It may be that this future-blindness is simply the inescapable affliction of our modern world. Perhaps at this stage in civilization and technological advance, we enter into permanent and ceaseless future-blindness. Utopia, dystopia, and protopia all disappear. There is only the Blind Now.
That is possible. But I am hoping that our current future-blindness is only a passing phase and that we will again begin to generate plausible visions of a desirable future, ones that are slightly better than today. These protopian visions won't be as thrilling as either dystopias or utopias, but they might be thrilling enough to aim towards.
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New Mexico's Sad Bet on Space Exploration - The Atlantic - 0 views
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New Mexico spaceport is only the latest entry in a triumphant time line of military and aerospace innovation in this southwestern state. Our video narrator speeds through Spanish colonialism and westward expansion to highlight the Manhattan Project’s work in Los Alamos, to the north, and Operation Paperclip, a secret program that recruited German scientists to the United States after World War II. Among them was Wernher von Braun, who brought his V-2 rockets to the state.White Sands Missile Range, a 3,200-square-mile military-testing site in South Central New Mexico’s Tularosa Basin, hosted much of this work. It’s home to the Trinity Site, where the first atomic bomb was detonated, and von Braun’s rocket testing site, too. Spaceport America is positioned adjacent to the Army property, in a tightly protected airspace. That makes rocket-ship testing a lot easier.
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For now, the spaceport is a futurist tourist attraction, not an operational harbor to the cosmos. The tour buses depart from a former T or C community center twice a day every Saturday. They pass thrift stores, RV parks, and bland but durable-looking structures, defiant underdogs against the mountains. We pass the Elephant Butte Dam, a stunning example of early-20th-century Bureau of Reclamation engineering that made it possible for agriculture to thrive in southern New Mexico; even so, a fellow spaceport tourist notes that the water levels seem far lower than what he recalls from childhood
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The complex and its buildings vaguely recall a Southwest landmark frequently mistaken for the city of the future: Arcosanti, the architect Paolo Soleri’s 1970 “urban laboratory” nestled in the mountains north of Phoenix. It’s oddly fitting: Soleri imagined a sustainable desert utopia, as well as speculative space “arcologies”—self-sustaining architectural ecologies, delicately rendered as hypothetical asteroid-belt cities or prototype ships
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The only spacecraft we see on the tour is a model of Virgin Galactic’s SpaceShipTwo, glimpsed from a distance in an otherwise empty hangar. Even the spacecraft isn’t real.
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the name Spaceport America suggests theatrics. There are several commercial spaceports throughout the United States, some of which sport more activity and tenants. Most of Virgin Galactic’s testing has happened at the Mojave Air and Space Port; Virginia’s Mid-Atlantic Regional Spaceport recently signed on the SpaceX competitor Vector as a customer.Others, like Oklahoma’s Air and Space Port, seem to be even more like ghost towns than this one. But New Mexico’s gambit suggests we are at the spaceport of the nation. It doesn’t feel like the frontier of private space travel so much as a movie set.
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New Mexico examples tend to include slightly more dystopian rehearsals: Much of the state’s existing science and defense industries emerged from bringing Manhattan Project scientists to what, at the time, was the middle of nowhere to test nuclear weapons—essentially, to practice ending the world.
