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Luciano Ferrer

Educated Hope in Dark Times: The Challenge of the Educator-Artist as a Public Intellectual - 0 views

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    "... Reclaiming pedagogy as a form of educated and militant hope begins with the crucial recognition that education is not solely about job training and the production of ethically challenged entrepreneurial subjects and that artistic production does not only have to serve market interests, but are also about matters of civic engagement and literacy, critical thinking, and the capacity for democratic agency, action, and change. It is also inextricably connected to the related issues of power, inclusion, and social responsibility.[2] If young people, artists, and other cultural workers are to develop a deep respect for others, a keen sense of the common good, as well as an informed notion of community engagement, pedagogy must be viewed as a cultural, political, and moral force that provides the knowledge, values, and social relations to make such democratic practices possible. In this instance, pedagogy needs to be rigorous, self-reflective, and committed not to the dead zone of instrumental rationality but to the practice of freedom and liberation for the most vulnerable and oppressed, to a critical sensibility capable of advancing the parameters of knowledge, addressing crucial social issues, and connecting private troubles into public issues. Any viable notion of critical pedagogy must overcome the image of education as purely instrumental, as dead zones of the imagination, and sites of oppressive discipline and imposed conformity. ..."
Luciano Ferrer

Teaching climate science & action - the 4-7 year old version - 0 views

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    "Teaching climate science & action can seem daunting: for university-level lecturers, teaching to younger children can be quite intimidating. For primary-level teachers, the science and scope can seem too vast and fast changing to cover. For everyone, the content can be overwhelming. As adults, how do we present this topic to children: give them the information they need without crushing them? I decided to face the challenge, and over the course of one rather sleepless night, put together some materials for my 6 year-old son's class. This post summarizes and communicates that experience, in the hope that others can take ideas and inspiration, and will be encouraged to volunteer to teach about climate in primary schools. Teaching and engagement in schools is now part of all of our work, as researchers, academics, parents, activists, advocates, so I hope this idea spreads. The 4-part lesson plan worked quite well: the topics & materials held the children's attention, gave them varied aspects to think about and interact with, and they seemed to come away with deeper understanding. The whole thing took roughly 1 hour. This is doable!"
Luciano Ferrer

Eleven Ways to Improve Online Classes - 0 views

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    "It has me thinking about what it would mean to improve online classes. A few ideas come to mind: Use multiple platforms. I'm not against using an LMS as a central hub. However, I think it's valuable to experiment with the types of productivity tools you will actually use outside of a classroom. Use Google Docs to share ideas, create surveys, and ask questions. Use Google Hangouts to meet as a group. Go project-based. I haven't figured this out entirely with my first class but my hope is that we can go fully project-based in the same way that my face-to-face class is. In fact, the asynchronous nature of online classes actually means there is a better potential of creating a project-based culture that mirrors the way people actually work on projects. Make something together. I use a collaboration grid with co-creating and communicating on separate spectrums (x-axis) and multimedia and text on another spectrum (y-axis). This has been an effective way to think through collaborative tools that allow students to co-create. Embrace a synchronous/asynchronous blend: I love using Voxer because students can speak back and forth in the moment. However, if they miss it, they can listen to it later. The same is true of using a Google Hangouts On Air. Make it more connective. We tend to treat online instruction as if it is a linear process and we don't do enough to link things back and forth and connect ideas, resources, discussions and content creation in a seamless, back-and-forth nature. Incorporate multimedia. It's a simple idea, but I create a short video at the beginning of each week and I encourage students to create video and audio as well. This has a way of making things more concrete. There's something deeply human about hearing an actual human voice. I know, crazy, right? Go mobile. I don't simply mean use a smart phone. I mean assign some things that allow students to get out in the world and create videos, snap pictures,
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    "It has me thinking about what it would mean to improve online classes. A few ideas come to mind: Use multiple platforms. I'm not against using an LMS as a central hub. However, I think it's valuable to experiment with the types of productivity tools you will actually use outside of a classroom. Use Google Docs to share ideas, create surveys, and ask questions. Use Google Hangouts to meet as a group. Go project-based. I haven't figured this out entirely with my first class but my hope is that we can go fully project-based in the same way that my face-to-face class is. In fact, the asynchronous nature of online classes actually means there is a better potential of creating a project-based culture that mirrors the way people actually work on projects. Make something together. I use a collaboration grid with co-creating and communicating on separate spectrums (x-axis) and multimedia and text on another spectrum (y-axis). This has been an effective way to think through collaborative tools that allow students to co-create. Embrace a synchronous/asynchronous blend: I love using Voxer because students can speak back and forth in the moment. However, if they miss it, they can listen to it later. The same is true of using a Google Hangouts On Air. Make it more connective. We tend to treat online instruction as if it is a linear process and we don't do enough to link things back and forth and connect ideas, resources, discussions and content creation in a seamless, back-and-forth nature. Incorporate multimedia. It's a simple idea, but I create a short video at the beginning of each week and I encourage students to create video and audio as well. This has a way of making things more concrete. There's something deeply human about hearing an actual human voice. I know, crazy, right? Go mobile. I don't simply mean use a smart phone. I mean assign some things that allow students to get out in the world and create videos, snap pictures,
Luciano Ferrer

