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Nele Noppe

khyungbird: Where are the Shonen OEL Artists? - 0 views

  • the vast majority of "manga-influenced" and "OEL" comic artists in America today are influenced by shojo manga, far more than shonen manga.
  • The other editor felt that the reason was, this audience hasn't matured yet. Prior to Sailor Moon and the Tokyopop explosion (which was mostly buoyed by shojo manga and shonen romantic manga like Love Hina), the number of seriously manga-influenced artists in the U.S. was negligible. Since then, a whole generation of excellent artists has developed, mostly influenced by the things which manga did which American comics didn't do -- shojo and romantic material. This other editor felt that the future Naruto-and-Bleach-influenced artists simply weren't old enough yet.
Drew VT

Graphic artists condemn plans to ban erotic comics - UK Politics, UK - The Independent - 0 views

  • This week Parliament will discuss a new Bill which will make it a criminal offence to possess cartoons depicting certain forms of child abuse. If the Coroners and Justice Bill remains unaltered it will make it illegal to own any picture of children participating in sexual activities, or present whilst sexual activity took place. The Ministry of Justice claims that the Bill is needed to clamp down on the growing quantity of hardcore paedophilic cartoon porn available on the internet, particularly from Japan. But critics of the legislation say the current definitions are so sweeping that it risks stifling mainstream artistic expression as well as turning thousands of law abiding comic book fans into potential sex offenders.
  • graphic artist Alan Moore
    • Drew VT
       
      Inadequate description: Alan Moore is a writer, not an artist.
    • Nele Noppe
       
      Correct. Adjusted the keywords for this one to reflect that this is not an academic source (not that coming from the pen of a scholar makes something correct by definition -let's read all texts with this kind of vigilance).
Nele Noppe

Differentiating faces in manga: the case of 'Nana' - 0 views

  • even some highly-acclaimed artists have only a limited number of facial types. Creating a hfully-realized human face from scratch is very hard work, and it's not surprising that artists tend to resort to either shortcuts or other ways of distinguishing characters from each other. So what other ways are there to distinguish characters? The most obvious methods are hair and clothing, body type, and body language.
  • creating a unique posture and body language for them.
  • Hair and clothing are tricky because they're very changeable. What a character really needs is an overall sense of style that enables you to identify who they are regardless of what they're currently wearing.
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  • I suppose the point of this is that we deride artists all the time for not being able to draw different faces, but the real goal is not to create different faces but to be able to create memorable and distinguishable character designs, of which the face is only one element. As long as you can tell the characters apart at a glance, who cares if they have the same face?
Nele Noppe

Manga on cell phones in de US - 0 views

  • With these new platforms, GoComics reaches every comic fan with a mobile phone, including iPhones and smart phones. Comics and manga can be read for free with ads, or they can be purchased individually using points-based subscriptions. “Our Mobile Manga is a great user experience and satisfies discriminating creators, editors and fans alike. A major reason for this is GoComics’ commitment to quality, simplicity, and an artistic adaptation that preserves the manga pacing while converting pages into a panel-by-panel format,”
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    With these new platforms, GoComics reaches every comic fan with a mobile phone, including iPhones and smart phones. Comics and manga can be read for free with ads, or they can be purchased individually using points-based subscriptions. "Our Mobile Manga is a great user experience and satisfies discriminating creators, editors and fans alike. A major reason for this is GoComics' commitment to quality, simplicity, and an artistic adaptation that preserves the manga pacing while converting pages into a panel-by-panel format,"
Nele Noppe

