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how many adult women actually take the images in fashion magazines — artificial as they are, feats of makeup and lighting and camera angles, even without retouching — at face value? “Our readers are not idiots,” Christine Leiritz, editor of French Marie Claire, told the New York Times last year, “especially when they see those celebrities who are 50 and look 23.” Most of us who read fashion magazines don’t feel we’re confronting reality when we see a photograph of a grown woman with preteen thighs. (We certainly see enough countervailing tabloid shots to know exactly what celebrity thighs look like.) If such photos enrage us, and often they do, it’s not because they damage our self-esteem, nor — let’s be honest — because we’re constantly fretting, like some earnest psychologist or crusading politician, about the emotional repercussions for adolescent girls. Our interest in altered images is not purely moral; it’s also aesthetic. We believe that a picture should convey, “objectively,” without undue intervention, what the lens originally captured. But these days, come to a fashion, consumer, or celebrity magazine with this quaint puritanical notion in mind, and you’re bound to be disappointed: Many contemporary images are illustrations masquerading as photographs, cartoons composed with a computer rather than a pen.

The truth is that most retouched photos fail as aesthetic objects, not because they’re deceptive, but because they’re timid, feeble, and inhibited. Constrained by their origins as photographs, they stop short of embracing full stylization. They force themselves to walk a very fine line: romanticize without being preposterous, improve upon nature without grossly misrepresenting a famous physique with which viewers are familiar. When an apparently hipless Demi Moore graced the cover of W last year, readers blanched. Likewise when Gwyneth’s Paltrow’s head appeared oddly detached from her body on the May 2008 cover of Vogue, giving her an upsetting alien-from-outer-space vibe. What were the editors thinking? That we wouldn’t notice? And yet perversely, artificial as these images are, they’re actually not artificial enough. It would be better, perhaps, if art directors just went all the way, publishing, without apologies, pictures of incarnate Betty Boops or Jessica Rabbits. Too many magazine images nowadays are neither fish nor fowl, neither photographs of integrity nor illustrations of potency. They’re weird in-between creatures, annoying and unsettling.

Question #1: Does this mean I don’t have to believe in climate change? Me: I’m afraid not. One of the sad ironies of scientific denialism is that we tend to be skeptical of precisely the wrong kind of scientific claims. In poll after poll, Americans have dismissed two of the most robust and widely tested theories of modern science: evolution by natural selection and climate change. These are theories that have been verified in thousands of different ways by thousands of different scientists working in many different fields. (This doesn’t mean, of course, that such theories won’t change or get modified – the strength of science is that nothing is settled.) Instead of wasting public debate on creationism or the rhetoric of Senator Inhofe, I wish we’d spend more time considering the value of spinal fusion surgery, or second generation antipsychotics, or the verity of the latest gene association study. The larger point is that we need to be a better job of considering the context behind every claim. In 1952, the Harvard philosopher Willard Von Orman published “The Two Dogmas of Empiricism.” In the essay, Quine compared the truths of science to a spider’s web, in which the strength of the lattice depends upon its interconnectedness. (Quine: “The unit of empirical significance is the whole of science.”) One of the implications of Quine’s paper is that, when evaluating the power of a given study, we need to also consider the other studies and untested assumptions that it depends upon. Don’t just fixate on the effect size – look at the web. Unfortunately for the denialists, climate change and natural selection have very sturdy webs.

biases are not fraud. We sometimes forget that science is a human pursuit, mingled with all of our flaws and failings. (Perhaps that explains why an episode like Climategate gets so much attention.) If there’s a single theme that runs through the article it’s that finding the truth is really hard. It’s hard because reality is complicated, shaped by a surreal excess of variables. But it’s also hard because scientists aren’t robots: the act of observation is simultaneously an act of interpretation.

(As Paul Simon sang, “A man sees what he wants to see and disregards the rest.”) Most of the time, these distortions are unconscious – we don’t know even we are misperceiving the data. However, even when the distortion is intentional it’s still rarely rises to the level of outright fraud. Consider the story of Mike Rossner. He’s executive director of the Rockefeller University Press, and helps oversee several scientific publications, including The Journal of Cell Biology.  In 2002, while trying to format a scientific image in Photoshop that was going to appear in one of the journals, Rossner noticed that the background of the image contained distinct intensities of pixels. “That’s a hallmark of image manipulation,” Rossner told me. “It means the scientist has gone in and deliberately changed what the data looks like. What’s disturbing is just how easy this is to do.” This led Rossner and his colleagues to begin analyzing every image in every accepted paper. They soon discovered that approximately 25 percent of all papers contained at least one “inappropriately manipulated” picture. Interestingly, the vast, vast majority of these manipulations (~99 percent) didn’t affect the interpretation of the results. Instead, the scientists seemed to be photoshopping the pictures for aesthetic reasons: perhaps a line on a gel was erased, or a background blur was deleted, or the contrast was exaggerated. In other words, they wanted to publish pretty images. That’s a perfectly understandable desire, but it gets problematic when that same basic instinct – we want our data to be neat, our pictures to be clean, our charts to be clear – is transposed across the entire scientific process.

