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"Musicians are therefore worried - about being made to perform material they otherwise wouldn't, or being usurped by a fantasy. "I can't help but think that I can be easily replaced," says Flora Rose, a singer-songwriter on TikTok. "I'm spending months crafting my debut EP, [and meanwhile] people can make tracks in one click." When it comes to the arts, AI tends to provoke horror or ridicule - as when an AI photograph won a major photography competition, or when ChatGPT declared young adult weepie The Fault in Our Stars "one of the best books of all time". In February, the lawyer behind a lawsuit on behalf of visual artists whose work was being used to generate AI art called any generative image "an infringing derivative work"."

"Carolan, who is 18 and has just completed an art foundation course in Cardiff, decided architecture would be a safer path to follow. "It feels like it will be a more secure degree. Lots of psychology goes into architecture," he says. "You need to understand the core of what you're doing." He is doubtful that images made by artificial intelligence will replace the art exhibited in galleries, but he worries that commercial projects previously requiring a team of artists may in the future need only one to work with AI and neaten up the final product. "The options will probably get limited as time goes on. Personally, I'd find it a bit depressing if there wasn't a human element, but whether or not we'd notice I'm not sure. I always thought things like art would be one of the last things robots would be able to do.""

"Their tools analyze content using sophisticated algorithms, picking up on subtle signals to distinguish the images made with computers from the ones produced by human photographers and artists. But some tech leaders and misinformation experts have expressed concern that advances in A.I. will always stay a step ahead of the tools. To assess the effectiveness of current A.I.-detection technology, The New York Times tested five new services using more than 100 synthetic images and real photos. The results show that the services are advancing rapidly, but at times fall short."

"Mickey Mouse will enter the public domain in the year 2024, almost 95 years after his creation on 1 October 1928 - the length of time after which the copyright on an anonymous or pseudo-anonymous body of artistic work expires."

"A promotional poster for the second season of Loki on Disney Plus has sparked controversy amongst professional designers following claims that it was at least partially created using generative AI. Illustrator Katria Raden flagged the image on X (formerly Twitter) last week, claiming that the image of the spiraling clock in the background "is giving all the AI telltale signs, like things randomly turning into meaningless squiggles" - a reference to the artifacts sometimes left behind by AI-image generators. The creative community is concerned that AI image generators are being trained on their work without consent and could be used to replace human artists. Disney previously received backlash regarding its use of generative AI in another Marvel series, Secret Invasion, despite the studio insisting that using AI tools didn't reduce roles for real designers on the project."

"The lawsuit accused Anthropic of infringing the publishers' copyrights by copying their lyrics without permission as part of the "massive amounts of text" that it scrapes from the internet to train Claude to respond to human prompts. The publishers also say that Claude illegally reproduces the lyrics by request, and in response to "a whole range of prompts that do not seek Publishers' lyrics", including "requests to write a song about a certain topic, provide chord progressions for a given musical composition, or write poetry or short fiction in the style of a certain artist or songwriter"."

"The opt-out movement is spreading, with tens of millions of artworks and images excluded in the last few weeks. But following the trail is tricky as images are used by clients in altered forms and opt-out clauses can be hard to find. Many photographers are also reporting that their "style" is being mimicked to produce cheaper work. "As these programs are devised to 'machine learn', at what point can they generate with ease the style of an established professional photographer and displace the need for their human creativity?" says Doran."

"Wooldridge says copyright is a "coming storm" for AI companies. LLMs are likely to have accessed copyrighted material, such as news articles. Indeed the GPT-4-assisted chatbot attached to Microsoft's Bing search engine cites news sites in its answers. "I didn't give explicit permission for my works to be used as training data, but they almost certainly were, and now they contribute to what these models know," he says. "Many artists are gravely concerned that their livelihoods are at risk from generative AI. Expect to see legal battles," he adds."

