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Mike Wesch

Measuring Classroom Progress: 21st Century Assessment Project Wants Your Inpu... - 8 views

  • “21st Century Literacies” compiled by Cathy N. Davidson Media theorist and practitioner Howard Rheingold has talked about four “Twenty-first Century Literacies”—attention, participation, collaboration, and network awareness—that must to be addressed, understood and cultivated in the digital age. (see, http://www.sfgate.com/cgi-bin/blogs/rheingold/category?blogid=108&cat=2538). Futurist Alvin Toffler argues that, in the 21st century, we need to know not only the three R’s, but also how to learn, unlearn, and relearn.  Expanding on these, here are ten “literacies” that seem crucial for our discussion of “This Is Your Brain on the Internet.” •  Attention:  What are the new ways that we pay attention in a digital era?  How do we need to change our concepts and practices of attention for a new era?  How do we learn and practice new forms of attention in a digital age? •  Participation:  Only a small percentage of those who use new “participatory” media really contribute.  How do we encourage meaningful interaction and participation?  What is its purpose on a cultural, social, or civic level? •  Collaboration:  How do we encourage meaningful and innovative forms of collaboration?  Studies show that collaboration can simply reconfirm consensus, acting more as peer pressure than a lever to truly original thinking.  HASTAC has cultivated the methodology of “collaboration by difference” to address the most meaningful and effective way that disparate groups can contribute. •  Network awareness:  What can we do to understand how we both thrive as creative individuals and understand our contribution within a network of others?  How do you gain a sense of what that extended network is and what it can do? •  Design:  How is information conveyed differently in diverse digital forms?  How do we understand and practice the elements of good design as part of our communication and interactive practices? •  Narrative, Storytelling:  How do narrative elements shape the information we wish to convey, helping it to have force in a world of competing information? •  Critical consumption of information:  Without a filter (such as editors, experts, and professionals), much information on the Internet can be inaccurate, deceptive, or inadequate.  Old media, of course, share these faults that are exacerbated by digital dissemination.  How do we learn to be critical?  What are the standards of credibility? •  Digital Divides, Digital Participation:  What divisions still remain in digital culture?  Who is included and who is excluded and how do basic aspects of economics, culture, and literacy levels dictate not only who participates in the digital age but how we participate? •  Ethics and Advocacy:  What responsibilities and possibilities exist to move from participation, interchange, collaboration, and communication to actually working towards the greater good of society by digital means in an ethical and responsible manner? •  Learning, Unlearning, and Relearning:  Alvin Toffler has said that, in the rapidly changing world of the twenty-first century, the most important skill anyone can have is the ability to stop in one’s tracks, see what isn’t working, and then find ways to unlearn old patterns and relearn how to learn.  This requires all of the other skills in this program but is perhaps the most important single skill we will teach.  It means that, whenever one thinks nostalgically, wondering if the “good old days” will ever return, that one’s “unlearning” reflex kicks in to force us to think about what we really mean with such a comparison, what good it does us, and what good it does to reverse it.  What can the “good new days” bring?  Even as a thought experiment—gedanken experiment—trying to unlearn one’s reflexive responses to change situation is the only way to become reflective about one’s habits of resistance.
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    ""21st Century Literacies" compiled by Cathy N. Davidson Media theorist and practitioner Howard Rheingold has talked about four "Twenty-first Century Literacies"-attention, participation, collaboration, and network awareness-that must to be addressed, understood and cultivated in the digital age. (see, http://www.sfgate.com/cgi-bin/blogs/rheingold/category?blogid=108&cat=2538). Futurist Alvin Toffler argues that, in the 21st century, we need to know not only the three R's, but also how to learn, unlearn, and relearn. Expanding on these, here are ten "literacies" that seem crucial for our discussion of "This Is Your Brain on the Internet." * Attention: What are the new ways that we pay attention in a digital era? How do we need to change our concepts and practices of attention for a new era? How do we learn and practice new forms of attention in a digital age? * Participation: Only a small percentage of those who use new "participatory" media really contribute. How do we encourage meaningful interaction and participation? What is its purpose on a cultural, social, or civic level? * Collaboration: How do we encourage meaningful and innovative forms of collaboration? Studies show that collaboration can simply reconfirm consensus, acting more as peer pressure than a lever to truly original thinking. HASTAC has cultivated the methodology of "collaboration by difference" to address the most meaningful and effective way that disparate groups can contribute. * Network awareness: What can we do to understand how we both thrive as creative individuals and understand our contribution within a network of others? How do you gain a sense of what that extended network is and what it can do? * Design: How is information conveyed differently in diverse digital forms? How do we understand and practice the elements of good design as part of our communication and interactive practices? * Narrative, Storytelling: How do na
Mike Wesch