How doujinshi will take over the world (or not) - 0 views

  • First, doujinshi are not commercial products, and this is one of the most important distinctions that allows its very existence. 
  • Many doujinshi conventions (Comiket included) require doujin circles to provide print run information, and enforces a cap.  Quite simply, there aren’t enough books to export en mass. 
  • This is also why doujinshi has continued to grow while other media like manga, anime, and music have suffered with the advent of peer to peer trading on the internet…the doujinshi market is a collector’s market, where the physical book itself is highly valued
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  • that’s not to say that doujinshi isn’t profitable…a few artists never “go pro” because they make quite a healthy living on their doujinshi,
  • The much better road for the American manga industry and fans to take is not to import doujinshi, but to import the doujinshi ideal and ethics, and foster a domestic doujinshi community of our own.  This road is beset by its own share of hurdles, though, and they have very deep roots.
  • in America properties are created and owned by the corporation.
  • While fanzines and fanfiction have been around in the U.S., we have nothing even close to the doujinshi scene in Japan, because of American corporate mentality which values “perpetual properties” instead of new creations, and these properties are guarded visciously.
  • They simply have no reason to support budding artists in such a way, when their raison detre are still characters created decades ago.  Fan comics are not seen as extending the life of a property, but as competition. 
  • The truth is a significant portion of Japanese doujinshi are erotic works, many based on children’s shows.  It isn’t hard to imagine the kind of moral outrage most doujinshi would illicit. 
  • American manga companies need to take a hard look at doujinshi in Japan and understand its benefits, and readers and artists should take a stand because this is an opportunity for the status of the creator to take precedence over the corporation.
Nele Noppe

Asian Studies: Sharalyn Orbaugh - 0 views

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    Why an Artist Paints an Apple: Feminists Read the Fantastic
Nele Noppe

Raiku wins Shogakukan, says artistic value of manga now legally recognized in Japan - 0 views

  • Raiku says this is a big step for manga authors as the artistic value of manga has been acknowledged.
Nele Noppe

Sleep Is For the Weak » Blog Archive » Super Dramatic Drama - 0 views

  • Youka Nitta? She’s the most recent mangaka to pretty much lose her career over tracing photos.
  • The HILARIOUS thing about the Youka Nitta scandal is the reaction from 55DSL, the fashion brand whose unique and artistic ad was blatantly traced by Nitta and drew attention to her tracing in the first place. They pretty much voice my reaction to this kind of scandal: let’s put this all in perspective. If you’re copying ads, for shame, but seriously - you’re probably only spreading the popularity of what you copied.
  • Isn’t that one of the justifications behind doujinshi, broader artistic interpretation notwithstanding?
Nele Noppe

Manga Artists (Extreme Careers) - 0 views

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    by Tamara Orr
Ursaring93 _

Japan's manga artists angry over sex and violence ban - Telegraph - 3 views

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    The Tokyo Assembly has just voted to carry over deliberation on the proposed law to the June session. Apparently the free speech concerns are being taken seriously. http://internet.watch.impress.co.jp/docs/news/20100319_355763.html
Ariane Beldi

Twins, 20, jailed for child porn manga - 2 views

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    NEW GLASGOW - Twin brothers were sentenced in provincial court Wednesday to three months in jail for possessing child pornography.
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    This is an interesting issue that concerns particularly anime and manga, although not only, because pornography and child pornography constitute such a high percentage of the total production (apprently, close to 50%). Here, we have a typical case where something legal in one country is illegal in many others. Moreover, there is also the issue of freedom of expression, since drawing (like writing, actually) are only expression of fantasies, but not necessarily their implementations, unless the it is about a story that actually took place. Does that mean one should forbid such fantasies to be expressed, whether from a commercial point of view or from an artistic perspective? Of course, many will state firmly that such fantasies can never become art, but that doesn't settle the debate once and for all, in my opinion. On the contrary, I think it remains quite an open-ended issue and one should keep an eye out for its development, as pornography in all its forms and expressions are often used as pretext to resteain freedom of speech and artistic expressions that don't fit a specific politically correct model.
Ariane Beldi

