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Während es inzwischen zahlreiche Museums-Apps gibt, sind Museen und Kultureinrichtungen im Mobile Web bislang kaum vertreten. Wir sammeln an dieser Stelle Beispiele für Museums-Websites, die für die Nutzung mit dem Browser eines Smartphones angepasst sind. Eine ganz neue Entwicklung: Web Apps, die in ihrer Funktionalität Apps nahe kommen, aber plattformunabhängig über den mobilen Browser aufgerufen werden. Für Hinweise auf weitere Beispiele sind wir dankbar; bitte benutzen Sie dazu die Kommentarfunktion. 

Our exciting plan is to transform the Ask a Curator website into a platform where engagement between curators and members of the public can expand and continue.The Ask a Curator website will be a platform for conversation between museums and the public. Anyone can log into Ask a Curator and ask participating museums a question.

Als Full-Service-Agentur bietet Ihnen Futurecom sämtliche Dienstleistungen für die digitale Kommunikation aus einer Hand. Dazu gehören: Konzeption, Entwicklung und Betrieb von Websites und Web-Applikationen (Portale, Intranets, Extranets) Planung und Implementierung von Mobile Websites sowie Applikationen für Smartphones und Tablet PCs (iPhone, iPad) Massnahmen im Umfeld von Social Media (z.B. Aufbau und Pflege von Blogs, Präsenz auf Facebook und Twitter) Kreation, Planung und Durchführung von Online-Werbekampagnen (Banner, Suchmaschinen-Marketing) Usability Testing, Gewährleistung der Barrierefreiheit (Accessibility) Suchmaschinen-Optimierung (SEO) und Web Analytics Content Management und Data Management

Museum aan de stroom - a brand-new city museum covering the art, shipping and folklore of Antwerp, Belgium - is offering web visitors real, real-time guides. Through June 7, visitors to the museum's website can interact with, and direct, flesh-and-blood guides through their Discover the MAS Live program and website.

Jüngst entschied sich der Egmont-Verlag, die Website für das Magazin FHM ganz aufzugeben und durch eine Seite bei Facebook zu ersetzen.

"One of the best things that came out of this year's Museums and the Web conference in Philly was an "unconference" session I organized around re-thinking and re-imagining what museum websites could/should be. It was a great conversation, with lots of interesting viewpoints. I hope to do a longer post about this in the next few days, but for now, here's the video of a talk I gave at Ignite Smithsonian a few days ago that tries to get at the root of the problem I'm trying to identify."

Potential museum visitors access information about the organization and decide if they want to visit by using web-based sites such as a museum's website, social media platforms, and peer-review sites over more "traditional" forms of advertising. In fact, when comparing how folks get their information about leisure activities, it's not even close: web and mobile platforms (including social media) are disproportionately influencing your museum's visitation and attendance.

3DVisA was funded between 2006 and 2008 by the UK Joint Information Systems Committee (JISC). The Network was hosted by King's Visualisation Lab in the Centre for Computing in the Humanities at King's College London. It was an integral part of a wider UK Visualisation Support Network, VizNET, spanning the UK academic research community. This website documents some of 3DVisA activities and provides access to publications and resources created in 2006-2008, some of which continue to be maintained by King's Visualisation Lab. 3DVisA was also the Secretariat of The London Charter for the use of three-dimensional Visualisation in the Research and Communication of Cultural Heritage.

Doch das, was sich in vielen Museen noch nicht durchgesetzt hat - obwohl Sie vermehrt im Social Web, bei Facebook, Twitter, Youtube, Google+ und bei vielen weiteren, aktiv sind - ist ein Hinweis auf diese Aktivitäten im Museumsgebäude selber. Warum nicht den Besuchern am Ein-/Ausgang zeigen, dass sie das Museum "antweeten" können, dass sie dem Museum ein Foto auf die Pinnwand schicken können, dass sie mit dem Blog aktuelle Geschichten zu kommenden Sonderausstellungen bekommen können,... Ohne entsprechenden Hinweis mit Aufsteller, Rollup, Bildschirm, Kärtchen oder Banner würde das Offline-Publikum nicht unbedingt nach einem speziellen Museum suchen (dazu muss gesagt werden, dass mittlerweile ein Großteil der Museen2.0 auf ihrer Website die Social Web-Präsenzen per Icons verlinken).

