the Web. By wrapping both a Web browser and a Web server into one package, Opera Unite challenges the conventional, semi-private methods of sharing the content that really matters to people everywhere."We promised Opera Unite would reinvent the Web," said Jon von Tetzchner, CEO, Opera. "What we are really doing is reinventing how we as consumers interact with the Web. By giving our devices the ability to serve content, we become equal citizens on the Web. In an age where we have ceded control of our personal data to third-parties, Opera Unite gives us the freedom to choose how we will share the data that belongs to us."
  • Paul Merrell on 24 Nov 09
     
    Playing with the software now. Unite is a cloud integration, with a directory on your system identified as a directory to be shared with the cloud storage. Haven't really got into it yet, but I see options to keep the data in the folder private, to share it with those who know the password, and to publish the directory to the world. There are roughly 25 Unite applications not discussed in the press release here. http://unite.opera.com/applications/ My first thought was that Google will have to respond in kind, while Microsoft --- which doesn't get the power of "free" --- will respond but with a less generous offering.
  • Paul Merrell on 24 Nov 09
     
    Opps. I was wrong. There is no online storage. It is as stated in the press release, an integration of a server with the Opera browser. The shared content is served by the local machine. Which means that the local machine must be running in order for others to access the shared content. But according to the Unite FAQ, this also means that there are only practical limits on the amount of content shared, e.g., hard disk capacity and bandwidth. Why bother with setting up a LAN or VPN if you can share files over the internet using Opera? And how will Google and Microsoft respond?
Paul Merrell

Exclusive: Tim Berners-Lee tells us his radical new plan to upend the - 0 views

www.fastcompany.com/...an-to-upend-the-world-wide-web

Berners-Lee Solid Inrupt web-decentralization

shared by Paul Merrell on 30 Sep 18 - No Cached
  • “The intent is world domination,” Berners-Lee says with a wry smile. The British-born scientist is known for his dry sense of humor. But in this case, he is not joking.This week, Berners-Lee will launch Inrupt, a startup that he has been building, in stealth mode, for the past nine months. Backed by Glasswing Ventures, its mission is to turbocharge a broader movement afoot, among developers around the world, to decentralize the web and take back power from the forces that have profited from centralizing it. In other words, it’s game on for Facebook, Google, Amazon. For years now, Berners-Lee and other internet activists have been dreaming of a digital utopia where individuals control their own data and the internet remains free and open. But for Berners-Lee, the time for dreaming is over.
  • In a post published this weekend, Berners-Lee explains that he is taking a sabbatical from MIT to work full time on Inrupt. The company will be the first major commercial venture built off of Solid, a decentralized web platform he and others at MIT have spent years building.
  • f all goes as planned, Inrupt will be to Solid what Netscape once was for many first-time users of the web: an easy way in. And like with Netscape, Berners-Lee hopes Inrupt will be just the first of many companies to emerge from Solid.
  • ...4 more annotations...
  • On his screen, there is a simple-looking web page with tabs across the top: Tim’s to-do list, his calendar, chats, address book. He built this app–one of the first on Solid–for his personal use. It is simple, spare. In fact, it’s so plain that, at first glance, it’s hard to see its significance. But to Berners-Lee, this is where the revolution begins. The app, using Solid’s decentralized technology, allows Berners-Lee to access all of his data seamlessly–his calendar, his music library, videos, chat, research. It’s like a mashup of Google Drive, Microsoft Outlook, Slack, Spotify, and WhatsApp.The difference here is that, on Solid, all the information is under his control. Every bit of data he creates or adds on Solid exists within a Solid pod–which is an acronym for personal online data store. These pods are what give Solid users control over their applications and information on the web. Anyone using the platform will get a Solid identity and Solid pod. This is how people, Berners-Lee says, will take back the power of the web from corporations.
  • For example, one idea Berners-Lee is currently working on is a way to create a decentralized version of Alexa, Amazon’s increasingly ubiquitous digital assistant. He calls it Charlie. Unlike with Alexa, on Charlie people would own all their data. That means they could trust Charlie with, for example, health records, children’s school events, or financial records. That is the kind of machine Berners-Lee hopes will spring up all over Solid to flip the power dynamics of the web from corporation to individuals.
  • Berners-Lee believes Solid will resonate with the global community of developers, hackers, and internet activists who bristle over corporate and government control of the web. “Developers have always had a certain amount of revolutionary spirit,” he observes. Circumventing government spies or corporate overlords may be the initial lure of Solid, but the bigger draw will be something even more appealing to hackers: freedom. In the centralized web, data is kept in silos–controlled by the companies that build them, like Facebook and Google. In the decentralized web, there are no silos.Starting this week, developers around the world will be able to start building their own decentralized apps with tools through the Inrupt site. Berners-Lee will spend this fall crisscrossing the globe, giving tutorials and presentations to developers about Solid and Inrupt.
  • When asked about this, Berners-Lee says flatly: “We are not talking to Facebook and Google about whether or not to introduce a complete change where all their business models are completely upended overnight. We are not asking their permission.”Game on.
Paul Merrell

