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Ed Webb

Artificial intelligence, immune to fear or favour, is helping to make China's foreign p... - 0 views

  • Several prototypes of a diplomatic system using artificial intelligence are under development in China, according to researchers involved or familiar with the projects. One early-stage machine, built by the Chinese Academy of Sciences, is already being used by the Ministry of Foreign Affairs.
  • China’s ambition to become a world leader has significantly increased the burden and challenge to its diplomats. The “Belt and Road Initiative”, for instance, involves nearly 70 countries with 65 per cent of the world’s population. The unprecedented development strategy requires up to a US$900 billion investment each year for infrastructure construction, some in areas with high political, economic or environmental risk
  • researchers said the AI “policymaker” was a strategic decision support system, with experts stressing that it will be humans who will make any final decision
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  • “Human beings can never get rid of the interference of hormones or glucose.”
  • “It would not even consider the moral factors that conflict with strategic goals,”
  • “If one side of the strategic game has artificial intelligence technology, and the other side does not, then this kind of strategic game is almost a one-way, transparent confrontation,” he said. “The actors lacking the assistance of AI will be at an absolute disadvantage in many aspects such as risk judgment, strategy selection, decision making and execution efficiency, and decision-making reliability,” he said.
  • “The entire strategic game structure will be completely out of balance.”
  • “AI can think many steps ahead of a human. It can think deeply in many possible scenarios and come up with the best strategy,”
  • A US Department of State spokesman said the agency had “many technological tools” to help it make decisions. There was, however, no specific information on AI that could be shared with the public,
  • The system, also known as geopolitical environment simulation and prediction platform, was used to vet “nearly all foreign investment projects” in recent years
  • One challenge to the development of AI policymaker is data sharing among Chinese government agencies. The foreign ministry, for instance, had been unable to get some data sets it needed because of administrative barriers
  • China is aggressively pushing AI into many sectors. The government is building a nationwide surveillance system capable of identifying any citizen by face within seconds. Research is also under way to introduce AI in nuclear submarines to help commanders making faster, more accurate decision in battle.
  • “AI can help us get more prepared for unexpected events. It can help find a scientific, rigorous solution within a short time.
Ed Webb

American white people really hate being called "white people" - Vox - 0 views

  • as research on “priming” shows, simply discussing race at all kicks up those effects among the racially dominant group. Or to put it more bluntly, in the US context: White people really don’t like being called white people. They don’t like being reminded that they are white people, part of a group with discernible boundaries, shared interests, and shared responsibilities
  • one of the benefits of being in the dominant demographic and cultural group is that you are allowed to simply be a person, a blank slate upon which you can write your own individual story. You have no baggage but what you choose
  • The power and privilege that come along with that — being the base model, a person with no asterisk — are invisible to many white men. Simply calling them “white people,” much less questioning the behavior or beliefs of white people, drags that power and privilege into the open
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  • No one else gets to pretend their politics are free of identity. White people do. But simply saying the words “white people” is a direct attack on that illusion. It identifies, i.e., creates (or rather, exposes) an identity, a group with shared characteristics and interests. It raises questions (and doubts) about the group’s standing and power relative to other groups. It illuminates all that hidden baggage. Lots of white people really hate that
  • it’s difficult to think of a US setting in which the words “white people” are received neutrally. The term is always charged somehow, freighted with meaning and potential conflict, vaguely subversive
  • As many have pointed out and this political era has made painfully clear, to a dominant demographic, the loss of privilege feels like persecution. Being just one group among many feels like losing. After all, what good is being white in the US, especially among poor whites, if some third-generation Ugandan immigrant has just as much control over their fate as they have over hers? If a poll asks whether they’re any good for her, rather than the other way around?
Ed Webb

