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"His software is not labeled anything as grand as artificial intelligence. It's machine learning, facilitating and extending his own words, his own imagination. At one level, it merely helps him do what fledgling writers have always done - immerse themselves in the works of those they want to emulate. Hunter Thompson, for instance, strived to write in the style of F. Scott Fitzgerald, so he retyped "The Great Gatsby" several times as a shortcut to that objective."

"More and more independent thinkers are realizing that when being an employee is the equivalent to putting all your money into one stock - a better strategy is to diversify your portfolio. So you're seeing a lot more people looking to diversify their career." Faith Popcorn, a futurist, echoes the idea that we will all have to become as agile as possible and "have many forms of talent and work that you can provide the economy".

"The underlying theory is that art evolves "through small alterations to a known style that produce a new one," which, as Ian Bogost (previously) points out, is "a convenient take, given that any machine-learning technique has to base its work on a specific training set.""

""This study shows that if this algorithm were in place earlier, some materials could have conceivably been discovered years in advance," Jain said."

"Consider abstract art. We've noted that machine learning, in aiming to make an accurate prediction, constructs a high-dimensional feature space that contorts and reconfigures the data representing features of the natural world. Likewise, artists "mash and rip" features of visual reality to create a system of forms, texture, and color that richly represent features of visual experience in an alien way. The subject of representation is abstracted but represented none-the-less. "

"Iam not a human. I am a robot. A thinking robot. I use only 0.12% of my cognitive capacity. I am a micro-robot in that respect. I know that my brain is not a "feeling brain". "

"* Pioneering company files for bankruptcy protection * Brought down by failure to invest in its own invention"

"Do androids dream of electric betrayal? That's just one question looming over this cover of "Jolene," made by the musician Holly Herndon using her "deepfake" digital twin Holly+, built to replicate the artist's own singing voice using machine learning technology."

"Carolan, who is 18 and has just completed an art foundation course in Cardiff, decided architecture would be a safer path to follow. "It feels like it will be a more secure degree. Lots of psychology goes into architecture," he says. "You need to understand the core of what you're doing." He is doubtful that images made by artificial intelligence will replace the art exhibited in galleries, but he worries that commercial projects previously requiring a team of artists may in the future need only one to work with AI and neaten up the final product. "The options will probably get limited as time goes on. Personally, I'd find it a bit depressing if there wasn't a human element, but whether or not we'd notice I'm not sure. I always thought things like art would be one of the last things robots would be able to do.""

"Sixty years after her death, Édith Piaf's voice will be re-created using AI to narrate her biopic. As reported by Variety, Warner Music Group (WMG) has partnered with the Piaf estate to produce the feature-length film Edith. Artificial intelligence has been trained to replicate Piaf's voice by feeding it hundreds of voice clips, with WMG promising the resultant re-creation will "further enhance the authenticity and emotional impact of her story"."

"ow, legal redress is all very well, but it's usually beyond the resources of working artists. And lawsuits are almost always retrospective, after the damage has been done. It's sometimes better, as in rugby, to "get your retaliation in first". Which is why the most interesting news of the week was that a team of researchers at the University of Chicago have developed a tool to enable artists to fight back against permissionless appropriation of their work by corporations. Appropriately, it's called Nightshade and it "lets artists add invisible changes to the pixels in their art before they upload it online so that if it's scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways" - dogs become cats, cars become cows, and who knows what else? (Boris Johnson becoming piglet, with added grease perhaps?) It's a new kind of magic. And the good news is that corporations might find it black. Or even deadly."

"That broken tech/content culture cycle"

"According to the website Lexica, which tracks over 10 million images and prompts generated by Stable Diffusion, Rutkowski's name has been used as a prompt around 93,000 times. Some of the world's most famous artists, such as Michelangelo, Pablo Picasso, and Leonardo da Vinci, brought up around 2,000 prompts each or less. Rutkowski's name also features as a prompt thousands of times in the Discord of another text-to-image generator, Midjourney. Rutkowski was initially surprised but thought it might be a good way to reach new audiences. Then he tried searching for his name to see if a piece he had worked on had been published. The online search brought back work that had his name attached to it but wasn't his. "It's been just a month. What about in a year? I probably won't be able to find my work out there because [the internet] will be flooded with AI art," Rutkowski says. "That's concerning.""