This year will fundamentally change how we think about and buy access to prospects, namely keywords. It is the dawn of paid search without keywords.

Google's search results were dominated by the "10 blue links" -- simple headlines, descriptions, and URLs to entice and satisfy searchers. Until it wasn't. Universal search wove in images, video, and real-time updates.

For most of its history, too, AdWords been presented in a text format even as the search results morphed into a multimedia experience. The result is that attention was pulled towards organic results at the expense of ads.

Inept modern reconstructions have given seventeenth-century instruments a bad name, says Ford. In contrast to the hazy images shown in some museums and television documentaries, the right lighting and focusing can produce micrographs of startling clarity using original microscopes or modern replicas ( see slideshow ).

A flea, as seen through an eighteenth-century microscope used poorly (left) and correctly (right).

Google Goggles is a full-fledged visual search engine that's trapped in a mobile application. But why do you have to buy a smartphone to use Google Goggles when you could simply upload an image to Google and find related pages and images on the Web? "Search by Image" does more than TinEye, the "reverse image search engine" that lets you find an image on the Web.

Chinese citizens are busy dissecting and taunting the meeting on social media. While Premier Wen Jiabao was pledging that the government would “quickly” reverse the widening gap between rich and poor—last year he said it would do so “gradually”—Chinese Web users were scrutinizing photos of delegates arriving for the meeting, and posting photos of their nine-hundred dollar Hermès belts and Birkin and Celine and Louis Vuitton purses that retail for car prices. As Danwei points out, an image that has been making the rounds with particular relish shows the C.E.O. of China Power International Development Ltd, Li Xiaolin, in a salmon-colored suit from Emilio Pucci’s spring-summer 2012 collection—price: nearly two thousand dollars. Web user Cairangduoji paired her photo with the image of dirt-covered barefoot kids in the countryside and the comment: “That amount could help two hundred children wear warm clothes, and avoid the chilly attacks of winter.” And it appended a quote from Li, of the salmon suit, who purportedly once said, “I think we should open a morality file on all citizens to control everyone and give them a ‘sense of shame.’” (This is no ordinary delegate: Li Xiaolin happens to be the daughter of former Premier Li Peng, who oversaw the crackdown at Tiananmen Square.)

Another message making the rounds uses an official high-res photo of the gathering to zoom in on delegates who were captured fast asleep or typing on their smart phones.

The German defense minister, Karl-Theodor zu Guttenberg, has resigned following the exposure of plagiarism on a massive scale in his PhD dissertation.  The figure above shows the results of a page-by-page Wiki effort to "audit" his dissertation.  The black and red colors indicate text that was directly (black) or partially (red) copied from other sources.  The white parts were judged OK and the blue represents the front and back matter.

Guttenberg's defense of his actions, which were supported by Chancellor Angela Merkel, sought to focus attention on those critiquing him in an effort to downplay the significance of the academic misconduct

But in the end, it appears that the presures brought to bear from Germany's substantial academic community made continuation for Guttenberg impossible

Here’s a little piece I wrote for Nature news. To truly appreciate this stuff you need to take a look at the slideshow. There will be a great deal more on early microscopy in my next book, probably called Curiosity and scheduled for next year.

The first microscopes were a lot better than they are given credit for. That’s the claim of microscopist Brian Ford, based at Cambridge University and a specialist in the history and development of these instruments.

Ford says it is often suggested that the microscopes used by the earliest pioneers in the seventeenth century, such as Robert Hooke and Antony van Leeuwenhoek, gave only very blurred images of structures such as cells and micro-organisms. Hooke was the first to record cells, seen in thin slices of cork, while Leeuwenhoek described tiny ‘animalcules’, invisible to the naked eye, in rain water in 1676. The implication is that these breakthroughs in microscopic biology involved more than a little guesswork and invention. But Ford has looked again at the capabilities of some of Leeuwenhoek’s microscopes, and says ‘the results were breathtaking’. ‘The images were comparable with those you would obtain from a modern light microscope’, he adds in an account of his experiments in Microscopy and Analysis [1].

