Group items tagged

"And his tweets, some of them uncomfortably raw, struck a nerve. Fellow journalists, technology writers and countless others spent the past several days monitoring Twitter, hoping for the best but preparing for the worst. An online community that is so often dismissed for being quintessentially banal - think of the proverbial tweet of what someone had for breakfast - embraced Scott's grief in a way we rarely see play out in public. "

" And here is what those 6,341,973,478 tweets look like on a map, at any scale you want."

"Student feedback about the use of Twitter was uniformly positive. Only one student suggested an improvement and requested more frequent study tweets. Examples of student evaluation comments included: "I LOVED the Twitter questions! It was something that kept me studying all semester." "I really liked the Twitter 'snack learning.' I only wish there were more 'tweets' covering more topics. It was a nice review to go over to prepare for comps. . . . Twitter is a good way to reach students during the day to give us something to think about.""

Kind of what I was thinking for #DS106 and the upcoming VCU MOOCs- only using the mother blog for more than just Twitter and thinking through a couple other display options. 

"In particular, we wanted to see if there was any difference between tweets from locals and those from people who traveled to Ferguson to participate in or report on the protests."

"Despite our best efforts, presentations can sometimes turn into one-way communication- us talking and students passively listening. You may be stationed at the front of the classroom, perhaps using PowerPoint slides or showing a video on a screen, while the class follows along silently in their seats. Or, any discussion that is generated might be dominated by the verbal few, with quieter students too intimidated to jump in. Also, when you look at the multiple studies that indicate the brevity of a student's attention span, ranging from two to ten minutes, a lengthy presentation can lose the audience it was designed to teach."

Interesting guy to talk to etc. at some point. "In the 17th century, scholar-publishers created the first scientific journals, revolutionising the communication and practice of scholarship. Today, we're at the beginning of a second revolution, as academia slowly awakens to the tranformative potential of the Web.   I'm interested in both pushing this revolution forward, and in studying it as it happens. I'm investigating altmetrics: measuring scholarly impact over the social web instead of through traditional citation. I'm also interested in new publishing practices like scholarly tweeting, overlay journals, alternative peer review forms, and open access. These slides give a good idea of what I've been up to lately; my CV links to other recent publications and talks. "

I dislike the term accessibility. It is an accurate enough term. It just conjures up the wrong preconceptions. When you talk about accessibility people's eyes glaze over. They are either imagining wheelchair ramps or WCAG checklists. Either way, it does nothing to capture the truth about accessibility. Accessibility is not about designing for the few. It is designing for us all. Tweet this That is why I have started talking about inclusive design instead. Accessibility is about designing for everybody, not the few. It is not about designing just for the disabled. It is about designing for every one of us.

"After reading our classes popcorn poem I realized that a good portion of the class is amazed by how we were able to construct poetry to social media. I myself am one of those people. We've always considered poetry to be something containing a higher meaning with vocabulary words we wouldn't use on a daily basis, but as of last friday we created poetry where the stanzas were replaced with tweets by different account users, and the theme of the poem was spread through the us of a twitter timeline, and retweets. With using my new definition of a genre of poetry I see these popcorn poems as multiple authors, viewing the potential of poetry in the social media realm, were so used to seeing poem being on paper containing X amount of stanzas, but now we see people's different first impression on what poetry via internet is like. For the most part each student was surprised, and had a good feeling about what this could be going forward with the more assignments we get that involve us doing popcorn poems. "

""Twitter is really useful for simultaneous monitoring of events in real time," says Witze (who is also on TON's Board of Directors). At another meeting, the Lunar and Planetary Science Conference in Houston in March 2015, she went to a session about the MAVEN mission to Mars. She used real-time Twitter feeds to get a sense of what the scientists in the room thought was important, and wrote up this story while the speakers were still talking. The real-time feedback she got from Twitter was "like having a small army of smart people helping out," Witze says. And following the live tweets provides "a whole other level of commentary" that can be valuable for identifying sources to interview for a story. "

This was interesting!

"We provide a tokenizer, a part-of-speech tagger, hierarchical word clusters, and a dependency parser for tweets, along with annotated corpora and web-based annotation tools. "

" The mentors seemed to effortlessly navigate the onslaught of information and identify the most pertinent information and then tweet it or post it in a way that was intriguing to the reader.  I want to be able to do this!!! I think the ultimate thing the availability of all the information does is make one appreciate the importance of being a student of life and to never stop seeking ways to grow.  Therein lies the modeling and mentorship of the digital age professor!"

"As a medieval historian with some decidedly old-school habits, Guy Geltner wanted to expand his online presence, but he shuddered at the thought of "friending" or "Tweeting" to get other scholars' attention."

" twXplorer, which allows you search for a specific hashtag or term, giving you the most recent 500 tweets along with some basic analysis of the content found therein."

"Kazemi is part of a small but vibrant group of programmers who, in addition to making clever Web toys, have dedicated themselves to shining a spotlight on the algorithms and data streams that are nowadays humming all around us, and using them to mount a sharp social critique of how people use the Internet-and how the Internet uses them back. By imitating humans in ways both poignant and disorienting, Kazemi's bots focus our attention on the power and the limits of automated technology, as well as reminding us of our own tendency to speak and act in ways that are essentially robotic. While they're more conceptual art than activism, the bots Kazemi is creating are acts of provocation-ones that ask whether, as computers get better at thinking like us and shaping our behavior, they can also be rewired to spring us free. "

"Now, 369 images, several conference presentations, and more than 67,000 views later, there's evidence that crowdsourcing can work with even the most archaic of subjects. Twenty-eight individuals (from amateur enthusiasts to established scholars) contributed to the project by providing input via comments on the Flickr page. A number of other individuals assisted through emails or phone calls. Thus far, 94 of the 116 identifiable fragments have been identified, and nearly 57 percent of those were identified through crowdsourcing (by date, region, or the text itself). "

"Now, 369 images, several conference presentations, and more than 67,000 views later, there's evidence that crowdsourcing can work with even the most archaic of subjects. Twenty-eight individuals (from amateur enthusiasts to established scholars) contributed to the project by providing input via comments on the Flickr page. A number of other individuals assisted through emails or phone calls. Thus far, 94 of the 116 identifiable fragments have been identified, and nearly 57 percent of those were identified through crowdsourcing (by date, region, or the text itself). "

""One of the things I learned about the world of art," Teller says, "is there are people who really want to believe in magic, that artists are supernatural beings-there was some guy who could walk up and do that. But art is work like anything else-concentration, physical pain. Part of the subject of this movie is that a great work of art should seem to have magically sprung like a miracle on the wall. But to get that miracle is an enormous, aggravating pain." To see Vermeer as "a god" makes him "a discouraging bore," Teller went on. But if you think of him as a genius artist and an inventor, he becomes a hero: "Now he can inspire." "