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I've started using Diigo. I haven't quite let go of Delicious but that's one of the good things about Diigo. It allows me to automatically export my bookmarks to Delicious so I don't need to use that service directly anymore. It lets me filter my tags and works directly with Blogger so I don't have to do a tortuous backdoor route to get my bookmarks into my blog. And the toolbar - I have to say that although it takes up more space than the the Delicious buttons... it's fab! You can highlight and make comments on pages and it interacts easily with some of the main social networking sites such as Twitter or Facebook. It does the things you didn't realise you wanted Delicious to do, but now you've got a taste for those features, you don't really want to go back...

In the past two+ years, I've read and bookmarked almost 3,500 websites that I wanted to keep. I've also highlighted the interesting passages on them, and written margin-notes about those highlights - all without printing the pages

I've also put all 3,500 websites in a file cabinet - without printing them out - that I can access anywhere in the world that has an internet connection.

And I've placed each bookmarked site in multiple folders with individual labels, so I can see everything I've saved about, say, NCLB, or Creationism, or the Cold War, or stuff that made me laugh, on one online page.

Applying the conceptsHow can you visualize your presentation like a comic? No, not literally perhaps — but something like the sequential flow of a comic or rough sketches in storyboard form. You can do this on a whiteboard, but one of the best analog ways is with sticky notes (Post its) on a wall on in a notebook (a technique Bert Decker, Nancy Duarte, and others have talked about before as well).

A good storyboard artist is a good storyteller.

Storyboards are an effective, inexpensive way to develop the story. You can "board it up" on the wall and see if it works. Because ideas can be changed easily and quickly, storyboarding works. The key is to put down in your storyboards the minimum amount of information that gives a dynamic and quick read of the content (and the emotions) of the sequence.

The weaknesses of using a tool like Gabcast are few.  First, the recording quality that you'll get from a cell phone or a landline doesn't match the recording quality that you'll get from a microphone and a program like Audacity.  What's more, while it is possible to edit a Gabcast recording----by downloading the file, working with it on your computer, and then uploading it back to Gabcast----it's not easy!  That means your recordings will lack the "bells and whistles" that more polished podcast programs have

The solution:  Begin your podcasting efforts using a free podcasting service like Gabcast.  What makes services like Gabcast so valuable is that student recording is done over the phone----whether that be a cellphone, landline or computer-based connection.  Users dial a 1-800 number, enter a specific code that identifies their podcast program and then begin recording.  It's as simple as that!   What's even better is that your recordings are automatically posted on a Gabcast webpage, where listeners can access new content and comment on the recordings that you've added.  Teachers who start with Gabcasting essentially get an all-in-one home for their podcasting efforts---no special tools or skills required (other than a telephone----and if you don't have one of those, ask your students.  I guarantee you that there's a cell phone or two in a locker on your hallway right now!)

But for me, the weaknesses are nothing when compared to the benefits of Gabcast.  With little trouble, my students can record on any topic from anywhere.  If we're on a field trip and they want to record their reflections, it's no sweat.  All they have to do is dial a 1-800 number from their cellphones.  If we're in the classroom and I want small groups of children to comment on a topic that we're studying in class, it's done.  "Kids, go get your cell phones and working with a partner...."    (Needless to say, that's one of their favorite parts of our day.)   What Gabcast offers is immediacy.  Students and teachers using Gabcast to record can begin podcasting today without having to take any continuing education classes or begging for resources to buy new digital tools.  That kind of flexibility is what literally defines the work of the 21st Century----and it is the kind of work that teachers should be emphasizing in their classrooms.    (If Gabcast is blocked by your school district's firewall, consider checking out Gcast or Podomatic.  Both are similar services that may be of value to you in your efforts to get plugged in.)

Students need to be able to evaluate information on screens upon which any sage, charlatan, or idiot can publish. That’s new (sort of. Books really are open to the same range of authors).

They need to learn “online identity management,” and I would argue that’s a new literacy. New because they’re publishing themselves, and that means reading/writing/speaking/filming/photo-ing (literacy), and 21st century because privacy has never been so porous as now. They need to know how to keep Big Brother, Big Employer, and Big Google from knowing too much.

They need to learn “social reading” online. By that attempt at a cute label I mean the ability to evaluate communication acts by strangers in social networks, emails, comment threads wherever, and the whole range of places people can attempt to connect to us individually now. They need to be able to “read” a phish, for example, and a fraudster, and yes, a p&rv.