Group items tagged

This website is an interactive site for anyone interested in The Digital Public LIbrary of America. The Digital Public Library of America hosted one of the largest public event that focused on the building of a digital public library. This event brought together many professionals including students, government leaders, and other humanities professionals. The members began discussing the development of a DPLA prototypes and encouraging the participation of the public. The Digital Public Library of America hosted one of the largest public event that focused on the building of a digital public library. This event brought together many professionals including students, government leaders, and other humanities professionals. The members began discussing the development of a DPLA prototypes and encouraging the participation of the public.

At the Digital Studio for Public Humanities, Kyle Moody attempted to define digital humanities in one sentence: "open and accessible research and content creation, distribution, and evaluation by persons able to use or utilize technology." In his definition, all people are included whether they are coders or not, a notable difference from many other digital humanists' definitions. Moody discusses how the digital humanities and technology are helping to blur the line between those accessing and consuming content and those creating content. This active reaction to what is being consumed helps developers to see what is wanted and needed and adjust their content based on public reaction. He left his audience with the open question of whether or not the academy has the responsibility to give the public more control over what scholars produce as well as if the academy should be the benevolent curator of cultural content.

This article discusses the extensive nature of scholarly publishing. He explains the industry in terms of a social contract between the supply side, publication, and the demand side, the consumers. The supply side of this contract has enjoyed large growth recently, with the continued growth of digital outlets, while the demand side has remained stationary, maintaining its view of the book as the definitive form of publication. In conclusion, the author argues that curation will solve this problem, and become more important that publication once publication ceases to be limited.

Todays youth are spending a great deal of time using social ntworks such as Facebook, Myspace, and Bebo. These networks access public life which are things we do on an everyday bases. This article seeks to explore the social dynamics of mediated public life in order to help educators understand their role in socialising in today's youth.

Brett Zongker of Huffington Post reports how the $1 million federal grant for the Digital Public Library of America helps spread digital humanities for the nation. The plan is not only to digitize books, but to build systems for libraries and incorporate partnerships such as Google Books to maximize free access for everyone. The reality is that such a project will take more than a one million dollar donation, but it is a growing start to this digital library. Zongker reports the possibility of incorporating the European Union's digital library (Europeana digital library collection) with the Digital Public Library of America.

This article is providing an update of the advances DPLA has made in creating a digital national public library. DPLA announced the launch of it Digital Hubs Pilot Project in 7 states at DPLA Midwest (a large conference in Chicago. The project was created to help local libraries and communities digitize their collection with technological resources and supportive staff. A prototype will be launched in April of 2013 with topics including civil rights, Native Americans, and immigration. It also announced Appfest (held Nov. 8 & 9) to present ideas, including working models, of possible platforms for the metadata.

In this article Vicky Gan, a strategic planning office member of The New York Public Library (NYPL), explains the digitized goals of the NYPL. One of the projects called "What's on the Menu" releases digitzed menus of restaurants, even of menus that are not used anymore by the service industry. At one point only a few could actually look at the hard copy collections of these menus, but now over 8,700 are digitally released in only four months. Sharing any information, even restaurant menus, help people across the nation. "What's on the Menu" has already been used by famous chefs such as Mario Batali and even stretches to fourth grade class projects studying food and exercise.

BMJ is an open online, open access general medical journal, dedicated to publishing medical research from all disciplines and the therapeutic areas. The journal publishes a wide variety of different types of studies, from protocols, to phase 1 trail, to meta-analyses, including small or potentially low impact studies. The publishing procedures are fully open peer review and continuous publication which allows research to published online as soon as the article is ready. BMJ main goal is to promote transperency in the publication process by publishing reviewer reports and previous versions of manuscripts as pre-publication histories.

This is the official website for the Center for Public History and Digital Humanities. Everything and anything that deals with the partnership of these to disciplines is presented and linked this website. The website features four main sections that include public and digital history, teaching and learning, collaborative projects, and oral history. The website seems to be maintained by the Department of History at Cleveland State University.

Dan Cohen's transcript of his anonymous speech at Harvard on March 1, 2011 provides insight into the demands scholars have digitization efforts and digital archives. Cohen identifies five major demands on the part of scholars: reliable metadata, the ability to experience serendipity, an interface to handle differing modes of research, a representation of the physical book, and open APIs to accommodate the demands digital libraries cannot anticipate. Dan Cohen's goal is to borrow the best aspects of a physical library - the ability to stumble upon new material readily as well as some measure of its tactile feel - with the ease of use of a well designed digital archive.

This article on the National Endowment for the Humanities website contains information on a project directors meeting for the Digital Humanities department that was open to the public. The meeting took place in Washington, D.C. on September 20th, and it included multiple aspects such as lightning-talks and roundtable discussions with librarians, researchers, and funding organizations.

The Digital Public lIbrary of America (DPLA) is an ambitious project intedned to make the cultural and scientific heritage of humanity available free or charge to all. With the Hubs Pilot, the DPLA will undertake the first efforts to establish a national network out of these and other promising intitives bringing together digitaized content from across the country into a singlr access for end users.

This article explains New York Public Library's project called "What's on the Menu?" This database is created for users across the nation, so easily accessible that no application needs to be downloaded and can be used with a simple click of a button titled "transcribe" on their website.Over 865,660 dishes and 13,440 menus have been transcribed for free access. Already within a year more than three million page views have been recorded. Its use is more than handy for culinary students, but those studying graphic design, history, and health issues.

This short article focuses on how visualizing data can be advantageous for the public and what kind of softwares can be used to create such projects. For instance, software "Tabeleau Public" is a desktop application that can post graphs, maps, and table sinto the web. "Flare" is a software relying on Flash and can create interactive data shared with other users. This article basically reveals the many ways to visualize data other than through the use of Microsoft Excel.

In this blog article, scholar Elizabeth Hopwood asks followers how Digital Humanities can be used for food studies. People are paying more attention to what is eaten and it's health benefits/negativeness--incorporating digital humanities to such a field would be greatly useful. Other bloggers and Hopwood agree on the need to digitze projects for food studies and mention the New York Public Library online menu database.

This website called Humanist is an "international electronic seminar on humanities computing and the digital humanities." The goal of this website is to create a forum where people can log on and discuss any issues with the digital humanities and share thoughts and ideas. Humanist is a publication of the Alliance of Digital Humanities Organizations (ADHO) and the Office for Humanities Communication (OHC) and an affiliated publication of the American Council of Learned Societies (ACLS).

Peerj offers three different types of memberships, each with their own advantages and restrictions, but all are for life. They emphasis that they do not publish based on possible "impact" or "interest," but focus on scientific soundness. They also offers "No questions asked" waivers for people in certain countries.

arXiv is another open access collection/publication (?) maintained by Cornell University. The publications are based primarily in any field of science and mathematics (such as work on K-Theory and quantitative biology). It does not state if the articles are peer reviewed, but it does say that "Submissions...must conform of Cornell University academic standards." I don't know if this means that all of the work in the collection is by students and teachers, or if the were able to scan in articles from the library.

Cohen cites PressForward as a model for the "catching the good" 'style' publication. He believes that scholarly journals should "catch" works that they think should see a wider audience, as opposed to reject and criticize those that are deemed "bad." He emphasizes that there is no submission process. He argues that this form encourages publication and creativity.