CCACAPTIONING

"CART, Art and the Metropolitan Museum of Art: Mobile CART at the Met by Ruth D. Bernstein I'm a volunteer for the Access Programs at the Metropolitan Museum of Art (Met), (on Facebook and here.) It's a job I really enjoy, that is why I was pleased to take a walk into the future in the spring of 2011 when I took part in the first demonstration of a mobile CART system at the Met presented by Ms. Mirabai Knight. I attended this very special gallery tour with Rebecca McGinnis, the Met's Access Coordinator and Deepa Shastri, Live Events Programme Officer of London's STAGETEXT."

"There are several free or low-cost tools, software, and online, to help anyone who wants to caption their videos and make them accessible to millions around the world. (...)"

Message in the private http://groups.google.com/group/ccaxslc?hl=en group: you have to be subscribed and logged in to view it.

"BROADCAST CLOSED CAPTIONING Closed captioning can be extremely helpful in at least three different situations: It has been a great boon to hearing-impaired television viewers. It can also be helpful in noisy environments. For example, a TV in a noisy airport terminal can display closed captioning and still be usable Some people use captions to learn English or learn to read. For one good video on this, see: http://www.youtube.com/watch?v=OROk7fkY-OE&cc_load_policy=1 Closed captioning is embedded in the television signal and becomes visible when you use a special decoder, either as a separate appliance or built into a television set. The decoder lets viewers see captions, usually at the bottom of the screen, that will tell them what is being said or heard on their favorite TV shows. Since 1993, television sets with screens of 13 inches or more that are sold in the United States must have built-in decoders, under the Television Decoder Circuitry Act. Set-top decoders are available, too, for older TV sets. (...)"

"(...) See all the articles listed below, following a short list of more general resources that provide excellent information.: a. General advocacy resource - ADA Free Web Course on Disability Rights (...) b. (...) National Park Service (...) c. (...) video about "accessible media" in education (...) d. (...) TDI (...) about Television Captioning and Airline Travel (...) e. http://www.howtobecomeacourtreporter.info/ is about Court Reporters. (...)

"FROM THE CCAC AND YOU: DEAR EDUCATION LEADERS, PARENTS, STUDENTS AND SCHOOL SYSTEMS, Equal Communication Access includes Captioning and CART in Education: One Good Example? Include CART at Graduation this year! Why plan for inclusion of quality captioning now? Let us count some of the good reasons. CART and captioning is needed for: 1 Learning to read 2 To learn languages 3 For transcripts and record-keeping 4 For "search" and knowledge-building online 5 For "equal communication access" for millions of students of all ages with different hearing loss and deafness. Captioning is our "ramp" for equal access Too many educational materials today, e.g. videos of all sorts, do not have full verbatim captioning. Too many school events do not plan for CART (full quality real time speech-to-text provided by a professional on site, or remotely). Too many students and teachers have insufficient knowledge about this need and choice --to understand the benefits of captioning inclusion."

"See this also: http://www.ada.gov/hospcombr.htm from the ADA, it's the law. Communicating with your physician or any healthcare provider is always vital, and sometimes also a matter of life and death. Could there be a better reason for full verbatim real time text (CART) for those who require it? Even if it's a "routine" check-up, one "usual" follow-up visit, a first meeting with a new provider, a conference to help care for a loved one, an emergency room visit, or a health education video handed to you for cancer treatment, CART or captions will serve thousands if not millions. Why? 37 million is the current estimate of people with deafness or hearing loss in the USA alone. Not all need CART. Some use hearing aids or other listening devices for full speech comprehension. (Keep in mind many hearing aids wind up in drawers, never to be seen again, because hearing aids do not cure hearing loss, and are uncomfortable for many; the result is that some deny any hearing loss and learn to "bluff" extremely well). CART is a universally appropriate language (in whatever language you use) for all who can read. It is used by people who are deaf also (though some prefer sign language). CART provides an easy record (transcript) of what is said for best health and for proper treatments. While talking with your provider, while you or the nation is paying for the best healthcare one hopes to find, it's essential not to miss a word."

"Realtime Captioning for the Hard of Hearing - Cutting Edge Technology to Help You Communicate Effectively with your Clients and Market your Practice By Janet L. Smith, JD Law Office of Janet L. Smith, PS (...) * Meeting: Provide agendas, handouts, speeches or other material beforehand to enable the CART provider to become familiar with the presentation and prepare for the assignment. Seat the CART provider in the same location as the consumer. If you have more than one or two consumers, it may be necessary to project onto a screen. * Courtroom: Provide information to the CART provider before the proceedings -- i.e., pleadings, deposition word indexes or other documents -- to enable the CART provider to become familiar with the case and prepare for the assignment. Seat the CART provider in the same location as the consumer requiring CART, whether at counsel table, the witness stand, jury box or bench. * Additional Hints: "

"When you combine the audience-building power of captioning and the interactive aspects of links, it's easy to see how an investment in these additional services will set your programs apart from others. In closing, please keep in mind that our main goal is to make you feel comfortable and confident in our captioning services. When comparing VITAC's rates, services and quality to other vendors, please be sure that you're comparing apples to apples. We are confident that nobody in the industry can match the quality and experience of VITAC's work. You invest thousands of dollars into the highest production values for your shows so why settle for anything but the best in captioning to compliment your programs? "

"When considering captioning in the performing arts, there are two things to keep in mind: 1) Captioning is not the same as opera surtitles (or supertitles). Surtitles are highly synopsized, carefully edited translations of what is being sung. Captioning is a word-for-word transcription of what the performers are saying or singing as well as sound cues like "phone rings", "knock at door", or "classical music". 2) Captioning for live theater targets people whose hearing loss is too severe to benefit from the use of assistive listening devices and who don't use or know sign language. The following should help you research how to offer captioning at your venue."