WIRED - 0 views

  • Over the past two years, RealNetworks has developed a facial recognition tool that it hopes will help schools more accurately monitor who gets past their front doors. Today, the company launched a website where school administrators can download the tool, called SAFR, for free and integrate it with their own camera systems
  • how to balance privacy and security in a world that is starting to feel like a scene out of Minority Report
  • facial recognition technology often misidentifies black people and women at higher rates than white men
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  • "The use of facial recognition in schools creates an unprecedented level of surveillance and scrutiny," says John Cusick, a fellow at the Legal Defense Fund. "It can exacerbate racial disparities in terms of how schools are enforcing disciplinary codes and monitoring their students."
  • The school would ask adults, not kids, to register their faces with the SAFR system. After they registered, they’d be able to enter the school by smiling at a camera at the front gate. (Smiling tells the software that it’s looking at a live person and not, for instance, a photograph). If the system recognizes the person, the gates automatically unlock
  • The software can predict a person's age and gender, enabling schools to turn off access for people below a certain age. But Glaser notes that if other schools want to register students going forward, they can
  • There are no guidelines about how long the facial data gets stored, how it’s used, or whether people need to opt in to be tracked.
  • Schools could, for instance, use facial recognition technology to monitor who's associating with whom and discipline students differently as a result. "It could criminalize friendships," says Cusick of the Legal Defense Fund.
  • SAFR boasts a 99.8 percent overall accuracy rating, based on a test, created by the University of Massachusetts, that vets facial recognition systems. But Glaser says the company hasn’t tested whether the tool is as good at recognizing black and brown faces as it is at recognizing white ones. RealNetworks deliberately opted not to have the software proactively predict ethnicity, the way it predicts age and gender, for fear of it being used for racial profiling. Still, testing the tool's accuracy among different demographics is key. Research has shown that many top facial recognition tools are particularly bad at recognizing black women
  • "It's tempting to say there's a technological solution, that we're going to find the dangerous people, and we're going to stop them," she says. "But I do think a large part of that is grasping at straws."
Ed Webb

Rem Koolhaas on what the digital city of the future will look like - The Washington Post - 0 views

  • “Convergence is possible only at the price of shedding identity. That is usually seen as a loss. But at the scale at which it occurs, it must mean something. What are the disadvantages of identity, and conversely, what are the advantages of blankness? What is left after identity is stripped? The generic?”
  • It is ironic that just as people want to see a built environment that reflects who they are, what we are seeing in much of the world is that urban planning is scarcely possible because market economies are not generating the necessary funds for it. Any major project of public interest, including even precautions against hurricanes in coastal regions of America, can’t get done.
  • For me, the issue is not about the inefficiency of democracies versus efficient autocracies but how and where a society wants to allocate its resources. It is really a matter of ideology, of whether the interests of the market or the society as a whole are the priority.
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  • self-driving cars will only work at the price of total conformity of every member of society. Such a system of mobility will depend on everyone behaving with no exceptions. As exemplified by self-driving cars, there is a built-in authoritarianism in this managed space of flows we call cyberspace
  • Intelligent life flourishes most in the diversity of those unmanaged spaces that are, by definition, outside efficiency. That has been the history of the development of diverse life forms, and that has been the history of the culture of cities.
Ed Webb

Feminist Apparel and the Myth of the Woke Brand - Racked - 0 views

  • Let Feminist Apparel be a cautionary tale: Brands don’t have the capacity for ideology beyond capitalism. There’s no such thing as a feminist company, and there never has been.
  • framing for-profit commerce as an act of charity or as a meaningful resistance to evil is no less absurd when someone else does it. Any entity lining its pockets by selling only the aesthetic of political action to those whose lives depend on the results of political action is malevolent and amoral, and it’s a practice in use to varying degrees by an ever-expanding number of companies
  • The politics of any company are bad. They’re not all bad in the same way — they exist on a continuum that extends roughly from “not purposely trying to make anyone’s life worse” to “defense contractor” — but the structure of capitalism means that they all need to pay their employees less than their labor is actually worth and find ways to separate consumers from more money than it actually costs to produce and distribute their product.
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  • Companies accumulate wealth by taking it from people with less power through various means of subterfuge (that we call it marketing is, in and of itself, marketing), which, even on a small scale, is an activity necessarily uninterested in equality. If capitalism could deliver economic parity — if parity was even part of the ideology’s intent, which it’s not — then Latinx women wouldn’t still make 54 cents on a white man’s dollar several hundred years into the American capitalist experiment.
  • Capitalism is an apparatus that convinced a whole culture that then-worthless clear rocks were the only real way to tell a woman you wanted to marry her, so convincing us that buying a T-shirt from a creep (or from union busters, or polluters, or whoever) is the same as being politically active is comparatively light work
  • Even though there’s no ethical consumption under capitalism, that doesn’t mean all consumer choices are the same. Companies can’t be feminist, but their leaders can make choices that operate on feminist values, like supporting the unionization of their workforces and providing fair wages and comprehensive health care and family leave to all workers. When possible, taking your business to those companies is an ethically superior choice. Capitalism is a global economic order that’s impossible to opt out of on an individual consumer level, but it’s possible to make some of the individual choices therein with integrity, even if you understand that doing so doesn’t move the dial as political action.
  • the only clear-eyed way to regard a corporation is, at best, as an adversary
Ed Webb

