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"Why do some people get so upset, especially in an age where many people are taking digital detoxes for mental-health breaks, and others are busy juggling life tasks? People still communicate in different ways; some are constantly attached to their phones, while others want to disengage from them for chunks of time. But tensions over reply times may also come down to social norms - or the lack thereof. New developments in digital technology have outpaced the formulation of mutually agreed new communication paradigms, so when a text is sent, we're not all responding according to the same 'rules'."

"The reasons for this "bot holiday", as Fisman calls it, are probably varied - but many of them point to the Russian invasion of Ukraine. Russia's information war with western nations seems to be pivoting to new fronts, from vaccines to geopolitics."

"But it's not hard to see how social media and a rise in misogyny are, in fact, related. Social media sites trap girls in spirals questioning their attractiveness and self-worth. They're encouraged to compare themselves to others and seek approval for the way they look, while reinforcing beauty standards that favor thinness and whiteness. They feel pressured to promote themselves as objects. There have been many studies establishing all this over about the last 10 years, including Facebook's own research into girls and Instagram - research that the company suppressed until exposed by whistleblower Frances Haugen in 2021. "Teens blame Instagram for increases in the rate of anxiety and depression," Facebook's study noted. "This reaction was unprompted and consistent across all groups.""

"A problem arises, though, when that content misleads us. When a purported "symptom" of anxiety is, actually, just a universal, everyday experience. When the information is flawed, or the people providing it are ill-informed. When viewers, many of whom are children and teens, don't realize that a TikTok diagnosis cannot replace treatment by a professional."

"The opt-out movement is spreading, with tens of millions of artworks and images excluded in the last few weeks. But following the trail is tricky as images are used by clients in altered forms and opt-out clauses can be hard to find. Many photographers are also reporting that their "style" is being mimicked to produce cheaper work. "As these programs are devised to 'machine learn', at what point can they generate with ease the style of an established professional photographer and displace the need for their human creativity?" says Doran."

"For many years, even TikTok's critics grudgingly admitted that no matter how surveillant and creepy it was, it was really good at guessing what you wanted to see. But TikTok couldn't resist the temptation to show you the things it wants you to see rather than what you want to see. The enshittification has begun, and now it is unlikely to stop."

"The combination of ChatGPT with its Wolfram plug-in just scored 96% in a UK Maths A-level paper, the exam taken at the end of school, as a crucial metric for university entrance. (That compares to 43% for ChatGPT alone). If this doesn't shock you, it should. Maths A-level (like its equivalent in many other countries) is held up as the required and essential qualification for much of our populations-the way to be prepared for our upcoming AI age. And yet, here it is, done by those very AIs, better than most of our students."

"A fake, AI-generated image of Pope Francis stepping out in a stylish white puffer jacket and bejewelled crucifix racked up millions of views over the weekend - with many mistaking it for a real image. Experts fear the rapidly developing technology behind the image could soon undermine our ability to distinguish fake photos, which can be generated in seconds, from reality."

"What do today's AI-generated lesson plans look like? AI-generated lesson plans are already better than many people realise. Here's an example generated through the GPT-3 deep learning language model:"

"It remains possible, however, that the true costs of social-media anxieties are harder to tabulate. Gentzkow told me that, for the period between 2016 and 2020, the direct effects of misinformation were difficult to discern. "But it might have had a much larger effect because we got so worried about it-a broader impact on trust," he said. "Even if not that many people were exposed, the narrative that the world is full of fake news, and you can't trust anything, and other people are being misled about it-well, that might have had a bigger impact than the content itself." Nyhan had a similar reaction. "There are genuine questions that are really important, but there's a kind of opportunity cost that is missed here. There's so much focus on sweeping claims that aren't actionable, or unfounded claims we can contradict with data, that are crowding out the harms we can demonstrate, and the things we can test, that could make social media better." He added, "We're years into this, and we're still having an uninformed conversation about social media. It's totally wild.""