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most of my fellow tourists take the premise of ubiquitous space travel to colonies on Mars as a fait accompli. I’m not sure why people in a desert would fantasize about going somewhere even harder to inhabit
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Humanity dreams of going to space for many of the same reasons some people went to the desert: because it is there, because they hope to get rich extracting natural resources they find there, and because they suspect mysterious, new terrains can’t be any worse than the irredeemable wreckage of the landscape they’re leaving behind
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believing in the inevitability of Mars colonies is maybe no less idealistic than believing in the Southwest itself
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The romance and promise of the American West was built, in part, on federal land grants to private corporations that promised to bring boomtowns to places previously otherwise deemed uninhabitable wastelands. Cities rose and fell with the rerouting of railroads
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To manifest destiny’s proponents, to doubt the inevitability of technological and social progress via the railroad was tantamount to doubting the will of God. Today, questioning the value of (mostly) privately funded space development likewise feels like doubting human progress
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I wonder if the future always feels like rehearsal until it arrives, or if it is always rehearsal, only seeming like it has arrived when the run-through loses its novelty. Maybe all of the impatient skeptics will be proven wrong this year, and the future will finally arrive at Spaceport America. Here in the desert, a better future always seems to be right around the corner
Changing the Climate: Utopia, Dystopia and Catastrophe, Arts, Monash University - 0 views
George Clinton, Sun Ra And The Sci-Fi Funk Of Afrofuturism | ARTery - 0 views
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Controlled and Totalitarian: Sci-Fi's Pessimistic View of the FutureUser Experience Mag... - 0 views
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Endtime for Hitler: On the Downfall of the Downfall Parodies - Mark Dery - Doom Patrol:... - 1 views
trueslant.com/...nfall-of-the-downfall-parodies
hitler Totalitarianism humor humour parody media youtube nazis
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Hitler left an inexhaustible fund of unforgettable images; Riefenstahl’sTriumph of the Will alone is enough to make him a household deity of the TV age.
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The Third Reich was the first thoroughly modern totalitarian horror, scripted by Hitler and mass-marketed by Goebbels, a tour de force of media spectacle and opinion management that America’s hidden persuaders—admen, P.R. flacks, political campaign managers—studied assiduously. A Mad Man in both senses, Hitler sold the German volk on a racially cleansed utopia, a thousand-year empire whose kitschy grandeur was strictly Forest Lawn Parthenon.
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Hitler, unlike Stalin or Mao, was an intuitive master of media stagecraft. David Bowie’s too-clever quip that Hitler was the first rock star, for which Bowie was widely reviled at the time, was spot-on.
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Perhaps that’s why he continues to mesmerize us: because he flickers, irresolvably, between the seemingly inhuman and the all too human.
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His psychopathology is a queasy funhouse reflection, straight out of Nightmare Alley, of the instrumental rationality of the machine age. The genocidal assembly lines of Hitler’s death camps are a grotesque parody of Fordist mechanization, just as the Nazis’ fastidious recycling of every remnant of their victims but their smoke—their gold fillings melted down for bullion, their hair woven into socks for U-boat crewmen—is a depraved caricature of the Taylorist mania for workplace efficiency.
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there’s something perversely comforting about Hitler’s unchallenged status as the metaphysical gravitational center of all our attempts at philosophizing evil
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he prefigured postmodernity: the annexation of politics by Hollywood and Madison Avenue, the rise of the celebrity as a secular icon, the confusion of image and reality in a Matrix world. He regarded existence “as a kind of permanent parade before a gigantic audience” (Fest), calculating the visual impact of every histrionic pose, every propaganda tagline, every monumental building
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By denying everyone’s capability, at least in theory, for Hitlerian evil, we let ourselves off the hook
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Yet Hitler, paradoxically, is also a shriveled untermensch, the protypical nonentity; a face in the crowd in an age of crowds, instantly forgettable despite his calculated efforts to brand himself (the toothbrush mustache of the military man coupled with the flopping forelock of the art-school bohemian)
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there was always a comic distance between the public image of the world-bestriding, godlike Fuhrer and his Inner Adolf, a nail-biting nebbish tormented by flatulence. Knowingly or not, the Downfall parodies dance in the gap between the two. More immediately, they rely on the tried-and-true gimmick of bathos. What makes the Downfall parodies so consistently hilarious is the incongruity of whatever viral topic is making the Fuhrer go ballistic and the outsized scale of his gotterdammerung-strength tirade
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The Downfall meme dramatizes the cultural logic of our remixed, mashed-up times, when digital technology allows us to loot recorded history, prying loose any signifier that catches our magpie eyes and repurposing it to any end. The near-instantaneous speed with which parodists use these viral videos to respond to current events underscores the extent to which the social Web, unlike the media ecologies of Hitler’s day, is a many-to-many phenomenon, more collective cacophony than one-way rant. As well, the furor (forgive pun) over YouTube’s decision to capitulate to the movie studio’s takedown demand, rather than standing fast in defense of Fair Use (a provision in copyright law that protects the re-use of a work for purposes of parody), indicates the extent to which ordinary people feel that commercial culture is somehow theirs, to misread or misuse as the spirit moves them.