How white male victimhood got monetised | The Independent - 0 views

  • I also learned a metric crap-tonne about how online communities of angry young nerd dudes function. Which is, to put it simply, around principles of pure toxicity. And now that toxicity has bled into wider society.
  • In a twist on the "1,000 true fans" principle worthy of Black Mirror, any alt-right demagogue who can gather 1,000 whining, bitter, angry men with zero self-awareness now has a self-sustaining full time job as an online sh*tposter.
  • Social media has been assailed by one toxic "movement" after another, from Gamergate to Incel terrorism. But the "leaders" of these movements, a ragtag band of demagogues, profiteers and charlatans, seem less interested in political change than in racking up Patreon backers.
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  • Making a buck from the alt-right is quite simple. Get a blog or a YouTube channel. Then under the guise of political dialogue or pseudo-science, start spouting hate speech. You'll soon find followers flocking to your banner.
  • Publish a crappy ebook explaining why SJWs Always Lie. Or teach your followers how to “think like a silverback gorilla” (surely an arena where the far right already triumph?) via a pricey seminar. Launch a Kickstarter for a badly drawn comic packed with anti-diversity propaganda. They'll sell by the bucketload to followers eager to virtue-signal their membership in the rank and file of the alt-right
  • the seemingly bottomless reservoirs of white male victimhood
  • nowhere is there a better supply of the credulous than among the angry white men who flock to the far right. Embittered by their own life failures, the alt-right follower is eager to believe they have a genetically superior IQ and are simply the victim of a libtard conspiracy to keep them down
  • We're barely in the foothills of the mountains of madness that the internet and social media are unleashing into our political process. If you think petty demagogues like Jordan Peterson are good at milking cash from the crowd, you ain’t seen nothing yet. Because he was just the beginning – and his ideology of the white male victim is rapidly spiralling into something that even he can no longer control
Ed Webb

The Imaginative Reality of Ursula K. Le Guin | VQR Online - 1 views

  • The founders of this anarchist society made up a new language because they realized you couldn’t have a new society and an old language. They based the new language on the old one but changed it enormously. It’s simply an illustration of what Orwell was saying in his great essay about how writing English clearly is a political matter.
    • Ed Webb
       