"But for many scientists, Twitter has become an essential tool for collaboration and discovery - a source of real-time conversations around research papers, conference talks and wider topics in academia. Papers now zip around scientific communities faster thanks to Twitter, says Johann Unger, a linguist at Lancaster University, UK, who notes that extra information is also shared in direct private messages through the site. And its limit on tweet length - currently 280 characters - has pushed academics into keeping their commentary pithy, he adds."

"Wooldridge says copyright is a "coming storm" for AI companies. LLMs are likely to have accessed copyrighted material, such as news articles. Indeed the GPT-4-assisted chatbot attached to Microsoft's Bing search engine cites news sites in its answers. "I didn't give explicit permission for my works to be used as training data, but they almost certainly were, and now they contribute to what these models know," he says. "Many artists are gravely concerned that their livelihoods are at risk from generative AI. Expect to see legal battles," he adds."

"What bothered Jeff, however, was not so much the loot boxes or the skins in themselves but another phenomenon that they have spawned: skins gambling. This works like any other casino. You load up your account with funds, place a bet, watch the graphics spin and either win or lose. The big difference in this case is that the casino taking your bet has no gambling licence and, in some cases, no reliable mechanism to stop under-18s getting their first taste of gambling - via an online ecosystem that is, to many parents, a total mystery."

"The tools - which aim to cut the time and cost of filtering mountains of job applications and drive workplace efficiency - are enticing to employers. But Schellmann concludes they are doing more harm than good. Not only are many of the hiring tools based on troubling pseudoscience (for example, the idea that the intonation of our voice can predict how successful we will be in a job doesn't stand up, says Schellmann), they can also discriminate."

"The research has found many children do not even recognise these promotions, known as content marketing, as advertising. It warns that this may lead to children following betting companies on social media, making it more likely that they sign up with them when they turn 18 and can legally gamble. Dr Raffaello Rossi, lecturer in marketing at Bristol University, one of the report's authors, said content marketing was particularly popular with young people."

"During a Q&A in September 2015, Zuckerberg mentioned that Facebook was working on a "dislike" button. "I think people have asked about the dislike button for many years," he said, adding that Facebook had been working on the feature for awhile and wanted to implement it in a way that didn't feel like you were down-voting a post. "

"In the last year or so, though, the rise of AI has upended that equation. For many publishers and platforms, having their data crawled for training data felt less like trading and more like stealing. "What we found pretty quickly with the AI companies," Stubblebine says, "is not only was it not an exchange of value, we're getting nothing in return. Literally zero." When Stubblebine announced last fall that Medium would be blocking AI crawlers, he wrote that "AI companies have leached value from writers in order to spam Internet readers." "

"T The footage wouldn't look out of place on many of the world's news channels. For 22 minutes, a variety of polished news anchors stand in front of the camera and run down the day's news in a video posted on social media. But none of them are real. Instead, the anchors are generated by artificial intelligence (AI)."

"Many researchers steeped in these issues, including myself, expect that the most likely result of building a superhumanly smart AI, under anything remotely like the current circumstances, is that literally everyone on Earth will die. Not as in "maybe possibly some remote chance," but as in "that is the obvious thing that would happen." It's not that you can't, in principle, survive creating something much smarter than you; it's that it would require precision and preparation and new scientific insights, and probably not having AI systems composed of giant inscrutable arrays of fractional numbers."

"But historians of the future may struggle to understand fully how we lived our lives in the early 21st Century. That's because of a potentially history-deleting combination of how we live our lives digitally - and a paucity of official efforts to archive the world's information as it's produced these days. However, an informal group of organisations are pushing back against the forces of digital entropy - many of them operated by volunteers with little institutional support. None is more synonymous with the fight to save the web than the Internet Archive, an American non-profit based in San Francisco, started in 1996 as a passion project by internet pioneer Brewster Kahl. The organisation has embarked what may be the most ambitious digital archiving project of all time, gathering 866 billion web pages, 44 million books, 10.6 million videos of films and television programmes and more. Housed in a handful of data centres scattered across the world, the collections of the Internet Archive and a few similar groups are the only things standing in the way of digital oblivion."