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The iPod Touch in Education - 30 views

shared by Dave Truss on 05 Jan 10 - Cached
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    The are over 100,000 applications currently available for the iPod Touch. Here are some that I've found most useful.
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Interactive Multimedia Technology: MICROSOFT: ARE YOU LISTENING? Cool Cat Teacher (Vick... - 7 views

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    Interesting discussions on the touch Interface with Microsoft and some commenters by some Microsoft surface engineers on this remix of some testing some of us did on Surface at NECC 2009.
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Always Innovating: Introducing the Touch Book - 19 views

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    Looks like they beat Apple to the punch. Looks better/less childish than the Classmate.
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iPod Touch Project - 23 views

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    classroom uses for ipod touch.
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Learn 4 Life » What happens when you give a class of 8 year old children an i... - 11 views

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    As well as the school going through a massive rebuilding programme, they have also introduced a set of iPod touches into one year 4 class, for each child, to see what happens. All the touches are networked through an Apple Airport Extreme and out onto the internet through the school's connection. It is not every day you see this sort of thing.
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A Week For Computer Science Education: US designates Dec 7 as computer Sci education week - 0 views

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    Computer Science Education week in the USA is going to be December 7th - Microsoft Blogger Alfred Thompson (and in my humble opinion one of the definitive leaders in advocating computer science education) has shared a blog post about this. If you teach computer science or touch on it, consider planning some things.
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    Computer Science Education week
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Learning in Hand Blog by Tony Vincent - 10 views

  • This is the presentation where I talk about the importance of creating and sharing, focusing on iPod touch and three types of products: comics, animations, and audio podcasts.
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Keypoint - 23 views

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    "Keypoint Create, Play, Share & Export presentations on your iPhone or iPod Touch."
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Sync : Set Up Your iPhone or iPod Touch - Mobile Help - 0 views

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    Great news for you PC users who love your iphone or itouch - you can now synch all your google cal's to your itouch -- OH BABY, this makes my weekend!
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Apple Learning Interchange - iPod touch. Touching student lives in the classroom. - 0 views

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    Another useful iphone/itouch app if using with students
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    Memory Stick: Basic, Cheap File Storage for iPod touch For entry into the world of file storage on the iPod, the simple, inexpensive program Memory Stick is a good choice for the task. For just two dollars, this app lets you use your iPod touch for storing and viewing files as well as for transferring files between your iPod and desktop computers.
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cuebc.ca - Have your ipod and listen to it too! Sonya Woloshen - 0 views

  • Many of my students have ipods. These mini music makers are captivating them…truth be told, my ipod touch captivates me!  I feel as though we could use these ipods to, not only increase the interest factor of lessons, but also to encourage students to become involved in their learning process.
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    Many of my students have ipods. These mini music makers are captivating them…truth be told, my ipod touch captivates me! I feel as though we could use these ipods to, not only increase the interest factor of lessons, but also to encourage students to become involved in their learning process.
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Why an iPod Touch in education? - 0 views

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    Nice blog post about some great apps for the itouch. Will be writing more on this next week, but this is a great post!
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Career Corner: Your Online Profile - Does It Matter? - 0 views

  • “There are photos of me doing things when I was a college student that I do not want my employer to see. But my photos are stashed in a box in my basement and not posted online for the world to see.” You’re smart enough to be a teacher; be smart about your online profile, too.
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    Social networking sites are not inherently bad. In fact, they can be quite useful for you to stay in touch with friends and to make new ones. Used wisely, social networking sites do exactly what the name implies - allow you to network with colleagues both personally and professionally. Too many college students and young professionals, however, allow their online profiles to get out of control.
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Code of Best Practices in Fair Use for Media Literacy Education - 1 views

