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“The foreign media is trying to influence voters," said Ali, "The Persian-language channels are sending messages to people, calling on them not to vote for the revolutionary candidates.”

“People know well that the British are targeting the revolution. They want their candidates to win so they can have control over the country like before.”

“Those who are praised by the West can’t be trusted,”

El Principe is a curious mix between a US terrorism series like "24" and a steamy Mexican or Brazilian telenovela. The series is entertaining, until one realises that this show is actually shaping public perceptions of Islam and Spain's Muslims, and that the six million Spanish viewers who tune in every Tuesday night take the show quite seriously.

Viewers don't see it as a comical, distorted depiction of North Africa, but as a reliable source of information on Islamic culture and Muslim family life. In reality, El Principe is evidence of just how backwards Spain's discourse on diversity and immigration is.

If the aim of the series was to show that being Spanish and Muslim is not a contradiction, El Principe has not been successful. The Muslim men are in effect cultural monsters. With his Armani suits and Caribbean accent, Farouk tries to portray a domineering Muslim patriarch - even ordering his sister Fatima to obey him instead of the police. This ultra-macho character, we find out, is actually sterile, yet instead of seeing a doctor, he blames his wife Leila for their infertility.

“The mayor faces many problems with the opposition in Baqa al-Gharbiyye,” Muasi said. “Despite being secular himself, he needs the support of this Salafist group to bolster his coalition. And this is done at my expense. He simply sacrificed me as a teacher to serve his own political interests.”

Despite having negligible political weight, radical Islamic groups like the Hedaya movement in Baqa al-Gharbiyye are central to the current political struggles within Arab society. Local leaders keep them politically on their side, apparently because they don’t know when and if they might need their support.

“In the past three years we have seen at least 20 cases whereby artists or institutions came under attack by groups alleging to be Islam’s bona fide representatives,” Muasi said. “These are groups from Salafist Islam, far removed from the mainstream. Their people are trying to impose their worldview on an entire society and even on other Islamic movements that are more moderate than they are.”

Thirty years ago, on Valentine's Day, February 14, 1989, the late Ayatollah Khomeini, then the supreme leader of Iran, issued a religious decree, a fatwa, condemning the British Indian novelist Salman Rushdie to death.

What had triggered the Ayatollah's ire, and indeed the fury of many other Muslims, particularly in Pakistan, was Rushdie's novel called Satanic Verses which had just come out. The book was written and published in English. The ayatollah did not read English. He was reacting to the reaction of others who had not read the novel either. It was all a comedy of terrors.

in February 1989, the Iranian supreme leader was very much preoccupied with guaranteeing the continuation of the Islamic Republic he had established. He needed to order a redrafting of the constitution in a way to allow his devoted follower Ali Khamenei (the current supreme leader of Iran), who had nowhere near the qualifications of Montazeri, to succeed him. He needed yet another smokescreen, just like the American Hostage Crisis of 1979-1981, which had allowed him to consolidate power by wiping out his political rivals. Rushdie's Satanic Verses showed up at an opportune time. It had come out of nowhere and the ayatollah would take it somewhere else.

Will a one-week training enable Egypt’s imams to sound more reassuring, more emphatic and appear more camera-friendly on television? The Ministry of Religious Endowments certainly hopes so.

Courses include teaching the imams how to speak in talk shows, telephone interviews and TV debates. It also teaches them body language for interviews on TV as well as writing sound bites for various types of televised interviews. 

the course aims to develop the media skills of the imams so that they can “dominate the religious discourse,” counter extremist views expressed by the Salafists and efficiently debunk false interpretations on religion in TV programs.

The arrest of an operator of a popular Telegram channel on Oct. 14 shocked many Iranian dissidents abroad. Rohollah Zam, the administrator of Amad News, was residing in France as a political refugee when the Islamic Revolutionary Guard Corps Intelligence Organization announced his arrest and shortly thereafter aired a video confession. Many dissidents and observers abroad wondered how someone could be apprehended by the IRGC in the relative safety of Europe. According to BBC Persian, Zam was arrested in Iraq and handed over to Iranian authorities. Zam reportedly flew to Iraq on Oct. 12, according to BBC Persian. One day after his arrival his wife, Mahsa Razani, lost contact with him. It is not yet clear what Zam was doing in Iraq or why he thought he would be safe in a country that has an extradition agreement with Iran.

In the video, Zam looks into the camera and says that he “regrets” his activities of the last few years. He added “it was a mistake to trust the French government,” adding, “In general trusting governments is not wise, especially those who show they have a bad relationship with the Islamic Republic, such as the United States, Israel, Saudi Arabia and Turkey.” Zam added that he would need to “apologize to the system as a whole” for his actions.

Zam is the son of Mohammad Ali Zam, an influential cleric who has held important media positions within various institutions in the Islamic Republic. Mohammad Ali told the Iranian press that he had no knowledge of his son’s arrest until he saw it on the news.

Even if it is the case that many Muslims feel uncomfortable with such depictions, Dr. Prater was trying to emphasize a key principle of religious literacy: religions are not monolithic in nature, but rather, internally diverse. This principle should be appreciated in order to combat Islamophobia, which is often premised on flattening out Islam and viewing the Islamic tradition in an essentialist and reductionist manner.