      Le Guin, of course, admires "Politics and the English Language." Real-world examples of people changing languages to change society include the invention of modern Turkish and modern Hebrew.
  • There are advantages and disadvantages to living a very long time, as I have. One of the advantages is that you can’t help having a long view. You’ve seen it come and seen it go. Something that’s being announced as the absolute only way to write, you recognize as a fashion, a fad, trendy—the way to write right now if you want to sell right now to a right now editor. But there’s also the long run to consider. Nothing’s deader than last year’s trend. 
  • Obviously, the present tense has certain uses that it’s wonderfully suited for. But recently it has been adopted blindly, as the only way to tell a story—often by young writers who haven’t read very much. Well, it’s a good way to tell some stories, not a good way to tell others. It’s inherently limiting. I call it “flashlight focus.” You see a spot ahead of you and it is dark all around it. That’s great for high suspense, high drama, cut-to-the-chase writing. But if you want to tell a big, long story, like the books of Elena Ferrante, or Jane Smiley’s The Last Hundred Years trilogy, which moves year by year from 1920 to 2020—the present tense would cripple those books. To assume that the present tense is literally “now” and the past tense literally remote in time is extremely naïve. 
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  • Henry James did the limited third person really well, showing us the way to do it. He milked that cow successfully. And it’s a great cow, it still gives lots of milk. But if you read only contemporary stuff, always third-person limited, you don’t realize that point of view in a story is very important and can be very movable. It’s here where I suggest that people read books like Woolf’s To the Lighthouse to see what she does by moving from mind to mind. Or Tolstoy’s War and Peace for goodness’ sake. Wow. The way he slides from one point of view to another without you knowing that you’ve changed point of view—he does it so gracefully. You know where you are, whose eyes you are seeing through, but you don’t have the sense of being jerked from place to place. That’s mastery of a craft.
  • Any of us who grew up reading eighteenth- or nineteenth-century fiction are perfectly at home with what is called “omniscience.” I myself call it “authorial” point of view because the term “omnisicence,” the idea of an author being omniscient, is so often used in a judgmental way, as if it were a bad thing. But the author, after all, is the author of all these characters, the maker, the inventor of them. In fact all the characters are the author if you come right down to the honest truth of it. So the author has the perfect right to know what they’re thinking. If the author doesn’t tell you what they are thinking … why? This is worth thinking about. Often it’s simply to spin out suspense by not telling you what the author knows. Well, that’s legitimate. This is art. But I’m trying to get people to think about their choices here, because there are so many beautiful choices that are going unused. In a way, first person and limited third are the easiest ones, the least interesting. 
  • to preach that story is conflict, always to ask, “Where’s the conflict in your story?”—this needs some thinking about. If you say that story is about conflict, that plot must be based on conflict, you’re limiting your view of the world severely. And in a sense making a political statement: that life is conflict, so in stories conflict is all that really matters. This is simply untrue. To see life as a battle is a narrow, social-Darwinist view, and a very masculine one. Conflict, of course, is part of life, I’m not saying you should try to keep it out of your stories, just that it’s not their only lifeblood. Stories are about a lot of different things
  • The first decade of her career, beginning in the sixties, included some of her most well-known works of fiction: A Wizard of Earthsea, The Left Hand of Darkness, The Dispossessed, and The Lathe of Heaven. Each of these works imagined not just worlds, but homes, homes that became real for her readers, homes where protagonists were women, people of color, gender fluid, anticapitalist—imaginary homes that did not simply spin out our worst dystopic fears for the future like so many of the apocalyptic novels of today, but also modeled other ways of being, other ways to create home.
  • “Children know perfectly well that unicorns aren’t real,” Le Guin once said. “But they also know that books about unicorns, if they are good books, are true books.”
  • “Fake rules” and “alternative facts” are used in our time not to increase moral understanding and social possibility but to increase power for those who already have it. A war on language has unhinged words from their meaning, language from its capacity as truth-teller. But perhaps, counterintuitively, it is in the realm of the imagination, the fictive, where we can best re-ground ourselves in the real and the true.
  • you can’t find your own voice if you aren’t listening for it. The sound of your writing is an essential part of what it’s doing. Our teaching of writing tends to ignore it, except maybe in poetry. And so we get prose that goes clunk, clunk, clunk. And we don’t know what’s wrong with it
  • You emphasize the importance of understanding grammar and grammar terminology but also the importance of interrogating its rules. You point out that it is a strange phenomenon that grammar is the tool of our trade and yet so many writers steer away from an engagement with it. In my generation and for a while after—I was born in 1929—we were taught grammar right from the start. It was quietly drilled into us. We knew the names of the parts of speech, we had a working acquaintance with how English works, which they don’t get in most schools anymore. There is so much less reading in schools, and very little teaching of grammar. For a writer this is kind of like being thrown into a carpenter’s shop without ever having learned the names of the tools or handled them consciously. What do you do with a Phillips screwdriver? What is a Phillips screwdriver? We’re not equipping people to write; we’re just saying, “You too can write!” or “Anybody can write, just sit down and do it!” But to make anything, you’ve got to have the tools to make it.
  • In your book on writing, Steering the Craft, you say that morality and language are linked, but that morality and correctness are not the same thing. Yet we often confuse them in the realm of grammar. The “grammar bullies”—you read them in places like the New York Times—and they tell you what is correct: You must never use “hopefully.” “Hopefully, we will be going there on Tuesday.” That is incorrect and wrong and you are basically an ignorant pig if you say it. This is judgmentalism. The game that is being played there is a game of social class. It has nothing to do with the morality of writing and speaking and thinking clearly, which Orwell, for instance, talked about so well. It’s just affirming that I am from a higher class than you are. The trouble is that people who aren’t taught grammar very well in school fall for these statements from these pundits, delivered with vast authority from above. I’m fighting that. A very interesting case in point is using “they” as a singular. This offends the grammar bullies endlessly; it is wrong, wrong, wrong! Well, it was right until the eighteenth century, when they invented the rule that “he” includes “she.” It didn’t exist in English before then; Shakespeare used “they” instead of “he or she”—we all do, we always have done, in speaking, in colloquial English. It took the women’s movement to bring it back to English literature. And it is important. Because it’s a crossroads between correctness bullying and the moral use of language. If “he” includes “she” but “she” doesn’t include “he,” a big statement is being made, with huge social and moral implications. But we don’t have to use “he” that way—we’ve got “they.” Why not use it?
Ed Webb

