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Ed Webb

Sci-Fi Author J.G. Ballard Predicts the Rise of Social Media (1977) | Open Culture - 0 views

www.openculture.com/...youtube-celebrity-in-1977.html

Ballard sci-fi sciencefiction dystopia socialmedia prediction

shared by Ed Webb on 31 Dec 18 - No Cached
  • Ballard was a brilliant futurist and his dystopian novels and short stories anticipated the 80s cyberpunk of William Gibson, exploring with a twisted sense of humor what Jean Lyotard famously dubbed in 1979 The Postmodern Condition: a state of ideological, scientific, personal, and social disintegration under the reign of a technocratic, hypercapitalist, “computerized society.” Ballard had his own term for it: “media landscape,” and his dark visions of the future often correspond to the virtual world we inhabit today.
  • Ballard made several disturbingly accurate predictions in interviews he gave over the decades (collected in a book titled Extreme Metaphors)
  • he gave an interview to I-D magazine in which he predicted the internet as “invisible streams of data pulsing down lines to produce an invisible loom of world commerce and information.” This may not seem especially prescient (see, for example, E.M. Forster’s 1909 “The Machine Stops” for a chilling futuristic scenario much further ahead of its time). But Ballard went on to describe in detail the rise of the Youtube celebrity: Every home will be transformed into its own TV studio. We'll all be simultaneously actor, director and screenwriter in our own soap opera. People will start screening themselves. They will become their own TV programmes.
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  • ten years earlier, in an essay for Vogue, he described in detail the spread of social media and its totalizing effects on our lives. In the technological future, he wrote, “each of us will be both star and supporting player.” Every one of our actions during the day, across the entire spectrum of domestic life, will be instantly recorded on video-tape. In the evening we will sit back to scan the rushes, selected by a computer trained to pick out only our best profiles, our wittiest dialogue, our most affecting expressions filmed through the kindest filters, and then stitch these together into a heightened re-enactment of the day. Regardless of our place in the family pecking order, each of us within the privacy of our own rooms will be the star in a continually unfolding domestic saga, with parents, husbands, wives and children demoted to an appropriate supporting role.
  • this description almost perfectly captures the behavior of the average user of Facebook, Instagram, etc.
  • Ballard wrote a 1977 short story called “The Intensive Care Unit,” in which—writes the site Ballardian---“ordinances are in place to prevent people from meeting in person. All interaction is mediated through personal cameras and TV screens.”
  • “Now everybody can document themselves in a way that was inconceivable 30, 40, 50 years ago,” Ballard notes, “I think this reflects a tremendous hunger among people for ‘reality’—for ordinary reality. It’s very difficult to find the ‘real,’ because the environment is totally manufactured.” Like Jean Baudrillard, another prescient theorist of postmodernity, Ballard saw this loss of the "real" coming many decades ago. As he told I-D in 1987, “in the media landscape it’s almost impossible to separate fact from fiction.”
Ed Webb

A woman first wrote the prescient ideas Huxley and Orwell made famous - Quartzy - 1 views

