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Andrea R. Olinger from the Department of Applied Linguistics at University of California, Los Angeles demonstrates "how interaction constructs discoursal identities" (273) in her article, "Constructing identities through: 'discourse': Stance and interaction in collaborative college writing." Olinger brings up an important point in this article, "that students often feel a mixture of desire for an resistance to the identities they must take on" (274). The examination of college students' writing demonstrated how these identities are "contested, desired, and resisted" (274). By now English 431 students should have seen some form of writing from their English 30 students. Thus, now we can ask ourselves as well as the English 30 students in what ways do the writer's discoursal identity resist or conform to the expectations of a college writing course? 

This article challenges the idea that there is a binary distinction between academic writing and an author's identity. He argues that identity is always present in writing and that it is impossible to separate one from the other. As such, it is important for teachers to help students understand the role that identity plays in academic writing. For example, students must understand that the presence of identity is not tied to the presence of the pronoun "I." Instead, he advises teachers to show students that identity in academic writing involves connecting passion, point of view, and experience with research, evidence, and analysis. He finishes by pointing out that researchers dedicate their lives to their fields because of their identities, not in spite of them. In the same way, students must find a field of study that fits their own interests, so that they can produce meaningful writing.

apparently the link I provided is wrong. This should be the correct link. Sorry for the error. http://ehis.ebscohost.com.mantis.csuchico.edu/eds/detail?vid=8&hid=23&sid=cd495c58-13e5-4797-b3c8-a7e279a3685e%40sessionmgr11&bdata=JnNpdGU9ZWRzLWxpdmU%3d#db=aph&AN=20913663

For the past few weeks in this class I have generated all of my focus on the identity of the students in Enlish 30 workshops. After reading the article, "Exploring teacher-writer identities in the classroom: Conceptualising the struggle" I a new question has stemmed: how do teacher's identity as writers affect students' progress in academic progress? Authors, Teresa Cremin and Sally Baker from the Department of Education of The Open University suggest "that teachers' development as writers has the potential to enrich writing pedagogy and impact positively on young writers." The idea of teachers writing alongside their students is in my opinion highly valuable because students and teachers have the opportunity to experience the writing process together. In previous articles I have read that relatability between students and instructor are essential to the learning environment. If instructors are constantly writing alongside their students trying to establish/re-establish their identity in academic writing, students can learn easily learn how to do the same through "shared challenges" (9). While English 431 students cannot use this strategy because members of their English 30 workshops come from different sections of English 130 we can attempt to produce similar assignments alongside our students. For example, inquiry assignments are a common goal in most English 130 classes. Similarly, English 431 students must write an inquiry essay. English 431 students could incorporate their progress into the workshop by showing the English 30 students what they have done so far, why they are asking certain questions, how they did something, etc.

This article by Donald Reitzes and Peter Burke reflects a sociological study into college students' perceptions of their college role in relation to their self-concept and identity. It is suggested that for these students their role performance is heavily affected by how well this role is integrated into their identity as a college student, and that students that have a greater sense of identification with their college student status will perform this student role and its accompanying responsibilities better than those who deviate from the student role identity - that is, those who identify more strongly with counter-roles. While this doesn't directly address composition proficiency and mastery, the basic theoretical approach would seem to follow that those students who are encouraged to incorproate their role as writers into their student and general identities would perform this role better and with more zeal than those who feel that this role is a performance unrelated to their fundamental identity.

I have found this article in the online library of our university, so you will have to sign in to view it. Generally I am interested in the concept of "identity" in education and the phrase "authorial identity" definitely caught my attention and I wasn't sure what it exactly meant. The authors of the article define it as "the sense a writer has of themselves as an author and the textual identity they construct in their writing". In order to explore psychology students' authorial identity in academic writing they have done two different studies and reached a common conclusion for both of them - "both studies could inform interventions to reduce unintentional plagiarism by improving students' authorial identity". It would be interesting to carry out similar research projects in departments other than psychology, e.g. science or humanities, and compare the results.

The author of this article explores the writer identity of a college ESL student in order to understand how embedded ideologies and power relations shape understanding of writer identity. The research method is Critical Discourse Analysis (CDA). The author presents the definitions of three important terms before proceeding to the analysis (identity, traditional formal discourse, and expressivism), where they are frequently used, to help the reader to understand them better. In the end, she comes up with concrete and practical implications for teaching. She recommends strategies for working with writers that are designed to encourage rather than silence the multicultural voices in our communities. Also, she suggests varying the types of assignments instructors give, using a process approach and discussing the sociopolitical implications of language use with students in order to overcome language policies that can work against ESL students. Unfortunately, you will have to log in as a member to view this article. It can also be found in Chico State's e-library.