Sinclair tells stations to air media-bashing promos - and the criticism goes viral - Ap... - 0 views

  • they're seeing these people they've trusted for decades tell them things they know are essentially propaganda
Ed Webb

CNN produces Gothic horror, and this is a problem | Bryan Alexander - 0 views

  • Remember that for *decades* American violent crime has gone steadily down, but most Americans have been convinced we lived under a nightmarish crime siege. CNN plays a key role in that, as I and others have shown. CNN has continuously celebrated violent crime stories far, far out of proportion to their reality.
  • As an information source, CNN helped skew Americans’ sense of reality in terms of violent crime. As things got better, they took exquisite care to make sure we thought they were the opposite. Why does this matter?
  • remember that Trump won in 2016 in part by arguing that America was under siege from violent crime. Who do you think convinced about 1/4th of American voters of this idea?  Social media played some role, which is in the public eye now, but tv’s huge role is underappreciated
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  • A key driver for gun ownership is self defense. CNN teaches viewers that they live in a dangerous hellscape, with terror about to attack at any moment.  Put another way, CNN is the NRA’s best secret friend
  • I think if CNN is truly possessed of world class storytellers, they could turn heart disease into a gripping narrative.  (Might I recommend a certain book on the subject?)  They could also choose not to flog a relative handful of crime stories into a national terror wave.  Instead they very carefully selected the violent crime horror route.
  • This is Gothic puffery, a deliberate act of fearmongering, with consequences. And we’re not holding CNN and its ilk accountable.  It’s time we should.
Ed Webb

Angry Optimism in a Drowned World: A Conversation with Kim Stanley Robinson | CCCB LAB - 0 views