Cambio climático, esperanza y revolución: notas para tiempos oscuros y sombríos - 0 views

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    "John Foran, artículo original: http://www.resilience.org/stories/2017-06-08/climate-change-hope-and-revolution-notes-for-dark-and-gloomy-times/ El otro día me invitaron a dar una charla en la clase de Estudios Medioambientales de un colega titulada, simplemente, "Esperanza". Resulta que era el día después de que Donald Trump pronunciase sus calculadas y genocidas estupideces sobre el Acuerdo de París (que el insistía en llamar Accord [el autor usa la palabra Agreement para acuerdo, nota del tr.]. A estas alturas, se han dicho y escrito cien mil palabras de ira, determinación y análisis. Vayamos pues en la dirección opuesta. ..."
Javier Carrillo

Hope! - En pie por el planeta - 2 views

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    En 2018 pasaron dos cosas que me cambiaron la vida: me convertí en padre y el IPCC publicó ese demoledor informe en el que advertía que solo teníamos 12 años para evitar una catástrofe climática irreversible. La ansiedad climática es mala compañera, pero a mí me sirvió para abrir una página de Facebook y empezar a hacer vídeos alertando de la crisis climática y ecológica en la que estamos sumidos. Fue una necesidad, una vía de escape, necesitaba hacer algo. Necesitaba un nombre. Hope. Esperanza. Me niego a dar por sentado que vamos a cargarnos la absolutamente maravillosa biosfera que hemos heredado. Jamás hubiera esperado que pasara lo que pasó: en los primeros doce meses los vídeos superaron los 200 millones de reproducciones, y el número de seguidores superó el medio millón. Gente de todo el mundo. Menuda responsabilidad, necesitamos más medios, más gente, más conocimientos. Y ahí aparecieron Fernando Prieto, Fernando Valladares, miembros de Ecologistas en Acción, de Extinction Rebellion, de Fridays for Future, de Climate Reality, de Greenpeace, de WWF… para ir apoyando y acompañando el trabajo que estaba teniendo un impacto viral en las redes sociales. Esto cristalizó en un Consejo Editorial formado por grandísimos científicos, velando por que los vídeos fuesen completamente rigurosos y asegurando que el mensaje que está trasladando la ciencia en las publicaciones especializadas se trasladase correctamente a un terreno completamente opuesto: las redes sociales. Vídeos cortos y dinámicos que se comparten cientos de miles de veces y que ya han superado los 400 millones de reproducciones. Y aquí es donde nos encontramos ahora, gracias al apoyo de decenas de personas que contribuyen con una pequeña cantidad mensual a través de Patreon, somos capaces de mantener este trabajo editorial y de divulgación científica en el momento en el que más importante es que entendamos profundamente la magnitud de la emergencia a la que nos e
Francisco Gascón Moya

70+ Google Forms for the Classroom | edte.ch - 9 views

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    Google Forms is a great tool and I hope to use it more throughout this year. Take a look here for a more detailed introduction and guide to using and creating a Google Form - this was written prior to Google bringing forms into the NEW menu.
Luciano Ferrer

Leonardo da Vinci, Notebook ('The Codex Arundel') - 0 views

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    "Contents:Notebook of Leonardo da Vinci ('The Codex Arundel'). A collection of papers written in Italian by Leonardo da Vinci (b. 1452, d. 1519), in his characteristic left-handed mirror-writing (reading from right to left), including diagrams, drawings and brief texts, covering a broad range of topics in science and art, as well as personal notes. The core of the notebook is a collection of materials that Leonardo describes as 'a collection without order, drawn from many papers, which I have copied here, hoping to arrange them later each in its place according to the subjects of which they treat' (f. 1r), a collection he began in the house of Piero di Braccio Martelli in Florence, in 1508. To this notebook has subsequently been added a number of other loose papers containing writing and diagrams produced by Leonardo throughout his career. Decoration: Numerous diagrams. "
Luciano Ferrer

Why Climate Change Isn't Our Biggest Environmental Problem, and Why Technology Won't Save Us - Resilience - 2 views

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    "Our core ecological problem is not climate change. It is overshoot, of which global warming is a symptom. Overshoot is a systemic issue. Over the past century-and-a-half, enormous amounts of cheap energy from fossil fuels enabled the rapid growth of resource extraction, manufacturing, and consumption; and these in turn led to population increase, pollution, and loss of natural habitat and hence biodiversity. The human system expanded dramatically, overshooting Earth's long-term carrying capacity for humans while upsetting the ecological systems we depend on for our survival. Until we understand and address this systemic imbalance, symptomatic treatment (doing what we can to reverse pollution dilemmas like climate change, trying to save threatened species, and hoping to feed a burgeoning population with genetically modified crops) will constitute an endlessly frustrating round of stopgap measures that are ultimately destined to fail."
Joaquim Bernà

Harvard's Alternative to Google Books - IEEE Spectrum - 5 views

  • Instead, the Digital Public Library will serve as the archive for other archives. All around the country, from the Library of Congress to the Internet Archive in Northern California, libraries have been scanning books and setting up individual databases for their collections. The Digital Public Library of America hopes to produce a search engine that will coordinate with these institutions, creating a single search portal that will direct users to every single book they need, in any collection.
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