qz.com/...-are-two-writers-you-dont-know

dystopia dystopias fiction sciencefiction

shared by Ed Webb on 06 Jan 19 - No Cached
  • In 1919, a British writer named Rose Macaulay published What Not, a novel about a dystopian future—a brave new world if you will—where people are ranked by intelligence, the government mandates mind training for all citizens, and procreation is regulated by the state.You’ve probably never heard of Macaulay or What Not. However, Aldous Huxley, author of the science fiction classic Brave New World, hung out in the same London literary circles as her and his 1932 book contains many concepts that Macaulay first introduced in her work. In 2019, you’ll be able to read Macaulay’s book yourself and compare the texts as the British publisher Handheld Press is planning to re- release the forgotten novel in March. It’s been out of print since the year it was first released.
  • The resurfacing of What Not also makes this a prime time to consider another work that influenced Huxley’s Brave New World, the 1923 novel We by Yvgeny Zamyatin. What Not and We are lost classics about a future that foreshadows our present. Notably, they are also hidden influences on some of the most significant works of 20th century fiction, Brave New World and George Orwell’s 1984.
  • In Macaulay’s book—which is a hoot and well worth reading—a democratically elected British government has been replaced with a “United Council, five minds with but a single thought—if that,” as she put it. Huxley’s Brave New World is run by a similarly small group of elites known as “World Controllers.”
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  • citizens of What Not are ranked based on their intelligence from A to C3 and can’t marry or procreate with someone of the same rank to ensure that intelligence is evenly distributed
  • Brave New World is more futuristic and preoccupied with technology than What Not. In Huxley’s world, procreation and education have become completely mechanized and emotions are strictly regulated pharmaceutically. Macaulay’s Britain is just the beginning of this process, and its characters are not yet completely indoctrinated into the new ways of the state—they resist it intellectually and question its endeavors, like the newly-passed Mental Progress Act. She writes:He did not like all this interfering, socialist what-not, which was both upsetting the domestic arrangements of his tenants and trying to put into their heads more learning than was suitable for them to have. For his part he thought every man had a right to be a fool if he chose, yes, and to marry another fool, and to bring up a family of fools too.
  • Where Huxley pairs dumb but pretty and “pneumatic” ladies with intelligent gentlemen, Macaulay’s work is decidedly less sexist.
  • We was published in French, Dutch, and German. An English version was printed and sold only in the US. When Orwell wrote about We in 1946, it was only because he’d managed to borrow a hard-to-find French translation.
  • While Orwell never indicated that he read Macaulay, he shares her subversive and subtle linguistic skills and satirical sense. His protagonist, Winston—like Kitty—works for the government in its Ministry of Truth, or Minitrue in Newspeak, where he rewrites historical records to support whatever Big Brother currently says is good for the regime. Macaulay would no doubt have approved of Orwell’s wit. And his state ministries bear a striking similarity to those she wrote about in What Not.
  • Orwell was familiar with Huxley’s novel and gave it much thought before writing his own blockbuster. Indeed, in 1946, before the release of 1984, he wrote a review of Zamyatin’s We (pdf), comparing the Russian novel with Huxley’s book. Orwell declared Huxley’s text derivative, writing in his review of We in The Tribune:The first thing anyone would notice about We is the fact—never pointed out, I believe—that Aldous Huxley’s Brave New World must be partly derived from it. Both books deal with the rebellion of the primitive human spirit against a rationalised, mechanized, painless world, and both stories are supposed to take place about six hundred years hence. The atmosphere of the two books is similar, and it is roughly speaking the same kind of society that is being described, though Huxley’s book shows less political awareness and is more influenced by recent biological and psychological theories.
  • In We, the story is told by D-503, a male engineer, while in Brave New World we follow Bernard Marx, a protagonist with a proper name. Both characters live in artificial worlds, separated from nature, and they recoil when they first encounter people who exist outside of the state’s constructed and controlled cities.
  • Although We is barely known compared to Orwell and Huxley’s later works, I’d argue that it’s among the best literary science fictions of all time, and it’s highly relevant, as it was when first written. Noam Chomsky calls it “more perceptive” than both 1984 and Brave New World. Zamyatin’s futuristic society was so on point, he was exiled from the Soviet Union because it was such an accurate description of life in a totalitarian regime, though he wrote it before Stalin took power.
  • Macaulay’s work is more subtle and funny than Huxley’s. Despite being a century old, What Not is remarkably relevant and readable, a satire that only highlights how little has changed in the years since its publication and how dangerous and absurd state policies can be. In this sense then, What Not reads more like George Orwell’s 1949 novel 1984 
  • Orwell was critical of Zamyatin’s technique. “[We] has a rather weak and episodic plot which is too complex to summarize,” he wrote. Still, he admired the work as a whole. “[Its] intuitive grasp of the irrational side of totalitarianism—human sacrifice, cruelty as an end in itself, the worship of a Leader who is credited with divine attributes—[…] makes Zamyatin’s book superior to Huxley’s,”
  • Like our own tech magnates and nations, the United State of We is obsessed with going to space.
  • Perhaps in 2019 Macaulay’s What Not, a clever and subversive book, will finally get its overdue recognition.
Ed Webb