  • The idea would be that not only do you have a multigenerational project of building a new world, but obviously the human civilization occupying it would also be new. And culturally and politically, it would be an achievement that would have no reason to stick with old forms from the history of Earth. It’s a multigenerational project, somewhat like building these cathedrals in Europe where no generation expects to end the job. By the time the job is near completion, the civilization operating it will be different to the one that began the project.
  • what the Mars scenario gave me – and gives all of humanity – is the idea that the physical substrate of the planet itself is also a part of the project, and it’s something that we are strong enough to influence. Not create, not completely control, not completely engineer because it’s too big and we don´t have that much ability to manipulate the large systems involved, nor the amount of power involved. But we do have enough to mess things up and we do have enough to finesse the system.This, I think, was a precursor to the idea of the Anthropocene. The Anthropocene is precisely the geological moment when humanity becomes a geological force, and it’s a science-fiction exercise to say that 50 million years from now, humanity’s descendants, or some other alien civilization, will be able to look at Earth and say: “This is when humanity began to impact things as much as volcanos or earthquakes.” So it’s a sci-fi story being told in contemporary culture as one way to define what we are doing now. So, that was what my Mars project was doing, and now we are in the Anthropocene as a mental space.
  • if humanity’s impact on the Earth is mostly negative in ecological terms, if you mark humanity’s impact as being so significant that we have produced a new geological age, then we have to think differently in our attitudes towards what we are doing with our biophysical substrate. And one of the things I think the Anthropocene brings up is that the Earth is our body, and we can finesse it, we can impact it, we can make ourselves sick.
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  • The truth is that we are actually already at that moment of climate change and crisis. The political project that my novel discusses really ought to be enacted now, not 120 years from now. In the real world, what we’ve got is a necessity for our economic system to take damage to the ecosystem into account, and pay for that damage.
  • I worry that we’ve already swallowed the idea of the Anthropocene and stopped considering the importance of it; the profound shock that it should cause has already been diffused into just one more idea game that we play.
  • there is no question that, at times in the past, the Earth has been an ice ball with none of its water melted, and also a jungle planet with all of its water melted, and no ice on the planet whatsoever. And this is just from the natural extremes of planetary orbiting, and feedback loops of the atmosphere that we have naturally. But then what humanity is doing – and the reason you need the term “Anthropocene” – is pushing us into zones that the planet maybe has been in the past, but never with this extraordinary speed. Things that would have taken three, four, five million years in the past, or even longer, a 50-million-year process, are being done in fifty years, a million times faster
  • The market doesn’t have a brain, a conscience, a morality or a sense of history. The market only has one rule and it’s a bad rule, a rule that would only work in a world where there was an infinity of raw materials, what the eco-Marxists are calling the “four cheaps”: cheap food, cheap power, cheap labour, cheap raw material
  • this isn’t the way capitalism works, as currently configured; this isn’t profitable. The market doesn’t like it. By the market I mean – what I think everybody means, but doesn’t admit – capital, accumulated capital, and where it wants to put itself next. And where it wants to put itself next is at the highest rate of return, so that if it’s a 7% return to invest in vacation homes on the coast of Spain, and it’s only a 6% rate of return to build a new clean power plant out in the empty highlands of Spain, the available capital of this planet will send that money and investment and human work into vacation homes on the coast of Spain rather than the power plants
  • If Spain were to do a certain amount for its country, but was sacrificing relative to international capital or to other countries, then it would be losing the battle for competitive advantage in the capitalist system
  • Nobody can afford to volunteer to be extra virtuous in a system where the only rule is quarterly profit and shareholder value. Where the market rules, all of us are fighting for the crumbs to get the best investment for the market.
  • the market is like a blind giant driving us off a cliff into destruction
  • we need postcapitalism
  • I look to the next generation, to people who are coming into their own intellectual power and into political and economic power, to be the most productive citizens, at the start of their careers, to change the whole story. But, sometimes it just strikes me as astonishing, how early on we are in our comprehension of this system
  • design is a strange amalgam, like a science-fictional cyborg between art and engineering, planning, building, and doing things in the real world
  • you can´t have permanent growth.
  • The Anthropocene is that moment in which capitalist expansion can no longer expand, and you get a crush of the biophysical system – that’s climate change – and then you get a crush of the political economy because, if you’ve got a system that demands permanent growth, capital accumulation and profit and you can’t do it anymore, you get a crisis that can’t be solved by the next expansion
  • If the Anthropocene is a crisis, an end of the road for capitalism, well, what is post-capitalism? This I find painfully under-discussed and under-theorized. As a Sci-Fi writer, an English major, a storyteller – not a theorist nor a political economist – looking for help, looking for theories and speculations as to what will come next and how it will work, and finding a near emptiness.
  • here is the aporia, as they call it: the non-seeing that is in human culture today. This is another aspect of the Anthropocene
  • Economics is the quantitative and systematic analysis of capitalism itself. Economics doesn’t do speculative or projective economics; perhaps it should, I mean, I would love it if it did, but it doesn’t
  • If the rules of that global economy were good, there could not be bad actors because if the G20,  95% of the economy, were all abiding by good rules, there would be nowhere for greedy actors to escape to, to enact their greed.