"He's right to be annoyed - these tracks are a violation of an artist's creativity and personhood - and the fakes are noticeably more sophisticated than those from a few years ago, when Jay-Z was made to rap Shakespeare (this is the kind of humour beloved of AI dorks). The tech will continue to improve to the point where the differences become indistinguishable. Perhaps lazy artists will soon use AI to generate their latest album, not so much phoning it in as texting it. AI composes its music by regurgitating things it's been trained to listen to in vast song databases, and that's not so different than the way human-composed pop music is recombined from prior influences. Producers, engineers, lyricists and all the other people who work behind a star could be usurped or at least have their value driven down by cheap AI tools."

"Her intervention emerged after Sir Paul McCartney became the latest star to back calls for laws to stop mass copyright theft by generative AI companies, warning the technology "could just take over". Bush, who shot to fame with Wuthering Heights in 1978 but whose last album was released in 2011, gave a rare interview this year in which she said she was "very keen" to make a new album, saying: "I've got lots of ideas … it's been a long time.""

"Both industries are at an impasse: tech insisting that enforcing copyright laws on AI is unfeasible and regressive, creatives that opting out is unworkable and unjust. It is up to government to foster a fair agreement in which both flourish. This is a pivotal moment for our cultural future. The artistic community has spoken. Now ministers must listen, take their concerns seriously and respond. We must protect our creators at all costs."

"'Fredbot' is one example of a technology known as chatbots of the dead, chatbots designed to speak in the voice of specific deceased people. Other examples are plentiful: in 2016, Eugenia Kuyda built a chatbot from the text messages of her friend Roman Mazurenko, who was killed in a traffic accident. The first Roman Bot, like Fredbot, was selective, but later versions were generative, meaning they generated novel responses that reflected Mazurenko's voice. In 2020, the musician and artist Laurie Anderson used a corpus of writing and lyrics from her late husband, Velvet Underground's co-founder Lou Reed, to create a generative program she interacted with as a creative collaborator. And in 2021, the journalist James Vlahos launched HereAfter AI, an app anyone can use to create interactive chatbots, called 'life story avatars', that are based on loved ones' memories. Today, enterprises in the business of 'reinventing remembrance' abound: Life Story AI, Project Infinite Life, Project December - the list goes on."

"Beth Hyland thought she had met the love of her life on Tinder.  In reality, the Michigan-based administrative assistant had been manipulated by an online scam artist who posed as a French man named 'Richard', used deepfake video on Skype calls and posted photos of another man to pull off his con. A 'deepfake' is manipulated video or audio made using artificial intelligence (AI) to look and sound real. They are often difficult to detect without specialised tools. In a matter of months, Hyland, 53, had taken out loans totalling $26,000, sent 'Richard' the money, and fallen prey to a classic case of romance baiting or pig butchering, named for the exploitative way in which scammers cultivate their victims."

"'One day I overheard my boss saying: just put it in ChatGPT': the workers who lost their jobs to AI From a radio host replaced by avatars to a comic artist whose drawings have been copied by Midjourney, how does it feel to be replaced by a bot?"

"In April, game developer Stamina Zero achieved what should have been a marketing slam-dunk: the launch trailer for the studio's game Little Droid was published on PlayStation's official YouTube channel. The response was a surprise for the developer. The game looks interesting, people wrote in the comments, but was "ruined" by AI art. But the game's cover art, used as the thumbnail for the YouTube video, was in fact made by a real person, according to developer Lana Ro. "We know the artist, we've seen her work, so such a negative reaction was unexpected for us, and at first we didn't know how to respond or how to feel," Ro said. "We were confused.""

"The robot was named Ai-Da after the 19th century mathematician Ada Lovelace. According to its creators, it is capable of drawing real people using its camera eye and a pencil in hand."

""Suffice to say, I do not feel the same enthusiasm around this technology," he wrote. "I understand that ChatGPT is in its infancy but perhaps that is the emerging horror of AI - that it will forever be in its infancy, as it will always have further to go, and the direction is always forward, always faster."

"AI-generated art illustrates another problem with technology"