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SPIEGEL: Can you also get your revenge on him by using comedy? Brooks: Yes, absolutely. Of course it is impossible to take revenge for 6 million murdered Jews. But by using the medium of comedy, we can try to rob Hitler of his posthumous power and myths. [...] We take away from him the holy seriousness that always surrounded him and protected him like a cordon.”
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risking the noose, some Germans laughed off their fears and mocked the Orwellian boot stamping on the human face, giving vent to covert opposition through flüsterwitze (“whispered jokes”). Incredibly, even Jews joked about their plight, drawing on the absurdist humor that is quintessentially Jewish to mock the Nazis even as they lightened the intolerable burden of Jewish life in the shadow of the swastika. Rapaport offers a sample of Jewish humor in Hitler’s Germany: “A Jew is arrested during the war, having been denounced for killing a Nazi at 10 P.M. and even eating the brain of his victim. This is his defense: In the first place, a Nazi hasn’t got any brain. Secondly, a Jew doesn’t eat anything that comes from a pig. And thirdly, he could not have killed the Nazi at 10 P.M. because at that time everybody listens to the BBC broadcast.”
The Betterness Manifesto - Umair Haque - Harvard Business Review - 0 views
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Could self-aware cities be the first forms of artificial intelligence? - 1 views
io9.com/...rms-of-artificial-intelligence
cities intelligence future utopias dystopias sci-fi prediction
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People have speculated before about the idea that the Internet might become self-aware and turn into the first "real" A.I., but could it be more likely to happen to cities, in which humans actually live and work and navigate, generating an even more chaotic system?
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"By connecting and providing visibility into disparate systems, cities and buildings can operate like living organisms, sensing and responding quickly to potential problems before they occur to protect citizens, save resources and reduce energy consumption and carbon emissions," reads the invitation to IBM's PULSE 2010 event.
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And Cisco is already building the first of these smart cities: Songdo, a Korean "instant city," which will be completely controlled by computer networks — including ubiquitious Telepresence applications, video screens which could be used for surveillance. Cisco's chief globalization officer, Wim Elfrink, told the San Jose Mercury News: Everything will be connected - buildings, cars, energy - everything. This is the tipping point. When we start building cities with technology in the infrastructure, it's beyond my imagination what that will enable.
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Urbanscale founder Adam Greenfield has written a lot about ubiquitous computing in urban environments, most notably in 2006's Everyware, which posits that computers will "effectively disappear" as objects around us become "smart" in ways that are nearly invisible to lay-people.
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Some futurists are still predicting that cities will become closer to arcologies — huge slabs of integrated urban life, like a whole city in a single block — as they grapple with the need to house so many people in an efficient fashion. The implications for heating and cooling an arcology, let alone dealing with waste disposal, are mind-boggling. Could a future arcology become our first machine mind?
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Science fiction gives us the occasional virtual worlds that look rural — like Doctor Who's visions of life inside the Matrix, which mostly looks (not surprisingly) like a gravel quarry — but for the most part, virtual worlds are always urban
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So here's why cities might have an edge over, say, the Internet as a whole, when it comes to developing self awareness. Because every city is different, and every city has its own identity and sense of self — and this informs everything from urban planning to the ways in which parking and electricity use are mapped out. The more sophisticated the integrated systems associated with a city become, the more they'll reflect the city's unique personality, and the more programmers will try to imbue their computers with a sense of this unique urban identity. And a sense of the city's history, and the ways in which the city has evolved and grown, will be important for a more sophisticated urban planning system to grasp the future — so it's very possible to imagine this leading to a sense of personal history, on the part of a computer that identifies with the city it helps to manage.
