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"2001 * Creative Commons founded. 2002 * Version 1.0 licenses released. 2003 * Approximately 1 million licenses in use. 2004 * Estimated 4.7 million licensed works by the end of the year. * Version 2.0 released. * Licenses ported to 12 international jurisdictions. 2005 * Estimated 20 million works. * Version 2.5 released. * Licenses ported to a further 13 jurisdictions. * Science Commons launches. 2006 * Estimated 50 million licensed works. * Licenses ported to a further 9 jurisdictions. 2007 * Estimated 90 million licensed works. * Version 3.0 released. * 5th birthday of CC licenses. Event featured performance by Gilberto Gil. * Licenses ported to a further 8 jurisdictions. * ccLearn launches. 2008 * Estimated 130 million CC licensed works. * Licenses ported to a further 8 jurisdictions. * Lawrence Lessig steps down as CEO, replaced by Joi Ito. * New Nine Inch Nails album released under CC. * CC launches fundraising campaign with support from Jesse Dylan and Jonathan Coulton. 2009 * CC0 launched. * Esther Wojcicki becomes board chair."

" ... 1. When you submit or post material, you must be the owner of the content or have express permission from the content owner to share their work. When content is uploaded to dotSUB you must choose a Creative Commons license or choose "other" or "all rights reserved". By choosing "other" or "all rights reserved". you indicate that the content will be posted under terms other than Creative Commons licenses. If the content is licensed under terms that do not permit derivative works to be made from that content, by which we mean to indicate permission to overlay subtitled files on top of the original digital files and/or to distribute that content via an mpeg4, do not upload the file to dotSUB. If the content has previously been licensed with a Creative Commons license, dotSUB will acknowledge the terms under which the content was originally licensed. Content uploaded using a Creative Commons or other license is subject to the specific terms that the license grants. 2. You, as a content owner, grant to dotSUB the royalty-free, perpetual, revocable, non-exclusive right and license to use, translate, distribute, and display the content (in whole or in part) worldwide, to create derivative works and/or to incorporate it in other media or technology. 3. The rights to the translations done by volunteers are always owned by the translators who do the volunteer translations on videos that reside solely on dotSUB. The following terms reflect the different use scenarios. We have tried to word this in the clearest non-legal language. We reserve the right to modify these terms, as necessary, but will inform the dotSUB community immediately if we choose to do so. You may not use this Site or the materials on it in any manner that violates the privacy rights, publicity rights, copyrights, trademark rights, patent rights, contract rights, or any other rights belonging to the content's owner. We reserve the right, at any time to suspend, cancel, or term

"Though Open Access publication and Creative Commons licensing were not mentioned as issues by the people who participated in the DICE survey, several replies deal with germane issues: see cases THETA-MU in the "Per cominciare..." section of the handbook. The concern about protection expressed in THETA, IOTA and KAPPA is answered in Chapter B [check "B" in final version - calmansi calmansi just now] of this handbook: works such as those mentioned in these replies are automatically protected by copyright law once they have been expressed, and this protection also obtains for works expressed in digital form, and offered online. Open Access publishing and of Creative Commons licensing are particular uses of copyright law. As we shall see in what follows, they can help towards the communal sharing wished for by the author of LAMBDA, and the literature about their implementation can be of use in solving the conundrums of third parties' rights evoked by the author of MU. Open Access The main Swiss higher education authorities have signed the Berlin Declaration on Open Access. This is a great progress for research. It also means that all publications by teachers and researchers - and all theses by students - of Swiss academic and higher education institutions must be made available in Open Access repositories, following the rules stated in by the Berlin Declaration: 1. The author(s) and right holder(s) of such contributions grant(s) to all users a free, irrevocable, worldwide, right of access to, and a license to copy, use, distribute, transmit and display the work publicly and to make and distribute derivative works, in any digital medium for any responsible purpose, subject to proper attribution of authorship (community standards, will continue to provide the mechanism for enforcement of proper attribution and responsible use of the published work, as they do now), as well as the right to make small numbers of printed copies for their personal use. 2. A complete

"The following describes each of the six main licenses offered when you choose to publish your work with a Creative Commons license. We have listed them starting with the most accommodating license type you can choose and ending with the most restrictive license type you can choose."

"You are free: * to Share - to copy, distribute and transmit the work * to Remix - to adapt the work * Under the following conditions: * Attribution - You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Attribute this work: Information What does "Attribute this work" mean? The page you came from contained embedded licensing metadata, including how the creator wishes to be attributed for re-use. You can use the HTML here to cite the work. Doing so will also include metadata on your page so that others can find the original work as well. With the understanding that: * Waiver - Any of the above conditions can be waived if you get permission from the copyright holder. * Public Domain - Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. * Other Rights - In no way are any of the following rights affected by the license: o Your fair dealing or fair use rights, or other applicable copyright exceptions and limitations; o The author's moral rights; o Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. * Notice - For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page. "

Abstract: Technically it is entirely possible to attach a Creative Commons license to a sound recording - but does the law permit it? This study examines the rights of performers and producers in the sound recordings they create, the collective management systems in place for the exploitation of those rights, and the relevant terms of the Creative Commons licenses. On this basis, it attempts to assess whether Creative Commons licenses can be attached to sound recordings, whether the use of such licenses can be combined with the collective management of related rights in sound recordings and, if so, under what circumstances and conditions this can be achieved.