First Look Publishes Open Source Code To Advance Privacy, Security, and Journalism - Th... - 0 views

firstlook.org/...uments-create-warrant-canaries

surveillance state warrant-canaries First-Look Internet-fights-back

shared by Paul Merrell on 28 May 15 - No Cached
  • today we’re excited to contribute back to the open source community by launching First Look Code, the home for our own open source projects related to privacy, security, data, and journalism. To begin with, First Look Code is the new home for document sanitization software PDF Redact Tools, and we’ve launched a brand new anti-gag order project called AutoCanary.
  • AutoCanary A warrant canary is a regularly published statement that a company hasn’t received any legal orders that it’s not allowed to talk about, such as a national security letter. Canaries can help prevent web publishers from misleading visitors and prevent tech companies from misleading users when they share data with the government and are prevented from talking about it. One such situation arose — without a canary in place — in 2013, when the U.S. government sent Lavabit, a provider of encrypted email services apparently used by Snowden, a legal request to access Snowden’s email, thwarting some of the very privacy protections Lavabit had promised users. This request included a gag order, so the company was legally prohibited from talking about it. Rather than becoming “complicit in crimes against the American people,” in his words, Lavabit founder Ladar Levison, chose to shut down the service.
  • Warrant canaries are designed to help companies in this kind of situation. You can see a list of companies that publish warrant canary statements at Canary Watch. As of today, First Look Media is among the companies that publish canaries. We’re happy to announce the first version of AutoCanary, a desktop program for Windows, Mac OS X, and Linux that makes the process of generating machine-readable, digitally-signed warrant canary statements simpler. Read more about AutoCanary on its new website.
  • Paul Merrell on 28 May 15
     
    The internet continues to fight back against the Dark State. On the unsettled nature of the law in regard to use of warrant canaries in the U.S. see EFF's faq: https://www.eff.org/deeplinks/2014/04/warrant-canary-faq (it needs a test case).
Paul Merrell

Durham Statement on Open Access to Legal Scholarship | Berkman Center - 0 views

cyber.law.harvard.edu/...durhamstatement

standards law journals web publishing dead tree publishing ebooks

shared by Paul Merrell on 06 May 10 - Cached
  • On 7 November 2008, the directors of the law libraries at the University of Chicago, Columbia University, Cornell University, Duke University, Georgetown University, Harvard University, New York University, Northwestern University, the University of Pennsylvania, Stanford University, the University of Texas, and Yale University met in Durham, North Carolina at the Duke Law School. That meeting resulted in the "Durham Statement on Open Access to Legal Scholarship," which calls for all law schools to stop publishing their journals in print format and to rely instead on electronic publication coupled with a commitment to keep the electronic versions available in stable, open, digital formats.
  • Particularly now, with growing financial pressures on law school budgets, ending print publication of law journals deserves serious consideration. Very few law journals receive enough in subscription income and royalties to cover their costs of operation. The Statement anticipates both that the costs for printing and mailing can be eliminated, and that law libraries can reduce their costs for subscribing to, processing, and preserving print journals. There are additional benefits in improving access to journals that are not now published in open access formats and in reducing paper consumption.
  • Call to Action: We therefore urge every U.S. law school to commit to ending print publication of its journals and to making definitive versions of journals and other scholarship produced at the school immediately available upon publication in stable, open, digital formats, rather than in print. We also urge every law school to commit to keeping a repository of the scholarship published at the school in a stable, open, digital format. Some law schools may choose to use a shared regional online repository or to offer their own repositories as places for other law schools to archive the scholarship published at their school. Repositories should rely upon open standards for the archiving of works, as well as on redundant formats, such as PDF copies. We also urge law schools and law libraries to agree to and use a standard set of metadata to catalog each article to ensure easy online public indexing of legal scholarship. As a measure of redundancy, we also urge faculty members to reserve their copyrights to ensure that they too can make their own scholarship available in stable, open, digital formats. All law journals should rely upon the AALS model publishing agreement as a default and should respect author requests to retain copyrights in their scholarship.
Paul Merrell