DK Matai: The Rise of The Bio-Info-Nano Singularity - 0 views

www.huffingtonpost.com/...-of-the-bio-info_b_631985.html

singularity futuretech dystopia

shared by Ed Webb on 07 Jul 10 - Cached
  • The human capability for information processing is limited, yet there is an accelerating change in the development and deployment of new technology. This relentless wave upon wave of new information and technology causes an overload on the human mind by eventually flooding it. The resulting acopia -- inability to cope -- has to be solved by the use of ever more sophisticated information intelligence. Extrapolating these capabilities suggests the near-term emergence and visibility of self-improving neural networks, "artificial" intelligence, quantum algorithms, quantum computing and super-intelligence. This metamorphosis is so much beyond present human capabilities that it becomes impossible to understand it with the pre-conceptions and conditioning of the present mindset, societal make-up and existing technology
  • The Bio-Info-Nano Singularity is a transcendence to a wholly new regime of mind, society and technology, in which we have to learn to think in a new way in order to survive as a species.
  • What is globalized human society going to do with the mass of unemployed human beings that are rendered obsolete by the approaching super-intelligence of the Bio-Info-Nano Singularity?
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  • Nothing futurists predict ever comes true, but, by the time the time comes, everybody has forgotten they said it--and then they are free to say something else that never will come true but that everybody will have forgotten they said by the time the time come
  • Most of us will become poisoned troglodytes in a techno dystopia
  • Any engineer can make 'stuff' go faster, kill deader, sort quicker, fly higher, record sharper, destroy more completely, etc.. We have a surfeit of that kind of creativity. What we need is some kind of genius to create a society that treats each other with equality, justice, caring and cooperativeness. The concept of 'singularity' doesn't excite me nearly as much as the idea that sometime we might be able to move beyond the civilization level of a troop of chimpanzees. I'm hoping that genius comes before we manage to destroy what little civilization we have with all our neat "stuff"
  • There's a lot of abstraction in this article, which is a trend of what I have read of a number of various movements taking up the Singularity cause. This nebulous but optimistic prediction of an incomprehensibly advanced future, wherein through technology and science we achieve quasi-immortality, or absolute control of thought, omniscience, or transcendence from the human entirely
  • Welcome to the Frankenstein plot. This is a very common Hollywood plot, the idea of a manmade creation running amok. The concept that the author describes can also be described as an asymtotic curve on a graph where scientific achievement parallels time at first then gradually begins to go vertical until infinite scientific knowledge and invention occurs in an incredibly short time.
Ed Webb

