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"Their tools analyze content using sophisticated algorithms, picking up on subtle signals to distinguish the images made with computers from the ones produced by human photographers and artists. But some tech leaders and misinformation experts have expressed concern that advances in A.I. will always stay a step ahead of the tools. To assess the effectiveness of current A.I.-detection technology, The New York Times tested five new services using more than 100 synthetic images and real photos. The results show that the services are advancing rapidly, but at times fall short."

"Mickey Mouse will enter the public domain in the year 2024, almost 95 years after his creation on 1 October 1928 - the length of time after which the copyright on an anonymous or pseudo-anonymous body of artistic work expires."

"A promotional poster for the second season of Loki on Disney Plus has sparked controversy amongst professional designers following claims that it was at least partially created using generative AI. Illustrator Katria Raden flagged the image on X (formerly Twitter) last week, claiming that the image of the spiraling clock in the background "is giving all the AI telltale signs, like things randomly turning into meaningless squiggles" - a reference to the artifacts sometimes left behind by AI-image generators. The creative community is concerned that AI image generators are being trained on their work without consent and could be used to replace human artists. Disney previously received backlash regarding its use of generative AI in another Marvel series, Secret Invasion, despite the studio insisting that using AI tools didn't reduce roles for real designers on the project."

"The lawsuit accused Anthropic of infringing the publishers' copyrights by copying their lyrics without permission as part of the "massive amounts of text" that it scrapes from the internet to train Claude to respond to human prompts. The publishers also say that Claude illegally reproduces the lyrics by request, and in response to "a whole range of prompts that do not seek Publishers' lyrics", including "requests to write a song about a certain topic, provide chord progressions for a given musical composition, or write poetry or short fiction in the style of a certain artist or songwriter"."

"The opt-out movement is spreading, with tens of millions of artworks and images excluded in the last few weeks. But following the trail is tricky as images are used by clients in altered forms and opt-out clauses can be hard to find. Many photographers are also reporting that their "style" is being mimicked to produce cheaper work. "As these programs are devised to 'machine learn', at what point can they generate with ease the style of an established professional photographer and displace the need for their human creativity?" says Doran."

"Wooldridge says copyright is a "coming storm" for AI companies. LLMs are likely to have accessed copyrighted material, such as news articles. Indeed the GPT-4-assisted chatbot attached to Microsoft's Bing search engine cites news sites in its answers. "I didn't give explicit permission for my works to be used as training data, but they almost certainly were, and now they contribute to what these models know," he says. "Many artists are gravely concerned that their livelihoods are at risk from generative AI. Expect to see legal battles," he adds."

"He's right to be annoyed - these tracks are a violation of an artist's creativity and personhood - and the fakes are noticeably more sophisticated than those from a few years ago, when Jay-Z was made to rap Shakespeare (this is the kind of humour beloved of AI dorks). The tech will continue to improve to the point where the differences become indistinguishable. Perhaps lazy artists will soon use AI to generate their latest album, not so much phoning it in as texting it. AI composes its music by regurgitating things it's been trained to listen to in vast song databases, and that's not so different than the way human-composed pop music is recombined from prior influences. Producers, engineers, lyricists and all the other people who work behind a star could be usurped or at least have their value driven down by cheap AI tools."

"The robot was named Ai-Da after the 19th century mathematician Ada Lovelace. According to its creators, it is capable of drawing real people using its camera eye and a pencil in hand."

""Suffice to say, I do not feel the same enthusiasm around this technology," he wrote. "I understand that ChatGPT is in its infancy but perhaps that is the emerging horror of AI - that it will forever be in its infancy, as it will always have further to go, and the direction is always forward, always faster."

"AI-generated art illustrates another problem with technology"