ENGL431fosen

This is a bit more general than my previous posting but I feel it meshes well with my previous video on gamification. In this video, Jane Mcgonigal discusses the potential for video games, or at least the factors that keep us playing them, being a force for good in the modern age. Especially interesting is that she talks about how playing MORE games could solve a number of real world problems.

In this article, there are 21 steps to assist the literary councilor in teaching writing. Although it is a fairly short article, there is fairly useful information that can be extrapolated and applied to the multiplicity of situated learning that exist. A number of the steps actually have sub sections that pertain to the objective that is listed; furthermore, illustrating pragmatic, as well as feasibly applicable, instructive literary algorithms for assisting others in enhancing their writing skills. Truthfully, these steps contain information that isn't always brought to mind during our workshops; and I veraciously admit to relearning things in which I overlooked and/or have forgotten. Quintessentially, these steps can be applied to out workshop environment, and provide us with a helpful literary approach-instead of accidently sending the wrong idea, or running out of intellectual things to say (it happens to us all from time to time). Before we enhance our workshop surroundings, we should all endeavor to enhance our understandings of the procedural nature of excelling in writing, while simultaneously assisting others. In my opinion, teaching is one of the best, if not the best, ways to teach ourselves; instructing others reveals the hidden connecting points that we subconsciously always knew were there.

In May I took the CBEST without studying because everyone told me it was super easy, and that all you needed to do to study for a test like that is breathe. I did not pass one section, which left me heartbroken. I was so hung up on the idea that I hadn't passed such an easy test that I didn't stop to think about why. Of course I didn't study, but I shouldn't have to, I thought. According to this article and the book being discussed, "the brain will avoid thinking and instead try to rely on memory." Maybe I just tried to rely too much on my memories of the material in all those classes years ago, and my brain avoided actually thinking and synthesizing the material. Or maybe I needed to really study. Either way, an interesting read. (Oh, and I just finished retaking the CBEST this morning)

This article showed how a five-paragraph essay can actually be USEFUL in getting students to narrow down their topics. Ed White shows how this format keeps students limited to having three sub-points on one overall theme.Even if students in English 130 classes are writing a "more-than-five-paragraph-essay," I think the useful thing to take away from this essay is helping students to narrow down their focus. Even having students constructing an outline that has them narrow their topic and the sub-points of the topic would be really helpful for creating narrower papers that aren't all over the place.

I have bad news! He was being satirical. ;-) He wrote it in the dullest, most unimaginable way ever--which was part of his point.

"This interdisciplinary approach to rites of passage comprises 31 essays by outstanding contributors, including Marie-Louise yon Franz, Robert Bly, James Hall, Helen Luke, Victor Turner, and Marion Woodman."A watershed book ... an interdisciplinary array of essays highlights both the need for, and importance of, rights of passage to mark important transitions in our lives". Victor Turner's essay, "Betwixt and Between: The Liminal Period in Rites of Passage" gives readers a better understanding of human's inner growth during the various stages of life. As an English 431 student studying English 30 students I notice this group demonstrating feelings of anxiety as if something was lost in translation or transition from high school to college. The transition from high school senior to college freshman appears to be difficult for the students in my internship. I want to know more about their "rites of passage" and why these students are struggling their first year. How does understanding this transition help us better prepare them for success in academic writing?

Becker's article discusses the various models researchers have used to blueprint the cognitive process writers use during revision. The discussion associated with these models came from Becker's inquiry on why novice writers have negative attitudes towards the revision process in comparison to more experienced writers. The goal of this research was to make explicit the most effective and efficient cognitive strategies teachers could use to help novice writers improve their revision process. Most of the models consist of evaluation skills and long-term memory associations. I find this article useful for teaching writing in the sense that it has potential apparatuses that teachers can use to motivate students to revise their work. Because revision is an important and sometimes complex part of the writing process, these models may serve useful or may serve as templates for other models to arise when applied to teaching. The important thing here is finding ways to encourage students to revise their work and examine what processes students use to motivate them to revise rather than have students assume their work is already perfect.

This article is stresses the importance of the cultural component as a part of language learning rather than subordinate to it. It separates "cultural awareness" from "intercultural capability" in which the later is understood as "engaging learners in developing the capability to exchange meaning in communication with people across languages and cultures". Then the article goes on to give an ambiguous solution to revising L2 learning assessment. The article is short but it offers good insight to that fact that schools assess language as merely a descriptive code.

