Group items tagged

This website deals with the idea of conferring with students. The author states that individual conversations with students are important on accessing the students and determining what they need at the time to improve their writing. The author shares a wonderful video that demonstrates how one on one mentoring and conferring can truly build the confidence of a student. The author states that it is critical to support students without taking over their ideas specially if the the student is struggling. I truly enjoyed the video as it truly illustrated the authors suggestions. I found this website interesting because sometimes we must show someone how to be a writer before criticizing their papers and assuming that they are bad writers.

I ran across this article last year while browsing through journals in the library and thought it was humorous. I thought of it again when we read Bartholomae. In this article by Philip Eubanks and John D. Schaeffer, the authors first set out to define what bullshit is, then discuss the ways in which bullshit is an aspect of academic rhetoric. The humorous (and most likely intended) irony is that all the while they are writing in a very traditional academic style which is, in and of itself, often associated with the very claims of bullshit they are examining. The main idea is that it matters not whether the content of the bullshit itself is true or false, but that bullshitters misrepresent themselves and their intentions (375). Eubanks and Schaeffer examine various types and purposes of bullshit, as well as various reasons one might engage in bullshitting, including representing a 'constructed self', gamesmanship, pleasure, reputation and superiority. "To sum up, prototypical bullshit has to do with a purposeful misrepresentation of self, has the quality of gamesmanship, and . . . is at least potentially a lie"(380). In the second half of the article, the authors examine academic writing, determining what features make it prototypical and how those features might be construed to be bullshit. One important aspect is the use of jargon, which seems to many non-academic readers to merely confuse for the purpose of elevating the author's status. "Often academic writers could be clearer but prefer to serve up something that sounds like bullshit" (382). They point out that students imitate this style in their own writing, and are rewarded for it. In addressing the issue of audience, the authors make a statement that is very reminiscent of Lave and Wenger's communities of practice in Situated Learning: "much academic publication, especially by young scholars, aims to qualify the author for membership in a group of specialists" (382). As we discu

This article addresses the importance of the student perspective in shaping and changing the educational structure of the classroom. Though this article does no explicitly address writing,it can be assumed writing is a manner in which we gain insight into the student perspective. The article examines various pedagogical perspectives in which authorization of the students perspective could best develop. The author address the traditional student-teacher relationship as that of a power relationship.However, in these power relationships there is no place for listening, because to truly listen warrant a response to what is being heard. All to often, the classroom is not a forum for open dialogue, therefore there is really very little listening going on. The student can become lost in this environment without a voice, diminish any authority that would make him/her an better writer.

This article reviews how college freshmen's self-perception influences their transition into college life and their academic success. This relates to my research question because I am curious about how freshman transition from a typical high school mindset to a successful college lifestyle. The article discusses the many different factors that influence college freshmen's self-perception and reviews the data that has previously been found on this topic. Then the authors explain how they completed their study and discuss their findings. In the introduction of this article, the authors explain that one of the largest factors for academic success and a positive transition was a freshman's reasons for attending college. If a student had long-term goals and felt that their university was going to be a positive aspect of their life then they were more likely to be successful. I thought that this was interesting because I'm not sure how many of the freshmen in my Engl 30 section have this type of mindset. In the discussion section, the authors review their findings that students' perception of their intellectual ability and ability to make friends was a major influence on their success. Students who have a positive perception of their intellectual ability are more likely to be successful academically and socially. This was interesting to me because some of the students in Engl 30 might question their intellectual ability since their test scores were low. Lastly, the authors mention that students' perception of instructors and/or mentors as sources of support was a positive factor towards a successful transition. This made me think that maybe my Engl 30 students do not see myself and the mentor as sources of support because they are struggling in class, but if we could change that than maybe they would do better and be more successful.

This article examines the importance of student authority plays in ethnographic writing. The article explores how examining ethnographic writings of students can play an important role in shaping future learning methods in the specific field. The article demonstate how promoting authority in writing helps a student become more actively involved in their field of study. Demanding authority helps student piece together information and concepts coming from their beginning anthropology courses. What more, the students grew in their writing as they were given explicit instruction on how to write in a voice that addressed their specific field.

