Group items tagged

A comparison of the New York Times website between February 18, 1999 and January 15, 2014 reveals more than a few amusing differences: the older site includes "on the Web" in the title, the increasingly user driven results on the modern page (most emailed headlines, personalized weather reports, customized alerts), the search function on the old site buried halfway down the page, almost as an afterthought. Most telling, however, is the great focus on the digitized version of the paper in the modern incarnation. Specifically, there are ten unique buttons on the front page offering unlimited access to the site, with new and improved usability. The shift from paper to digital media is clear here. Sales of the physical paper are low, as more people choose to access media via personal devices. Naturally, when accessed from one of these devices, the site redirects the user to a mobile friendly version - a stark, pithy version perfect for the instant absorption of a few headlines. In this way, the 1999 version of the site foreshadowed the NY Times' decision on March 2008 to use the second and third pages of its physical copy for article abstracts, as Nicholas Carr points out in his article "Is Google Making Us Stupid?" The front page is made up of only abstracts that lead to the longer, less efficient articles. The 2014 site has kept this standard, only now including user defined popularity in articles, as mentioned above. Overall, the trending is as would be expected - greater personalization, monetization of access, and interactivity (a few more imbedded videos). These changes speak to a larger shift in how the user access media - the decline of the paper copy and an old institution rallying to survive modernity.

thanks for the reflections on this news and information juggernaut! The long obsolescence of print seems clear in your observations here. A complementary study might look at the 'migratory patterns' of NYTimes readers in terms of their info-consumption habits, preferences and motivations for adapting to the screen

Like the old websites accessed through the Wayback machine, this is another great archival resource for research. Primary source documents offer direct reflection of the language and design from a specific point in time, without the inherent filtering of such content through secondary sources. Specifically, like Radical Software, Whole Earth Catalog was a critical tool within the networked countercultures of the 1960s / 70s. Here, you can skim through digitized collection of Whole Earth Catalogs, subsequent "CoEvolution Quarterly" , "Whole Earth Software Catalog" and other pursuits. Identify recurrent patterns along with curious or lesser known topics of these cybernetically inclined thinkers. The site itself is a remediation of the magazine as "evaluation and access device," using popular categories of the original for navigation. "Whole Earth Catalog: Access to Tools and Ideas" Accessed February 2, 2014. http://www.wholeearth.com

Internet -based art in an online venue, housed on the servers of the 'brick-and-mortar' art institution, the Walker Art Center in Minneapolis. Then curator Steve Dietz initiating this collection which remains accessible, an incredible archive of early net.art works.

Documentation of one of several "satellite art" projects that emerged in the late 1970s and early 80s. Artists taking advantage of residency opportunities with NASA to access various telecommunications networks! Here a project of Kit Galloway and Sherrie Rabinowitz, a platform for this duo's query "what can people separated by distance do together through technology?" --- this 'sculpture' is fascinating to me in the ways that it illustrates the allure of contact, the social practice of technology. Of course the novelty-spectacle of an activity that is now commonplace is also humorous! "Excerpts from a Hole-in-Space - the mother of all video chats" posted by Larry Press March 15, 2008. http://www.youtube.com/watch?v=QSMVtE1QjaU Accessed February 7, 2014

Through the Rhizome website, I found Net.artist, Cornelia Sollfrank. Sollfrank with the help of four other artists, created a program that would comb the internet for content and then assemble it into a sort of collage of text and images. This is the Net.art Generator. It seems to me that the project is a comment on the proliferation of net.art at the time and whether or not certain net.art could even be considered art. The piece also seems to question authorship and appropriation. There is also a link on the site to a video of the generator in an art show somewhere, being used. "A smart artist makes the machine do the work" Sollfrank, Cornelia. Rhizome.org, "The Net.art Generator." Last modified 2011. Accessed February 21, 2014. http://archive.rhizome.org/artbase/33601/. Hasty, Nick. Rhizome, "Rhizome." Last modified 01 17, 2011. Accessed February 21, 2014. http://rhizome.org/.

