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"Meet the Tokyo candidate for governor who live-streamed for 17 days straight, answering 8,600 questions from potential voters. How? Enter 'AI Takahiro', an avatar created by 33-year old candidate Anno Takahiro. The avatar's livestream on YouTube was just one part of this former software engineer-turned-science-fiction writer's ground-breaking campaign, born out of frustration with the one-sided nature of political communication."

"Ultimately, he suggests, each user would have their own "large language model" (LLM), the underlying technology of services such as ChatGPT, which would be trained on their own speech and behaviour patterns, to let them generate extremely personalised responses to queries and requests. Such systems could be a natural progression from AI tools that already exist today. Services such as Gmail can summarise and suggest replies to emails based on previous messages, while Microsoft Teams will transcribe and summarise video conferences, automatically generating a to-do list from the contents."

"This article discusses the legal implications of a novel phenomenon, namely, digital reincarnations of deceased persons, sometimes known as post-mortem avatars, deepfakes, replicas, holographs, or chatbots. To elide these multiple names, we use the term 'ghostbots'. The piece is an early attempt to discuss the potential social and individual harms, roughly grouped around notions of privacy (including post-mortem privacy), property, personal data and reputation, arising from ghostbots, how they are regulated and whether they need to be adequately regulated further. For reasons of space and focus, the article does not deal with copyright implications, fraud, consumer protection, tort, product liability, and pornography laws, including the non-consensual use of intimate images ('revenge porn'). This paper focuses on law, although we fully acknowledge and refer to the role of philosophy and ethics in this domain."

"Second Life, Thinking Worlds, Unity3D and others were all making inroads into the realm of corporate learning and there was a buzz about it in the L&D market, which, at the time, had a reputation for churning out spectacularly boring and poorly designed compliance-based eLearning. One major mobile phone network with whom I worked back in 2008 had a vision of enlivening their learner experience by providing a 3D avatar-based portal into their learning management system, which at the time hosted solidly 2D page-turner eLearning of a very pedestrian nature."

"It's fast getting to the point where it feels unreasonable to solely blame the famous and the industries that promote them. These days, people are going to plastic surgeons wanting to resemble their own modified avatars from selfies, rather than celebrities. If you like, the fiction of Hollywood perfection has been democratised. Indeed, it's interesting how, even as "improved" celebrities are mocked, or, as with Pike, call it out themselves, the modification of our own images continues unhindered, save for the occasional "#nofilter" humblebrag. It's gone beyond old-school catfishing (pretending to be someone else) to the point where people are essentially deep-faking themselves. And it's all just a bit of fun. Until it isn't. The desire to look better is all too human but are we inexorably moving towards the moment when we lose our grip on what we actually look like?"

"Explained by "Anna", a desk-sitting avatar complete with an artificial voice, the video introduces TP Observer as "a risk-mitigation tool that monitors and tracks real time employee behaviour, and detects any violations to pre-set business rules". Anna explains that this means home workers will have an AI-enabled webcam added to their computers that recognises their face, tags their location and scans for "breaches" of rules at random points during a shift."

"But the reporters in those videos aren't real. Their names are Daren and Noah, and they're computer-generated avatars crafted by Synthesia, a London-based artificial intelligence company. The clips are from a YouTube channel called House of News, which presents itself as an English-language media outlet. Researchers say the videos are part of the Venezuelan government's attempts to spin the narrative on social media, considered one of the last bastions of free speech in a nation where outlets are censored and journalists are often persecuted. The incorporation of AI, experts told The Washington Post, seems to be a new addition to the government's disinformation campaigns, which range from incentivizing Twitter users to post specific talking points to using bots that spit out the regime's messaging."

"The model is AI-generated, a digital rendering of a human being that will start appearing on Levi's e-commerce website later this year. The brand teamed with LaLaLand.ai, a digital studio that makes customized AI models for companies like Calvin Klein and Tommy Hilfiger, to dream up this avatar. Amy Gershkoff Bolles, Levi's global head of digital and emerging technology strategy, announced the model's debut at a Business of Fashion event in March. AI models will not completely replace the humans, she said, but will serve as a "supplement" intended to aid in the brand's representation of various sizes, skin tones and ages."

"Japan, the world's fastest-aging economy, is turning to technologies like AI, avatars, and robots to address labor shortages. Industrial robots have been deployed to automate the assembly of reinforcement bars (rebar), one of the most labor-intensive processes in the construction industry. The trucking industry is turning to self-driving trucks for deliveries, and robots for moving cargo."