Could self-aware cities be the first forms of artificial intelligence? - 1 views

io9.com/...rms-of-artificial-intelligence

cities intelligence future utopias dystopias sci-fi prediction

shared by Ed Webb on 07 Sep 10 - No Cached
  • People have speculated before about the idea that the Internet might become self-aware and turn into the first "real" A.I., but could it be more likely to happen to cities, in which humans actually live and work and navigate, generating an even more chaotic system?
  • "By connecting and providing visibility into disparate systems, cities and buildings can operate like living organisms, sensing and responding quickly to potential problems before they occur to protect citizens, save resources and reduce energy consumption and carbon emissions," reads the invitation to IBM's PULSE 2010 event.
  • And Cisco is already building the first of these smart cities: Songdo, a Korean "instant city," which will be completely controlled by computer networks — including ubiquitious Telepresence applications, video screens which could be used for surveillance. Cisco's chief globalization officer, Wim Elfrink, told the San Jose Mercury News: Everything will be connected - buildings, cars, energy - everything. This is the tipping point. When we start building cities with technology in the infrastructure, it's beyond my imagination what that will enable.
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  • Urbanscale founder Adam Greenfield has written a lot about ubiquitous computing in urban environments, most notably in 2006's Everyware, which posits that computers will "effectively disappear" as objects around us become "smart" in ways that are nearly invisible to lay-people.
  • tailored advertising just about anywhere
  • Some futurists are still predicting that cities will become closer to arcologies — huge slabs of integrated urban life, like a whole city in a single block — as they grapple with the need to house so many people in an efficient fashion. The implications for heating and cooling an arcology, let alone dealing with waste disposal, are mind-boggling. Could a future arcology become our first machine mind?
  • Science fiction gives us the occasional virtual worlds that look rural — like Doctor Who's visions of life inside the Matrix, which mostly looks (not surprisingly) like a gravel quarry — but for the most part, virtual worlds are always urban
  • So here's why cities might have an edge over, say, the Internet as a whole, when it comes to developing self awareness. Because every city is different, and every city has its own identity and sense of self — and this informs everything from urban planning to the ways in which parking and electricity use are mapped out. The more sophisticated the integrated systems associated with a city become, the more they'll reflect the city's unique personality, and the more programmers will try to imbue their computers with a sense of this unique urban identity. And a sense of the city's history, and the ways in which the city has evolved and grown, will be important for a more sophisticated urban planning system to grasp the future — so it's very possible to imagine this leading to a sense of personal history, on the part of a computer that identifies with the city it helps to manage.
  • next time you're wandering around your city, looking up at the outcroppings of huge buildings, the wild tides of traffic and the frenzy of construction and demolition, don't just think of it as a place haunted by history. Try, instead, to imagine it coming to life in a new way, opening its millions of electronic eyes, and greeting you with the first gleaming of independent thought
  • I can't wait for the day when city AI's decide to go to war with other city AI's over allocation of federal funds.
  • John Shirley has San Fransisco as a sentient being in City Come A Walkin
  • I doubt cities will ever be networked so smoothly... they are all about fractions, sections, niches, subcultures, ethicities, neighborhoods, markets, underground markets. It's literally like herding cats... I don't see it as feasible. It would be a schizophrenic intelligence at best. Which, Wintermute was I suppose...
  • ruhlch on 04 Oct 10
     
    This is beginning to sound just like the cities we have read about. To me it sort of reminds me of the Burning chrome stories, as an element in all those stories was machines and technology at every turn. With the recent advances is technology it is alarming to see that an element in many science fiction tales is finally coming true. A city that acts as a machine in its self. Who is to say that this city won't become a city with a highly active hacker underbelly.
Ed Webb

The Vulture Transcript: Sci-Fi Author William Gibson on Why He Loves Twitter, Thinks Fa... - 0 views

nymag.com/...re_transcript_william_gib.html

williamgibson sci-fi sciencefiction cyberpunk future literature twitter technology dystopias cyborgs

shared by Ed Webb on 27 Nov 10 - No Cached
  • If you’re born now, your native culture is global, to an increasing extent. There are things that are unknowable for futurists of any stripe, be they science-fiction writing charlatans like myself or anthropologists in the employ of large automobile companies who are paid to figure out what people might want in ten years. One of the things that’s unknowable is how humanity will use any new technology. No one imagines that we’d wind up with a world that looks like this on the basis of the technology that’s emerged in the last hundred years. Emergent technology is the most powerful single driver of change in the world, and it has been forever. Technology trumps politics. Technology trumps religion. It just does. And that’s why we are where we are now. It seems so self-evident to me that I can never go to that Technology: threat or menace? position. Okay, well, if we don’t do this, what are we going to do? This is not only what we do, it’s literally who we are as a species. We’ve become something other than what our ancestors were. I’m sitting here at age 52 with almost all of my own teeth. That didn’t used to happen. I’m a cyborg. I’m immune to any number of lethal diseases by virtue of technology. I’m sitting on top of this enormous pyramid of technology that starts with flint hand-axes and finds me in a hotel in Austin, Texas, talking to someone thousands of miles away on a telephone and that’s just what we do. At this point, we don’t have the option of not being technological creatures.
  • You’ve taken to Twitter (GreatDismal). I have indeed. I’ve taken to Twitter like a duck to water. Its simplicity allows the user to customize the experience with relatively little input from the Twitter entity itself. I hope they keep it simple. It works because it’s simple. I was never interested in Facebook or MySpace because the environment seemed too top-down mediated. They feel like malls to me. But Twitter actually feels like the street. You can bump into anybody on Twitter.
  • Twitter’s huge. There’s a whole culture of people on Twitter who do nothing but handicap racehorses. I’ll never go there. One commonality about people I follow is that they’re all doing what I’m doing: They’re all using it as novelty aggregation and out of that grows some sense of being part of a community. It’s a strange thing. There are countless millions of communities on Twitter. They occupy the same virtual space but they never see each other. They never interact. Really, the Twitter I’m always raving about is my Twitter.
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  • The Civil War was scarcely more than 150 years ago. It’s yesterday. Race in American hasn’t been sorted out. This used to be a country that was run exclusively by white guys in suits. It’s not going to be a country that’s run exclusively by white guys in suits, and that doesn’t have anything to do with politics, it’s just demographics. That makes some people very uncomfortable. The tea party is like the GOP’s Southern strategy coming back to exact the real cost of that strategy.
Ed Webb