It now appears that, in Belgium, it's acceptable to film the dead from Waterloo but not from WWI.

Gass was at home when he got a letter from the Massachusetts Registry of Motor Vehicles saying his license had been revoked. Why? The Boston Globe explains: An antiterrorism computerized facial recognition system that scans a database of millions of state driver’s license images had picked his as a possible fraud. It turned out Gass was flagged because he looks like another driver, not because his image was being used to create a fake identity. His driving privileges were returned but, he alleges in a lawsuit, only after 10 days of bureaucratic wrangling to prove he is who he says he is.

We were starting to feel very bad for him and his family, when we noticed the TV and other high-tech gadgets. Why had he bought all these things if he felt the family did not have enough to eat? He laughed, and said, "Oh, but television is more important than food!"

For many in the West, poverty is almost synonymous with hunger. Indeed, the announcement by the United Nations Food and Agriculture Organization in 2009 that more than 1 billion people are suffering from hunger grabbed headlines in a way that any number of World Bank estimates of how many poor people live on less than a dollar a day never did. COMMENTS (7) SHARE: Twitter   Reddit   Buzz   More... But is it really true? Are there really more than a billion people going to bed hungry each night?

unfortunately, this is not always the world as the experts view it. All too many of them still promote sweeping, ideological solutions to problems that defy one-size-fits-all answers, arguing over foreign aid, for example, while the facts on the ground bear little resemblance to the fierce policy battles they wage.

As an author, I’ve seen how the sales histories of textbooks work. Typically they have a big spike of sales for the first 1-2 years after they are introduced, and that’s when most the new copies are sold and most of the publisher’s money is made. But by year 3  (and sometimes sooner), the sales plunge and within another year or two, the sales are miniscule. The publishers have only a few options in a situation like this. One option: they can price the book so that the first two years’ worth of sales will pay their costs back before the used copies wipe out their market, which is the major reason new copies cost so much. Another option (especially with high-volume introductory textbooks) is to revise it within 2-3 years after the previous edition, so the new edition will drive all the used copies off the shelves for another two years or so. This is also a common strategy. For my most popular books, the publisher expected me to be working on a new edition almost as soon as the previous edition came out, and 2-3 years later, the new edition (with a distinctive new cover, and sometimes with significant new content as well) starts the sales curve cycle all over again. One of my books is in its eighth edition, but there are introductory textbooks that are in the 15th or 20th edition.

For over 20 years now, I’ve heard all sorts of prophets saying that paper textbooks are dead, and predicting that all textbooks would be electronic within a few years. Year after year, I  hear this prediction—and paper textbooks continue to sell just fine, thank you.  Certainly, electronic editions of mass market best-sellers, novels and mysteries (usually cheaply produced with few illustrations) seem to do fine as Kindle editions or eBooks, and that market is well established. But electronic textbooks have never taken off, at least in science textbooks, despite numerous attempts to make them work. Watching students study, I have a few thoughts as to why this is: Students seem to feel that they haven’t “studied” unless they’ve covered their textbook with yellow highlighter markings. Although there are electronic equivalents of the highlighter marker pen, most of today’s students seem to prefer physically marking on a real paper book. Textbooks (especially science books) are heavy with color photographs and other images that don’t often look good on a tiny screen, don’t print out on ordinary paper well, but raise the price of the book. Even an eBook is going to be a lot more expensive with lots of images compared to a mass-market book with no art whatsoever. I’ve watched my students study, and they like the flexibility of being able to use their book just about anywhere—in bright light outdoors away from a power supply especially. Although eBooks are getting better, most still have screens that are hard to read in bright light, and eventually their battery will run out, whether you’re near a power supply or not. Finally, if  you drop your eBook or get it wet, you have a disaster. A textbook won’t even be dented by hard usage, and unless it’s totally soaked and cannot be dried, it does a lot better when wet than any electronic book.

A recent study found that digital textbooks were no panacea after all. Only one-third of the students said they were comfortable reading e-textbooks, and three-fourths preferred a paper textbook to an e-textbook if the costs were equal. And the costs have hidden jokers in the deck: e-textbooks may seem cheaper, but they tend to have built-in expiration dates and cannot be resold, so they may be priced below paper textbooks but end up costing about the same. E-textbooks are not that much cheaper for publishers, either, since the writing, editing, art manuscript, promotion, etc., all cost the publisher the same whether the final book is in paper or electronic. The only cost difference is printing and binding and shipping and storage vs. creating the electronic version.