  • You can see the shapes of a solution. This is very important for anybody that wants to have hope or everybody that is realizing that there will be humans after us, the generations to come. It’s strange because they are absent; they are going to be here, they are going to be our descendants and they are even going to have our DNA in them. They will be versions of us but because they are not here now, it’s very easy to dismiss their concerns.
  • capitalist economics discounts their concerns, in the technical term of what is called in economics “the discount rate”. So, a high discount rate in your economic calculations of value — like amortized payments or borrowing from the future – says: “The future isn’t important to us, they will take care of themselves” and a low discount rate says: “We are going to account for the future, we think the future matters, the people yet to come matter.” That choice of a discount rate is entirely an ethical and political decision; it’s not a technical or scientific decision except for, perhaps, the technical suggestion that if you want your children to survive you’d better choose a lower discount rate. But that “if” is kind of a moral, an imaginative statement, and less practical in the long-term view.
  • I have been talking about these issues for about fifteen years and, ten years ago, to suggest that the Paris Agreement would be signed, people would say: “but that will never happen!” As a utopian science-fiction writer, it was a beautiful moment.
  • As a Science-Fiction writer, what is in your view the responsibility that the arts, literature and literary fiction can have in helping to articulate possible futures? It seems that imagining other forms of living is key to producing them, to make them actionable.
  • The sciences are maybe the dominant cultural voice in finding out what’s going on in the world and how things work, and the technicalities about how and why things work. But how that feels, the emotional impact in it, which is so crucial to the human mind and human life in general, these are what the arts provide
  • The way that we create energy and the way that we move around on this planet both have to be de-carbonized. That has to be, if not profitable, affordable
  • This is what bothers me in economics; its blind adherence to the capitalist moment even when it is so destructive. Enormous amounts of intellectual energy are going into the pseudo-quantitative legal analysis of an already-existing system that’s destructive. Well, this is not good enough anymore because it’s wrecking the biophysical infrastructure
  • What would that new way of living be? The economists are not going to think of it. The artists are often not specific enough in their technical and physical detail, so they can become fantasy novelists rather than science-fiction novelists; there is too much a possibility in the arts, and I know very well myself, of having a fantasy response, a wish fulfilment. But when you’re doing architecture you think: “Well, I need ten million dollars, I need this land, I need to entrain the lives of five hundred people for ten years of their careers in order to make something that then will be good for the future generations to use.”
  • After the 2008 crash of the world economy, the neoliberal regime began to look a bit more fragile and brutal, less massive and immovable. I see things very differently, the world reacting very differently since the 2008 crash to how it did before it. There was this blind faith that capitalism worked, and also even if it didn’t work it wasn’t changeable, it was too massive to change. Now what I am pointing out comes from the radical economists coming out of political economy, anthropology and leftist politics saying that international finance is simply overleveraged and therefore is extremely fragile and open to being taken down. Because it depends on everybody paying their bills and fulfilling their contracts.
  • Human extinction, this is bullshit. Humans will scratch around and find some refuge. You could imagine horrible disasters and reductions of human population but extinction is not the issue for humans, it’s for everybody else. All of our horizontal brothers and sisters, the other big mammals, are in terrible trouble from our behaviour
  • I actually am offended at this focus on the human; “Oh, we’ll be in trouble,”: big deal. We deserve to be in trouble, we created the trouble. The extinctions of the other big mammals: the tigers, rhinoceroses, all big mammals that aren’t domestic creatures of our own built in factories, are in terrible trouble. So, the human effort ought to be towards avoiding extinctions of other creatures. Never waste a worry for humanity itself, which, no matter what, won’t become extinct. Ten centuries from now, humanity will be doing something and that something is likely to be more sustainable and interesting than what we are doing now. The question for us is. “How do you get there?” But ten centuries from now, there might not be any tigers.
  • There’s an Antonio Gramsci idea you have used to explain your position: “pessimism of the intellect, optimism of the will.” Your optimism is a moral and political position, it’s not just hoping for the best. Why do you think we need to defend optimism
  • Use the optimism as a club, to beat the crap out of people who are saying that we are doomed, who are saying let’s give up now. And this “let’s give up now” can be very elaborated academically. You can say: “Well, I’m just into adaptation rather than mitigation, there’s nothing we can do about climate change, all you can do is adapt to it.” In other words, stick with capitalism, stick with the market, and don’t get freaked out. Just adapt and get your tenure because it is usually academics who say it, and they’re not usually in design or architecture, they aren’t really doing things. They’re usually in philosophy or in theory. They come out of my departments, they’re telling a particular story and I don’t like that story. My story is: the optimism that I’m trying to express is that there won’t be an apocalypse, there will be a disaster. But after the disaster comes the next world on.
  • there’s a sort of apocalyptic end-of-the-world “ism” that says that I don’t have to change my behaviour, I don’t have to try because it’s already doomed
  • Maybe optimism is a kind of moral imperative, you have to stay optimistic because otherwise you’re just a wanker that’s taken off into your own private Idaho of “Oh well, things are bad.” It’s so easy to be cynical; it’s so easy to be pessimistic
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