This post discusses how to write in your true voice, but online, not in academic writing. I thought it was interesting though, because it addresses avoiding "corporate speak" and suggests using first person to get a personal message across. In academic writing, I think "corporate speak" could actually be proper grammar and certain styles. Do they take our voice out of writing? It's not always an option to take out a style from writing. And in academic writing, it's rarely an option to use first person.

The author inquires about why students dislike writing. Bricker presents a case in her inquiry that addresses the student's problem through one on one discussion. Her case lifted the student's aversion to writing by showing him directly that he was able to write without realizing it. This article really brings to light the importance of identifying negative attitudes towards writing and paying close attention to the student's psychological reaction to writing. In doing so, teachers can adjust the dialogue to get a more eager response to write from students having difficulties with writing. One significant idea presented in this inquiry is allowing students to write what they want to say rather than what the teacher wants to hear. This gives teachers and future teachers a big clue as to what possible circumstances prevent students from writing and ones that encourage them to write.

This site contains the summary of another article related to how technology and composition have shifted in the classroom. It begins with the pencil, then the typewriter and then the computer, and how these various advancements in classroom technology have affected learning.

Digital Discourse: Composing with media in the writing classroom Karen Gocsik This article, posted under the writing and rhetoric section of the Dartmouth University website, discusses the potential multi-media assignments and teaching methods can have on new-age students. Gocsik feels that the literacy of the screen should become a third type of literacy behind oral and print. The nuances in composing a webpage or video reveal similar elements to that of constructing an essay. Gocsik makes the point that making a video project teaches students how to: come up with explicit vs. implied theses, structure according to the expectations of the audience and conventions of a particular medium or genre, and how to craft arguments out of a polophony of voices while creating a multimedia voice of one's own (Gocsik). Multimedia devices such as blogs or webpage's can be used to assist in the bigger project of a video collaboration.

This next article is fairly similar to the last article I posted, but this one is much more assertive and is more of a short, instructive textbook. This article/textbook contains "30 new ideas" for teaching writing, and with each individually constructed idea, your cognition automatically begins to spastically construct new tactics in approaching the students within your designated literary workshop. Some of the ideas include: require written responses to peers' writing, vocabulary building exercises, stepping away from prolixity and utilizing colloquial verbiage, constructing an email dialogue between students, encouragement of descriptive writing (sounds, emotions, sentiments, sensations etc.), establishing a "framing device," introducing multi-genre and multicultural literature to overall strengthen their syntactical horizons. Definitely another beneficial article to the workshop mentors of this English class-the reasons are very obvious. There are even anecdotal passages that share the endeavors of others who have chosen similar literary-assisting/instructing paths. So if you're interested in becoming an English teacher of any kind, add this article to your anthologized conglomerations of instructive, literary resources.

I was reading the first couple pages of your article and i like it. It seems like it will work with teaching ESL learner how to write.

This article describes the results of the four OLE (Optimal Learning Environment) approaches to teaching writing used at four different bilingual special education California schools. These approaches include: (1) interactive journal writing: teacher leads dialogue with the students by providing written responses to their daily journal entries. The teacher's responses serve as a model for writing as well; (2) Writers' Workshop - "students go through planning, drafting, editing, revising, final drafting, and publishing each time they produce a written product", i.e. their own class book; (3) expository writing as a process; (4) combination of brainstorm writing, model webbing or mapping the story they have just read, non-interactive journals. The authors emphasize the importance of engaging the learners into the informal creative writing process to increase the intrinsic motivation. They state that often in classes with bilingual students there is a high amount of pressure to speed the students' transition from writing in L1 to writing in L2, which triggers the students' anxiety and reluctance to write. The results of the 10-week experiment in different educational settings showed that OLE program activities significantly decrease stress and increase writing productivity. According to the article, OLE is based on "sociocultural learning theory", and makes use of task-based interactive creative activities. Students are supposed to collaborate while working at their writing (= communities of practice). Writing is considered as a continuous ever-changeable life process. It always implies dialogue (with the teacher, classmates or oneself - in case of non-interactive journals). Response The idea of interactive creative writing is beneficial both for heritage learners, and ESL learners, who often do not feel at ease while writing in L2. Having experienced difficulties in writing in the past, they tend to produce limited quantities of clichéd patterns that lack spo

I like how in your article it state what kind of studies they did. They did Interactive journal writing; Writer's Workshop; OLE; and a combination of journal writing, brainstorming and planning, and spelling practiced for individual group. I think that just using one method from here might help a lot but if a teacher use two or three methods here, then the L2 would improve even more. But i don't know...it's a good article.

