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"Looking back on my experience of videoconferencing, I still get an odd emotional pain. The feeling is a kind of shame. Not so much for my own wooden performance and the failure of the technology. But rather a feeling that we have all lost a bit of our humanity through it. My interest in these technologies is ethically motivated. I am not at all happy with the banal dehumanisation that results from bad videoconferencing experiences. If, for example, students and teachers can't express their humanity in education, through its technologies, then we're just not doing it right."

"We've forgotten how to be alone with our thoughts. We're forever "interrupting ourselves", as Lembke puts it, for a quick digital hit, meaning we rarely concentrate on taxing tasks for long or get into a creative flow. For many, the pandemic has exacerbated dependence on social media and other digital vices"

"Hayleigh Bosher, associate dean of intellectual property law at Brunel University, who researches the music industry, said "the law needs to move with the times" as "making music is so different to how it was 50 years ago". She added: If Sheeran loses, I imagine we will see even more cases. I don't think copyright is doing its job properly if songwriters are afraid, that's stifling creativity.""

"A virtual protest has taken place on China's heavily monitored social media platforms, where netizens took turns to keep a censored video called the Voice of April alive and overwhelm censors."

"The intriguing echo of Eliza in thinking about ChatGPT is that people regard it as magical even though they know how it works - as a "stochastic parrot" (in the words of Timnit Gebru, a well-known researcher) or as a machine for "hi-tech plagiarism" (Noam Chomsky). But actually we do not know the half of it yet - not the CO2 emissions incurred in training its underlying language model or the carbon footprint of all those delighted interactions people are having with it. Or, pace Chomsky, that the technology only exists because of its unauthorised appropriation of the creative work of millions of people that just happened to be lying around on the web? What's the business model behind these tools? And so on. Answer: we don't know."

"Getty points to images produced by Stable Diffusion which contain its copyright watermark, suggesting that Stable Diffusion has ingested and is reproducing copyrighted material without permission (Stability AI has not yet commented publicly on the lawsuit). The same level of evidence is harder to come by when examining ChatGPT's text output, but there is no doubt that it has been trained on copyrighted material. OpenAI will be hoping that its text generation is covered by "fair use", a provision in copyright law that allows limited use of copyrighted material for "transformative" purposes. That idea will probably one day be tested in court."

"Cathy Hackl: I think it's important to state that there is really no agreed-upon definition right now. Every morning-it's become a bit of a ritual-I go to the Merriam-Webster dictionary and type in the word metaverse. And every day it says this word is not in the dictionary. But if we needed to define it, I tend to have a pretty expansive view of what the metaverse is. I believe it's a convergence of our physical and digital lives. It's our digital lifestyles, which we've been living on phones or computers, slowly catching up to our physical lives in some way, so that full convergence. It is enabled by many different technologies, like AR [augmented reality] and VR [virtual reality], which are the ones that most people tend to think about. But they're not the only entry points. There's also blockchain, which is a big component, there's 5G, there's edge computing, and many, many other technologies. To me, the metaverse is also about our identity and digital ownership. It's about a new extension of human creativity in some ways. But it's not going to be like one day we're going to wake up and exclaim, "The metaverse is here!" It's going to be an evolution."

""Thanks to special copyright protections from Congress, woke corporations like Disney have earned billions while increasingly pandering to woke activists," Hawley said in a press release. "It's time to take away Disney's special privileges and open up a new era of creativity and innovation." His proposal would apply retroactively to copyright owners with a market capitalization of more than $150 billion in the motion pictures and videos or arts, entertainment, and recreation industries."

"Some of those rules have had unintended consequences: a law meant to prevent piracy also prevents you from fixing your own car, using generic printer ink, or adapting your e-reader for your visual impairment. And a law meant to encourage innovation is routinely abused to remove critical commentary and new creativity."

"He's right to be annoyed - these tracks are a violation of an artist's creativity and personhood - and the fakes are noticeably more sophisticated than those from a few years ago, when Jay-Z was made to rap Shakespeare (this is the kind of humour beloved of AI dorks). The tech will continue to improve to the point where the differences become indistinguishable. Perhaps lazy artists will soon use AI to generate their latest album, not so much phoning it in as texting it. AI composes its music by regurgitating things it's been trained to listen to in vast song databases, and that's not so different than the way human-composed pop music is recombined from prior influences. Producers, engineers, lyricists and all the other people who work behind a star could be usurped or at least have their value driven down by cheap AI tools."

"And he emphatically doesn't see the process of building an AI image as dehumanised, or even one in which the human is sidelined. "I don't see it as a threat to creativity. For me, it really is setting me free. All the boundaries I had in the past - material boundaries, budgets - no longer matter. And for the first time in history, the older generation has an advantage, because AI is a knowledge accelerator. Two thirds of the prompts are only good if you have knowledge and skills, when you know how photography works, when you know art history. This is something that a 20-year-old can't do.""

Great video to watch...

Expelled for Facebook messages - do all schools need policies and standards?