  • Fair use is the right to use copyrighted material without permission or payment under some circumstances -- especially when the cultural or social benefits of the use are predominant. It is a general right that applies even in situations where the law provides no specific authorization for the use in question -- as it does for certain narrowly defined classroom activities.
  • guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • code of best practices does not tell you the limits of fair use rights. Instead, it describes how those rights should apply in certain recurrent situations.
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  • Media literacy education distinctively features the analytical attitude that teachers and learners, working together, adopt toward the media objects they study. The foundation of effective media analysis is the recognition that: All media messages are constructed.Each medium has different characteristics and strengths and a unique language of construction.Media messages are produced for particular purposes.All media messages contain embedded values and points of view.People use their individual skills, beliefs and experiences to construct their own meanings from media messages.Media and media messages can influence beliefs, attitudes, values, behaviors, and the democratic process. Making media and sharing it with listeners, readers, and viewers is essential to the development of critical thinking and communication skills. Feedback deepens reflection on one’s own editorial and creative choices and helps students grasp the power of communication.
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • Educators and learners in media literacy often make uses of copyrighted materials that stand far outside the marketplace, for instance, in the classroom, at a conference, or within a school-wide or district-wide festival. Such uses, especially when they occur within a restricted-access network, do enjoy certain copyright advantages.
  • Law provides copyright protection to creative works in order to foster the creation of culture. Its best known feature is protection of owners’ rights. But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use? If the answers to these two questions are "yes," a court is likely to find a use fair. Because that is true, such a use is unlikely to be challenged in the first place.
  • Both key questions touch on, among other things, the question of whether the use will cause excessive economic harm to the copyright owner. Courts have told us that copyright owners aren’t entitled to an absolute monopoly over transformative uses of their works.
  • Another consideration underlies and influences the way in which these questions are analyzed: whether the user acted reasonably and in good faith, in light of general practice in his or her particular field.
  • Code of Best Practices in Fair Use for Media Literacy Education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies. These practices are associated with K–12 education, higher education, and in classes given by nonprofit organizations. When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • These principles apply to all forms of media.
  • The principles apply in institutional settings and to non-school-based programs. 
  • The principles concern the unlicensed fair use of copyrighted materials for education, not the way those materials were acquired. 
  • where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media. Labels on commercial media products proclaiming that they are “licensed for home [or private or educational or noncommercial] use only” do not affect in any way the educator’s ability to make fair use of the contents—in fact, such legends have no legal effect whatsoever. (If a teacher is using materials subject to a license agreement negotiated by the school or school system, however, she may bebound by the terms of that license.)
  • TWO:  Employing Copyrighted Materials in Preparing Curriculum Materials
  • fairness of a use depends, in part, on whether the user tookmore than was needed to accomplish his or her legitimate purpose.
  • PRINCIPLES
  • ONE:  Employing Copyrighted Material in Media Literacy Lessons
  • The principles are all subject to a “rule of proportionality.” 
  • THREE:  Sharing Media Literacy Curriculum Materials
  • In materials they wish to share, curriculum developers should beespecially careful to choose illustrations from copyrighted media that are necessaryto meet the educational objectives of the lesson, using only what furthers theeducational goal or purpose for which it is being made.
  • FOUR:  Student Use of Copyrighted Materials in Their Own Academic and Creative Work
  • Students should be able to understand and demonstrate, in a mannerappropriate to their developmental level, how their use of a copyrighted workrepurposes or transforms the original. For example, students may use copyrightedmusic for a variety of purposes, but cannot rely on fair use when their goal is simplyto establish a mood or convey an emotional tone, or when they employ popular songssimply to exploit their appeal and popularity.
  • FIVE:  Developing Audiences for Student Work
  • If student work that incorporates, modifies, and re-presents existingmedia content meets the transformativeness standard, it can be distributed to wideaudiences under the doctrine of fair use.
  • Educators and learners in media literacy often make uses of copyrighted works outside the marketplace, for instance in the classroom, a conference, or within a school-wide or district-wide festival. When sharing is confined to a delimited network, such uses are more likely to receive special consideration under the fair use doctrine.
  • Especially in situations where students wish to share their work more broadly (by distributing it to the public, for example, or including it as part of a personal portfolio), educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • The ethical obligation to provide proper attribution also should be examined.
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond
  • MYTH:  Fair Use Is Just for Critiques, Commentaries, or Parodies. Truth:  Transformativeness, a key value in fair use law, can involve modifying material or putting material in a new context, or both. Fair use applies to a wide variety of purposes, not just critical ones. Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example. Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects.
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness. As the cases show, a transformative new work can be highly commercial in intent and effect and qualify under the fair use doctrine.
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    Great article outlining copyright, fair use and explaning the 5 principles of fair use in education.
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iPod touch Information Center - Specs Features Best Price MP3 Player Edition - 0 views