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next time you're wandering around your city, looking up at the outcroppings of huge buildings, the wild tides of traffic and the frenzy of construction and demolition, don't just think of it as a place haunted by history. Try, instead, to imagine it coming to life in a new way, opening its millions of electronic eyes, and greeting you with the first gleaming of independent thought
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I can't wait for the day when city AI's decide to go to war with other city AI's over allocation of federal funds.
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I doubt cities will ever be networked so smoothly... they are all about fractions, sections, niches, subcultures, ethicities, neighborhoods, markets, underground markets. It's literally like herding cats... I don't see it as feasible. It would be a schizophrenic intelligence at best. Which, Wintermute was I suppose...
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This is beginning to sound just like the cities we have read about. To me it sort of reminds me of the Burning chrome stories, as an element in all those stories was machines and technology at every turn. With the recent advances is technology it is alarming to see that an element in many science fiction tales is finally coming true. A city that acts as a machine in its self. Who is to say that this city won't become a city with a highly active hacker underbelly.
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Critic's Notebook - In Arabian Desert, a Sustainable City Rises - NYTimes.com - 0 views
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What Masdar really represents, in fact, is the crystallization of another global phenomenon: the growing division of the world into refined, high-end enclaves and vast formless ghettos where issues like sustainability have little immediate relevance. That’s obviously not how Mr. Foster sees it. He said the city was intended to house a cross-section of society, from students to service workers. “It is not about social exclusion,” he added. And yet Masdar seems like the fulfillment of that idea. Ever since the notion that thoughtful planning could improve the lot of humankind died out, sometime in the 1970s, both the megarich and the educated middle classes have increasingly found solace by walling themselves off inside a variety of mini-utopias. This has involved not only the proliferation of suburban gated communities, but also the transformation of city centers in places like Paris and New York into playgrounds for tourists and the rich. Masdar is the culmination of this trend: a self-sufficient society, lifted on a pedestal and outside the reach of most of the world’s citizens.
A pattern language - 0 views
In "Seed Seeker," teens from an Earth colony meet their maker - 0 views
Human and Robots: Visions of the Future - Chill Out Point - Funny images and artwork - 0 views
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The bright side of science fiction | Books | guardian.co.uk - 0 views
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The stories of Ray Bradbury. - By Nathaniel Rich - Slate Magazine - 0 views
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Thanks to Fahrenheit 451, now required reading for every American middle-schooler, Bradbury is generally thought of as a writer of novels, but his talents—particularly his mastery of the diabolical premise and the brain-exploding revelation—are best suited to the short form.
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The best stories have a strange familiarity about them. They're like long-forgotten acquaintances—you know you've met them somewhere before. There is, for instance, the tale of the time traveler who goes back into time and accidentally steps on a butterfly, thereby changing irrevocably the course of history ("A Sound of Thunder"). There's the one about the man who buys a robotic husband to live with his wife so that he can be free to travel and pursue adventure—that's "Marionettes, Inc." (Not to be confused with "I Sing the Body Electric!" about the man who buys a robotic grandmother to comfort his children after his wife dies.) Or "The Playground," about the father who changes places with his son so that he can spare his boy the cruelty of childhood—forgetting exactly how cruel childhood can be. The stories are familiar because they've been adapted, and plundered from, by countless other writers—in books, television shows, and films. To the extent that there is a mythology of our age, Bradbury is one of its creators.
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"But Bradbury's skill is in evoking exactly how soul-annihilating that world is." Of course, this also displays one of the key facts of Bradbury's work -- and a trend in science fiction that is often ignored. He's a reactionary of the first order, deeply distrustful of technology and even the notion of progress. Many science fiction writers had begun to rewrite the rules of women in space by the time Bradbury had women in long skirts hauling pots and pans over the Martian landscape. And even he wouldn't disagree. In his famous Playboy interview he responded to a question about predicting the future with, "It's 'prevent the future', that's the way I put it. Not predict it, prevent it."
