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This article addresses the importance of the student perspective in shaping and changing the educational structure of the classroom. Though this article does no explicitly address writing,it can be assumed writing is a manner in which we gain insight into the student perspective. The article examines various pedagogical perspectives in which authorization of the students perspective could best develop. The author address the traditional student-teacher relationship as that of a power relationship.However, in these power relationships there is no place for listening, because to truly listen warrant a response to what is being heard. All to often, the classroom is not a forum for open dialogue, therefore there is really very little listening going on. The student can become lost in this environment without a voice, diminish any authority that would make him/her an better writer.

This is a video I found on YouTube discussing freshman composition. The video's main focus is to get the students' perspective on the class and to discover what it is that they are wanting to get out of the class and how they view the class in general. The students that were interviewed explained how it is hard to be themselves in their writing and they get caught up in trying to make their writing cater to what the teacher wants. One student, discussing her writing, says she feels she has to "alter it to fit the teacher" and that in class, they aren't writing for themselves but writing "for the teacher." The video goes into detail about the purpose of freshmen composition, it gives examples of all sorts of paper assignments and guidelines that the teacher wants to be followed. Students were then interviewed on their perspectives and noted that the guidelines were helpful and kept them on track. Others felt it could be a little stifling and hard to be themselves in a paper. The video went on to explain how writing is different from any other class because it is an example of the students' own identity, their ideas. There's a sense of vulnerability to it that is not seen in other classes like math or history for example. I found this to be interesting, I wish the video had gone into a little more depth but I liked seeing the freshmen's perspectives. It would have been better if more students were interviewed too. Definitely something worth checking out though!

This article continues the idea of my previous posts - about codeswitching and language transfer in the writing of bilinguals and heritage learners. It is based upon the experiment investigating formal and informal writing samples of students who possess three languages - Basque, Spanish and English. The authors'purpose has been to explain that although traditional teaching is turned towards monolinguals and native speakers' writing as a model, the perspective of bi- and multilingual writers is different. The authors - Cenoz and Gorter -explore the nature of transfer from one language into another, codemixing and codeswitching, and come to the conclusion that these three factors characterizing bilingual students are not to be treated as separate obstacles but rather as three parts of the one whole that benefits writing while enabling students to widely use resources of different languages. The authors use the term "translanguaging" denoting by it "combination of two or more languages in a systematic way within the same learning activity", and argue that translanguaging contributes to developing and strengthening writing in both languages. The authors propose a new approach to teaching writing to the bi- and multilinguals - "focus on multilingualism" that allows "looking at the different languages of the multilingual at the same time instead of separately". Cenoz and Gorter identify the relationships between languages as complex, yet beneficial for developing writing skills. According to their point of view, multilinguals use the same strategies when writing essay or informal social network posts, yet they incorporate in their writing the elements of three languages not because of limited lexical resources, but for conveying their communicative intent, which they think is better done in a particular language out of three that they possess. That means that multilinguals and bilinguals choose language resources in dependence on communicative purposes in their writing (

Digital Discourse: Composing with media in the writing classroom Karen Gocsik This article, posted under the writing and rhetoric section of the Dartmouth University website, discusses the potential multi-media assignments and teaching methods can have on new-age students. Gocsik feels that the literacy of the screen should become a third type of literacy behind oral and print. The nuances in composing a webpage or video reveal similar elements to that of constructing an essay. Gocsik makes the point that making a video project teaches students how to: come up with explicit vs. implied theses, structure according to the expectations of the audience and conventions of a particular medium or genre, and how to craft arguments out of a polophony of voices while creating a multimedia voice of one's own (Gocsik). Multimedia devices such as blogs or webpage's can be used to assist in the bigger project of a video collaboration.

This paper is and interview from the teachers who teaches academic writing to post graduate students and EFL students. It provides the teachers methods to bring up an academic piece to the students so that the student will understand the purpose of the paper. Through a series of lectures and example, the teacher works on having the student find evidence and state their point of view. It's mostly on the things that most of us should know, such as a paper should start with an introduction, have body paragraphs and conclusion and don't use the word I think, I believe etc. in an academic paper, but us quotes and supporting evidence.

This article is specifically designated for instructing learners of secondary language acquisition. There are many helpful ideas, recommendations, phonetic charts, and pronunciation exercises. This article is also brief, concise, and coherent; and can be applied to secondary learning acquisitive environments. If the learner is experiencing difficulty in certain places of articulation such as: labial, labial dental, velar, glottal, palatal etc. there are a number of references at the bottom that can assist in strengthening the learners' place and manner of articulation (pronunciation). Since some foreigners have native tongues coming form polysynthetic, formative, and/or analytical languages, learning an agglutinative language (English) can be not difficult, but very different for them. Learning grammar if essential, but unified verbalization is just as crucial. This article is most certainly benefit anyone in the SLC or ESL workshop; and honestly will help the instructor with certain obstructive literary shortcomings and/or frustrations hat students may have. So check it out if you're in a secondary learning acquisition environment!