New Mexico's Sad Bet on Space Exploration - The Atlantic - 0 views

www.theatlantic.com/...554243

space dystopia utopias utopia future US USA desert

shared by Ed Webb on 19 Sep 18 - No Cached
  • New Mexico spaceport is only the latest entry in a triumphant time line of military and aerospace innovation in this southwestern state. Our video narrator speeds through Spanish colonialism and westward expansion to highlight the Manhattan Project’s work in Los Alamos, to the north, and Operation Paperclip, a secret program that recruited German scientists to the United States after World War II. Among them was Wernher von Braun, who brought his V-2 rockets to the state.White Sands Missile Range, a 3,200-square-mile military-testing site in South Central New Mexico’s Tularosa Basin, hosted much of this work. It’s home to the Trinity Site, where the first atomic bomb was detonated, and von Braun’s rocket testing site, too. Spaceport America is positioned adjacent to the Army property, in a tightly protected airspace. That makes rocket-ship testing a lot easier.
  • “It feels exciting, it’s like the future is now,”
  • For now, the spaceport is a futurist tourist attraction, not an operational harbor to the cosmos. The tour buses depart from a former T or C community center twice a day every Saturday. They pass thrift stores, RV parks, and bland but durable-looking structures, defiant underdogs against the mountains. We pass the Elephant Butte Dam, a stunning example of early-20th-century Bureau of Reclamation engineering that made it possible for agriculture to thrive in southern New Mexico; even so, a fellow spaceport tourist notes that the water levels seem far lower than what he recalls from childhood
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  • The complex and its buildings vaguely recall a Southwest landmark frequently mistaken for the city of the future: Arcosanti, the architect Paolo Soleri’s 1970 “urban laboratory” nestled in the mountains north of Phoenix. It’s oddly fitting: Soleri imagined a sustainable desert utopia, as well as speculative space “arcologies”—self-sustaining architectural ecologies, delicately rendered as hypothetical asteroid-belt cities or prototype ships
  • The only spacecraft we see on the tour is a model of Virgin Galactic’s SpaceShipTwo, glimpsed from a distance in an otherwise empty hangar. Even the spacecraft isn’t real.
  • the name Spaceport America suggests theatrics. There are several commercial spaceports throughout the United States, some of which sport more activity and tenants. Most of Virgin Galactic’s testing has happened at the Mojave Air and Space Port; Virginia’s Mid-Atlantic Regional Spaceport recently signed on the SpaceX competitor Vector as a customer.Others, like Oklahoma’s Air and Space Port, seem to be even more like ghost towns than this one. But New Mexico’s gambit suggests we are at the spaceport of the nation. It doesn’t feel like the frontier of private space travel so much as a movie set.
  • Many promises for technologies of future urbanism start as desert prototypes
  • New Mexico examples tend to include slightly more dystopian rehearsals: Much of the state’s existing science and defense industries emerged from bringing Manhattan Project scientists to what, at the time, was the middle of nowhere to test nuclear weapons—essentially, to practice ending the world.
  • most of my fellow tourists take the premise of ubiquitous space travel to colonies on Mars as a fait accompli. I’m not sure why people in a desert would fantasize about going somewhere even harder to inhabit
  • Humanity dreams of going to space for many of the same reasons some people went to the desert: because it is there, because they hope to get rich extracting natural resources they find there, and because they suspect mysterious, new terrains can’t be any worse than the irredeemable wreckage of the landscape they’re leaving behind
  • believing in the inevitability of Mars colonies is maybe no less idealistic than believing in the Southwest itself
  • The romance and promise of the American West was built, in part, on federal land grants to private corporations that promised to bring boomtowns to places previously otherwise deemed uninhabitable wastelands. Cities rose and fell with the rerouting of railroads
  • To manifest destiny’s proponents, to doubt the inevitability of technological and social progress via the railroad was tantamount to doubting the will of God. Today, questioning the value of (mostly) privately funded space development likewise feels like doubting human progress
  • I wonder if the future always feels like rehearsal until it arrives, or if it is always rehearsal, only seeming like it has arrived when the run-through loses its novelty. Maybe all of the impatient skeptics will be proven wrong this year, and the future will finally arrive at Spaceport America. Here in the desert, a better future always seems to be right around the corner
Ed Webb

