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In an article published by Psychology Today, author Ray Williams writes about the affects of Facebook on a persons self-esteem and sense of self with an emphasis on Facebook's connection to narcissistic behaviors. The article references a study done at York University, which found that among Facebook users between the ages of 18 to 25, the people who used Facebook the most tended to have narcissistic personalities. In his research, Williams also found competing data that suggested Facebook may in fact boost self-esteem. Because the phenomena of social media is still so new to us, it is difficult to come to finite conclusions about the affects of social media. Williams, Ray. "Do Facebook and Other Social Media Encourage Narcissism?." Last modified June, 19th 2013, http://www.psychologytoday.com/blog/wired-success/201306/do-facebook-and-other-social-media-encourage-narcissism.

I started my media archeological dig in hopes of finding out when the icons of social media sites (tumblr, facebook, etc) started appearing on websites of official news sites. I chose Salon.com somewhat arbitrarily. Surprisingly, I discovered that salon.com was not always the property of today's news and entertainment magazine. As it turned out, the URL originally belonged to "Salon dot Com a Cyber Community," a hub of salon and beauty professionals, and was established as such in 1997. The oldness of this site is prominently paraded in the design --- brightly and variously colored text against a black background, words underlined to denote hyperlinks, lines of text centered to (presumably) maintain order-- while avoiding the headache of working with framesets and tables in web design of this era. No images. There is a broken link up top, a 'counter', based on surrounding information. The use of the term "cyber" to characterize this community is another bit of faded jargon linking the site to the 1990s. During that decade, the 'cyber' prefix was affixed to many people, places and things to signal 'new media' status. Some versions of this site also link to an "E-Zine," another trope of remediation, aimed at association with 'e-mail', most likely. It seems that some point in early 1999, salon.com shifted to the Salon Media Group, and the early versions of the web magazine that persists to this day appeared (tables and css in effect!)

Marshall Mcluhan's assertion that "we shape our tools and then our tools shape us" mentioned in class, echoed again in the Nicolas Carr reading this week. Here's a handy web version of Mcluhan's influential text from 1964. Mcluhan's quips, probes and puns were quite popular in the 1960s, resonant then with a youth culture immersed in 'new media' and the social-political intersections thereof. In the 1990s, as the so-called 'digital revolution' ramped up, Mcluhanisms were prominently re-surfaced. There are not chapter titles provided in this rendition of the book, so you might want to cross-reverence a table of contents elsewhere. On the other hand, you can use the 'find' function of your browser to seek out sections on a variety of media from the spoken word to the printing press, money, roads, clothing, comics, telephones, television and much more! First part is theory, second part case studies. "Understanding Media: The Extensions of Man. Marshall Mcluhan (1964)" Accessed January 30, 2014. http://www.lab404.com/242/understanding_media.html

A comparison of the New York Times website between February 18, 1999 and January 15, 2014 reveals more than a few amusing differences: the older site includes "on the Web" in the title, the increasingly user driven results on the modern page (most emailed headlines, personalized weather reports, customized alerts), the search function on the old site buried halfway down the page, almost as an afterthought. Most telling, however, is the great focus on the digitized version of the paper in the modern incarnation. Specifically, there are ten unique buttons on the front page offering unlimited access to the site, with new and improved usability. The shift from paper to digital media is clear here. Sales of the physical paper are low, as more people choose to access media via personal devices. Naturally, when accessed from one of these devices, the site redirects the user to a mobile friendly version - a stark, pithy version perfect for the instant absorption of a few headlines. In this way, the 1999 version of the site foreshadowed the NY Times' decision on March 2008 to use the second and third pages of its physical copy for article abstracts, as Nicholas Carr points out in his article "Is Google Making Us Stupid?" The front page is made up of only abstracts that lead to the longer, less efficient articles. The 2014 site has kept this standard, only now including user defined popularity in articles, as mentioned above. Overall, the trending is as would be expected - greater personalization, monetization of access, and interactivity (a few more imbedded videos). These changes speak to a larger shift in how the user access media - the decline of the paper copy and an old institution rallying to survive modernity.

thanks for the reflections on this news and information juggernaut! The long obsolescence of print seems clear in your observations here. A complementary study might look at the 'migratory patterns' of NYTimes readers in terms of their info-consumption habits, preferences and motivations for adapting to the screen

Rhizome, one of the early media art organizations, continues to serve contemporary new media art communities and, importantly, to conserve and archive Internet based artworks. In this collection you'll find a variety of net.art and hypertext fiction projects from the first decade.

