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John Evans

The 12 Best iPad Apps For The World Language Classroom - Edudemic - 0 views

www.edudemic.com/-apps-world-language-classroom

apps language ipad classroom

shared by John Evans on 28 Mar 14 - No Cached
  • John Evans on 28 Mar 14
     
    "The iPad has fundamentally changed how and what I teach in my Spanish classes. First of all, I no longer use textbooks. Ever. Why would I when everything I need and more is available online or through an app? As educators, we are often told to teach students "21st century skills", but let's be honest, more often than not; it is the teachers who need to become more proficient in how to reach young people through technology."
Samantha Coleman

Apply Teaching Jobs Abroad Online - 0 views

Thanks to Schools And Teachers, I was able to find a suitable teaching job abroad. The online job board offered me the opportunity to access various international teaching jobs and careers that are...

started by Samantha Coleman on 24 Sep 12 no follow-up yet
John Evans

KS3/4 Computing Lesson Plan - Teach Computational Thinking Skills with a Touch of Magic | Teachwire Teaching Resource - 4 views

www.teachwire.net/...g-skills-with-a-touch-of-magic

computing lesson plan computational thinking skills resource

shared by John Evans on 10 Aug 18 - No Cached
  • John Evans on 10 Aug 18
     
    "This lesson/series of lessons is designed to give pupils an introductory understanding of key computational thinking skills and help them to discover that in fact, computers don't solve problems, but are used by us to aid the problem solving process. This will be shown by using the BBC Micro:Bit device, both emulated via online tools and with a real Micro:Bit if available - and adding a touch of magic."
John Evans

How to Teach Students Historical Inquiry Through Media Literacy And Critical Thinking | MindShift | KQED News - 2 views

www.kqed.org/...literacy-and-critical-thinking

historical inquiry media literacy critical thinking

shared by John Evans on 28 Mar 19 - No Cached
  • John Evans on 28 Mar 19
     
    "Many students are not good at evaluating the credibility of what they see and read online according to a now-famous Stanford study that was released just after the 2016 election. And while it's true that 82 percent of middle schoolers couldn't tell the difference between a native advertisement and a news article, neither could 59 percent of adults in a study conducted by the advertising industry. Sam Wineburg, the Stanford professor who led the middle school study, is worried that everyone is "profoundly confused" right now and that schools aren't doing enough to teach students the skills they need to be effective citizens and digital consumers."
John Evans

What is Digital Literacy? - The Tech Edvocate - 5 views

www.thetechedvocate.org/what-is-digital-literacy

digital literacy

shared by John Evans on 11 Mar 18 - No Cached
  • John Evans on 11 Mar 18
     
    "In today's world, literacy goes beyond just the basic ability to comprehend text. Today's students will also need to master a new skill-digital literacy. Cornell University defines digital literacy as "the ability to find, evaluate, utilize, share, and create content using information technologies and the Internet." Digital literacy, by this definition, encompasses a wide range of skills, all of which are necessary to succeed in an increasingly digital world. As print mediums begin to die out, the ability to comprehend information found online becomes more and more important. Students who lack digital literacy skills may soon find themselves at just as much of a disadvantage as those who cannot read or write. Because digital literacy is so important, educators are increasingly required to teach students digital literacy in the classroom. In many ways, this is similar to what educators have always done in teaching students to read and write. In other ways, however, digital literacy is a brand new skill. Most students already use digital technology, such as tablets, smartphones, and computers, at home. Many students already know how to navigate the web, share images on social media, and do a Google search to find information. However, true digital literacy goes beyond these basic skills."
John Evans

50 Incredibly Useful Links For Learning & Teaching The English Language - 1 views

www.teachthought.com/...useful-links-for-ell-educators

teaching English resources

shared by John Evans on 07 Feb 20 - No Cached
  • John Evans on 07 Feb 20
     
    "Teaching a new language to non-native speakers may be one of the most challenging educational jobs out there, so ELL teachers can use all of the help they can get! Thankfully, many excellent resources for ELL and ESL exist online, from full-service websites to reference tools and communities, all designed to make the task of educating ELL students just a little bit easier and more effective. We've scoured the Internet to share 50 of the best of these resources, and we hope you'll find lots of valuable content and tools through these incredibly useful links for ELL educators."
John Evans