Hypermedia Authoring as Critical Literacy Jamie Myers Richard Beach This article talks about the benefits of implementing hypermedia into literacy education. Hypermedia or hypertext is a web tool that allows students to access school texts via the Internet and actively engage in annotating those texts or providing links to relating websites, pictures, or videos. Students don't have to just link either, they can create their own webpage geared towards whatever it is their doing. A student could make a webpage featuring a paper they wrote, with links to videos and pictures that the creator feels relates to the paper. It's a type of personalization that would motivate a student and make them view their writing differently. Free writing is a useful tool for helping a writer find their voice or develop their own style. Hypertext allows students to free write with freedom and creativity about particular texts, and puts their writing into conversation with other student's responses. Similar to the way we use dijgo, but with a focus on the inquires made into a certain school text. Discussion of the various posts can be made in class, to create a literal conversation on inquires and interpretations of a text.

The Cognitive Revolution article takes into account the various psychological theories applied in the field towards language. One particular theory called into question by Miller is behaviorism. Having been a Behaviorist himself, Miller examines his previous biases about language in relation to Chomsky's theories of grammar. Miller finds that in adopting Chomsky's view of grammar, we bring the mind and cognitive process back into our understanding of language. In relation to grammar, Miller states "The grammatical rules that govern phrases and sentences are not behavior. They are mentalistic hypotheses about the cognitive processes responsible for the verbal behaviors we observe." This article is really helpful in providing teachers information about where some of our language theories come from and how they have shifted in practice after behaviorism. I think the most important point here is to not make the same mistakes with behaviorism as done in the past. The assumptions of behaviorism applied in the teaching can have some devastating consequences in student writing. Since teachers have the potential to exploit the cognitive processes using stimulus and response, it's possible that teachers may or may not be aware of the consequences if they happen to instill negative writing habits and attitudes in students using the assumptions implied in behaviorist theory. Having the definition of grammar rules Miller states, it provides teachers a working definition and inquiry to better understand how we form grammar rules, and what strategies students are using to apply grammar and form rules of their own.

The authors discussed to common occurrence of teachers "bending over backwards" for their NNS (Non Native Speaking) students, especially when evaluating surface errors. The study in this article seemed well orchestrated. It presented a variety of English teachers with six compositions: two from native English speakers, two from Danish speakers, and two from speakers of Thai. These students however were not real and the "student profile" assigned to each composition was constantly rotated. The results found that NES (Native English Speakers) were judged more harshly because "they should know better". The northern European, the Danish, students were pretty neutral. The Asian, the Thai, students were given the most leniency. I found this article interesting because it gives insight to the impact that teachers' grading has on the development of ESL students' writing proficiency.

This article discusses the differences between the passive and active literary voice, choosing an appropriate tone, and effective usage of verbiage; however, it is written in a very instructively, concise manner and is easy to comprehend. There are recommendations for when to appropriately use the passive or active voice, as well as recognizing the certain challenges each voice contains. In total there are 16 steps to "improve your voice" and each step consists of sub-steps. There is also advice for establishing concise, precise, and simplistically, effective writing for your reader to grasp and enjoy. Although the article is rather short, it is very instructive and can be utilized as a beneficial source to enhance not only our writing, but also the students we are helping. It would make a great source to share and/or even post on blackboard learn under the ENGL 130 forum (for those of us in the workshop); or those mentoring anywhere else on campus.

This article analyzes the linguistic dynamics of the stylistic literary voice, its bound-factors, and its application. There is definitely a much more technical approach to defining the stylistic voice; but it is actually quite interesting to read about the way in which voice is a matter of "appropriateness", instead of "grammaticality". Joybrato also uses poetical references to strengthen and accentuate his linguistic evaluations; furthermore, his dichotomies of 'literary stylistics' reveal an aspect of writing that cannot necessarily be easily seen. He even mentions the applications of today's technologies and their capacious depth of containing writing. This is article is beneficial to those trying to identify their, and/or helping others, realize their own entity of the stylistic literary voice they contain within their literary composition/cognition. Although the article slightly wanders into the plains of prolixity, I would still recommend extrapolating the information that catches your eye.

This paper is and interview from the teachers who teaches academic writing to post graduate students and EFL students. It provides the teachers methods to bring up an academic piece to the students so that the student will understand the purpose of the paper. Through a series of lectures and example, the teacher works on having the student find evidence and state their point of view. It's mostly on the things that most of us should know, such as a paper should start with an introduction, have body paragraphs and conclusion and don't use the word I think, I believe etc. in an academic paper, but us quotes and supporting evidence.