Here's a more extensive collection on Rhizome: http://rhizome.org/artbase/browse/archived/

In Shaping Things, Bruce Sterling identifies RFID or "arphids" as key technological development that enables his imagined objects, "spimes," to function. This video, "Zapped!," by Preemptive Media, provides an easy to understand history of RFID tags, how they're used, for better and worse. The video concludes with the group's own tactical interventions using RFID equipped insects. My main impetus to post it here is to help illuminate the technology and, in doing so, make Sterling's Spimes concept more tangible. "Zapped! by Preemptive Media. Posted April 30, 2008 by Heidi Kumao. https://www.youtube.com/watch?v=vIDClPlKHzE Accessed March 19, 2014

This is an excellent resource for researching a variety of primary source documents. Digitized films, rare books, zines, audio recordings from many diverse historical and contemporary sources. Of particular use to New Media Studies are the copious amounts of documents from the so-called "digital revolution" of the 1990s. This includes television programs like "Computer Chroncicles" (1983-2002) chock full of artists and technologists and the ideas that inspired them. The artifacts in this series including the various motion graphics, fashion and even jargon that permeated the computer cultures at this time! There are also fairly recent additions, including the cyberpunk zines "Reality Hackers" and "High Frontiers." These present a 'street-level' pulse on the countercultural charge of new media in the 80s and 90s. Finally, I want to point out a free service offered here that is called the Wayback Machine --- a searchable history of the Internet, billions of websites archived continuously since the Internet went commercial in the mid 1990s! The Internet Archive. "The Wayback Machine" https://archive.org/web/. (Accessed January 24, 2014)

One of several excellent online collections of Data Visualization endeavors. Browse the many different categories, keywords, authors and approaches to comprehending 'big data'. Along with aesthetic variation along the metaphorical to modernist continuum, there are many new media trends covered. Those of you exploring social media in your final research paper may well find this useful reference, too! Visual Complexity. Last updated February 19, 2014. www.visualcomplexity.com/vc. Accessed April 6, 2014

Paper commenting on the effects that Social Media might have on children. The paper seems to focus on the lack of development children have emotionally, coupled with the act of participating, sharing and communicating through social media. These types of interaction at a young age have the potential to cause embarrassment and regret. Clinton, Chelsea and Steyer, James. "Is the Internet Hurting Children?" Cnn Opinion. http://www.cnn.com/2012/05/21/opinion/clinton-steyer-internet-kids/

Powell's website has gone through a number of changes over the years, one of the most noticed changes is that their icon, remaining in the upper-left corner, has changed multiple times since 1998. The date of the website I posted is from 2000, and I think it fits the time of the technology available. This site does look "old", which is why I think all of these sites have been entertaining to revisit. It's set up in a fairly simple construct, there is nothing flashy or attention-grabbing about the text font. There's a strip of colored tabs at the top of the screen that I feel like I've seen many times before, like on a library or a middle school website. Websites now seem to have more engaging elements whether is motion graphics, or the design is just more complicated and intriguing. This site is pretty text heavy; there are minimal graphics so it just looks like a wall of black text, there isn't a lot that is keeping me interested. Images are small and don't offer visual representation of the store. The text is all in slightly different sized Times New Roman, even in the links or the pages as I'm navigating around the site. I haven't found any sound or multimedia. Toward the bottom of the page there is an option for "free stuff" for either a mac or a pc. The Powell's Bookstore name and icon remain in the same place on the site.

This is an intriguing site for its connection locally to Portland and I think also of the struggles of so many "brick-and-mortar" bookstores in face of online bookselling. More particular as a case study for media archeology, the lackluster design elements of this artifact, as you point out, a (constrained) aesthetic familiar to many early websites --- the 'bells and whistles' arrving via text centric gimmicks--- contests and 'free stuff', rather than visual appeals.

Described by new media artist Alexander Galloway as " simultaneously an introduction to and a retrospective of net art" this turn of the millenium collection of net.art was put together by ZKM, a German art, technology and culture institute dedicated to interdisciplinary and international collaborations.

Another noteworthy supporter of Internet based artworks is Turbulence. Here, in the archives, dated chronologically by year (96 - 04 for this assignment) an array of artists works commissioned by this wing of New Radio and Performing Arts, Inc, a project that started in 1981 to support artists' experiments with earlier forms of networked media.

While short, this article by Tim Worstall sheds light on the ever-present possibility of censorship in a closed corporate ecosystem of products and cites the example of Drones+, an app designed to provide up-to-date information on drone strikes, and the reasons for which it has repeatedly been banned from appearing on the App Store. This calls to mind several of the ideas present in the Half-Inch Revolution concering the dangers of a system predicated on the delivery of content overseen by a single source. Worstall, Tim. "The Problem With Apple's Closed Apps Universe." Forbes. http://www.forbes.com/sites/timworstall/2012/08/31/the-problem-with-apples-closed-apps-universe/ (accessed February 7, 2014).