SGMS 2011 Call for Papers! - 0 views

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    "Ten years ago, the first SGMS had to be delayed because of the tragic event of 9/11, but two months later, seven academics from a variety of disciplines spoke on manga and anime to a crowd of 150 eager fans, academics, and students from junior high to college-aged. Since then, on the last weekend of every September, the expanding community of SGMS artists, actors, teachers, and students have gotten together to celebrate manga, anime and Japanese popular culture. Join us for the SGMS Masquerade Bash on Friday night with the Full Fashion Panic Fashion Show, music, food and costumed frivolities will prevail! Even the guests will be in costume! On Saturday and Sunday, there will be talks by guests Marc Hairston, Crispin Freeman, Thomas LaMarre, Christopher Bolton, Gilles Poitras and Frenchy Lunning. Classes in manga creation by Robert Ten Pas and Dennis Lo, Lolita Fashion creation by Samantha Rei, and more will be held. Watch for the announcement of our VERY SPECIAL GUEST soon!"
Nele Noppe

iPad Publishing No Savior for Small Press, LGBT Comics Creators - 3 views

  • Anticipated as a potential savior of the comics industry, distribution of digital comics through Apple's iPhone and iPad is proving not to be the magic bullet many had hoped for. Format issues, pricing concerns, and censorship of content are hindering many creators, particularly those making lesbian and gay comics, from taking full advantage of this new outlet for their work.
  • But Apple chose ePub as the format for books sold through iBooks; the format is not designed to support fully illustrated projects like art books and comic books, and presents them with large white margins on each page. There are only a handful of graphic novels available in the iBooks store; most have been modified to show a few panels per page to avoid shrinking the content excessively.
  • Even if a creator happened to have the technical proficiency to write her own comics app, going from iBooks to a boutique comics app is hardly ideal for a small publisher or self-published creator. You have no opportunity to reach readers unless they specifically look for comic books; you don't benefit from the browsing and search traffic on the larger store and your books won't appear in searches. But even if a creator or small publisher persevered and created and successfully promoted his own comics app, there is the last, and possibly most significant, hurdle to overcome: Apple censorship.
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  • Digital magazine store Zinio, like all content suppliers for iPhone and iPad, agreed to Apple's "Regional Content Review" for all items sold through their app. This means that all "in-app purchasable" content must be approved by Apple to be acceptable to the broad U.S. population (the United States is one "region") or it will block it. The more obvious targets for censorship in the Zinio store included Playboy and Penthouse magazines, but Vogue France was also rejected because it features artistic and occasional use of nudity. Vogue France is also not stocked at Wal-Mart stores for the same reason.
  • Stories have surfaced about comic books being blocked as well. In February, Stephen Lindsay, the creator of Jesus Hates Zombies, discovered that a link to buy his book through the ComiXology app had stopped working. A ComiXology rep explained in a tweet that Apple "deemed it inappropriate according to their SDK guidelines" and they were forced to remove it.
  • "Here's the thing," said Lindsay. "Jesus Hates Zombies doesn't involve any sex whatsoever. None. It has violence and swearing, but that's because it's a mature readers horror comedy. But the violence isn't even intense. And being a black and white comic, there's zero red blood, which means any gore is dramatically cut down."
  • When asked if it would be fair to say that any comics with content that would fit in an R-rated movie (violence, brief nudity without explicit sex) would fit into Apple's guidelines, Murphey agreed.
  • "People seem to think that Apple is slamming our hands down every day saying 'No — we shall oppress this material— you are not permitted to do anything that we do not deem to be family friendly'… and that's not what's happening at all," Murphey continued. "Apple has not censored what we publish in a way that we feel has been terribly oppressive. When things first started in 2008, before they had the parental controls in effect, they were much more strict about what could and couldn't be allowed in the store. Now things are much better."
  • "My problem with Apple banning [Jesus Hates Zombies] is simply this," says Lindsay. "They allow the Marvel book Kick-Ass. How in God's name is my book worse than Kick-Ass when it comes to content? The simple answer, it's not. But because Kick-Ass is a Marvel book, it gets a pass."
  • The experience of smaller publishers producing books with LGBT characters and situations also seems hard to reconcile with Murphey's assessment of Apple's guidelines. Tom Bouden's adaptation of The Importance of Being Earnest was rejected as an iPad app for the App Store, again due to "materials that may be considered obscene, pornographic, or defamatory." A handful of sexually suggestive images depicting men, some extremely mild, were specifically flagged as problematic in the 80-page graphic novel.