People & Participation is based on Involve's successful book by the same name which was launched in 2005. The book provides a useful summary of participatory methods and practice but given the number of methods and speed of the development of new methods it is impossible for a printed publication to stay accurate for long

The Mobile for the Cultural Sector Conference will include a wide variety of people from across the Global cultural sector and the technology sector and will bring together the 200+ senior figures from: * museum, gallery and cultural sector curators, directors and board members * digital specialists * commercial strategists * pr and marketing teams * fund-raising and development specialists * quangos and leadership and training bodies * mobile app, website and marketing developers * advertising, planning and creative advertising agencies * network operators, handset manufacturers and technology leaders

"How to measure and define the success of cultural websites and online services is a problem common to all parts of the cultural sector - museums, archives, galleries, arts organizations, libraries and publishers. Worse, funding agencies and government departments lack the expertise to offer guidelines or set standards. The result is a confusing mixture of statistics and reporting that reveals little about genuine user satisfaction."

Build a website with great social network networking features in minutes. It is free to get started and ridiculously easy to use. You own design, custom features, privacy settings and easy to monetize.

Housed in a landmark industrial building on the south bank of the River Tyne in Gateshead, BALTIC is a major international centre for contemporary art. BALTIC has no permanent collection, providing instead an ever-changing calendar of exhibitions and events that give a unique and compelling insight into contemporary artistic practice. BALTIC's dynamic, diverse and international programme ranges from blockbuster exhibitions to innovative new work and projects created by artists working within the local community.

I've been building a site in my spare time for a friend - it is called The Last Survivors, and focuses on two particular species that are facing extinction. One of the requirements was for the editors of the site to be able to add results from their surveys of these species quickly to a Google Map for embedding in the website. Nothing particularly new in the build there, but I wanted to make sure that the workflow was as seamless as possible and at the same time keep the dev work to a minimum.

Time travel through Bristol on the iPhone: The Time Traveller's Guide to Bristol project will launch a website later this week and an iPhone app at on July 28, allowing users to browse archive material and upload their own images of contemporary Bristol. It features 100 years of film and photography focused on six areas of Bristol, and invites users to superimpose archive material on a 3D model of contemporary shots - some of which were badly damaged during WW2, like Castle Park.

Man spendet, indem man „flattrt", das heißt, auf den Flattr-Button (ähnlich dem reetweet Button) klickt. Auf diese Weise spendet man Anerkennung für einen einzelnen Beitrag, eine Idee oder eine Website mit guten Inhalten und bestärkt den Urheber darin, weiterzumachen. Man spendet in diesem Moment aber auch Geld von seinem eigenen Flattr Konto.

Social Media have become standard in journalists' workflows but complement traditional working tools. ... Results also show that Social Media are not replacing traditional channels but complement them. Almost 70% of journalists in all three countries state that they use traditional tools such as press releases, PRs and corporate websites as often today as they did three years ago.

"Facebook groups v fan pages Facebook allows you to set up two kinds of pages for your museum, either a group or a fan page. While the difference between the two may not seems obvious until you join the website, a museum will be better served by a fan page."

Das wär vielleicht interessant für Nathalie Unternährer, und das Museum Nidwalden? "This award-winning website is a living history of Brighton and Hove. Through the site, people share their memories, photos, knowledge and opinions about the city - as it is today and as it was in the past. There are over 10,000 pages to explore and it's very easy to add your own. Enjoy!"

hi Bettina, solange wir noch nicht wissen, wie wir Links verwalten, wäre es vielleicht geschickt, dass in die Gruppe zu posten, genauso wie die Frau Kamke das gemacht hat. Gruss, Axel