"Breaking Down Laws Applicable to CART From Pete Wacht, Senior Director, Communications and Public Affairs, NCRA That Affect Both Provider and Consumer In a world where laws of every sort govern people's daily lives, it can be confusing to determine the differences between them. When dealing with a service like Communication Access Realtime Translation(CART), where the consumers, who are deaf or hard-of-hearing, are considered disabled, even more laws apply. From the Americans with Disabilities Act of 1990 (ADA) to the Individuals with Disabilities Education Act(IDEA), both the CART provider and consumer are faced with a multitude of provisions and restrictions. Here is a look at each one individually as they relate to CART, including the requirements and definitions in the law, who is covered and what kind of services they provide. (...) "

"CART is an acronym that stands for Communication Access Realtime Translation. It is a speech-to-text interpreting service for anyone who needs communication access. CART benefits people who are late-deafened, hard of hearing, culturally Deaf, who have cochlear implants, and those learning English as a second language. CART is also referred to as realtime captioning. (...) "

"ADVOCACY FOR QUALITY CAPTIONING UNIVERSALLY IS THE CCAC MISSION. We invite you to join us in the online grass-roots project called the CCAC if you support the CCAC mission, hearing or not, deaf or not. (...) CCAC is neither a deaf nor a hearing loss association. It is an advocacy community aiming to educate and advocate on many levels for inclusion of quality captioning where none exists now. (...)"

"Before anything else - please review this: http://www.ada.gov/comprob.htm Your local, state or national government needs to include you - For one example, a few CCAC members are asking for captioning inclusion for town meetings - very important. Not easy to find access. And then, with captioning streamed online too - can be done! Some towns are already doing this, and we say thanks. (...)"

"(...) Theater and cultural events no longer need to be off limits to patrons who are deaf or have a hearing loss. Open captioning provides accessibility to individuals who otherwise may not attend theatrical or cultural events due to their hearing loss. It is a service that can and should be provided on a regular basis at all events. Oftentimes, as an aging population experiences a hearing loss, activities they once enjoyed, such as an evening at the theatre, become a source of frustration when the words and lyrics become indecipherable. They no longer attend theatrical events and often develop an isolated and withdrawn lifestyle. (People of all ages have hearing loss also.) (...) Prepared for the CCAC by TRCS Turner Reporting & Captioning Services, Inc. (..) "

"Real Time Captioning for Employment and Work Settings (Captioning and CART) Prepared by the CCAC (Collaborative for Communication Access via Captioning, a voluntary grass-roots advocacy and education network, see www.ccacaptioning.org) October 2011 Thirty six million Americans today are deaf, deafened, or have a hearing loss, roughly one person in every ten (a conservative estimate). For communication access that allows them to participate and contribute their skills and expertise throughout the lifespan, quality inclusion of captioning is essential for many. Accessible communication technologies have advanced in recent years, especially services and systems providing speech-to-text translation. This is a brief overview of captioning considerations for employers and employees on captioning inclusion, benefiting not only all with hearing needs, but many others with language differences. (...)"

"Minnesota Campaign Ad Captioning Law (2008) Senator Ann Rest's Video Explains the Law In the Minnesota tradition of commitment to access, the 2008 Legislature passed a law requiring all candidates for office who file with the Campaign Finance Board to caption their online and television ads and post transcripts of their radio ads. Minnesota citizens who are deaf, deafblind, and hard of hearing and who want to get information about candidates through campaign ads will now be able to do so. In the following captioned video, Minnesota Senator Ann Rest demonstrates the power of captioning in creating accessibility. A transcript of the audio content with video descriptions is also available. This video was produced by Senate Media Services and is used with permission."

"L'accessibilità, lo abbiamo detto tante volte in questi mesi, è questione di volontà, di passione, di vocazione ma soprattutto di diritti e di doveri. Diritti delle persone con cecità e sordità di partecipare attivamente all'offerta culturale del proprio Paese, dovere della politica, degli amministratori e degli operatori culturali di formarsi, reperire informazioni, cercare specialisti e tecnici dell'accessibilità. Anche se non è facile, a volte le professionalità giuste si trovano tra persone che nella vita di tutti i giorni si occupano di cose apparentemente diverse, ma che coltivano con passione, devozione, ottimismo, inventiva, fantasia e competenza tutte quelle attività che si rivelano fondamentali per l'accessibilità - teatrale nel nostro caso. Oggi è il turno di Gianluca Aloi, una delle menti 'tecniche' più importanti dello spettacolo 'Le Avventure del Piccolo Burattino'. Lo abbiamo intervistato per voi, e anche un po' per noi."