In a time of rampant Islamophobia, highly offensive and racialized images of the Prophet Muḥammad abound on the internet and on social media. We consider these images to be inappropriate and not dissimilar to “black face” or Anti-Semitic cartoons; even if such images and their makers are protected by law, social opprobrium is due to them by all those who are reasonable and decent.

misusing the label “Islamophobia” has the negative effect of watering down the term and rendering it less effective in calling out actual acts of bigotry.

The British government ran a secret “black propaganda” campaign for decades, targeting Africa, the Middle East and parts of Asia with leaflets and reports from fake sources aimed at destabilising cold war enemies by encouraging racial tensions, sowing chaos, inciting violence and reinforcing anti-communist ideas, newly declassified documents have revealed.

The campaign also sought to mobilise Muslims against Moscow, promoting greater religious conservatism and radical ideas. To appear authentic, documents encouraged hatred of Israel.

The Information Research Department (IRD) was set up by the post-second world war Labour government to counter Soviet propaganda attacks on Britain. Its activities mirrored the CIA’s cold war propaganda operations and the extensive efforts of the USSR and its satellites.

An Egyptian court ordered the suspension of online video service YouTube for a month on Saturday for broadcasting a film insulting the Prophet Mohammad, state media reported. The country's administrative court ordered the ministries of communication and investment to block YouTube, owned by Google, inside Egypt because it had carried the film "Innocence of Muslims," said state news agency MENA.

The world is really not a global village. It is only so for those who are able to go anywhere without visas, have almost all the world’s knowledge production translated into their language, and the most important art institutions just around the corner from where they live. The rest only live under this pretense of globalism, internationalism and many other ism(s) that conceal the way power works in the world.

What exists is a hand-picking of a few films from all over the global south to be taken to world festivals to fulfill a quota of “world cinema,” African cinema, Arab cinema, Iranian cinema or whichever one is in vogue depending on the political climate.

with these exhibition circuits in mind, many filmmakers consciously or unconsciously tweak their narratives to appeal to the imaginary spectators located in this ambiguous global realm. Strategies deployed include explaining that which need not be explained if the film was targeted primarily to a familiar audience (including a phrase such as “Hosni Mubarak ruled Egypt for 30 years” is an example), having the film speak in a language other than its subjects’ native tongue rather than just adding subtitles, and opting for the consolidation of a narrative at the expense of maintaining the almost always deeply fragmented political nuances of their story. These strategies often result in films that are simplistic, clichéd, and politically problematic.

This film industry has been coined Kannywood, after the city it originated in. According to statistics from the National Film and Video Censors Board, its movies make up about 30 percent of the films produced by the Nigerian-based film industry popularly called Nollywood, which is often portrayed as the third-largest in the world, after Hollywood and Bollywood. Kannywood even has its own TV channel, Africa Magic Hausa, showing Hausa-language movies on satellite TV.

Kannywood treats the viewer to a mishmash of cultural influences. Before the local film industry came into existence in the 1990s, northerners watched Hindi language films from India. The glamour of the Bollywood musicals has rubbed off on the Hausa movies, some of which feature singing and dancing.

Their tone is devoutly Muslim, though, and quite often the very last line of the end credits is "Glory be to God". Many of these movies also denounce the hypocrisy of the ruling classes who preach piousness in public while sinning in private.

Scott Atran,  Director of Research in Anthropology at the Centre National de la Recherche Scientifique in Paris and Senior Research Fellow at Oxford University, told Tunisia Live, “The core strategy outlined in the ISIS playbook, The Management of Chaos-Savagery, (Idarat at-Tawahoush),   (required reading for every ISIS political, religious and military leader, or amir), is to fill the void wherever chaos already exists, as in much of the Sahel and Sahara, and create chaos that can be filled as in Europe.”

In achieving this, Daesh must eliminate the “gray zone,” the area of society they regard most Muslim emigrants as inhabiting. The “Brussels attacks represented just the latest, ever more effective, instalment for fomenting chaos in Europe and thereby ‘Extinguish[ing] the Grey Zone,’” Atran said. In a 12-page editorial in the February 2015 edition of Dabiq, Daesh’s online magazine, titled, “The Extinction of the Gray Zone.” specific mention is given to the kind of division that yesterday’s attack was intended to provoke and broaden. “The editorial quotes Osama bin Laden, for whom ISIS is the true heir,” Atran told Tunisia Live. “’The world today is divided. Bush [former US President George W. Bush] spoke the truth when he said, “Either you are with us or you are with the terrorists,”’ with the actual ‘terrorist’ being the Western Crusaders. Now, ‘the time had come for another event to… bring division to the world and destroy the Gray zone.’”

“Motivate the masses to fly to regions that we manage, by eliminating the ‘Gray Zone’ between the true believer and the infidel, which most people, including most Muslims, currently inhabit. Use so-called ‘terror attacks’ to help Muslims realize that non-Muslims hate Islam and want to harm all who practice it, to show that peacefulness gains Muslims nothing but pain.”