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And for the record, I've never understood why a writer who recognizes technology is labeled a "sci-fi writer", as if being a "sci-fi writer" were equal to being some sort of substandard, second-rate hack. The great Kurt Vonnegut managed to get stuck in that drawer after he recognized technolgy in his 1st novel "Player Piano". No matter that he turned out to be (imo) one of the greatest authors of the 20th century, perio
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it's chilling how prescient he was about modern media culture in Fahrenheit 451. It's not a Luddite screed against TV. It's a speculative piece on what happens when we become divorced from the past and more attuned to images on the screen than we are to each other.
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ite author of mine since I was in elementary school way back when mammoths roamed the earth. To me, he was an ardent enthusiast of technology, but also recognized its potential for seperating us from one another while at the same time seemingly making us more "connected" in a superficial and transitory way
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Bradbury is undeniably skeptical of technology and the risks it brings, particularly the risk that what we'd now call "virtualization" will replace actual emotional, intellectual or physical experience. On the other hand, however, I don't think there's anybody who rhapsodizes about the imaginative possibilities of rocketships and robots the way Bradbury does, and he's built entire setpieces around the idea of technological wonders creating new experiences. I'm not saying he doesn't have a Luddite streak, more that he has feet in both camps and is harder to pin down than a single label allows. And I'll also add that in his public pronouncements of late, the Luddite streak has come out more strongly--but I tend to put much of that down to the curmudgeonliness of a ninety-year-old man.
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I don't think he is a luddite so much as he is the little voice that whispers "be careful what you wish for." We have been sold the beautiful myth that technology will buy us free time, but we are busier than ever. TV was supposed to enlighten the masses, instead we have "reality TV" and a news network that does not let facts get in the way of its ideological agenda. We romanticize childhood, ignoring children's aggressive impulses, then feed them on a steady diet of violent video games.
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shared by Ed Webb on 18 Aug 14
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Americans on the future of science and technology: meh | Bryan Alexander - 2 views
bryanalexander.org/...-of-science-and-technology-meh
future dystopia technology US USA utopia poll opinion analysis
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our expectations are generally unexcited and restrained. The bold imagination of 20th-century American visions seems to have gone for a nap. As Smithsonian’s article notes, “Most Americans view the technology- driven future with a sense of hope. They just don’t want to live there.” We’re actually less excited than that
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When it comes to specific emerging technologies we often greet them with broad, deep skepticism and fear, including human genetic engineering, robotics, drones, and wearable computing: 66% think it would be a change for the worse if prospective parents could alter the DNA of their children to produce smarter, healthier, or more athletic offspring. 65% think it would be a change for the worse if lifelike robots become the primary caregivers for the elderly and people in poor health. 63% think it would be a change for the worse if personal and commercial drones are given permission to fly through most U.S. airspace. 53% of Americans think it would be a change for the worse if most people wear implants or other devices that constantly show them information about the world around them. (emphases in original)
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The heroic days of NASA in the popular imagination are long flown: “One in three (33%) expect that humans will have colonized planets other than Earth.” Indeed. a few more Americans actually see teleportation happening.
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Overall, Americans look at the future of science and technology with some hefty amounts of skepticism and dismay. Health care improvements do appeal to us, unsurprisingly, given our ageing demographics. Classic futures themes of space and travel have withered in our collective mind. I’m reminded of Bruce Sterling’s aphorism about the rest of the 21st century: “The future is about old people, in big cities, afraid of the sky.”
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THE MACHINE STOPS ... E.M. Forster - 3 views
archive.ncsa.illinois.edu/...forster.html
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like the cell of a bee
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She knew several thousand people, in certain directions human intercourse had advanced enormously
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I can give you fully five minutes
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The Machine is much, but it is not everything. I see something like you in this plate, but I do not see you. I hear something like you through this telephone, but I do not hear you
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the Machine did not transmit nuances of expression. It only gave a general idea of people - an idea that was good enough for all practical purposes, Vashti thought. The imponderable bloom, declared by a discredited philosophy to be the actual essence of intercourse, was rightly ignored by the Machine, just as the imponderable bloom of the grape was ignored by the manufacturers of artificial fruit.
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"It is contrary to the spirit of the age," she asserted. "Do you mean by that, contrary to the Machine?"
