Group items tagged

"The Origins of Hip-Hop." Skipping Stones 14.5 (2002): 26. Primary Search. EBSCO. Web. 16 Nov. 2010. Talks about how hip hop was born and how it got started. Also says how it progressed throughout time on how it is kept alive today. Talks about how it is also a dance type of music. It was created to put disco out and that no one liked disco. They thought it was for rich people that liked dancing.

"The Origins of Hip-Hop." Skipping Stones 14.5 (2002): 26. Primary Search. EBSCO. Web. 29 Nov. 2010. This article talks about the connections between Hip Hop and ancient cultural qualities of African peoples. It also talks about the rise of Hip Hop through the ranks of the musi world, starting out as a phase and growing into the juggernaut that it is today

WOLDU, GAIL HILSON. "The Kaleidoscope of Writing on Hip-Hop Culture." Notes 67.1 (2010): 9-38. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. Hip hop was discovered in late 1970's and early 1980's. It was referred to as "party" music at the time. Had rhyming words and bass with a rhythm. Moved into the early 1990s with Tupac, Biggie Smalls, and Snoop Dogg.

WOLDU, GAIL HILSON. "THE KALEIDOSCOPE OF WRITING ON HIP-HOP CULTURE." Notes 67.1 (2010): 9-38. Academic Search Complete. EBSCO. Web. 16 Nov. 2010.

Van Ham, Lane. "Reading Early Punk as Secularized Sacred Clowning." Journal of Popular Culture 42.2 (2009): 318-338. Academic Search Complete. EBSCO. Web. 8 Nov. 2010. This article desribes early mass media and their relationships to punks rock bands in the 1970's. It also explains the sterotypes of "Scared Clowns" and "Holy Fools". Both sterotypes have negative meanings, often refering to someone as a scared clown or holy fool would mean that they are stupid or shameful.

Paull, Emily J., and Wendy L. Morris. "Stereotyping and Nonconformity:The Effects of Punk Music on Social Behavior." Psi Chi Journal of Undergraduate Research 13.4 (2008): 173-183. Academic Search Complete. EBSCO. Web. 3 Nov. 2010. At McDaniel College they tested 150 studets to see if punk music made the students "nonconformist". Each student was given punk, popular, or no music to listen to. The punk group exibited more conformity than the other groups, opposite to what we would expect. A second study was done to see whom students associated with punk music.

Mitchell, David. "Marinetti, Futurist and Fascist." History Today 25.10 (1975): 704. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. Contains many connections between Facism and Futurism as the title indicates. These include how they targeted the young as there median for revolution, their goal of destroying old customs, and there focusing on the future rather tha the past.

Mikić, Vesna. "Musics Futurista - The Art of Noises. Music and Words from the Italian Futurists Movement 1909-1935, Including Original Recordings by Marinetti/Russolo/Pratella (Salon LTMCD 2401, 2006)." New Sound: International Magazine for Music 34 (2009): 111-113. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. A review of a C.D. of futurist music which was done in line with the futurist manifesto that was written by Marinetti. Some of the tracks also include pieces of Marinetti's actual speaches which, according to the article, give the C.D. an unarguably Futuristic tone.

Ve Poljanski, Branko. "Dialogue Marinetti - Poljanski." New Sound: International Magazine for Music 34 (2009): 3-5. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. In English traslation of a conversation between Marinetti, the founder of futurism, and Poljanski, i leaded in Zenitistm in France. The two men respect each other but the converstion does get tense at one moment and then they talk things out. Things end well.

Fricke, David. "Green Day Fights On. (Cover story)." Rolling Stone 1079 (2009): 46-53. Academic Search Complete. EBSCO. Web. 30 Oct. 2010. This article describes how Green Day the bad has contiuned their punk tradition from 1994 to current day. It describes the bands mood before a concert in 2009. The article also describes Billie Joe Armstong, the bands lead singer. Billy is very close to his family and has grown from1994 but still remains true to his punk roots. The live shows still gives him the "rush" he had the first time he stepped on stage.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 1 Nov. 2010. This articles is a close study of specific patterning in Van Gogh's drawings. It is able to provide new insight into patterns he uses. Due to a direct expression of nonverbal meaning. The article takes a look at his articulation of pattern through form, plus a close reading of the letters he wrote about the difficulties he encountered because of his unique vision. It concludes that Van Gogh's unique and personal perceptual style served his developmental needs. While also contributing to both his mental instability and his artistic greatness.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." \n American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. In "Pattern as Inspiration and Mode of Communication in the works of Van Gogh" it talks about how his black and white paintings still convey meaning. Van Gogh is an impressionist and has the talent of using line and shapes in order to evoke an emotional response. Van Gogh was interested in ideas rather than images, which inspired many of his pieces of work. The history of his life is shown and describes who he is and his work. In the beginning of his life Gogh did not know he wanted to be an artist, but later traveled and studied art.