Can Sci-Fi Writers Prepare Us for an Uncertain Future? | WIRED - 0 views

www.wired.com/...are-us-for-an-uncertain-future

future futures futurism scifi sci-fi sciencefiction prediction predictions

shared by Ed Webb on 14 Jul 19 - Cached
  • a growing contingent of sci-fi writers being hired by think tanks, politicians, and corporations to imagine—and predict—the future
  • Harvard Business Review made the corporate case for reading sci-fi years ago, and mega consulting firm Price Waterhouse Cooper published a guide on how to use sci-fi to “explore innovation.” The New Yorker has touted “better business through sci-fi.” As writer Brian Merchant put it, “Welcome to the Sci-Fi industrial complex.”
  • The use of sci-fi has bled into government and public policy spheres. The New America Foundation recently held an all-day event discussing “What Sci-Fi Futures Can (and Can't) Teach Us About AI Policy.” And Nesta, an organization that generates speculative fiction, has committed $24 million to grow “new models of public services” in collaboration with the UK government
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  • Some argue that there is power in narrative stories that can’t be found elsewhere. Others assert that in our quest for imagination and prediction, we’re deluding ourselves into thinking that we can predict what’s coming
  • The World Future Society and the Association of Professional Futurists represent a small but growing group of professionals, many of whom have decades of experience thinking about long-term strategy and “scenario planning”—a method used by organizations to try and prepare for possible futures.
  • true Futurism is often pretty unsexy. It involves sifting through a lot of data and research and models and spreadsheets. Nobody is going to write a profile of your company or your government project based on a dry series of models outlining carefully caveated possibilities. On the other hand, worldbuilding—the process of imagining a universe in which your fictional stories can exist—is fun. People want stories, and science fiction writers can provide them.
  • Are those who write epic space operas (no matter how good those space operas might be) really the right people to ask about the future of work or water policy or human rights?
  • critics worry that writers are so good at spinning stories that they might even convince you those stories are true. In actuality, history shows us that predictions are nearly impossible to make and that humans are catastrophically bad at guessing what the future will hold
  • it's important to distinguish between prediction and impact. Did Star Trek anticipate the cell phone, or were the inventors of the cell phone inspired by Star Trek? Listicles of “all the things sci-fi has predicted” are largely exercises in cherry picking—they never include the things that sci-fi got wrong
  • In this line of work, specifics matter. It’s one thing to write a book about a refugee crisis, but quite another to predict exactly how the Syrian refugee crisis unfolded
  • It’s tempting to turn to storytelling in times of crisis—and it’s hard to argue that we’re not in a time of crisis now. Within dystopian pieces of fiction there are heroes and survivors, characters we can identify with who come out the other side and make it out OK. Companies and governments and individuals all want to believe that they will be among those lucky few, the heroes of the story. And science fiction writers can deliver that, for a fee.
Ed Webb