Yes, but it's not about writing--about pronunciation . . .

From Tong: This paper is and interview from the teachers who teaches academic writing to post graduate students and EFL students. It provides the teachers methods to bring up an academic piece to the students so that the student will understand the purpose of the paper. Through a series of lectures and example, the teacher works on having the student find evidence and state their point of view. It's mostly on the things that most of us should know, such as a paper should start with an introduction, have body paragraphs and conclusion and don't use the word I think, I believe etc. in an academic paper, but us quotes and supporting evidence.

This is a scholarly article written by Howard Rheingold explaining the various uses of Participatory Media and social media to engage students in the writing process and to promote civic engagement. The article gives numerous examples of particapitory media being utilized to empower students and give them an investment into their work. The entire article comes from a pedagogical perspective that I found beneficial.

This isn't a scholarly source but it is actually kind of interesting. A grad student that will be teaching freshman comp is asking for advice on how to structure and teach the class. A lot of the questions he has are similar to the things that we've been discussing in class, like how to make the work relevant, how to get the students interested. The comments and suggestions people left had a lot to do with the importance of grading rubrics, teachers leaving comments on the students' papers, etc. Also, suggestions highlight being clear to your students with regards to expectations and then explaining reasons for the grades they get. I think this is a good webpage to look at just to see how other people are thinking about freshmen comp and teaching in general. It's interesting to see other people's perspectives.

I found this guide quite interesting since it broke down several areas of a composition course suggesting what could be down in each instant of the classroom curriculum. > I focused more so on peer groups and peer revision. (starting at pg. 12) The article mentions that students could bring in multiple copies of their paper so the entire class can read it (in groups and/or individually) and further discuss it in its entirety together. > I really enjoyed this idea especially since I've practiced it in some of my classes here at Chico. However, the only drawback would be of course the expenses and extent of resources the student/teacher/school has. However, this practice could help with distinct revision instead of quickly overlooking an assignment (peer revision is sometimes not taken seriously by students for them to care enough) on the projector slide and/or taking home a fellow peer's paper home to "revise." Also in revising as a group rather than pairs helps students actually gain different perspectives and open doors to their own knowledge received and practiced within the exercise. Along with such a revision process... can come about peer discussions. Sometimes, teachers forget to put into practice discussions following peer reviews. This allows students to further understand where the comments are coming from and how they can take away information to their advantage in revising the assignment.

I really liked the points this teacher made - many of the characteristics I've seen practiced within my workshop. Dr. Davis then explains certain aspects of his/her classroom that have helped shape the environment in a very productive way that has proven helpful for students and him/her. Many of the characteristics provided are very basic; however, they are sometimes not put into practice in this way making it difficult for students to be interested and/or continually participating within the group. Steps I found quite interesting: Step #1 (Introducing Writing) Sometimes students have the tendency of assuming the assignments have no further impact on their lives. But of course, that is not the case - writing assignments help students synchronize their thoughts and ideas about certain topics as well as help them communicate them in clear, understandable ways. > I like the idea of professors introducing the assignment in a way that students can quickly relate to their daily lives that way they aren't as hesitant about beginning the assignment. Step #4 (Model Writing) This concept may help students who are more visual than audible learners. Students are able to visually interpret the steps and structure of a good paper and what the professors are looking for in the assignment. I really liked how the professor provided steps and goals he/she has enforced and continually changed based on students' perspectives in order to maintain a level situated learning environment.

The goal of the article was to broaden the current understanding of social contexts in education. It focused on student-teacher relationship from the perspectives of attachment, motivation, and sociocultural effects.

The author of this article uses the critical perspectives of Mikhail Bakhtin's theory of language and Lev Vygotsky's theory of language learning to examine the polyphonic texture of writing workshops, the dialogic classroom, the teacher's role as writer and authority figure, and the student's search for voice and role. So, she decides to participate in and observe (two students in particular) an introductory composition class in order to explain the polyphonic texture of workshops. In the end, she concludes stating that "we must resist reductive descriptions of our students' development as writers. (…) each writing workshop will compose a different "polyphony" of disparate elements which each student will appropriate and reshape in different configurations" (171). Unfortunately, you will have to log in as a member to view this article. It can also be found in Chico State's e-library.

This article is written by Cheryl Hogue Smith, a professor of English at CSU Bakersfield, about teaching writing to students considered "basic writers." Smith discusses the difficulty of getting basic writing students who are "woefully underprepared for college-level reading and writing tasks" to learn to be better writers. The solution, she claims, is to teach writers to be critical thinkers and "less fearful performers of academic tasks." She talks about how students come to her class from all different backgrounds with all sorts of different perspectives and ideas. A lot of her students have no confidence to write in the college level and so have no interest in it as well. The article attempts to solve this problem. Smith's idea is to teach the students to better value their thinking so that they have more of an interest in their writing and eventually, more confidence.