Skip to main content

Home/ OER Resources/ Group items tagged creative

Rss Feed Group items tagged

Randolph Hollingsworth

HowOpenIsIt? Guide - 0 views

  •  
    Comment by Tim Vollmer, Manager of Policy and Data for Creative Commons: "...a handy, human-readable reference guide for academic authors, publishers looking into supporting Open Access, and policy makers and funders adopting open policies that require Open Access to research that is funded through the public purse... focuses primarily on describing the spectrum of Open Access policies for journals. An increasingly important and related area is the sharing of data associated with the research process. Open data have the potential to facilitate enhanced scientific collaboration and reproducibility, but it is not yet settled, from both a legal and technical perspective, how this wealth of data that leads to the creation of scholarly work will be shared. And current research suggests an approach whereby articles are licensed under an open license (preferably CC-BY), while data associated with the article are dedicated to the public domain using a tool such as the CC0 Public Domain Dedication. In this way, researchers clearly communicate-in a comprehensive manner-the rights and permissions available to users for both the text and the data." Read more at http://blogs.plos.org/blog/2012/10/01/tim-vollmer-of-creative-commons-on-howopenisit/
Randolph Hollingsworth

http://creativecommons.org/choose/ - 0 views

  •  
    Build your own Creative Commons license via a simple quiz outlining your rights as the creator and describing the ways that your materials can be used (and reused) by others.
Randolph Hollingsworth

OERu - opening speech by S Queensland Jim Taylor - from logic model to action plan - 0 views

  •  
    Professor Jim Taylor, from the University of Southern Queensland, points out that the OER university will create a parallel learning universe to augment and add value to traditional models of delivery through open collaboration networks. "This is not theoretical speculation, it is entirely viable." said Jim Taylor. In this keynote address, Jim: Refers to the "gales of creative destruction" associated with technological change where old industry can be swept away and replaced by new ones. However, the OER university concept provides opportunities for "creative construction" for universities in a digital age. Demonstrates that conventional supply of education using traditional delivery methods will not the meet the demands for access to higher education. Consider, for example: the need for 18 million new teachers the doubling of post-secondary students in the next decade the need to build roughly one new university per week in India alone to meet the future demand for learning. Points out that we already have a critical mass of open access materials, but we don't have open curriculum, open student support, open assessment and open accreditation. Indicates that the OER university concept will provide a stairway to credible credentials based soley on OER.
Randolph Hollingsworth

A Lesson in Academic Integrity | simulation re copyright ethics and plagiarism - 0 views

  •  
    dealing with morals of plagiarism - could be revised to serve more issues especially stronger regarding various aspects of Creative Commons licenses
Randolph Hollingsworth

WikiEducator post by Cable Green: OER Policy Registry, Request for Help Options - 0 views

  •  
    Creative Commons (CC) has received a small grant to create an "OER Policy Registry." The Open Education Resources (OER) Policy Registry will be a place for policy makers and open advocates to easily share and update OER legislation, OER institutional policies and supporting OER policy resources. We have begun to enter OER policies into the registry, but we need your help to make it a truly useful global resource. ... Will you please: (1) Contribute any OER policies you know about on this form. http://goo.gl/9TmUV We are collecting both legislative AND institutional (non- legislative) OER policies from around the world. Your form submissions will be added to this draft list of OER policies. (2) Review the draft list of OER policies. http://goo.gl/i6i9W If any entries need to be fixed, please email us at oer@creativecommons.org
Randolph Hollingsworth

The Rise of MOOCS - CAMPUS TECHNOLOGY August 2013 - 0 views

  •  
    The MOOC Business Plan- With millions of students taking high-quality MOOCs for free, schools and course providers are searching for a viable business model. Editorial: MOOC Shake- MOOCs will change higher education radically, but not in the way we expect right now. Assessment Tools for MOOCs- As MOOCs are made available for credit, scalable assessment options are essential. Building a Sense of Community in MOOCs- Massive class sizes can breed feelings of isolation, but they also enable more student interaction. Blended MOOCs: The Best of Both Worlds?- Combining in-class instruction with high-quality MOOCs may resolve some of the hurdles facing xMOOCs, but questions about cost and the impact on faculty remain unanswered. Watch video: Catheryn Cheal, AVP and senior academic technology officer at San Jose State, discusses how the school adapted a course for use in a blended MOOC. The Rise of MOOCs… What does it mean for higher education? Watch video: Cathy Sandeen, VP of education attainment and innovation at ACE, talks about the potential of MOOCs to increase the number of Americans gaining a post-secondary degree. cMOOCs: Putting Collaboration First- Alternative MOOC models are fostering creativity and collaboration with peers. How to Convert a Class Into a MOOC- The sheer size and diversity of the student body in a MOOC require a new approach to teaching. C-Level- The role of MOOCs in learner-initiated learning. MOOC News & Analysis- Georgia Tech's MOOC Degree
Christopher Rice