"License. http://creativecommons.org/licenses/by-sa/2.5/za/ . Screencast which demonstrates how to add a Creative Commons license to offline works created in September 2009 for the University of Cape Town. http://blogs.uct.ac.za/blog/oer-uct"

"Privacy and Terms of Use The following notices and licenses comprise together the MIT OpenCourseWare License. * Privacy * Creative Commons License * Use of MIT Name * MIT Interpretation of "Non-commercial" * Infringement Notification * Trademarks"

"You need to check with your society. Currently, many of the collecting societies in Australia, Finland, France, Germany, Luxembourg, Spain, Taiwan and the Netherlands take an assignment of rights (or in France what is called a "mandate" of rights that nonetheless has the same effect practically as an assignment) from you in present and future works (so that they effectively become the owner of these rights) and manage them for you. So if you are already a member of a collecting society in one of these jurisdictions, you may not be entitled to license your work yourself under a Creative Commons license because the necessary rights are not held by you but by the collecting society. Please also read the FAQ on the website of the Creative Commons project team for your jurisdiction for more information about this issue in your jurisdiction. "

"Welcome to the Open-Access Text Archive. This collection is open to the community for the contribution of any type of text, many licensed using Creative Commons licenses. Check our FAQ for more information. Recent Internet Archive blog posts focused on Texts: * Guest Blogger: Barbara Janis of the Presidio Trust * Celebrate Banned Books Week 2009 * Travels with the FWP * Special Collections From the UCLA Scanning Center * Welcoming the "Share" Button * The Library of Congress at Your Fingertips * Yiddish Literature Online Please feel free to contribute your texts! (Uploaders, please try to set a Creative Commons license as part of the upload process, so people know what they can do with your texts - thanks!) All items (most recently added first) - RSS"

"With a Creative Commons license, you keep your copyright but allow people to copy and distribute your work provided they give you credit - and only on the conditions you specify here. For those new to Creative Commons licensing, we've prepared a list of things to think about. If you want to offer your work with no conditions or you want to certify a work as public domain, choose one of our public domain tools." (you can change language at the bottom of the form)

"Screencast which demonstrates how to add a Creative Commons license to offline works created in September 2009 for the University of Cape Town. http://blogs.uct.ac.za/blog/oer-uct."

"The following list sets out some basic things that you should think about before you apply a Creative Commons license to your work. It is not an exhaustive list. If you have additional questions or concerns, feel free to post to one of our email discussion lists, to send us an email at info@creativecommons.org or send an email to one of our country project leads or obtain your own legal advice. "

CC licences (and the relevant metadata) attach to a work and authorise everyone who comes into contact with it to use it in the way that has been described. So for example if user Y has a copy of creator X's CC licensed work, Y can give a copy to Z and Z will also be authorised to use the work consistent with the licence. Creator X then has a licence agreement with both Y and Z. From a curation perspective this has great advantages for widened participation in and access to digital materials.

Many Flickr users have chosen to offer their work under a Creative Commons license, and you can browse or search through content under each type of license.

"Contents * 1 Caveats * 2 Raw search engine query data o 2.1 Linkback data o 2.2 Graphs of the linkback data o 2.3 Flickr data o 2.4 Software + 2.4.1 Data gathering + 2.4.2 Charting * 3 Baseline numbers from specific collections * 4 License property charts * 5 Estimates over time o 5.1 Issues + 5.1.1 Fixed + 5.1.2 Confirmed"

"CC0 enables scientists, educators, artists and other creators and owners of copyright-protected content to waive copyright interests in their works and thereby place them as completely as possible in the public domain, so that others may freely build upon, enhance and reuse the works for any purposes without restriction under copyright. In contrast to CC's licenses that allow copyright holders to choose from a range of permissions while retaining their copyright, CC0 empowers yet another choice altogether - the choice to opt out of copyright and the exclusive rights it automatically grants to creators - the "no rights reserved" alternative to our licenses."

"Les documents publiés dans le portail e-rara.ch sont accessibles gratuitement pour un usage privé, ou encore à des fins de recherche et d'enseignement. Toute exploitation commerciale est interdite. Des données ou des tirages isolés peuvent être diffusés, accompagnés des présentes conditions d'utilisation, et sous réserve de leur observation. Le stockage de ces documents sur un autre serveur est soumis à une autorisation écrite de la direction du projet e-rara.ch.\n\nCreative Commons License Les documents numériques sont publiés sous la licence Creative-Commons suivante:\nhttp://creativecommons.org/licenses/by-nc-sa/2.5/ch/deed.fr\n\nLe format d'affichage est généré à partir d'images de haute résolution (en principe 300 dpi) au format Tiff. Ces images (masters) sont gérées et archivées par les bibliothèques qui conservent les documents originaux. Leur achat et leur utilisation sont soumis aux règlements tarifaires des bibliothèques concernées. "

"Conditions d'utilisation Les documents publiés dans le portail e-rara.ch sont accessibles gratuitement pour un usage privé, ou encore à des fins de recherche et d'enseignement. Toute exploitation commerciale est interdite. Des données ou des tirages isolés peuvent être diffusés, accompagnés des présentes conditions d'utilisation, et sous réserve de leur observation. Le stockage de ces documents sur un autre serveur est soumis à une autorisation écrite de la direction du projet e-rara.ch. Creative Commons License Les documents numériques sont publiés sous la licence Creative-Commons suivante: http://creativecommons.org/licenses/by-nc-sa/2.5/ch/deed.fr Le format d'affichage est généré à partir d'images de haute résolution (en principe 300 dpi) au format Tiff. Ces images (masters) sont gérées et archivées par les bibliothèques qui conservent les documents originaux. Leur achat et leur utilisation sont soumis aux règlements tarifaires des bibliothèques concernées. "

So, you build on a BY-NC work and register your copyright. You license your new work also BY-NC. Someone violates the copyright on your work. You sue. You are entitled to statutory damages right? You collect. Are you now guiilty of violating the NC licneses of the works yours built upon?