This is an excellent resource for researching a variety of primary source documents. Digitized films, rare books, zines, audio recordings from many diverse historical and contemporary sources. Of particular use to New Media Studies are the copious amounts of documents from the so-called "digital revolution" of the 1990s. This includes television programs like "Computer Chroncicles" (1983-2002) chock full of artists and technologists and the ideas that inspired them. The artifacts in this series including the various motion graphics, fashion and even jargon that permeated the computer cultures at this time! There are also fairly recent additions, including the cyberpunk zines "Reality Hackers" and "High Frontiers." These present a 'street-level' pulse on the countercultural charge of new media in the 80s and 90s. Finally, I want to point out a free service offered here that is called the Wayback Machine --- a searchable history of the Internet, billions of websites archived continuously since the Internet went commercial in the mid 1990s! The Internet Archive. "The Wayback Machine" https://archive.org/web/. (Accessed January 24, 2014)

Here's info about this year's Wikipedia Art+Feminism edit-a-thon. Turns out that despite being the "encyclopedia edited by everyone" a shockingly low number of women have participated as editors on Wikipedia. Thinking about the gender bias evident in the 1980s Hackers documentary suggests a possible trend echoed online today. At any rate, this is tomorrow, Saturday 9-3 at PSU check it out!

This is a project that could be categorized as design fiction. The artist/architect Mark Shepard explores the possible ways in which the proliferation of 'sentient cities', urban environments equipped with many, many networked sensing devices, might jeopardize privacy and increase unsolicited data collection. He does this using the affordances of fiction, designing and building functional prototypes for an imagined 'near-future' context. This sort of 'critical making' is a strong supplement to traditional modes of scholarship which Shepard also pursues. Mark Shepard "Sentient City Survival Kit" 2010 http://www.survival.sentientcity.net/info.html Accessed January 25, 2014

Radical Software was created in the 1970s by Beryle Korot, Phyllis Gershuny, and Ira Shneider to create a network of video sharing. This site has PDF files of the Eleven issues published and distributed by Radical software between the years 1970 and 1974. The website also provides the history of The Raindance Corporation which was created in 1969 by a radical media activist and artist by the name of Frank Gillette. The general Idea behind Raindance Corporation was to created a collection of works and ideas for "implementing communication tools in the project for social change." The website also discusses in detail the intent of Radical Software and fight towards creating a world of free and accessible information.

thanks, this is an excellent example of primary source document, the actual artifact providing visual detail of its historical context that escapes easy translation. This site is equipped with a well organized search and browse function, too!

Marshall Mcluhan's assertion that "we shape our tools and then our tools shape us" mentioned in class, echoed again in the Nicolas Carr reading this week. Here's a handy web version of Mcluhan's influential text from 1964. Mcluhan's quips, probes and puns were quite popular in the 1960s, resonant then with a youth culture immersed in 'new media' and the social-political intersections thereof. In the 1990s, as the so-called 'digital revolution' ramped up, Mcluhanisms were prominently re-surfaced. There are not chapter titles provided in this rendition of the book, so you might want to cross-reverence a table of contents elsewhere. On the other hand, you can use the 'find' function of your browser to seek out sections on a variety of media from the spoken word to the printing press, money, roads, clothing, comics, telephones, television and much more! First part is theory, second part case studies. "Understanding Media: The Extensions of Man. Marshall Mcluhan (1964)" Accessed January 30, 2014. http://www.lab404.com/242/understanding_media.html

I found this a little unusual and not exactly what I was expecting for part of my Meta-Data links. But I thought it was relative and intriguing. The reading section titled "Half-Inch Tape Network" discussed the interaction between guerrilla tape and media and commercial cable programs. Points of interest surfaced about the development from the first television to cable to video cassettes and the underground distribution of tapes. "The half-inch tape network has strong similarities to the shape and ambitions of the Internet, which was being developed at that same time, and one might easily see the similarities between the 'alternative channels' created by the half-inch tape network and websites like YouTube" (15 of 20). This research lead me to find the launch of the VHS mode permitted to some YouTube videos in honor of the video cassette's 57th birthday. In the article(s) provided, each mentions something about the warping of visuals in the video, white flecks and a kind of buzzing that is featured. I have also provided a link to an example of the VHS mode on a YouTube video. Prigg, Mark. Mail Online, "Google reveals new 'VHS mode' for YouTube as video tape celebrates 57th birthday." Last modified April 16, 2013. Accessed February 5, 2014. http://www.dailymail.co.uk/sciencetech/article-2309482/Google-reveals-new-VHS-mode-YouTube-video-tape-celebrates-57th-birthday.html. LINK FOR VIDEO EXAMPLE: http://youtu.be/wbesAd3YxaE?t=38s LINK FOR ANOTHER WEBSITE'S INFO: http://techcrunch.com/2013/04/15/youtube-adds-tape-mode-to-select-videos-in-celebration-of-video-casette-recorders-57th-birthday/