News & Media Literacy | Common Sense Education - 1 views

www.commonsense.org/...news-and-media-literacy

media literacy literacy media common sense media news resources

shared by John Evans on 11 Mar 17 - No Cached
  • John Evans on 11 Mar 17
     
    "In today's 24/7 digital world, we have instant access to all kinds of information online. Educators need strategies to equip students with the core skills they need to think critically about today's media. We teach foundational skills in news and media literacy through our Digital Citizenship program, specifically through our Creative Credit & Copyright and Information Literacy topics. Built on more than 10 years of expertise and classroom testing, these lessons and related teaching materials give students the essential skills to be smart, savvy media consumers and creators. From lesson plans about fact-checking to clickbait headlines and fake news, we've covered everything. To learn more about our approach, read the Topic Backgrounder on news and media literacy."
John Evans

15+ Websites to Teach Financial Literacy - Ask a Tech Teacher - 0 views

askatechteacher.com/o-teach-financial-literacy-4-2

Financial Literacy resources

shared by John Evans on 09 Apr 21 - No Cached
  • John Evans on 09 Apr 21
     
    "If your school doesn't teach a course about personal economics, there are many online sites that address the topic as mini-lessons. Some are narrative; others games. Here are fifteen I like. See if one suits you (check here for updates on links):"
John Evans

Schools to teach children about fake news and 'confirmation bias', government announces | The Independent - 1 views

www.independent.co.uk/...hinds-government-a9004516.html

schools teach children fake news confirmation bias

shared by John Evans on 18 Jul 19 - No Cached
  • John Evans on 18 Jul 19
     
    "School teachers need to better prepare pupils of the risks posed by "fake news" and disinformation online, the education secretary Damian Hinds has warned. Every child will learn about confirmation bias and online risks as a compulsory part of the curriculum as the government publishes new safety guidance for schools. Teachers will have to help children learn to evaluate what they see online, how to recognise techniques used for persuasion, how to identify potential risks and how and when to seek support. "
John Evans

7 ways to teach digital literacy skills - iPads in Education - 0 views

ipadeducators.ning.com/...each-digital-literacy-skills-1

teach digital literacy literacy skills ipads education

shared by John Evans on 14 Jun 13 - No Cached
  • John Evans on 14 Jun 13
     
    "Fostering digital literacy skills is one of the most difficult tasks for educators. Evaluating and analyzing online resources for accuracy is something that many adults struggle with - we've all been bamboozled before, haven't we? But digital literacy is more than just determining if something is true or false - it's intelligently and responsibly navigating online, it's putting countless pieces together to form a puzzle, it's determining what's important and evaluating bias, etc - the list goes on. So, as an educator, how do we reinforce these crucial skills in our classrooms?"
John Evans

Guide to Student-to-Student Teaching With Online Video | Edudemic - 1 views

www.edudemic.com/-student-teaching-online-video

guide teaching online online video

shared by John Evans on 29 Jan 15 - No Cached
  • John Evans on 29 Jan 15
     
    "You may already be using video to support your lessons, but have you considered encouraging your students to create them? Student-to-student videos enhance student understanding of a subject as well as student creativity and critical thinking skills. In a recent KQED MindShift article, Katrina Schwartz lauds peer-created videos for their ability to reach struggling students in ways that you as a teacher cannot. No longer are videos a distraction or a tool used only by teachers; videos can create a richer learning experience."
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications -- Center for Social Media at American University - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
John Evans

If I was teaching Social Studies today… | @mcleod | Dangerously Irrelevant - 3 views

dangerouslyirrelevant.org/...hing-social-studies-today.html

social studies teacher resources online

shared by John Evans on 06 Jun 17 - No Cached
  • John Evans on 06 Jun 17
     
    "Some folks know that I started my education career as a middle school Social Studies teacher in Charlotte, North Carolina. If I was still doing that now, I would be incredibly excited because so many wonderful resources would be available to my classroom. For instance, if I was teaching Social Studies today…"
John Evans