Anshe Chung - Wikipedia, the free encyclopedia - 0 views

  • In December 2006, while conducting an interview for CNET with Daniel Terdiman on her economic assets, the virtual studio in which the interview took place was bombarded by flying animated penises and copies of a photo of Graef modified to show her holding a giant penis in her arms. The griefers managed to disrupt the interview sufficiently that Chung was forced to move to another location and ultimately crashed the simulator entirely.[18] Video and images of the incident were posted to the "Second Life Safari" section of Something Awful, and the incident received international notice via blogs including Boing Boing and the online edition of the Sydney Morning Herald. Two weeks later, Anshe's husband, Guntram Graef, issued takedown notices under the DMCA, demanding that newspapers and websites remove photos and videos of the incident and claiming that they violated Graef's copyright in her avatar and other virtual creations. YouTube pulled the videos of the incident as a DMCA violation and banned the account of Second Life Safari, bringing objections from legal experts who considered the work "fair use".[19] A Linden Labs spokesperson suggested that the taking of videos and photos in Second Life should be governed by the same rules as in real life,[20] and an attorney for the Electronic Frontier Foundation compared it "to Armani attempting to restrict news photos of a car crash where one of the drivers was wearing an Armani suit."[21]
  • After news of these events and the legal objections spread across a number of sites including Slashdot, YouTube changed its rationale for removing copies of the video to terms of use violation, and in an interview Guntram Graef said that issuing the takedown notices had been a mistake. He referred to the images as 'pornographic material' and said The video and pictures are clearly defaming and constitute a sexual assault. He stated that he had originally tried to have the videos removed as a personal attack and infringement on rights, but later changed to a copyright claim when that didn't produce a response. When he realized the issues of censorship, he dropped the copyright claim.[19] In 2008 Russian opposition leader Gary Kasparov was attacked at a real public event with a flying penis helicopter and what appeared as a real life adaption of the flying penis attack on Anshe Chung. The Kasparov attack was ended within seconds by a guard who destroyed the flying penis aparatus. In contrast CNet and the company Millions of Us who were responsible for securing the event in Second Life had failed to remove the virtual objects for an extended period of time
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    In December 2006, while conducting an interview for CNET with Daniel Terdiman on her economic assets, the virtual studio in which the interview took place was bombarded by flying animated penises and copies of a photo of Graef modified to show her holding a giant penis in her arms. The griefers managed to disrupt the interview sufficiently that Chung was forced to move to another location and ultimately crashed the simulator entirely.[18] Video and images of the incident were posted to the "Second Life Safari" section of Something Awful, and the incident received international notice via blogs including Boing Boing and the online edition of the Sydney Morning Herald. Two weeks later, Anshe's husband, Guntram Graef, issued takedown notices under the DMCA, demanding that newspapers and websites remove photos and videos of the incident and claiming that they violated Graef's copyright in her avatar and other virtual creations. YouTube pulled the videos of the incident as a DMCA violation and banned the account of Second Life Safari, bringing objections from legal experts who considered the work "fair use".[19] A Linden Labs spokesperson suggested that the taking of videos and photos in Second Life should be governed by the same rules as in real life,[20] and an attorney for the Electronic Frontier Foundation compared it "to Armani attempting to restrict news photos of a car crash where one of the drivers was wearing an Armani suit."[21] After news of these events and the legal objections spread across a number of sites including Slashdot, YouTube changed its rationale for removing copies of the video to terms of use violation, and in an interview Guntram Graef said that issuing the takedown notices had been a mistake. He referred to the images as 'pornographic material' and said The video and pictures are clearly defaming and constitute a sexual assault. He stated that he had originally tried to have the videos removed as a personal attack and infringement on rights,
terracalm-us

