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Tom Woodward

Vermeer's Secret Tool: Testing Whether The Artist Used Mirrors and Lenses to Create His... - 0 views

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    ""One of the things I learned about the world of art," Teller says, "is there are people who really want to believe in magic, that artists are supernatural beings-there was some guy who could walk up and do that. But art is work like anything else-concentration, physical pain. Part of the subject of this movie is that a great work of art should seem to have magically sprung like a miracle on the wall. But to get that miracle is an enormous, aggravating pain." To see Vermeer as "a god" makes him "a discouraging bore," Teller went on. But if you think of him as a genius artist and an inventor, he becomes a hero: "Now he can inspire." "
Jonathan Becker

Why Babies Love (And Learn From) Magic Tricks : NPR Ed : NPR - 0 views

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    "In short, says Stahl, "[infants] take surprising events as special opportunities to learn." This theory, that we're born knowing certain rules of the world, isn't new. We see evidence of it not only in humans but in lots of others species, too. What's new is this idea: that core knowledge seems to motivate babies to explore things that break those rules and, ultimately, to learn new things."
sanamuah

Could Storytelling Be the Secret Sauce to STEM Education? | MindShift | KQED News - 1 views

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    ""When you can call a line of code a spell, then you are getting somewhere," Fruchter said. After all, isn't computer code basically modern magic?"
Yin Wah Kreher

Thesaurus Poetry | Reflections on the Teche - 0 views

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    The assignment: Choose a word. Write it in capital letters. Find 4 synonyms. Write those in a second line. (Pick the easiest word to rhyme for your last word.) Then write a phrase that ends with a rhyming word. As a class, we wrote this poem.

    MAGICAL
    Imaginary, mythical, enchanting, spellbinding
    Potions of my mind unwinding.
    -Mrs. Simon's Caneview class
Tom Woodward

Syllabus | MAS S66: Indistinguishable From… Magic as Interface, Technology, a... - 0 views

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    "Grading will be based on attendance, enthusiastic participation in class discussion, respectful project critiques of fellow students, and clear and detailed documentation of projects (30%). Participation includes speaking during class, being attentive and engaged, as well as commenting and critiquing online materials at the class website. The first 2 projects will be each worth 15%, and the final project will be worth 40% (including documentation). Each unexcused absence will result in a loss of 10% of total points. Each failure to do the assigned readings will result in a 5% loss of total points. Projects may be done alone or in collaboration. Collaborations must document the full extent of each participant's contribution and equal effort is expected per collaborator. The final project may build on one of the previous two. "
sanamuah

Circles Sines and Signals - Introduction - 1 views

  • This text is designed to accompany your study of introductory digital signal processing.1 It’s an eccentric piece of not-so-rigorous literature with a preoccupation for explaining things using interactive visualizations, animations and sound.
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    In the vein of Bret Victor's Explorable Explanations, this site uses several interactive visualizations to explain complex topics
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    Great example. He even references Victor's Magic Ink essay http://worrydream.com/#!/MagicInk
anonymous

Penn & Teller's Teller on How to Be an Effective Teacher - The Atlantic - 1 views

  • From the moment a teacher steps into the classroom, students look to him or her to set the tone and course of study for everyone, from the most enthusiastic to the most apathetic students.
  • The first job of a teacher is to make the student fall in love with the subject. That doesn’t have to be done by waving your arms and prancing around the classroom; there’s all sorts of ways to go at it, but no matter what, you are a symbol of the subject in the students’ minds.
  • As that symbol, Teller argued, the teacher has a duty to engage, to create romance that can transform apathy into interest, and, if a teacher does her job well, a sort of transference of enthusiasm from teacher to student takes place. The best teachers, Teller contended, find a way to teach content while keeping students interested. “If you don’t have both astonishment and content, you have either a technical exercise or you have a lecture.”
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  • What I have, however, is delight. I get excited about things. That is at the root of what you want out of a teacher; a delight in what the subject is, in the operation. That’s what affects students.”
  • It’s easy to disregard the entertainment of your students as pandering, but it’s not,
  • When I go outside at night and look up at the stars, the feeling that I get is not comfort. The feeling that I get is a kind of delicious discomfort at knowing that there is so much out there that I do not understand and the joy in recognizing that there is enormous mystery, which is not a comfortable thing. This, I think, is the principal gift of education.
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