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Nele Noppe

Icarus Publishing · Last thoughts on Detergent Magma - 1 views

  • I believe I’ve done this before, but given some of the stuff I’ve been reading on forums and the like, I feel the need to once again address plagiarism and doujinshi, especially how the two are not related.
  • Yet how do Japanese artists and readers reconcile their rejection of plagiarism with the wanton copyright infringement observed in most doujinshi?  Well, plagiarism is only a subset of copyright infringement, one which seeks to obscure true authorship.  Parody doujinshi are derivative work, but there is no confusion over the originator of the characters and ideas, no attempt to hide the source.  And there is still an expectation that the expression is original, that what one sees in a doujinshi – the artistry, the craft, the performance – is honest and real.  Comic art is indeed a performance, the paper is its stage.  Sometimes, one might borrow other characters for his play, but one cannot scratch the name off the director’s chair and replace it with his own.
Nele Noppe

局所特徴量の照合による線画の部分的複製検出 - 0 views

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    Partial Copy Detection for Line Drawings by Local Feature Matching
Nele Noppe

Workshop on Popular Culture, Cultural Policy, and Cultural Discourse in East and Southe... - 0 views

  • Workshop on Popular Culture, Cultural Policy, and Cultural Discourse
    in East and Southeast Asia, June 1-2, 2009, the Hebrew University of
    Jerusalem

    The workshop on Popular Culture, Cultural Policy, and Cultural
    Discourse in East and Southeast Asia, will be held at the Hebrew
    University of Jerusalem, Israel. The purpose of this workshop is to
    conduct a comparative and multi-sited study of the emergence of the
    popular cultural industries of East and Southeast Asia, examine the
    corresponding cultural policies initiated by the various states in the
    region, and construct an empirically-plausible framework to examine
    related issues. The workshop will particularly focus on the cases of
    Chinese, Japanese, and Korean poplar cultures: their emergence,
    expansion to other markets in the region, and the discourse they
    create.

    Panel 1: Popular Culture, Regionalization, and the State
    1. Amitav Acharya, American University,
    "Culture, Regionalism and Southeast Asian Identity"
    2. Galia Press-Barnathan, the Hebrew University of Jerusalem
    "Does Popular Culture Matter to International Relations Scholars?
    Possible Links and Methodological Challenges"
    3. Nissim Otmazgin, the Hebrew University of Jerusalem
    "A Tail that Wags the Dog: Cultural Industry and Cultural Policy in East Asia"
    Commentator: Arie Kacowicz, the Hebrew University of Jerusalem

    Panel 2: Cultural Flows and Soft Power
    1. Chua Beng Huat, National University of Singapore
    "Delusional Desire: Soft Power and TV Dramas"
    2. Jean Marie Bouissou, Science-Po
    "From Niche Market to Hypermarkets: The Birth, Growth and Maturation
    of the French Manga Market"
    3. Eldad J. Pardo, the Hebrew University of Jerusalem
    "The Comeback of Iran's Z $B{ (Brkh $Bb (Bneh: Ancient Heroes in the Global Age"
    Commentator: Eyal Ben Ari, the Hebrew Univ

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