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I think it is commonly understood that it's important to do your research on the district/school/job for which you're applying before you go into the interview at all. The question time at the end is where your preparation, or lack thereof, can become most apparent! You don't want to ask a question that can easily be answered through an internet search.

This is a great opportunity to showcase your knowledge about different teaching methodologies (like Orff, Kodaly, MLT etc) even if the interviewers don't know what you're asking!

make sure to ask about class length, frequency, and whether it is year-long or only part of the year!

This is good of course, in that it means that music can take flight easily in those who have an ear for it and they can move on quickly to the joy of music-making, both on their own and with others. But this same skill can become a disadvantage when those same students want to move into more complicated repertoire or advanced improvisational music-making. Here, their lack of foundation in the theoretical language of music will impede their progress, and it will be frustrating for already advanced players to stop and ‘go back to the beginning’ to pick up the language and basic theoretical concepts they need in order to move forward with their playing.

nd it’s also why it is so important to teach instrumentalists to sing the melodies they play as part of their learning process. This connects their physical response at the instrument and their technical understanding to their innately human ability to express themselves with their singing voice.

eep theoretical ideas tied very tightly to some kind of practical knowledge.

It begins with an idea and an essential question

it is important to remember that many content standards will be addressed.

Have in mind what materials and resources will be accessible to the students