RDFa API - 0 views

www.w3.org/...WD-rdfa-api-20100608

RDFa API W3C semantic web metadata extraction

shared by Paul Merrell on 10 Jun 10 - Cached
  • RDFa APIAn API for extracting structured data from Web documentsW3C Working Draft 08 June 2010
  • RDFa [RDFA-CORE] enables authors to publish structured information that is both human- and machine-readable. Concepts that have traditionally been difficult for machines to detect, like people, places, events, music, movies, and recipes, are now easily marked up in Web documents. While publishing this data is vital to the growth of Linked Data, using the information to improve the collective utility of the Web for humankind is the true goal. To accomplish this goal, it must be simple for Web developers to extract and utilize structured information from a Web document. This document details such a mechanism; an RDFa Document Object Model Application Programming Interface (RDFa DOM API) that allows simple extraction and usage of structured information from a Web document.
  • This document is a detailed specification for an RDFa DOM API. The document is primarily intended for the following audiences: User Agent developers that are providing a mechanism to programatically extract RDF Triples from RDFa in a host language such as XHTML+RDFa [XHTML-RDFA], HTML+RDFa [HTML-RDFA] or SVG Tiny 1.2 [SVGTINY12], DOM tool developers that want to provide a mechanism for extracting RDFa content via programming languages such as JavaScript, Python, Ruby, or Perl, and Developers that want to understand the inner workings and design criteria for the RDFa DOM API.
Gary Edwards

Adeptol Viewing Technology Features - 0 views

www.ajaxdocumentviewer.com/features.asp

sursen florian wiki-word visual-document file-viewer

shared by Gary Edwards on 27 Jan 11 - No Cached
  • Gary Edwards on 27 Jan 11
     
    Quick LinksGet a TrialEnterprise On DemandEnterprise On PremiseFAQHelpContact UsWhy Adeptol?Document SupportSupport for more than 300 document types out of boxNot a Virtual PrinterMultitenant platform for high end document viewingNo SoftwaresNo need to install any additional softwares on serverNo ActiveX/PluginsNo plugins or active x or applets need to be downloaded on client side.Fully customizableAdvanced API offers full customization and UI changes.Any OS/Any Prog LanguageInstall Adeptol Server on any OS and integrate with any programming language.AwardsAdeptol products receive industry awards and accolades year after year  View a DemoAttend a WebcastContact AdeptolView a Success StoryNo ActiveX, No Plug-in, No Software's to download. Any OS, Any Browser, Any Programming Language. That is the Power of Adeptol. Adeptol can help you retain your customers and streamline your content integration efforts. Leverage Web 2.0 technologies to get a completely scalable content viewer that easily handles any type of content in virtually unlimited volume, with additional capabilities to support high-volume transaction and archive environments. Our enterprise-class infrastructure was built to meet the needs of the world's most demanding global enterprises. Based on AJAX technology you can easily integrate the viewer into your application with complete ease. Support for all Server PlatformsCan be installed on Windows   (32bit/64bit) Server and Linux   (32bit/64bit) Server. Click here to see technical specifications.Integrate with any programming languageWhether you work in .net, c#, php, cold fusion or JSP. Adeptol Viewer can be integrated easily in any programming language using the easy API set. It also comes with sample code for all languages to get you started.Compatibility with more than 99% of the browsersTested & verified for compatibility with 99% of the various browsers on different platforms. Click here to see browser compatibility report.More than 300 Document T
Gary Edwards

Run iPhone Apps Directly From Your Browser With Pieceable Viewer - 0 views

techcrunch.com/...pieceable-viewer

iPhone cloud-computing

shared by Gary Edwards on 12 Apr 11 - No Cached
  • Gary Edwards on 12 Apr 11
     
    Developers can publish their apps directly to the service and the Pieceable team will create a web page that displays a fully functional copy of the app. Developers or anyone who needs to share an app can then send a link to whomever they'd like to give the demo to. "It ends up being the easiest way ever to share an iPhone app on the web," CEO Fred Potter tells me. "There's no UDID exchange, there's no worry about the 100-device limit Apple places on dev accounts - it's zero friction and hassle." Using Flash to simulate the app's functionality, Pieceable Viewer works without any code modifications on the developer's side, "It's literally a one line command to publish an existing app to the viewer service," says Potter. But Pieceable Viewer isn't Pieceable's core product. The company itself, in the same space as Mobile Roadie and AppMakr, aims to be a WordPress for mobile platforms, helping people write apps even if they don't know how to code.
Paul Merrell