The Sci-Fi Roots of the Far Right-From 'Lucifer's Hammer' to Newt's Moon Base to Donald... - 0 views

www.thedailybeast.com/-sci-fi-roots-of-the-far-right

sci-fi Trump politics US USA fascism Rand dystopias utopias sciencefiction

shared by Ed Webb on 21 Sep 17 - No Cached
  • Strong leader Senator Jellison (who is white) then asks former Shire founder Hugo Beck what went wrong, and Beck says his fellow hippies just never realized how great technology and laissez-faire economics were, and now all his old friends are dining on human flesh under the thumb of a scary black communist.
  • Today, Lucifer’s Hammer reads as a depiction of a post-apocalyptic war between Trump counties and Clinton counties, simultaneously promising American renewal even as it depicts unavoidable catastrophe. The comet acts as a cleansing, wiping away so much dead wood of civilization. (Feminism, too, comes in for repeated knocks.)
  • SDI was only one part of a larger right-wing techno-futurist project. SDI historian Edward Linenthal cites a 1983 interview with Newt Gingrich in which the young conservative Congressman predicted that SDI would not just destroy Russia’s Communists but liberalism, too. SDI would be “a dagger at the heart of the liberal welfare state” because it destroys “the liberal myth of scarcity,” leaving only “the limits of a free people’s ingenuity, daring, and courage.”
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  • Gingrich subsequently secured a job for Pournelle’s son with Congressman Dana Rohrabacher in 1994, who like Gingrich is now a stalwart space booster and Trump supporter.
  • What Trump does is less important than the fact that he kicks over the table, strengthening America’s military state while demolishing bureaucracy and ignoring niceties. Democracy and law matter less than security and innovation
  • with communism a fading threat by the late 80’s, Gingrich shifted his focus to the specter of a new enemy, arguing in 1989 that “Islamic extremism may well be the greatest threat to Western values and Western security in the world.” Such fear-mongering—Islamic extremism remains a fraction as destructive as the nuclear Soviet Union—may seem ill-suited to optimism in mankind’s future, but as a political project it can be uncannily effective. Pournelle wrote that Islam demands adherence to a principle of “Islam or the sword,” and that an aggressive military response is not only justified but demanded: we are at war with the Caliphate.
  • Gingrich and Pournelle’s enthusiasm had less to do with Trump’s particular ambitions than with his capacity for destruction of the status quo. Much of the chaos Trump foments is, to Gingrich and Pournelle, a key feature to induce the future they want—the one where the feminists and “eco-terrorists” and university professors are soundly defeated
  • In their science fiction as in life, Gingrich and Pournelle shared an optimistic belief in power of technology—and an equally powerful insistence on the inevitability of conflict. They believed this required a robust, authoritarian state apparatus to preserve order and bind citizens together. Indeed, while backing Reagan, Gingrich had promoted a techno-futurism that was less conservative than it was authoritarian: he called for pruning inefficiency while aggressively promoting expansion and military technology. For his part, Pournelle published anthologies of science-fiction and techno-military essays through the 1980s under the name There Will Be War.
  • No science-fiction writer since has exerted as significant a political influence as Pournelle. But Pournelle does have a spiritual successor in Castalia House, the independent science-fiction publisher run by white nationalist Theodore Beale, aka Vox Day. Beale, like Gingrich, has said that his job is to save Western Civilization—and that it is in dire need of saving. Beale, however, is far more explicit about race.
  • Pournelle has dissociated himself from Beale’s politics, but Castalia House’s republishing of Pournelle’s 1980s There Will Be War series (as well as publishing a new volume 10) is no mere coincidence. Rather, they are indications of a shared worldview. To these writers, civil rights, equality, and civil liberties are irritants and impediments to progress at best. At worst, they are impositions on the holy forces of the market and social Darwinism (“evolution in action”) that sort out the best from the rest. And to all of them, the best tend to be white (with a bit of space for “the good ones” of other races). If there has been a shift in thought between the 1970s and today, it’s that the expected separation of wheat from chaff hasn’t taken place, and so now more active measures need to be taken—building the border walls and deportations, for example. Trump is an agent of these active measures—an agent of revolution, or at least the destruction that precedes a revolution.
  • Trump was far from the first to eliminate the line between right-wing thought and outright bigotry.
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