Tinker, Tailor, Solder, Sew | Chez Vivian - 0 views

www.coetail.com/...tinker-tailor-solder-sew

tinker makered sew solder electronics maker

shared by John Evans on 08 Jul 15 - No Cached
  • John Evans on 08 Jul 15
     
    "It was the summer of my disconnect… I've decided to try for a different focus this summer.  I want to spend a LOT less time online and tinker with technology that doesn't revolve around a 2D computer screen. Last year at this time, I was wrapping up my look at teaching computer programming to primary students.  I had just finished submitting in my Coetail Final Project and this was the subject-matter that I had chosen for my final project.  My investigation was done mainly through the 2D environment of the computer screen.    My own children and I spent last summer participating in two online "kids camp" programs that were an extension of my Coetail Final Project.  They were Scratch Programming and Minecraft.  We worked through several weeks of challenges, earned digital badges, and posted our creations online.  Some of them were featured in a weekly Show and Tell that was streamed over the internet by Pursuitery (has some connection with Connected Learning Alliance  and Mimi Ito of "Hanging Out, Messing Around, Geeking Out"). That was a huge amount of fun but it was all pixels."
John Evans

How Developing Trust is Problematic (But Essential) For Independent Learning | Edudemic - 0 views

www.edudemic.com/ntial-for-independent-learning

developing trust essential independent learning

shared by John Evans on 08 Jan 15 - No Cached
  • John Evans on 08 Jan 15
     
    "Katrina Schwartz's recent KQED blog post explores why trust is crucial in shaping independent learners. The article points out that in this age of preparing students to be "college and career ready," it is puzzling that schools block portions of the internet in the name of protecting students from inappropriate online behavior. Additionally, by blocking digital tools that serve a useful purpose in learning, schools effectively stop educators from teaching and modeling appropriate online behavior. And yet, younger students especially need some kind of protection online. In this article, we explore why building trust today is difficult in a traditional sense, while also remaining crucial for independent learning activities."
John Evans

Help Students Learn Better With Different Types of Engaging Visuals | Emerging Education Technologies - 2 views

www.emergingedtech.com/...fferent-types-engaging-visuals

learning visuals students

shared by John Evans on 27 Nov 18 - No Cached
  • John Evans on 27 Nov 18
     
    "Today, students have more homework than the generations of students before them. They also have plenty of distractions in and out of the classroom like social media, social media marketers, online gaming and online streaming. With countless distractions and piling assignments, holding students' attention in the classroom can be challenging. Helping them to absorb and retain new information requires more and more creative approaches. Research shows that presenting information visually makes a huge difference. Visual content gets processed faster and remembered for longer periods of time (as opposed to plain text). That's why using visuals in the classroom is a great approach to helping your students learn effectively, and even enjoy what they're learning. So it's time to step away from traditional teaching materials, and embrace an arsenal of visual content. Equipped with the right online design tool, you can create engaging visuals easily and without any design experience at all. We'll cover 10 different kinds of visuals that can help you engage your students in the classroom: Process infographics Informational infographics List infographics Comparison infographics Research reports Lesson plans Mind maps Progress reports Charts and graphs Posters"
John Evans

Here's the Syllabus for Your Summer Crash Course in Online Education | EdSurge News - 1 views

www.edsurge.com/...ash-course-in-online-education

syllabus summer crash course online education online education

shared by John Evans on 09 May 20 - No Cached
  • John Evans on 09 May 20
     
    "You learned how to Zoom, or Hangout, or Team up. You read all the quick tips about emergency remote teaching. You recorded your lectures or gathered via video call with however many students you could reach each week. You pivoted, shifted and, let's be real, maybe stumbled into a makeshift version of online education. At last, final grades-or pass/fail marks-are turned in. Congratulations, you made it through the virtual semester. Now what?"
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