OpenAttribute - 1 views

  •  
    Fantastic browser add-on that pulls the Creative Commons license for CC content on websites and allows you to share that license information easily with the re-purposed content, as either html or plain text.
Randolph Hollingsworth

Creative Commons: an Educational Primer | EdReach - 0 views

  •  
    Excellent essay on CC for educators - answers what, why, how
Randolph Hollingsworth

ABCs of Creating Learning Packets in Sophia - 0 views

  •  
    This tutorial includes info on Creative Commons licensing
Christopher Rice

The Power of Open - 0 views

  •  
    Creative Commons produces an e-book with stories of open content and cc-licenses.
Randolph Hollingsworth

OER Commons - 0 views

  •  
    Community of educators commited to finding, sharing and communicating about open educational resources of high quality.
Randolph Hollingsworth

Patell and Waterman's History of New York · Being a … course, companion, blog... - 0 views

  •  
    An example of a faculty-centered open educational resource for the celebration of local cultures. "The Project on New York Writing seeks to generate significant new research and teaching about New York's relationship to American and global literatures and cultures.... The Project will offer students of New York literature and culture resources with which to interpret the palimpsest that is New York, to help them make sense of the myriad narratives that the city generates. One of the Project's chief aims is conservancy: we hope to preserve the history of New York writing for future generations. But another aim is the promotion of innovation: we hope to encourage all whom the Initiative serves to add to the living culture of city, reading and rewriting its narratives, enlarging the literary construct that is New York."
Christopher Rice

Should Class Blogs Be Private or Public? | HASTAC - 1 views

  • (2)  Intellectual property.  In the documentary I mention above and in just about all of the other work in my class, we discuss IP issues--and then claim fair use for the materials we borrow from within the class.  We talk about Creative Commons and other forms of share-alike licensing.   But then we often disregard those rules in the creation of the class student-produced materials.  By that I mean, there are images and audio that are attributed, of course, to those who created them but nonetheless used in the production intended for our class and for pedagogical purposes only that would require fees and legal agreements were they distributed beyond the walled off class project.   We are at such a strange moment in the history of intellectual property, with everything changing and no one quite knowing what they want or why since the business model of so much online property remains in flux.  I want my students to understand the IP issues--but I don't want their intellect and imagination fettered by it.  
  •  
    Interesting look at using private class blogging as a means for learning about IP and copyright.
Randolph Hollingsworth

Digital Media Project - Berkman Ctr for Internet and Society, Harvard U - 0 views

  • Lawyers, copyright officers for universities, book publishers, and even educators tend to defer to a conservative picture of copyright law and refrain from contributing to and participating in a robust commons. The TEACH Act indirectly encourages such caution by requiring institutions to prevent retention and unauthorized dissemination of copyrighted works that are shown in the classroom; the result is that schools may decide not to take advantage of the Act's provisions out of fear of sanctions for noncompliance.
  • erring on the side of caution may in turn negatively serve the future of the fair use defense; if educators and others are unwilling to engage in new and creative uses of copyrighted materials, then legislators may respond by limiting fair use
  • Noncommercial educational initiatives must struggle against the rise of a "clearance culture" that requires licenses for educational uses of content that are minimal or highly transformative
  •  
    Mellon Fndtn $ to study educational uses of content in the digital age, including "(i) student use, collection, and creation of diverse content (e.g. web pages, images, video, and audio); (ii) digital activity by other types of established institutions (e.g. public broadcasting; museums); (iii) educational content assembled and presented outside of any traditional institution, particularly on the internet (e.g. the Red Hot Jazz Archive; the Victorian Web); and (iv) grass-roots open source educational projects (e.g. Wikipedia; the online Samuel Pepys Diary)." Also addressing legal obstacles for good practices and effective use of digital media.
1 - 18 of 18
Showing 20 items per page