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unes of Gallidon is a living fantasy world designed for creative collaboration in an online community. You're invited to set your stories, art, games, etc. in the world of Gallidon. This fantasy world of adventure is shared under a Creative Commons license so you're free to invent your own characters and places or use ones that already exist. You own what you create, but we all share the worl

In 1945 the Nazis fled to the moon. In 2018 they are coming back - this is the plot of one of the most exciting movie productions right at the moment, 'Iron Sky'. The Finnish feature-length comedy science fiction film, directed by Timo Vuorensola and produced by Samuli Torssonen, will be in cincemas in 2011. And it is far more than just an ordinary movie production.

HIGHRISE explores vertical living in the global suburbs. It's multi-year, many-media collaborative documentary experiment at the National Film Board of Canada, directed by Katerina Cizek, produced by Gerry Flahive. Over the years, HIGHRISE will generate many projects, including mixed media, interactive documentaries, mobile productions, live presentations, installations and films. Collectively, the projects will both shape and realize the HIGHRISE vision: to see how the documentary process can drive and participate in social innovation rather than just to document it; and to help re-invent what it means to be an urban species in the 21st century.

Digital storytelling is using technology to tell stories.  It's a great way to develop visual and media literacy, promote reflection, engage students in their own learning, improve speaking and writing skills, to collaborate, reflect and evaluate.   Here are the first 25 digital storytelling tools that you can use in your classes or just to tell your digital story. I'm sure you are already familiar with some of them and I hope you can find new tools to use.

Brain Candy, LLC works with content producers to construct custom narrative frameworks where audiences co-create value with producers. Several factors determine the format of these frameworks, including the goals of the content producer and the characteristics of the entertainment property.