Aimee C. Mapes writes about her experience as a teacher in Freshman Connection of FC, on the social and cultural context among at-risk, first-year university students. Issues of identity are central to understanding the discourse because the context instances identity. I found parallels in the experiences of Keneika and my own experiences as a minority, although she was a girl. The study examined the role of gender as the site of pedagogic content. Academically underprepared students in the federal TRIO program include first generation, having low income, racial minority status, or learning disabled. The author/instructor also felt a commonality with the student she observed. One thing that emerged from the FC progam was that conflict emerged and it was related to identity. The most interesting thing to me was the fact that because of the focus on "at-risk" groups, much of the attention was devoted to males. This dynamic was a response to the male voice that dominated discussions and seemed to be heard whenever there were behavoiral problems--males were associated with problems and males were overrepresented as a result. The programmatic behavoir necessarily overlooked the status or identity of females in the FC. Because the females were not vocal, their nonparticipation, as a function of gender, diminished focus on them. Keneika responded to her position through the assignments. She thought of herself in very positive terms and absolutely different from the males whom she considered inferior. Everything that represented male to her, she constructed the opposite trait or quality for herself. Assignments offer students a way to polarize against social positioning.

Interesting! Aimee Mapes did her MA here at Chico State. Will have to read the article!

In this article by Ken Hyland, he examines how the role of the writer and "writer intrusion" affect the impression given by a body of writing, and particularly how terms like "writer intrusion" reflect an unnecessarily negative view on the personal involvement of the writer with the subject. While he acknowledges that different contexts require different levels of formality and passive voice, new writers benefit from learning how their role shapes the meaning of their work, and how to take a particular identity as the author. He focuses here specifically on the use of the first person in academic writing and what options are available for its use across many fields; however, this is only the tip of the iceberg, he says, in the formation of an authorial identity in an academic setting.

Unfortunately, I got this article from the library's research portal, so you will have to log in to view it. -------------------------------------------------------------------------- Investigating the Role of Identity in Writing Using Electronic Bulletin Boards Valia Spiliotopoulos & Stephen Carey This paper details the findings of a study on the effectiveness of using online bulletin boards, in this case WebCT, in a university writing class for ESL students. The study finds that the asynchronous nature of posting online allows students to participate more fully and in ways which may not be possible in traditional class interaction. The authors also argue that the process of forming an online community of English language learners affords the students the opportunity to develop a greater sense of identity as an English speaker and as part of a community of English speakers.

The amount of different types of social networking existing in today's students' lives is gigantic, also fascinating for me. I find it important and interesting to think about many different aspects of social networking, its effects on our lives. I am also interested in looking at how people's writing can reflect their true identity at that particular point in their lives. So, this article, which is based on a research project, seemed relevant to me. Basically, it examines and discusses 5 things: a) what SL (Second Life) is; b) how SL fits the definition of a Web 2.0 technology; 3) how SL can be beneficial in composition classrooms; 4) brief review of the research methodology; and 5) how identity and otherness can be viewed in a virtual world and the writing that comes from that. The author says: "SL is a medium that challenges students and gives them experiences, and ultimately confidence, helping to make their writing more engaging to read and more enjoyable for them to write". As I was reading this article, it was interesting to look at SL as an example of liminal spaces for those who are newbies and feel as outsiders. Will they always feel and be viewed as "others"? Will this affect the writing they will do? To what degree is composition linked to literacy today? Can we predict its future and take measures accordingly?

This article by Caleb Corkery analyzes the use of literacy narratives as a technique to help transition students who aren't from our culture. Corkery argues, and I agree, that storytelling gives students a chance to change their identities. He cites an example given by Betsy Rymes, "Rymes claims that former high school dropouts can re-script themselves through narratives that eliminate their past identities" (51.) Also through literacy narratives, students can gain insight into their own cultural identities and through this awareness understand how one is "culturally scripted" or how their culture affects how they see writing and the writing community which they are attempting to join. One of the hindrances that Corkery mentions in his article is the difficult transition for writers who come from an oral tradition. A different consciousness accompanies oral thought. Citing two researchers who study the Athabaskan culture in Alaska, Corkery writes, "Because learning to read and write in the essayist manner is in fact learning new patterns of discourse, literacy for an Athabaskan is experienced as a change in ethnicity as well as a change in reality set" (61). While we might not have the opportunity to teach writing to an Athabaskan, we do have students that come from a oral culture. The African American community has a very deep oral tradition. While it may not be as extensive as the native tribe in Alaska, it still deals with a certain amount of ethnicity change.

I first encountered this article when taking 470 course, and this week I have looked it through thoroughly, as it seems to me that it contains some significant information concerning the nature of bilingual writing. Losey affirms that written codeswitching is significant for bilingual students as it provides opportunity for them to fully express themselves. According to the author, the writing identity of a bilingual is constructed by the constant correlation of the two language worlds; therefore, it is not only natural but also necessary for him / her to codeswitch in order to express his / her individuality. This idea correlates with the article "Heritage Language Literacy: Theory and Practice" by Chevalier, where the author considers that bilinguals do not possess the whole range of written registers because they codeswitch in the situation when monolinguals change their writing style. However, Losey does not see codeswitching as disadvantage like Chevalier does. His point of view is closer to another article "Writing back and forth: the interplay of form and situation in heritage learners' composition" that I reviewed during the previous week. The author of that article explains that the productive writing in bilingual schools implies shifts between two cultures and languages in order to create a new non-standard way of expressing one's thoughts. Losey goes even further. He does not only considers codeswitching possible in the classroom settings ("an unsurpassed opportunity for bilinguals", "a successful strategy for enhancing communication, promoting natural literacy acquisition in both languages, valuing students' cultural and linguistic backgrounds", though "its use in the classroom runs counter to linguistic and cultural norms and must be guided by an informed and sensitive instructor"), but, after analyzing writing patterns of the 47 personal letters exchanged between young individuals, he also determines the form and functions of the written codeswitching