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misha-infotech

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Cyndi Danner-Kuhn

eBookfor iPad - Al Gore's Our Choice- FREE - 14 views

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Mike Wesch

The WELL: Bruce Sterling: State of the World, 2009 - 0 views

  • I have to love a guy who talks about a "collapse gap." He's got a blog called "ClubOrlov" at http://cluborlov.blogspot.com/, and in his intro to a guest post on December 23, he says " I called it as I saw it, and, unfortunately, I seem to have called it correctly. The US is collapsing before our eyes. Stage 1 collapse is very advanced now; stages 2 and 3 are picking up momentum."
  • So that leaves the Americans -- the global wealthy are clinging to 'em like a drunk to a lamppost.
  • I notice that John Robb, one of my favorite prophets of doom, has formed some tacit New Urbanist alliance with James Howard Kunstler, also one of my favorite prophets of doom.
  • ...10 more annotations...
  • In my futurist book TOMORROW NOW I was speculating that there might be a post-national global new order arising in cities. Cities as laboratories of the post-Westphalian order.
  • I was on a call recently with a business that produces "resilient cities" planning, database-intensive digital planning.
  • if we allow ourselves to buy into the fragmentation of postmodernity, where positionality, diversity and ennui rule the day, we lose sight that there are big, tangible players who have the power to behave in ways with their political clout, capital, manufacturing and commerce that are either earth-friendly or not earth-friendly.
  • Instead, I hope we will approach a critical mass in the populace where we persistently insist––politically, economically, spiritually––that our business and government leaders adopt behaviors that embrace a new global consciousness
  • The same goes for Americans trying to rebel against Wall Street. There's no visible other space. There's no liberated territory. It's like rebelling against a funhouse mirror because it makes you look so fat and stupid.
  • his is not just a bad vibe happening. Merrill Lynch is gone. Enron is long gone. Madoff is a crook. The big boys are hurting. Cities are broke, states are broke, the feds are a laughingstock. The Congress and the former Administration have fully earned the public's contempt. You can't "blame the media" for that. Even the media's broke -- ESPECIALLY the media.
  • I agree that there's an irrational panic now. There are also a large crowd of severe, real-world, fully rational, deeply structural problems that have gone unconfronted for years.
  • This is a frank recognition of the stakes. It's aimed at the adults in the room.
  • People become happy when they have something coherent to be enthusiastic about.
  • When you can't imagine how things are going to change, that doesn't mean that nothing will change. It means that things will change in ways that are unimaginable.
Mike Wesch

antropologi.info - anthropology in the news blog - Do we (still) need journals? - 0 views

  • For the most part, presses and journals as they now exist do not serve the interests of intellectual or cultural development. To the contrary, their proliferation is symptomatic of increasing hyper-specialization in which there is more and more about less and less. This is going in the opposite direction of history, in which there is increasing interconnectedness. So my advice is to forget journals – I no longer read any academic journals and I stopped publishing in them years ago. The only function presses and journals serve is to authorize those who write for them among a dwindling group of peers. If ideas are to matter – and I believe it is crucial that they do – we must completely change the way in which they are communicated.
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    For the most part, presses and journals as they now exist do not serve the interests of intellectual or cultural development. To the contrary, their proliferation is symptomatic of increasing hyper-specialization in which there is more and more about less and less. This is going in the opposite direction of history, in which there is increasing interconnectedness. So my advice is to forget journals - I no longer read any academic journals and I stopped publishing in them years ago. The only function presses and journals serve is to authorize those who write for them among a dwindling group of peers. If ideas are to matter - and I believe it is crucial that they do - we must completely change the way in which they are communicated.
Katie Hines

YouTube - Everything is amazing, nobody is happy... - 0 views

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    Great commentary on how things have changed over the past 30 years. And it's funny.
Lyndi Stucky

Be positive, Change the World! - 0 views

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    Let's change the world, one attitude at a time!
Belly Dance

Bellydancing Has Changed My Wife - 1 views

My wife was always unhappy because of the stressful work she had but it all change when she started joining a bellydance class at Bellydance Art Academy. She has that glow in her face that I did ...

bellydance

started by Belly Dance on 19 Oct 11 no follow-up yet
stlwdwl1

polo lacoste manche longues pas cher Mais - 0 views

Quant aux nuits blanches d'il y a trente ans, il les a troquées pour de bons dîners après le spectacle : «La vie change avec l'âge et rien qu'à la vue, on sait distinguer un vin d'un autre.» «Comme...

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started by stlwdwl1 on 16 Dec 14 no follow-up yet
qfqxbyf1

Robe Ralph Lauren pas cher Au - 0 views

S'ils ont reconnu que la SNCF entravait l'enquête, les juges laissent les victimes sur leur faim en assurant ne pas disposer d'éléments suffisamment étayés pour engager des poursuites contre des pe...

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started by qfqxbyf1 on 11 May 16 no follow-up yet
Steve Prulhiere

Vital Tips To Keep In Mind While Borrowing Same Day Loans Online! - 0 views

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    In this modern world, life of every individual is changing at the fast pace. No one can predict when one faces the tough financial time and need the urgent cash support.
Devia Rajput

In Hollywood Top 10 Chief Male Artists - 0 views

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    Hi Friends Now You See Top 10 Chief Hollywood Male Artists.The top ten chief paid Hollywood actors are mentioned in this article. The highest paid actors are got $ 20-30 million salaries. For every movie released, we as a public only look at the overall box office collections. Before many years ago the actress and actors have fixed salary in the 50s and 60s. Their job timing had 9 am to 5 pm. Many things changed the entertainment production be inclined to make highest money.
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