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Local Contexts is a new forum for applying Traditional Knowledge licenses or labels to materials from Indigenous communities. They work a lot like Creative Commons licenses. There are often different categories of Indigenous knowledge meant only for the community, or only for women, or only for leaders, and these licenses offer a way to label materials accordingly. These labels and licenses are added onto existing copyright, which is often held by the person who made a tangible material rather than the community where the idea comes from (an anthropologist who filmed a traditional ceremony owns the copyright on the film, and the community has no copyright). These TK labels are asking people who come across materials like this to think about how they are using the materials, and to think about whose intellectual property they are. This is a very new initiative, but a really valuable tool. This is part of a different conversation that challenges how we normally talk about copyright and intellectual property.

After reading a brief history of copyright law after the advent of the printing press, it is easy to see that copyright has always been an evolving concept. With the internet we again find ourselves needing to redefine what copyright means and who its serving. The Stationers' Company era of copyright offered no protections to the author of the work, and now we offer a lot of protections to the author of the work - and the technologies we use to access works of knowledge and art are unable to do so with the current laws. I appreciate the videos in the current module that detailed the advances some countries are making in evolving copyright law to be more flexible and keep the user in mind.

If you want to dig deeper in terms of copyright, this PDF might be helpful.

The issue of copyright has always been a contentious issue long before the introduction of MOOCs. The debate, now that we have MOOCs in our midst will continue as we try to find a common ground. The issue on the table is fair play.

The article addresses the copyright challenges in a MOOC environment. Very useful reading as it discusses the IPR issues we generally do not think of.

2 Oct 2014 - Canada - Intellectual Property - The Internet Of Things And Canadian Copyright Law - Bennett Jones LLP - Many of you have read about the dispute over copyright ownership of the monkey-selfie, where a primate took a digital photo that went viral.

Description: "Fair dealing has played a prominent role in the hearings on Bill C-32, with education and creator groups debating the merits and impact of the proposed reforms.  Unfortunately, much of the discussion has confused rather than clarified the issue with misleading claims about potential losses, inaccurate comments on copyright and Internet materials, and dubious arguments about the compliance of the reforms under international copyright law."

Research by the African Copyright and Access to Knowledge (ACA2K) project thoroughly covers the issues related to copyright and access to learning resources in higher education in 8 African countries, namely Egypt, Ghana, Kenya, Morocco, Mozambique, Senegal, South Africa and Uganda. For each country, the authors give the background setting, an analysis and critical evaluation of the legal doctrine and inter-relationships, a qualitative assessment and then draw conclusions and make recommendations for improvements to be undertaken to improve the status quo of these challenges. It's acknowledged that much more research is still needed. This book is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike license.

Article Title: The CCC Position on Bill C-32, the Copyright Modernization Act

I really cannot recommend this resource highly enough. The brainchild and master's thesis of a lawyer-turned-information professional, SIPX is an incredible blend of copyright control centre, digital distribution hub, and online marketplace. With the impending downfall of Access Copyright and its rejection by most Canadian universities, schools have had to quickly learn about copyright and establish good practices and guidelines, but this product provides the safest legal protection while considerably upgrading the dissemination of course readings; it also makes strides that push against the dominance of the traditional textbook market. It has already been adopted by several major American universities, including Stanford (where it was developed; it seems all the greatest open knowledge stuff is coming out of there!) and Notre Dame. Did I mention that it even supports MOOCs? I just found out about this resource while doing a practicum placement for library school, and I can't believe that I'd never heard of it before. It's exactly the kind of integrated library and informational system that needs to happen in academic institutions, and while it's not explicitly modelled on open access, it relies on many of the same values that we've talked about throughout this course. Check it out!

The story of Aaron Swartz, incredible programmer and activist for internet rights, open access and open knowledge. Good documentary to learn a little more about the open access movement, see some important figures (Tim Berners-Lee, Lawrence Lessig, etc.) and the fight against the SOPA bill. A big part of the movie is about his personal life and legal battle over copyright infringement. Creative Commons license: Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)

This was a great video! I enjoyed it very much and it was very touching. thank you for posting. @smoens - awesome blog too. thank you for the link.

For the Copyright section I recommend to watch this documentary: The Internet's Own Boy depicts the life of American computer programmer, writer, political organizer and Internet activist Aaron Swartz. It features interviews with his family and friends as well as the internet luminaries who worked with him.

This recently published book, by a University of British Columbia journalism professor named Alfred Hermida, questions how the new culture of sharing and collaboration-and the pace of change that sharing enables-changes our lives. It's particularly interesting for us because it doesn't back away from the challenges that open access poses for us: how does being both creator and consumer change us? How does blurring the lines between these two change the way we think about the balance between copyright and the public good? Hermida doesn't tackle these last questions directly, but he provides a useful lens for thinking about our changing roles and how open knowledge and sharing need to reflect that. Considering the book's focus on sharing, it's somewhat ironic that it's not open access, but I highly recommend checking it out. It's received significant attention in the Canadian press and is exactly the kind of mainstream attention that can get conversations about open access started.

Not everything can be shared. Aside from the 14 reasons what makes people share knowledge is because they are trust each one with the knowledge that they will share will be beneficial to the receiver of the knowledge or learning. Knowledge is power when shared.

YouTube, Full Sail University, Published on Mar 12, 2014 "Technology has made it easier than ever to publish your own work. This Full Sail University panel discusses how to successfully self-publish your own work, and how to do it without getting lost in the sea of all of the other content that's out there." A panel of successful self-published authors talk about the flexibility of new technology within the publishing realm to sell books/music: formatting your work, business models, copyright , print on demand options, music aggregators,, marketing, worldwide distribution, etc.

The video length of one+ hour might seem a bit daunting at first, but I ended up watching most of it in one go - this is really an excellent and easy-to-follow overview of all the important aspects of self-publishing. (I was especially pleased that this video listens to well in the background, as opposed to most other videos that I find require more "involvement" and that do not fit well with a busy day schedule.) What is best about this is that it is all based on actual people experiences - successful self-published authors participating in the panel, and sharing their knowledge & tips in real-time. I was especially curious to find out about the marketing side of of self-publishing a book, and was pleased to discover quite a few helpful ideas and tips. As someone who is thinking about self-publishing soon, this has answered a lot of questions and definitely sparked confidence in the process as a whole. Thank you very much for sharing! Hopefully, this will help and encourage many more self-publishers to be.

Working on my YouTube project right now and it looks like Vimeo, one of it's major competitors, is getting aggressive with its copyright enforcement!

"This Report reflects the Administration's continued resolve to encourage and maintain adequate and effective IPR protection and enforcement worldwide." The report focuses on trade, copyright infringements, and the need to protect the products of creativity. The report discusses the subject globally. It is an extensive report that highlights the increased awareness of copyright protections and cooperation among different countries to legislate against infringements. Very helpful to see the scope of intellectual property rights concerns.

"You've seen it countless times on bags, coffee shop walls and on coffee company websites: The image of a farmer picking ripe coffee cherries, designed to connect consumers to the origin of their coffee and perhaps even provide a face for farmers themselves", RoastMagazine. My question: Do you think a coffee grower could sue any of these companies?

Arabic initiatives in open knowledge