This article continues the idea of my previous posts - about codeswitching and language transfer in the writing of bilinguals and heritage learners. It is based upon the experiment investigating formal and informal writing samples of students who possess three languages - Basque, Spanish and English. The authors'purpose has been to explain that although traditional teaching is turned towards monolinguals and native speakers' writing as a model, the perspective of bi- and multilingual writers is different. The authors - Cenoz and Gorter -explore the nature of transfer from one language into another, codemixing and codeswitching, and come to the conclusion that these three factors characterizing bilingual students are not to be treated as separate obstacles but rather as three parts of the one whole that benefits writing while enabling students to widely use resources of different languages. The authors use the term "translanguaging" denoting by it "combination of two or more languages in a systematic way within the same learning activity", and argue that translanguaging contributes to developing and strengthening writing in both languages. The authors propose a new approach to teaching writing to the bi- and multilinguals - "focus on multilingualism" that allows "looking at the different languages of the multilingual at the same time instead of separately". Cenoz and Gorter identify the relationships between languages as complex, yet beneficial for developing writing skills. According to their point of view, multilinguals use the same strategies when writing essay or informal social network posts, yet they incorporate in their writing the elements of three languages not because of limited lexical resources, but for conveying their communicative intent, which they think is better done in a particular language out of three that they possess. That means that multilinguals and bilinguals choose language resources in dependence on communicative purposes in their writing (

I first encountered this article when taking 470 course, and this week I have looked it through thoroughly, as it seems to me that it contains some significant information concerning the nature of bilingual writing. Losey affirms that written codeswitching is significant for bilingual students as it provides opportunity for them to fully express themselves. According to the author, the writing identity of a bilingual is constructed by the constant correlation of the two language worlds; therefore, it is not only natural but also necessary for him / her to codeswitch in order to express his / her individuality. This idea correlates with the article "Heritage Language Literacy: Theory and Practice" by Chevalier, where the author considers that bilinguals do not possess the whole range of written registers because they codeswitch in the situation when monolinguals change their writing style. However, Losey does not see codeswitching as disadvantage like Chevalier does. His point of view is closer to another article "Writing back and forth: the interplay of form and situation in heritage learners' composition" that I reviewed during the previous week. The author of that article explains that the productive writing in bilingual schools implies shifts between two cultures and languages in order to create a new non-standard way of expressing one's thoughts. Losey goes even further. He does not only considers codeswitching possible in the classroom settings ("an unsurpassed opportunity for bilinguals", "a successful strategy for enhancing communication, promoting natural literacy acquisition in both languages, valuing students' cultural and linguistic backgrounds", though "its use in the classroom runs counter to linguistic and cultural norms and must be guided by an informed and sensitive instructor"), but, after analyzing writing patterns of the 47 personal letters exchanged between young individuals, he also determines the form and functions of the written codeswitching

This article by Laurie Grobman (also author of one of this week's article assignments from the course packet) describes the ways in which undergraduate participation in research and research publication contributes to increased authority and sense of authorship in undergraduate students. This authorship puts the students in discourse with their education and beyond, creating a purpose and identification with their course of study rather than making them passive receivers of it. This benefits their confidence and command of composition as well as putting them in the "driver seat", so to speak, of their participation in academia, and levels the playing field of student and "real" writing, erasing old and disadvantaging dichotomies.

This article explains one way to help students explore materials when students need to develop an effective thesis for their profile essay. The professor asks students to do general everyday freewriting related to the topic (an unusual place). Although the author doesn't show all students' freewritings, the only example shown in the article shows a developmental track of how a student explores his/her ideas and write the thesis. It is a process that the student finds and writes the thesis, and it takes time to complete the process. The author posts an invention to help students start essay writing in academic environment. There is no formal rigid writing pattern but a way to help students get into the topic and object; students will use writing as a thinking tool to think and critique the object when they get more information about it. My question is that this invention strategy can be considered as a project for a teacher but an activity in writing process for students. It takes time for teachers to think and design and for students to really do it. There should be more unpredictable problems, so teachers should pay more attention on this strategy.

Hypermedia Authoring as Critical Literacy Jamie Myers Richard Beach This article talks about the benefits of implementing hypermedia into literacy education. Hypermedia or hypertext is a web tool that allows students to access school texts via the Internet and actively engage in annotating those texts or providing links to relating websites, pictures, or videos. Students don't have to just link either, they can create their own webpage geared towards whatever it is their doing. A student could make a webpage featuring a paper they wrote, with links to videos and pictures that the creator feels relates to the paper. It's a type of personalization that would motivate a student and make them view their writing differently. Free writing is a useful tool for helping a writer find their voice or develop their own style. Hypertext allows students to free write with freedom and creativity about particular texts, and puts their writing into conversation with other student's responses. Similar to the way we use dijgo, but with a focus on the inquires made into a certain school text. Discussion of the various posts can be made in class, to create a literal conversation on inquires and interpretations of a text.