  • If you've been lusting after the touch-based iPod inside Apple's iPhone or iPhone 3G, but don't want your phone and iPod to be one device, the iPod touch is for you. The touch is basically an iPhone without the phone, a touchscreen iPod with Multi-Touch, Cover Flow, Wi-Fi and even the Safari web browser, email and weather. The
    • Jeremy Davis
       
      Just testing for another teacher
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PBS videos for educators hit iTunes U | ijohnpederson - 1 views

    • Jeff Richardson
       
      There's even stuff for those that teach ELL students! What a great resource for those who like to use ITunes.
  • once. 35 mins ago I become crippled when expected to rant more than 300 characters. Damn you Twitter. 36 mins ago @speters Good luck! 4 hrs ago I totally just figured out @teach42 and his secret plans to conquer the world. Nice touch. Looking forward to seeing this go public. 5 hrs ago Or "Thank you for not unsubscribing!" Whatever the case may be. 21 hrs ago More updates... Recent Comments Jen Dorman on Why We’re All Blogging Less Rick on Why We’re All Blogging Less Kate Olson on Must View Video Dan Meyer on Must View Video John Pederson on Resistance My Blogroll Alec Couros Andy Carvin Anne Davis Brian Crosby Bud Hunt Carolyn Foote Cathy Nelson Chris Betcher Chris Lehman Christian Long Christopher Craft Christopher Harris Christopher Sessums Clarance Fischer Clay Burell Connectivism Blog Dale Basler Dan Meyer Darren Draper Darren Kuropatwa David Jakes David Warlick Dean Shareski Diana Laufenberg Doug Johnson Ewan Mcintosh Gary Stager George Siemens Jeff Utecht Jennifer D. Jones Judy O'Connel Julie Lindsay Karl Fisch Kate Sheehan Kim Cofino Konrad Glogowski Kristin Hokanson Lea Hansen-George Lisa Durff Marcy Hull Naomi Harm Ryan Bretag Scott Anderson Scott McLeod Sharon Peters Sheryl Nussbaum Beech Stephen Downes Steve Dembo Steve Hargadon Sue Waters Tim Stahmer Tom Hoffman Vicki Davis Wes Fryer Will Richardson Zac Chase Read more...
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The Connected Classroom: DIG-ging diigo... - 0 views

  • But I recently read something, somewhere that diigo had a new improved tool bar and started to read up on the other Diigo features including the ablility for messaging, creating lists of bookmarks, the ability to turn bookmarks into slideshows, tagrolls and linkrolls, a Firefox sidebar, a Facebook application, blog integration
    • Tony Richards
       
      I liked the blog - just unlearning del.icio.us to learn Diigo - http://www.edtechcrew.net
  • I have presented del.icio.us at LEAST a dozen times to large audiences.
    • Janice Stearns
       
      Today, for the first time, I'm going to present Diigo instead of Delicious. It's time to build a community of users that I work with.
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  • Diigo is not just a bookmarking tool, it is a bookmarking, sharing, discussing, and learning tool LParisi : posted on twitter..My quick take on Diigo..while I have not spent much time creating links, tags, etc, I see it as much more powerful a network than delicious. and I couldn't agree more..
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    This blog post from The Connected Classroom by Kristin Hokanson is a detailed "how-to" guide for getting started with Diigo.
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