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Jane Austen's fiction manuscripts are the first significant body of holograph evidence surviving for any British novelist. They represent every stage of her writing career and a variety of physical states: working drafts, fair copies, and handwritten publications for private circulation. Digitization enables their virtual reunification and will provides scholars with the first opportunity to make simultaneous ocular comparison of their different physical and conceptual states; it will facilitate intimate and systematic study of Austen's working practices across her career, a remarkably neglected area of scholarship within the huge, world-wide Austen critical industry. Many of the Austen manuscripts are frail; open and sustained access has long been impossible for conservation and location reasons. Digitization at this stage in their lives not only offers the opportunity for the virtual reunification of a key manuscript resource, it will also be accompanied by a record in as complete a form as possible of the conservation history and current material state of these manuscripts to assist their future conservation.

The Morgan Library & Museum is pleased to present the only surviving manuscript of Paradise Lost, Book 1. This epic poem is considered Milton's greatest artistic achievement and one of the finest works of the human imagination. Acquired by Pierpont Morgan in 1904, it is the most important British literary manuscript in the collection. The 33-page manuscript has been temporarily disbound, providing an opportunity to see more of its pages than ever before. Also in this presentation are first editions of Paradise Lost printed in England and the United States during the seventeenth and eighteenth centuries and a rarely seen miniature portrait of the poet.

Images from the only known medieval manuscript of the epic saga of 'Beowulf', the most important surviving work of Anglo-Saxon poetry. The manuscript dates from the early 11th century, two generations before the Norman Conquest - though the poem itself is probably even older. Written in Old English, it tells of a thrilling struggle between the hero, Beowulf, and a bloodthirsty monster called Grendel.

Digitial images from the Ellesmere manuscript of Chaucer's Canterbury Tales. The page image are available in 3 sizes and can be easily read online.

The original version of Alice's Adventures in Wonderland, by Lewis Carroll. The manuscript is the handwritten version of the stories presented to 10-year-old Alice Liddell.

Over 1,000 items, including manuscripts, printed works, and portraits of Walt Whitman (1819-1892), the leading American poet of the 19th century.

Letters and fragments by Emily Dickinson from the collection of Col Thomas Wentworth Higginson, who gave the materials to the Boston Public Library.

The Langston Hughes Papers contain letters, manuscripts, personal items, photographs, clippings, artworks, and objects that document the life of the well-known African-American poet.

Glenda teaches us how to teach students to mimic one of the masters of prose-Jane Austen. Mimicry is often a great writing exercise for students who need to examine style.

The History of England is an early work of Jane Austen. She completed the composition in November 1791 when she was just 15 years old. Jane Austen's History is a lively parody which makes fun of the standard schoolroom books of the time. Declaring herself to be a 'partial, prejudiced and ignorant Historian' she cites works of fiction, such as Shakespeare's plays, as historial authority and includes references to her own family and friends. Jane's older sister Cassandra illustrated the text with imaginative portraits of the English monarchs

This digital facsimile presents every page of a small, delicate maquette that Jean de Brunhoff created in 1930 or 1931 as he drafted the first book in the Babar series. The maquette, an extraordinary handmade booklet complete with cover and endpapers, text and illustrations, is the prototype for Histoire de Babar, le petit éléphant.

Blake wrote and sketched in this notebook, which came into his possession after his brother's death in 1787, for 30 years. The closely-filled pages give a fascinating insight into Blake's compositional process, allowing us to follow the genesis of some of his best-known work, including: A Poison Tree, Infant Sorrow, London, The Tyger, The Sick Rose, and The Chimney Sweeper.

This exhibition traces the different occupations and preparations that led Whitman to become the author of Leaves of Grass, as well as his subsequent evolution as a poet. Over almost forty years Whitman produced multiple editions of Leaves of Grass.

These life histories were compiled by the staff of the Folklore Project of the Federal Writers' Project for the U.S. Works Progress (later Work Projects) Administration (WPA) from 1936-1940. The histories describe the informant's family education, income, occupation, political views, religion and mores, medical needs, diet and miscellaneous observations. Pseudonyms are often substituted for individuals and places named in the narrative texts.