"The Grand Master of Surrealism Salvador Dalí." USA Today Magazine 133.2720 (2005): 34-41. Academic Search Complete. EBSCO. Web. 1 Nov. 2010. This USA today magazine article provides imformation on the artistic works of Salvador Dali and his impact on surrealism. It also includes his artistic influences on his painting and the many exhibitions for his paintings.It talks about one exhibition in particular in which 150 of Dali's paintings were displayed along with his other works such as sculptures and writings. It was the largest grouping of his works ever. It also gives a good background and Bio of the artist.

"The Grand Master of Surrealism Salvador Dalí." USA Today Magazine 133.2720 (2005): 34-41. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. This review highlights of the works of Salvador Dali and the exhibitions where his artwork was presented. It describes his success as an artist during the mid 1900s. Also, it explains the importance Salvador Dali to other artists as pure inspiration.

Garrity, Brian, and Mariel Concepcion. "A Hip-Hop History Lesson." Billboard 119.18 (2007): 8. Academic Search Complete. EBSCO. Web. 1 Nov. 2010.

Robinson, Ruth Adkins. "Hip-hop history." Billboard 111.49 (1999): 38. Academic Search Complete. EBSCO. Web. 1 Nov. 2010.

Wallace-Wells, David. "Factory Man." Newsweek 154.24 (2009): 66-68. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. This article focuses on critics of pop art and Andy Warhol.  One critic is quoted saying, "You're a killer of art, you're a killer of beauty, and you're even a killer of laughter".  Warhol was not concerned with how he looked to others; he only cared about his work portraying what he saw important.  It also talks about the assassination attempt on Warhol.

"Sex Pistols Blow Off Rock Hall." Rolling Stone 996 (2006): 14. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. This article shows The Sex Pistols at their finest. Blowing off the rock and roll hall of fame in ture punk style. But what else can you expect from the pioneers of punk music?

Armstrong, Billie Joe, and Roberto Parada. "The Sex Pistols." Rolling Stone 972 (2005): 64. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. This articles shows the view of The Sex Pistols on their one and only relesed album. Nevermind the Bollocks, Here's the Sex Pistols was considered to be the first album to openly say what was wrong with the world through music. No album has had such an impact ever.

Thompson, Krista. "The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop." Art Bulletin 91.4 (2009): 481-505. Academic Search Complete. EBSCO. Web. 15 Nov. 2010.\n\nThis article dives into the effect of hip hop and it culture. It shows the influence of hip hop on music videos, clothing, art, and everything else. It focuses the influence of hip hop on black youth.

Menand, Louis. "TOP OF THE POPS." New Yorker 85.44 (2010): 56-65. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. This article focuses on the "top" pop artists.  It provides Andy Warhol's biography.  It discusses some of the most famous books written about him, and even his own book.  It also comments on several of his most famous pieces of art, including his famous Campbell's soup can painting.  Andy Warhol was a puzzling individual as well as artist; people are still trying to uncover why his art was not affected by the different economic times; people were continuing to pay more and more for his work, no matter what their economic status was at the time.

Graw, Isabelle. "When Life Goes to Work: Andy Warhol." October 132 (2010): 99-113. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. This article focuses on the connections between Andy Warhol's personal life and his work.  Warhol saw everything that he did as work and a way of promoting his magazine, "Interview."  It discusses Warhol's role in the market world and in "celebrity culture."  This article goes on to expand several of the effects the market world and celebrity lifestyle had on Warhol.

Force, William Ryan. "Consumption Styles and the Fluid Complexity of Punk Authenticity." Symbolic Interaction 32.4 (2009): 289-309. Academic Search Complete. EBSCO. Web. 26 Oct. 2010. The article presents a study which explores on the authenticity practices of a local punk scene, and demonstrates how punk authenticity is constructed and maintained in everyday living. It discusses the role of presenting consumption styles as a set of authenticity practices with three identified consumption styles which include the open talk and interaction that publicized the possession of punk goods, the apparent stylized presentation of punk appearance in references to what seemed to look, and the repeated display of knowledge about punk subculture. It mentions that the study has observed the punk scene at sites in southeastern city with establishments that host punk performances, and with art shows and parties that are attended by punk community. (From the EBSCO abstract.)

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. In "Pattern as Inspiration and Mode of Communication in the works of Van Gogh" it talks about how his black and white paintings still convey meaning. Van Gogh is an impressionist and has the talent of using line and shapes in order to evoke an emotional response. Van Gogh was interested in ideas rather than images, which inspired many of his pieces of work. The history of his life is shown and describes who he is and his work. In the beginning of his life Gogh did not know he wanted to be an artist, but later traveled and studied art.

Charles, Marilyn, and Karen Telis. "Pattern as Inspiration and Mode of Communication in the Works of Van Gogh." American Journal of Psychoanalysis 69.3 (2009): 238-262. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. In "Pattern as Inspiration and Mode of Communication in the works of Van Gogh" it talks about how his black and white paintings still convey meaning. Van Gogh is an impressionist and has the talent of using line and shapes in order to evoke an emotional response. Van Gogh was interested in ideas rather than images, which inspired many of his pieces of work. The history of his life is shown and describes who he is and his work. In the beginning of his life Gogh did not know he wanted to be an artist, but later traveled and studied art.