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Ingrassia, Michele and Biddle, Nina Archer. "The color of Barbie". Newsweek. 16 January 1995. Authors Ingrassia and Biddle, discuss how the '70s and earlier decades brought color in to fashion. In particular, the color pink. It's hard not to notice that in fashion today the color black is most prevailent followed by brown. Designers have began to incorporate patters with colors based on looks from the '70s and '60s. This article will help me discuss the influence of not only patterns and designs from the '70s but also now colors.

Kimmelman, Michael. "At the Met With: Roy Lichtenstein; Disciple Of Color And Line, Master Of Irony." New York Times 31 Mar. 1995: 1. Academic Search Complete. EBSCO. Web. 9 Nov. 2010. This is an interview that was conducted between Mr. Roy Lichtenstein, and Mr. Michael Kimmelman. This is a good article to have because it gives actual quotes from Roy Lichtenstein. This article talks about how Lichtenstein really shocked the art world with his paintings. It talks about the different Eras that he had painted in. The 70's focusing on reinterpretations of famous paintings, and the 80's and 90's bringing in bright colors and new brush-strokes. The article holds a lot of nice lines from Lichtenstein that talk about how he feels his art is portrayed (I don't think storytelling has anything to do with modern painting or with my paintings at least.) The article will help to put an actual feel for who Roy Lichtenstein was in my paper.

Kimmelman, Michael. "At the Met With: Roy Lichtenstein; Disciple Of Color And Line, Master Of Irony." New York Times 31 Mar. 1995: 1. Academic Search Complete. EBSCO. Web. 5 Nov. 2010.

MacTaggart, John. "Impressionism." ArtFactory, 2010. Web. 15 Nov. 2010. This work starts off by stating when and how the Impressionist Movement was found. It then goes into what the goals of the Impressionists were and how they sought to complete these goals. For example, to catch a particular landscape scene, Impressionists would paint until the colors changed, and then return another day when the colors were the same. It also talks about the various influences of the impressionists and gives many painting examples of the movement.

Potter, Polyxeni. "Sometimes the naked taste of potato reminds me of being poor.". (Cover story)." Emerging Infectious Diseases 15.6 (2009): 1001-1002. Academic Search Complete. EBSCO. Web. 17 Nov. 2010. Potato Eaters is one of Van Gogh's more famous pieces. This article interprets what the painting means. It was also one of Van Gogh's first major pieces. This painting is of peasant family sitting around a dinner table eating potatoes. Van Gogh relates to the poor very weel, because believe it or not while he was alive he was not financially stable. He uses dark colors and their is one light of a lamp, which is supposed to, "explore the relationship between the cycles of nature and rural life."

Jennings, Tracy. "Sades of Chanel". Clothing and Textiles Research Journal. ohioLINK. Web. 3 Nov 2010. This is about how Chanel's work has influenced this person to make their own design. How Chanel's past work is seen in every aspect from the design, color and to the cut and fabric of the suit.

Wilkin, Karen. "A fresh look at Van Gogh." New Criterion 24.4 (2005): 28-32. Academic Search Complete. EBSCO. Web. 19 Nov. 2010. This article scopes painter Van Gogh's drawings. His drawings are found to have many different styles. Van Gogh uses the reed pen in a lot of his drawings to create these styles. The reed pen allows him to to draw staccato lines, dots, hooks, crochets and bars to represent perceptions of light and color. The landscape in his drawings that he drew towards the end of his life showed a lot of ferocity which the article examines.

MacNamidhe, Margaret. "Impression: Painting Quickly in France 1860-1890 (review)." Nineteenth Century French Studies 31.3-4 (2003), 352-354. This article by Margret MacNamidhe reviews the style of Impression paintings. In particular, they look at the quickness of the brush and analyize it. For example, the author commented how painstakingly it took Monet to get the right atmospheric shades without blending the wrong colors together. She continued to explain how, through the ages of Monet's paintings, he developed this particular technique and one could notice with the crusting up of the paint in later works.

Critchell, Samantha. "Seventies look in spring fashion mirrors modern tastes and times." DailyNews Los Angeles. Los Angeles Newspaper Group. 24 Oct. 2010. Web. 1 Nov. 2010. In this article, written by Samantha Critchell, she compares the styles of the nineteen-seventies to today. In popular fashion shows, like ones in Milan, styles of the seventies are making a comeback. Some seventies fashion consists of high-wasted skirts, flowing shirts, long dresses, trousers, and shirtdresses. The colors and patterns are distinct, which makes this decade of fashion really stand out. This article is helpful in comparing and relating seventies fashion to today's fashion.

Casteras, Susan P. "Pre-Raphaelite Challenges to Victorian Canons of Beauty." Huntington Library Quarterly 55.1 (1992): 13-35. JSTOR. ITHAKA. Web. 26 Oct. 2010. This article is about how the Pre-Raphaelite school of painting challenged Victorian notions of beauty. Their depictions of reality as it was ran contrary to their contemporaries ideals, which strived for perfection. The Pre-Raphaelites showed their subjects with accurately-colored skin and irregularly-shaped heads, as all human heads are. They were on the forefront of what would come to be acceptable; phrenology and the idea that you could judge an individual by his or her appearance were gaining in popularity.

Buchanan, Mark. "Vincent had turbulence down to a fine art." New Scientist 191.2560 (2006): 17. Academic Search Complete. EBSCO. Web. 14 Nov. 2010. In this article it compares Van Gogh's later work to his earlier work. It is clear that he was a disturbed individual. The darkness in his paintings represent his stage of being psychologically disturbed. Van Gogh's most famous painting is "Starry Night" and he actually painted that one in the insane asylum.

Dailey, Dan. "The Good Grandees." Mayo Clinic Proceedings 80.8 (2005): 978. Academic Search Complete. EBSCO. Web. 16 Nov. 2010.

Tucker, Paul Hayes. Claude Monet: Life and Art. New Haven: Yale University Press, 1995. Print. This bibliography goes through the life of Claude Monet and the kinds of paintings he painted as he grew older, how he went from the start of impressionism to series paintings and his Giverny Gardens. The author goes on to say that Monet's achievement is "as being almost exclusively concerned with air, light, and particular moments in time rendered spontaneously in heightened color and broken brushwork."