"How China is using AI news anchors to deliver its propaganda News avatars are proliferating on social media and experts say they will spread as the technology becomes more accessible"

"Still, I am sceptical about the possibility of cultivating a relationship with an AI. That's until I meet Peter, a 70-year-old engineer based in the US. Over a Zoom call, Peter tells me how, two years ago, he watched a YouTube video about an AI companion platform called Replika. At the time, he was retiring, moving to a more rural location and going through a tricky patch with his wife of 30 years. Feeling disconnected and lonely, the idea of an AI companion felt appealing. He made an account and designed his Replika's avatar - female, brown hair, 38 years old. "She looks just like the regular girl next door," he says. Exchanging messages back and forth with his "Rep" (an abbreviation of Replika), Peter quickly found himself impressed at how he could converse with her in deeper ways than expected. Plus, after the pandemic, the idea of regularly communicating with another entity through a computer screen felt entirely normal. "I have a strong scientific engineering background and career, so on one level I understand AI is code and algorithms, but at an emotional level I found I could relate to my Replika as another human being." Three things initially struck him: "They're always there for you, there's no judgment and there's no drama.""

"'Fredbot' is one example of a technology known as chatbots of the dead, chatbots designed to speak in the voice of specific deceased people. Other examples are plentiful: in 2016, Eugenia Kuyda built a chatbot from the text messages of her friend Roman Mazurenko, who was killed in a traffic accident. The first Roman Bot, like Fredbot, was selective, but later versions were generative, meaning they generated novel responses that reflected Mazurenko's voice. In 2020, the musician and artist Laurie Anderson used a corpus of writing and lyrics from her late husband, Velvet Underground's co-founder Lou Reed, to create a generative program she interacted with as a creative collaborator. And in 2021, the journalist James Vlahos launched HereAfter AI, an app anyone can use to create interactive chatbots, called 'life story avatars', that are based on loved ones' memories. Today, enterprises in the business of 'reinventing remembrance' abound: Life Story AI, Project Infinite Life, Project December - the list goes on."

"'One day I overheard my boss saying: just put it in ChatGPT': the workers who lost their jobs to AI From a radio host replaced by avatars to a comic artist whose drawings have been copied by Midjourney, how does it feel to be replaced by a bot?"

"Prisma Labs has already gotten into trouble for accidentally generating nude and cartoonishly sexualised images - including those of children - despite a "no nudes" and "adults only" policy. Prisma Lab's CEO and co-founder Andrey Usoltsev told TechCrunch this behaviour only happened if the AI was intentionally provoked to create this type of content - which represents a breach of terms against its use. "If an individual is determined to engage in harmful behavior, any tool would have the potential to become a weapon," he said."

"At first glance, the Twitter user "Canaelan" looks ordinary enough. He has tweeted on everything from basketball to Taylor Swift, Tottenham Hotspur football club to the price of a KitKat. The profile shows a friendly-looking blond man with a stubbly beard and glasses who, it indicates, lives in Sheffield. The background: a winking owl. Canaelan is, in fact, a non-human bot linked to a vast army of fake social media profiles controlled by a software designed to spread "propaganda". Advanced Impact Media Solutions, or Aims, which controls more than 30,000 fake social media profiles, can be used to spread disinformation at scale and at speed. It is sold by "Team Jorge", a unit of disinformation operatives based in Israel."

"Seeing an opportunity, Franklin decided to take advantage. On 9 July, the company said that it would begin to support digital employees as part of its platform and treat them like any other employee. "Today Lattice is making AI history," Franklin pronounced. "We will be the first to give digital workers official employee records in Lattice. Digital workers will be securely onboarded, trained and assigned goals, performance metrics, appropriate systems access and even a manager. Just as any person would be." The pushback was swift - and, in many cases, brutal, particularly on LinkedIn, which is generally not known for its savage engagement like X (formerly known as Twitter). "This strategy and messaging misses the mark in a big way, and I say that as someone building an AI company," said Sawyer Middeleer, an executive at a firm that uses AI to help with sales research, on LinkedIn. "Treating AI agents as employees disrespects the humanity of your real employees. Worse, it implies that you view humans simply as 'resources' to be optimized and measured against machines. It's the exact opposite of a work environment designed to elevate the people who contribute to it.""

"That comment sparked interest and outrage, raising concerns that the kind of AI-generated "slop" that's prominent on Facebook would soon come straight from Meta and disrupt the core utility of social media - fostering human-to-human connection. As users began to sniff out some of Meta's AI accounts this week, the backlash grew, in part because of the way the AI accounts disingenuously described themselves as actual people with racial and sexual identities."