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The surface of the earth is only dust and mud, no advantage. The surface of the earth is only dust and mud, no life remains on it, and you would need a respirator, or the cold of the outer air would kill you. One dies immediately in the outer air
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For a moment Vashti felt lonely. Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere - buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. and there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.
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Her lecture, which lasted ten minutes
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I will not tell you through the Machine
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thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.
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her horror of direct experience returned. It was not quite like the air-ship in the cinematophote. For one thing it smelt - not strongly or unpleasantly, but it did smell, and with her eyes shut she should have known that a new thing was close to her.
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The man in front dropped his Book - no great matter, but it disquieted them all
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When the air-ships had been built, the desire to look direct at things still lingered in the world. Hence the extraordinary number of skylights and windows, and the proportionate discomfort to those who were civilized and refined
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She might well declare that the visit was superfluous. The buttons, the knobs, the reading-desk with the Book, the temperature, the atmosphere, the illumination - all were exactly the same. And if Kuno himself, flesh of her flesh, stood close beside her at last, what profit was there in that? She was too well-bred to shake him by the hand.
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"You think it irreligious of me to have found out a way of my own. It was just what the Committee thought, when they threatened me with Homelessness." At this she grew angry. "I worship nothing!" she cried. "I am most advanced. I don"t think you irreligious, for there is no such thing as religion left. All the fear and the superstition that existed once have been destroyed by the Machine. I only meant that to find out a way of your own was----Besides, there is no new way out." "So it is always supposed." "Except through the vomitories, for which one must have an Egression-permit, it is impossible to get out. The Book says so." "Well, the Book"s wrong, for I have been out on my feet."
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Each infant was examined at birth, and all who promised undue strength were destroyed. Humanitarians may protest, but it would have been no true kindness to let an athlete live; he would never have been happy in that state of life to which the Machine had called him
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Man is the measure. That was my first lesson. Man"s feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong
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Kuno had lately asked to be a father, and his request had been refused by the Committee. His was not a type that the Machine desired to hand on
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I felt, for the first time, that a protest had been lodged against corruption, and that even as the dead were comforting me, so I was comforting the unborn. I felt that humanity existed, and that it existed without clothes. How can I possibly explain this? It was naked, humanity seemed naked, and all these tubes and buttons and machineries neither came into the world with us, nor will they follow us out, nor do they matter supremely while we are here
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There was not room for such a person in the world. And with her pity disgust mingled. She was ashamed at having borne such a son, she who had always been so respectable and so full of ideas
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Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives in the Machine? We created the Machine, to do our will, but we cannot make it do our will now
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Beware of first- hand ideas!" exclaimed one of the most advanced of them. "First-hand ideas do not really exist. They are but the physical impressions produced by live and fear, and on this gross foundation who could erect a philosophy? Let your ideas be second-hand, and if possible tenth-hand, for then they will be far removed from that disturbing element - direct observation
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in theory the Machine was still the creation and the implement of man. but in practice all, save a few retrogrades, worshipped it as divine
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No one confessed the Machine was out of hand. Year by year it was served with increased efficiency and decreased intelligence
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Time passed, and they resented the defects no longer. The defects had not been remedied, but the human tissues in that latter day had become so subservient, that they readily adapted themselves to every caprice of the Machine
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Under the seas, beneath the roots of the mountains, ran the wires through which they saw and heard, the enormous eyes and ears that were their heritage, and the hum of many workings clothed their thoughts in one garment of subserviency. Only the old and the sick remained ungrateful, for it was rumoured that Euthanasia, too, was out of order, and that pain had reappeared among men
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there came a day when, without the slightest warning, without any previous hint of feebleness, the entire communication-system broke down, all over the world, and the world, as they understood it, ended
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She had never known silence, and the coming of it nearly killed her - it did kill many thousands of people outright
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man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven
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scraps of the untainted sky
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Tom Moylan took this as the title of his book on Sci-Fi dystopias: http://www.worldcat.org/title/scraps-of-the-untainted-sky-science-fiction-utopia-dystopia/oclc/170921745
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