As mentioned in Siva Vaidhyanathan's reading portion "Open Source as Culture/ Culture as Open Source", computer scientist Richard Stallman began developing the pursuit of the Free Software Foundation. During the 1970s and 1980s, Stallman was working for MIT, he "set out to establish" this foundation that would help "prove that good tools and technologies could emerge from a community of concerned creators" (26). The link I provided is for the "about" section on the Free Software Foundation's current website. I thought this might help provide more insight about the program and offer information regarding their goals and work to keep the public free and in charge of their own computer monitoring. Free Software Foundation, Inc., "Free Software Foundation: About." Last modified 2014. Accessed February 5, 2014. https://www.fsf.org/about/.

Thanks for building out a link to this site, there's a lot of rich connections that continue to be relevant, perhaps more recognizably today with copyright concerns surrounding audio and visual media.

This is an advertisement for the SAGE computer system, one of key military-academic-industrial research endeavors discussed in the Fred Turner reading. The advertisement provides a good audio-visual elaboration of the inter-dependent aspects of a cybernetic system. There are also various technological artifacts present, including light guns and reactive screens. "IBM SAGE Computer AD, 1960" Posted by chiklit Dec. 29, 2009. Accessed February 6, 2014

This animated video by designer Melih Bilgil provides a concise, relatively easy to understand motion graphic animation about the Internet's infrastructure. Key technological inventions are detailed with a series of highly legible icons that Bilgil developed while studying Communication Design. Faced with inherently technical and sometimes challenging descriptions of various networking protocols and systems, this narrated visualization is an effective supplement to the histories relayed in the Cybernetic Counterculture texts. Melih Bilgil. "History of the Internet" Vimeo posted 2009. https://vimeo.com/2696386 Accessed February 11, 2014

https://www.youtube.com/watch?v=T2GRAVpbDds Somewhat related

"When I was learning how to write in grade school, I noticed that all my teachers wrote with near-identical handwriting on the chalkboard...I realized that we were being taught to write in a specific font." The statement here is from series by contemporary artist Jesse England. This is not net.art, but an interesting variant on "remediation," or a perverse post-digital gesture pointing to non-obvious connections between new and old modes of communication design. England, Jesse. "Learn to write in Different Fonts: Jesse England" Accessed February 14, 2014. http://jesseengland.net/index.php?/project/learn-to-write-in-different-fonts/

Linus Torvalds is one of the principal forces behind the development of the LINUX kernal and now acts as the coordinator for the project. He has also been responsible for the development of several other pieces of software, such as Git, a revision control system, and Subsurface, which is a logging program used by single- and multi-tank divers. He is the winner of numerous awards given in recognition of his contributions, including the 2012 Millennium Technology Prize, and was one of the first inductees into the Internet Hall of Fame. Wikimedia Foundation. "Linus Torvalds." Wikipedia. http://en.wikipedia.org/wiki/Linus_Torvalds (accessed February 7, 2014).

While short, this article by Tim Worstall sheds light on the ever-present possibility of censorship in a closed corporate ecosystem of products and cites the example of Drones+, an app designed to provide up-to-date information on drone strikes, and the reasons for which it has repeatedly been banned from appearing on the App Store. This calls to mind several of the ideas present in the Half-Inch Revolution concering the dangers of a system predicated on the delivery of content overseen by a single source. Worstall, Tim. "The Problem With Apple's Closed Apps Universe." Forbes. http://www.forbes.com/sites/timworstall/2012/08/31/the-problem-with-apples-closed-apps-universe/ (accessed February 7, 2014).

A resonant example from everyday media life. There was a somewhat similar disruption a few years ago with an iPhone game app premised on revealing the external costs of iPhone production and disposal. A bit more bald in its critique, it too was rejected.

When reading "Open Source As Culture/Culture as Open Source" by Siva Vaidhyanathan I was very interested in the quotes and sources taken from Richard V. Adkisson. When doing some further research I came across this link, which when clicked on, downloads a PDF of his essay "Intellectual Property and Eminent Domain: If Ever the Twain Shall Meet." This essay discusses that strict protection of intellectual property will kill creativity and the government's attempts to take control of the private property. Adkisson also discusses Eminent domain which gives the government access to private material for public use.