This article discusses "how emotions affect the composing process" in academic writing. The author argues that writing assignments that demand "critical thinking and identity shifts" cause anxiety for students, hence why they cannot fully engage in "critical analytic writing" under these conditions. The author suggests instructors need to better understand these conditions in order to help students succeed in academic writing. ENGL 431 would find this article useful because the students we are observing are at stage in life in which identity and self-discovery is central. Therefore, tutors, mentors, and instructors may be able to use these factors to draw connections between "discourse and emotion." Also, if tutors, mentors, and instructors found a way to make themselves more relate-able the students would feel more comfortable in the classroom setting. In turn, by making academic writing, in some way about the students they would feel more comfortable about academic writing assignments.

The article I found articulates the beneficial attributes of tutoring, mentoring, and faculty assistance in the "alleviation of writing anxiety." There is also discussion on embellishing the self-efficiency university students when writing essays.There authors also use gender as a precursor in determining the differences between the efficacy of writing among males and females. In addition to analytical gender studies, the authors also integrate other academic variables such as GPA's and literary composition as a "recreational activity." There is even breathing exercises, methods for relaxation, and interventional aid to students who completely reprehend writing all together. This is article is definitely pertinent to the academically overstressed life of university students; especially, students enrolled in an English course. At a certain point, we all experience unpalatable junctures of unwanted anxiety, that by any means, impedes our ability to academically perform. It is very similar to the dynamics of examination anxiety. A student may have acknowledgments that exceed the finite boundaries of an exam, but cannot access their superior level of comprehension because of their cognitively, suppressive test anxiety. The word "test," "examination," or "dissertation" have become connotatively dreadful; however, replacing these words with academic euphemisms such as "long quiz" or "filling paper words project" could potentially reduce oppressive, academic anxiety-in a sense. Judging by all of the diagrams of everyone's writing process, I'd say the extraneous variety of distractions can all result from, or even cause, anxiety.

This online-community-sourced interview with Sir Ken Robinson (British education adviser, author, and speaker) followed his TED talk about creativity in education. He makes some good points about the need to cultivate creativity in students in all areas of education (not just those traditionally associated with creativity, like music or painting). This is closely tied to the struggle to create motivation in the classroom and addresses an attitude more than a specific set of strategies.  He tends to talk more about math and science than language, but most of what he says can be applied to our field as well. He connects the idea of "teaching creativity" to "teaching literacy", but I would argue to achieve true literacy, you need those creative elements that are so often lost in the language classroom.

This article is geared more towards translation but I've found that many of the same principles of translation can be applied when trying to write academically. We are doing nothing more than trying to translate our thoughts and complex ideas and put them into the language of academic writing - usually a foreign language to us. Because I am writing on cultural barriers to academic writing, I thought it would be useful to see how other minds work. In this way we might be more empathetic to our students and it might aid our diagnostics as well. The author, Dirk Siepmann, compares the academic writing of English, French and German. "For a long time the idea has been around that the 'spirit' of a language exerts a formative influence on its speakers and writers" (Siepmann 1). This influence is something that educators need to be aware of when teaching writing. How can you help transition students into a different academic writing culture without making them give up their own? Siepmann also discusses what he refers to as "Intellectual Styles." He calls these the "Saxon", the "Teutonic", the "Gallic" and the "Nipponic". He has derived these terms based on writers' ability to organize thought, target audience, relationship of writer to audience and other criteria. The author also talks about the differences in learning systems and what is expected in those learning systems.

This article by John Bitchener, Stuart Young, and Denise Cameron of the Auckland University of Technology explores the value of grammar-related feedback in ESL writing. They found a combination of explicit written and oral feedback to be the most effective method to enact change. However, the change in grammar accuracy did't always last. The authors suggest prolonged exposure to this kind of feedback would show a more consistent result. 

I have found this article in the online library of our university, so you will have to sign in to view it. Generally I am interested in the concept of "identity" in education and the phrase "authorial identity" definitely caught my attention and I wasn't sure what it exactly meant. The authors of the article define it as "the sense a writer has of themselves as an author and the textual identity they construct in their writing". In order to explore psychology students' authorial identity in academic writing they have done two different studies and reached a common conclusion for both of them - "both studies could inform interventions to reduce unintentional plagiarism by improving students' authorial identity". It would be interesting to carry out similar research projects in departments other than psychology, e.g. science or humanities, and compare the results.