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Transmaterial - Materials that redefine our physical environment - 0 views

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    An amazing array of materials.  For example, Ecor is a 100% USDA-certified bio-based material composite that ...transforms abundant, low cost cellulose fiber resources such as paper, newsprint, cardboard, or agricultural fibers into finished products. Ecor is both a flexible and durable material with a variety of potential applications across multiple industries, including interior design, exhibition design, theater, arts and crafts, and packaging.
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Design thinking & its pioneers, the Kelley brothers, keep on truckin' - Tech News and A... - 1 views

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    My next read.
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Dr. Jekyll and Mr. Hyde. Submit your design | Threadless - 1 views

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    Robert Louis Stevenson Museum partners with t-shirt comapny Threadless for a contest to create a Jekyll/Hyde design. Proceeds from sale of shirts benefit the Museum.
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Why Fast, Cheap, and Easy Design Is Killing Your Nonprofit's Brand | Co.Exist: World ch... - 1 views

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    Interesting take on the state of marketing in non-profits and an argument for strategy.
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Mr. China Comes to America - James Fallows - The Atlantic - 1 views

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    Interesting to think how museums could become more involved in design, incubation and the maker movement.
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Report describes the future of buildings in 2050 - 0 views

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    Arup's Foresight + Innovation team, foresees that structures will be fully integrated into the fabric of the city, responsive to changes in the external environment, and designed for continuous adaptability, according to real-time needs and demands of its users.
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Four Ways to Keep the Museum Experience Relevant | Fast Company - 0 views

  • The event was successful from both historical and new metrics. Attendance surpassed projections and 1,700 new memberships were generated just from people waiting in line for the exhibition. More importantly for Ferriso, the city-wide experience changed how people perceive the museum.
  • Chinese residents from Chinatown got involved for the first time.
  • Kids showed up by the busloads. Local restaurants hosted after-parties for young patrons, and robust blog discussions were moderated by some of Portland's design community. By extending the conversation throughout the city, the museum was able to attract a new audience and re-energize its traditional base.
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  • Ferriso understood that the ability of the museum to involve more people in the conversation was based on the relevancy of the content.
  • The CDN content was particularly relevant to Portland and had the potential to attract a new audience--the young creative class.
  • Portland has had a long trade relationship with China due to its location in the Pacific Northwest, and city officials intend to forge even closer ties. Portland's entrepreneurs and business people are interested in understanding more about this global force that is transforming the sociopolitical dynamic of the world. In addition, the exhibition's focus on design, though not traditional for the museum, connected with Portland's thriving design community.
  • triggered local businesses that were not previously involved with the museum to get involved
  • Discussions are ongoing about bringing in more exhibitions that are relevant to local businesses.
  • They invited a small number of people from the creative community who they knew would help stimulate conversation, like a good host at a dinner party. These creators hosted their own events and were invited to blog on the exhibition's Web site.
  • The bigger challenge for the museum was releasing control of the conversation. Museums are historically cautious, and protective of the intellectual rigor of each exhibition.
  • Curation: Stay true to who you are."At the end of the day, you still need to present a point of view," said Jay. "Curation is still king." The museum was able to successfully move beyond the traditional museum experience and remain authentic because it understood its core promise--inspiring conversations through art and culture. The medium of social media did not become the museum's promise, but a means to connect with a new generation of potential patrons. It remained committed to curatorial rigor, the selection of collaborators was strategic, and the topic was timely and meaningful. By staying true to its purpose, the museum was able to be relevant to this new generation without alienating its traditional patrons. An 85-year-old board member said it best: "CDN allowed the museum to rethink how it connects with people."
  • New metrics are being discussed to measure the value of the conversations generated by the museum. Ideas include measuring repeat visits to the museum, quality of conversations, and influence (how do you measure the impact of inspiring the next Frank Gehry?).
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The Keys For Keeping Your Brand Relevant In The Post-Occupy Era | Co.Design: business +... - 0 views

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    "Americans no longer crave bigger and better..."
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Data in a human context - 0 views

  • Data in a human context March 6, 2012 to Data Art  •  Comments (3)  •  Share on Twitter Jer Thorp, a data artist in residence at The New York Times, shows off some of his work (like this and this) and speaks about the connection between the real world and the mechanical bits we know as data. Worth your 17 minutes.
  • a data artist in residence at The New York Times, shows off some of his work (like this and this) and speaks about the connection between the real world and the mechanical bits we know as data.
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    Gets to the human context at ~13:30 mins. Great illustration of how to make meaning from the seemingly meaningless, or at least from data that we don't usually connect to our daily experience.
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FUTURE CITIES LAB - Home - 0 views

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    Future of architecture and design
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How the 'creative class' is re-making the world | SmartPlanet - 1 views

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    $100/month membership-based workshops filled with otherwise inaccessible and often hugely expensive machinery, such as CNC mills, 3D printers and laser cutters. populated by people whose skills in computed-aided design and access to new materials is changing the world of manufacturing Perhaps, as has been suggested, the greatest opportunity for small scale manufacturing is in the developing world. But can Tech Shop be replicated in regions that aren't flush with people who have sizable disposable incomes?
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As More Move To Cities, A New Take On Urban Design : NPR - 0 views

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    By the year 2050, some 7 billion people will be living in cities. As many people who live on the planet today will be city dwellers just 38 years from now. Two years ago, for the first time in human history, over 50 percent of the population of the world now lives in cities, and that trend is accelerating. Every month, 1 million people in the world move to a city. If we don't get cities right, we're kind of - don't have a very bright future as humankind.
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