This article discusses "how emotions affect the composing process" in academic writing. The author argues that writing assignments that demand "critical thinking and identity shifts" cause anxiety for students, hence why they cannot fully engage in "critical analytic writing" under these conditions. The author suggests instructors need to better understand these conditions in order to help students succeed in academic writing. ENGL 431 would find this article useful because the students we are observing are at stage in life in which identity and self-discovery is central. Therefore, tutors, mentors, and instructors may be able to use these factors to draw connections between "discourse and emotion." Also, if tutors, mentors, and instructors found a way to make themselves more relate-able the students would feel more comfortable in the classroom setting. In turn, by making academic writing, in some way about the students they would feel more comfortable about academic writing assignments.

Author Jane E. Hindman uses her "personal" writing, through her identity as an alcoholic, a feminist, and a professor of rhetoric, to illustrate how to make writing matter, and to argue for personal writing (which she also refers to as "embodied rhetoric") as a means to "illuminate the theory and practice of teaching composition" (92). She examines how the process of personal writing can evolve into academic writing, that the two are not mutually exclusive. For those who were fascinated by the Lave and Wenger account of Nondrinking Alcoholics as a form of apprenticeship, this may be an interesting read, as she explores the concepts of personal identity and social discourse practices through her experiences with Alcoholics Anonymous.

This source details the author's experience of teaching a course called 'Experimental Writing' to college seniors. Using several chapters from the book Free Play by Steven Nachmanovitch, the instructor introduces the topic of play as an important element of the course. Having read the book myself I think that it is a worthy read, and it has influenced my approach to academic projects by widening my perception of my action as not just reactionary study toward a grade, but play within a field offered by the instructor where success and failure are accepted as process and there is no fixed upper limit to achievement. In other words the writing is can be thought of as a kind of 'funktionslust' a pleasure of doing, not simply an action toward an objective. To create motivation within students requires that they let go of the dire seriousness that school is associated with; school is something to be completed out of necessity not something that can offer individuals new insight to themselves, or the aspects of themselves that have been suppressed by conformity and fear. The author does not entirely endorse the use of Nachmanovitch's text in 'traditional writing classes' because the text discourages many of the elements that are at hand in the traditional approach to teaching (like writing for a letter grade). I chose to be an English major because I felt the most freedom of expression within my English classes; I was offered a choice of what topics to engage with. But increasingly specific expectations from teachers handcuffed my raw creativity. Even so, I think that an increased degree of freedom within writing classes would boost student enthusiasm. The question then is how do we increase the freedom of expression for students of basic writing, where there are necessary modes of measure for the articulation of the chosen subjects (other than simply allowing them to choose their subjects)? To what degree does the rubric shape student identity by for

Li, Xuemei. "Identities And Beliefs In ESL Writing: From Product To Process." TESL Canada Journal 25.1 (2007): 41-64. ERIC. Web. 11 Mar. 2012. This article explored the differences between first language culture and second language culture in an attempt to fill the gap between them. It offered some really insightful notions on the connection between both western and eastern current learning norms and their historical developments. Li points out that western learning can be traced back to the Socratic ideologies; which were to question yourself and others, be skeptical, and to form self-generated knowledge. Li says that Eastern education is based on Confucian ideologies which is a more "humanistic" approach that taught to achieve social harmony by being "reproductive" rather than analytical and to focus on correctness instead of originality. The article also conveyed the idea of the importance of authority in the classroom and explained that students of Eastern cultures place high value on their teacher's position. It explains their indifference to "micro-processes" such as peer critiquing. The article was about 20 pages, but all of the good information is in the first part, the "Background of the Study. The rest is pretty much just a repeat of everything mentioned in the first part. It was a good and insightful article. I would recommend it (at least the first part).

this article sound good...i think i will use it later.

This article by Claire Charles of Monash University suggest that boys are not up to speed in regards to "school based literacy competencies," but females appear to be thriving (72). The author focuses on women attending "elite" schools to explore the reasoning behind their success and how their "practices construct femininities" (72). Charles unveils the transformation women go through to find empowerment and translating that into their "reading and writing practices" (72). English 431 would benefit from this article because many of the students in English 30 are going through stages of self-discovery and by comparing genders this would allow us to sees the differences in this journey as well as the differences in their discourses. I'm interested to see how men and women incorporate gender into their writing. Some questions I had about this article were why/how are girls outperforming boys and what does gender have to do with mastering literacy? I hope English 431 students can learn how to bring feelings of empowerment to both genders in English 30 in order to help the students find their own voice and identity in their writing.