  • perhaps to avoid calling attention to its restrictions, Apple did not allow black censor bars to appear in content.
  • Yaoi Press packaged their graphic novel Zesty for submission to the App Store with the assistance of digital provider Fika Publishing
  • The book was rejected without explanation.
  • "I'm not as hopeful about the iPad as I was this morning," said Abraham in an article about Manga on the iPad for About.com. "The iTunes store just rejected Zesty, our tamest graphic novel, without citing a reason. We thought this could be a bright spot for us, akin to our sales on Amazon Kindle, but we're very discouraged right now."
  • We have snuck onto Apple platforms through the Kindle app." A search on Amazon's Kindle Store for Yaoi Press titles yields a wide range of prose and graphic novels, all of which can be purchased and synced to an iPad or iPhone. Kindle purchases do not happen "in-app", and are not required to be reviewed and approved by Apple. Amazon appears to have no content restrictions with regard to sexual content; even explicit sexual material appears to be fair game for Kindle books.
  • "Amazon doesn't seem to have a problem with the story," Bonte said. "They accepted it for digital distribution. The problem with Amazon is that they take 70% and Apple only 30%, plus the platform is absolutely not usable for comics.
  • "If Dylan was 20 today," Tate wrote, "how would he feel about your company? Would he think the iPad had the faintest thing to do with 'revolution'? Revolutions are about freedom." "Yep, freedom from programs that steal your private data," Jobs responded. "Freedom from programs that trash your battery. Freedom from porn. Yep, freedom. The times they are a changin', and some traditional PC folks feel like their world is slipping away. It is."
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    It looks like I'm not about to get an iPad! I have already decided not to get an iPhone (short-lived batteries, locked software, cost of mobile internet subscription) but it looks like Apple is heading in a direction with which I can't agree, meaning that my next computer certainly won't be from this brand. There were things I didn't like with Microsoft either, but it seems that Apple is doing even worse. And Google isn't walking that much of a more satisfying path. After I'm done with my dissertation, I'm definitely planning on learning better how to use linux and other open-source materials.
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    I did get an iPhone last year. The very high cost is somewhat balanced out by the great ease of use, but after all the random app-banning and the launch of this new reactionary device, I have to agree with you and quit buying Apple products. This kind of content censorship is incredibly harmful.
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    Ah! So, you were also a victim of the iPhone craze! ;-) I must say that it does look very enticing and seducing, but I feel that Apple is going too far with all these automatisms, to the point that you don't even know where the stuff you download or even write is stored on your device. There was a time when Apple products were more transparent than Microsoft's. But now, ergonony for the sake of ergonony and design have taken over completely to the point that Apple products are becoming complete "black boxes". My next cell-phone will certainly look a lot more like a smart phone than mine does now, but it won't be an Apple product, nor probably an Android one. I don't like all these geolocalization softwares. I'm not sure what it will be, because my present cellphone is doing ok and have no idea how long it will last, so it will depend on what's available and within the reach of my wallet.
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    Yes yes, it was a bad call, thank you for rubbing it in ;) In my defense, they hadn't started with the app-bannings and absurd censorship policies back then. Listening to Jobs defining "freedom" now, it's like hearing Agent Smith explain the purpose of the Matrix. I'm not sure what my next phone will be, either. Android looks better, but Google owns quite enough of me as it is.
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    Well, I don't blame you! My father got one as soon as he was able to. His excuse was that he needed to receive emails on his cellphone, but there were other brands and models who could do the same. They just weren't as sexy and let's face it, not as frequently displayed in public spaces. As for me, since I didn't want to get a mobile internet subscription, as they are quite expensive in Switzerland (around 60 Euros/month and for a limited amount of downloaded data), an iPhone would have been pretty much useless and would have costed me a fortune (without phone subscription, they were sold between 700 and 800 Euros a piece). So, what saved me, in reality, was simply lack of money and other priorities than mobile telephony. Moreover, I have an iPod mini on which I can download music, radio recording and video shows, so I don't need anything else to entertain me during my train travels. So, really, I have absolutely no merit whatsoever for not following fashion...if I had had the money, who knows...I might have fallen to the craze too! ^_^
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