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More than love, sex, courtship, and marriage; more than inheritance, ambition, rivalry, or disgrace; more than hatred, betrayal, revenge, or death, orphanhood—the absence of the parent, the frightening yet galvanizing solitude of the child—may be the defining fixation of the novel as a genre, what one might call its primordial motive or matrix, the conditioning psychic reality out of which the form itself develops.

t was coined in 1913 by Wolfgang Riepl. It's as true now as it was then.

Science fiction writer Bruce Sterling says: "The future composts the past." There's even a law to describe this, Riepl's Law – which says "new, further developed types of media never replace the existing modes of media and their usage patterns. Instead, a convergence takes place in their field, leading to a different way and field of use for these older forms."

For almost two years now, we’ve posted a fresh Student Opinion question every weekday.Each question was originally inspired by something in that week’s New York Times, and all of them are still open to comment by anyone between the ages of 13 and 25.Teachers tell us they use them as “bell-ringers,” as inspiration for lessons, as jumping-off points for student research and journalism, or just to help students practice writing persuasively and responding to others around the world. (We don’t allow last names, and we read each and every comment ourselves before we make it public, so it’s a pretty civil, and safe, place to post.)Below, 1