A resonant example from everyday media life. There was a somewhat similar disruption a few years ago with an iPhone game app premised on revealing the external costs of iPhone production and disposal. A bit more bald in its critique, it too was rejected.

Working between speculative fiction and documentary forms, duo Soda_Jerk explores Afrofuturism in a series of interrelated video installations. Excerpts from "Race for Space," "Destination Planet Rock," "Armageddon in Effect," and "We Are the Robots" are here on their site. The series seems a good supplement to the documentary by Akomfrah. Soda_Jerk digs further into histories of figures like Sun Ra and groups like Public Enemy, working as media archeologists or archivo-cyborgs, patching together new mythos using digital compositing and sound design. Soda_Jerk "Astroblack: Race for Space" 2010. Accessed February 21, 2014 http://www.sodajerk.com.au/video_work.php?v=20120921063755

I began my search by seeing what type Media Arts collection the San Francisco Museum of Modern Art has. It appears SFMOMA has embraced Media arts and has procured and archived a site called "learning to love you more." The site was in operation from 2002-2009. The site issued "assignments" for participants to post on the site. Some of the subjects people were asked to post include, "take a picture of your parents kissing, "photograph a scar and write about it," and "interview someone who has experienced war." There are a total of 70 assignment subjects with a lot of submissions for each topic. "Learning To Love You More." Learning To Love You More. N.p., n.d. Web. 18 Feb. 2014.

Thanks this is great example of work bridging online / offline space, opening up a participatory platform. This one originated in Portland, I believe, coordinated by Harrell Fletcher and Miranda July

The Circle by David Eggers is an interesting take on social networks and the possibility of a future dystopia cyber landscape. It is about a young woman who starts working at a facebook/google like company called The Circle and looses her private life her job. This novel is similar to design fiction in presenting what could possibly happen in the future, but in this case it is a negative view. If you are interested in context collapse, social media, communication and interaction this book is really interesting. I have linked to a 45 minute audio recording in which David Eggers reads a excerpt from his book. Here is a better summary of the entire story if you like the exerpt: "When Mae Holland is hired to work for the Circle, the world's most powerful internet company, she feels she's been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users' personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company's modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can't believe her luck, her great fortune to work for the most influential company in the world-even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman's ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge" E

Eggars, David. The Circle. Knopf, 2013.

Here's a collection of the NSA slides, revealed by Edward Snowden by way of the Guardian news. The slides detail the various pervasive and invasive methods of surveillance, tapping into phone and social media networks, as orchestrated by the National Security Agency. This is the internet-of-things-that-go-bump-in-the-night. Also, as discussed in class, the layout and design of these slides is often horrendous, complicating or obstructing clear communication of information. "NSA Prism program slides" The Guardian News. Published Friday 1 November 2013 http://www.theguardian.com/world/interactive/2013/nov/01/prism-slides-nsa-document. Accessed April 6, 2014

Comparing the site in 2007 to the way the site is now in 2014, it definitely looks dated and like it is still in the process of being developed. The thing that sticks out as looking the most dated and out of place is the "ways to shop" menu on the left side column that features large and stylistically ill fitting icons with their category names. In comparison to the current version of Etsy that is designed and branded with aesthetics in mind, the basic homepage layout and awkward use of color and icons make it appear bare and the lack of style or design suggest the brand was still new and had yet to develop a distinctive style.

Yes, I see what you mean ---the old site seems a product of the Web 2.0 craze, a rather non-descript template, while the icons , older still, whiffs of geocities sites even! It's interesting to see the development of Etsy's brand as well as to speculate on what other factors were at play. Emerging in mid 00s, it might be fun to trace out other 'genres' of Web 2.0 that bear influence on Etsy's aesthetic genealogy---online auctions? social networks?

Here's a clip from the World's Fair of the late 1930s, demonstrating the "voder." This speech synthesizer is one of the inventions referenced in Vannevar Bush's essay this week. He was envisioning ways that it could be combined with other contemporaneous devices to make a sort of auto-stenography possible. The name is peculiar, a variation on the more familiar 'vocoder'. Operationally, it consisted of an elaborate mix of buzzing and hissing blasts of air and electrical vibrations, producing vocal formations by way of pedals and keys! It's voices are familiar, even iconic, but mostly by way of electronic pop music from the 1970s and 80s,bands like Kraftwerk amplifying the connotations of the robotic, and generally, the future. "VODER (1939) Early Speech Synthesizer. Youtube Video. 00:44. Posted by VintageCG on April 4, 2011. http://www.youtube.com/watch?v=0rAyrmm7vv0