Cover Pages: XML Daily Newslink: Friday, 12 November 2010 - 0 views

xml.coverpages.org/...news2010-11-12.html

IETF memento HTTP time-based access to resource states

shared by Paul Merrell on 14 Nov 10 - No Cached
  • HTTP Framework for Time-Based Access to Resource States: Memento Herbert Van de Sompel, Michael Nelson, Robert Sanderson; IETF I-D Representatives of Los Alamos National Laboratory and Old Dominion University have published a first IETF Working Draft of HTTP Framework for Time-Based Access to Resource States: Memento. According to the editor's iMinds blog: "While the days of human time travel as described in many a science fiction novel are yet to come, time travel on the Web has recently become a reality thanks to the Memento project. In essence, Memento adds a time dimension to the Web: enter the Web address of a resource in your browser and set a time slider to a desired moment in the Web's past, and see what the resource looked like around that time... Technically, Memento achieves this by: (a) Leveraging systems that host archival Web content, including Web archives, content management systems, and software versioning systems; (b) Extending the Web's most commonly used protocol (HTTP) with the capability to specify a datetime in protocol requests, and by applying an existing HTTP capability (content negotiation) in a new dimension: 'time'. The result is a Web in which navigating the past is as seamless as navigating the present... The Memento concepts have attracted significant international attention since they were first published in November 2009, and compliant tools are already emerging. For example, at the client side there is the MementoFox add-on for FireFox, and a Memento app for Android; at the server side, there is a plug-in for MediaWiki servers, and the Wayback software that is widely used by Web archives, worldwide, was recently enhanced with Memento support..."
Paul Merrell

W3C Issues Report on Web and Television Convergence - 0 views

www.w3.org/...webtv-pr.html.en

convergence web television standards W3C

shared by Paul Merrell on 29 Mar 11 - No Cached
  • 28 March 2011 -- The Web and television convergence story was the focus of W3C's Second Web and TV Workshop, which took place in Berlin in February. Today, W3C publishes a report that summarizes the discussion among the 77 organizations that participated, including broadcasters, telecom companies, cable operators, OTT (over the top) companies, content providers, device vendors, software vendors, Web application providers, researchers, governments, and standardization organizations active in the TV space. Convergence priorities identified in the report include: Adaptive streaming over HTTP Home networking and second-screen scenarios The role of metadata and relation to Semantic Web technology Ensuring that convergent solutions are accessible. Profiling and testing Possible extensions to HTML5 for Television
Paul Merrell

Save Firefox! | Electronic Frontier Foundation - 0 views

www.eff.org/...save-firefox

W3C web-standards CDM encrypted-media-extensions EME DRM

shared by Paul Merrell on 29 May 16 - No Cached
  • The World Wide Web Consortium (W3C), once the force for open standards that kept browsers from locking publishers to their proprietary capabilities, has changed its mission. Since 2013, the organization has provided a forum where today's dominant browser companies and the dominant entertainment companies can collaborate on a system to let our browsers control our behavior, rather than the other way. This system, "Encrypted Media Extensions" (EME) uses standards-defined code to funnel video into a proprietary container called a "Content Decryption Module." For a new browser to support this new video streaming standard -- which major studios and cable operators are pushing for -- it would have to convince those entertainment companies or one of their partners to let them have a CDM, or this part of the "open" Web would not display in their new browser. This is the opposite of every W3C standard to date: once, all you needed to do to render content sent by a server was follow the standard, not get permission. If browsers had needed permission to render a page at the launch of Mozilla, the publishers would have frozen out this new, pop-up-blocking upstart. Kiss Firefox goodbye, in other words.
  • The W3C didn't have to do this. No copyright law says that making a video gives you the right to tell people who legally watch it how they must configure their equipment. But because of the design of EME, copyright holders will be able to use the law to shut down any new browser that tries to render the video without their permission. That's because EME is designed to trigger liability under section 1201 of the Digital Millennium Copyright Act (DMCA), which says that removing a digital lock that controls access to a copyrighted work without permission is an offense, even if the person removing the lock has the right to the content it restricts. In other words, once a video is sent with EME, a new company that unlocks it for its users can be sued, even if the users do nothing illegal with that video. We proposed that the W3C could protect new browsers by making their members promise not to use the DMCA to attack new entrants in the market, an idea supported by a diverse group of W3C members, but the W3C executive overruled us saying the work would go forward with no safeguards for future competition. It's even worse than at first glance. The DMCA isn't limited to the USA: the US Trade Representative has spread DMCA-like rules to virtually every country that does business with America. Worse still: the DMCA is also routinely used by companies to threaten and silence security researchers who reveal embarrassing defects in their products. The W3C also declined to require its members to protect security researchers who discover flaws in EME, leaving every Web user vulnerable to vulnerabilities whose disclosure can only safely take place if the affected company decides to permit it.
  • The W3C needs credibility with people who care about the open Web and innovation in order to be viable. They are sensitive to this kind of criticism. We empathize. There are lots of good people working there, people who genuinely, passionately want the Web to stay open to everyone, and to be safe for its users. But the organization made a terrible decision when it opted to provide a home for EME, and an even worse one when it overruled its own members and declined protection for security research and new competitors. It needs to hear from you now. Please share this post, and spread the word. Help the W3C be the organization it is meant to be.
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